\dynamicUp
\override DynamicLineSpanner #'staff-padding = #4
r2 r16 c'8.\pp r4
- } \\ {
+ }
+ \\
+ {
\override DynamicLineSpanner #'layer = #0
des,2\mf\< ~
\override TextScript #'layer = #2
\header {
lsrtags = "simultaneous-notes"
+ texidoces = "
+Al utilizar la posibilidad de combinación automática de partes, se
+puede modificar el texto que se imprime para las secciones de solo
+y de unísono:
+
+"
+ doctitlees = "Cambiar los textos de partcombine"
+
texidoc = "
When using the automatic part combining feature, the printed text for
the solo and unison sections may be changed:
} % begin verbatim
\relative c'' {
c2
- \override BreathingSign #'text = #(make-musicglyph-markup "scripts.rvarcomma")
+ \override BreathingSign #'text = \markup { \musicglyph #"scripts.rvarcomma" }
\breathe
d2
}
\header {
lsrtags = "simultaneous-notes, text"
+ texidoces = "
+La herramienta de combinación de partes ( instrucción
+@code{\partcombine}) permite la combinación de varias partes
+diferentes sobre el mismo pentagrama. Las indicaciones textuales
+tales como \"solo\" o \"a2\" se añaden de forma predeterminada;
+para quitarlas, sencillamente establezca la proopiedad
+@code{printPartCombineTexts} al valor \"falso\". Para partituras
+vocales (como himnos), no hay necesidad de añadir los textos
+\"solo\" o \"a2\", por lo que se deben desactivar. Sin embargo,
+podría ser mejor no usarlo si hay solos, porque éstos no se
+indicarán. En tales casos podría ser preferible la notación
+polifónica estándar.
+
+Este fragmento de código presenta las tres formas en que se pueden
+imprimir dos partes sobre un solo pentagrama: polifonía estándar,
+@code{\partcombine} sin textos, y @code{\partcombine} con
+textos.
+
+"
+ doctitlees = "Combinar dos partes sobre el mismo pentagrama"
+
texidoc = "
The part combiner tool ( @code{\\partcombine} command ) allows the
combination of several different parts on the same staff. Text
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+%% This file is in the public domain.
+\version "2.11.55"
+
+\header {
+ lsrtags = "fretted-strings,tweaks-and-overrides"
+
+ texidoc = "Fret diagram properties can be set through
+@code{fret-diagram-details}. For FretBoard fret diagrams,
+overrides are applied to the @code{FretBoards.FretBoard} object.
+"
+ doctitle = "Customizing fretboard fret diagrams"
+} % begin verbatim
+
+\include "predefined-guitar-fretboards.ly"
+\storePredefinedDiagram \chordmode { c' }
+ #guitar-tuning
+ #"x;1-1-(;3-2;3-3;3-4;1-1-);"
+<<
+ \context ChordNames {
+ \chordmode { c1 c c d }
+ }
+ \context FretBoards {
+ % Set global properties of fret diagram
+ \override FretBoards.FretBoard #'size = #'1.2
+ \override FretBoards.FretBoard #'fret-diagram-details
+ #'finger-code = #'in-dot
+ \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-color = #'white
+ \chordmode {
+ c
+ \once \override FretBoards.FretBoard #'size = #'1.0
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'barre-type = #'straight
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-color = #'black
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'finger-code = #'below-string
+ c'
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'barre-type = #'none
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'number-type = #'arabic
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'orientation = #'landscape
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'mute-string = #"M"
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'label-dir = #-1
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-color = #'black
+ c'
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'finger-code = #'below-string
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-radius = #0.35
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-position = #0.5
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'fret-count = #3
+ d
+ }
+ }
+ \context Voice {
+ c'1 c' c' d'
+ }
+>>
--- /dev/null
+%% Do not edit this file; it is auto-generated from input/new
+%% This file is in the public domain.
+\version "2.11.55"
+
+\header {
+ lsrtags = "fretted-strings,tweaks-and-overrides"
+
+ texidoc = "Fret diagram properties can be set through
+@code{fret-diagram-details}. For markup fret diagrams, overrides
+can be applied to the @code{Voice.TextScript} object or directly
+to the markup.
+"
+ doctitle = "Customizing markup fret diagrams"
+} % begin verbatim
+
+<<
+ \chords { c1 c c d }
+
+ \new Voice = "mel" {
+ \textLengthOn
+ % Set global properties of fret diagram
+ \override Voice.TextScript #'size = #'1.2
+ \override Voice.TextScript #'fret-diagram-details
+ #'finger-code = #'in-dot
+ \override Voice.TextScript #'fret-diagram-details
+ #'dot-color = #'white
+
+ %% C major for guitar, no barre, using defaults
+ % terse style
+ c'1^\markup { \fret-diagram-terse #"x;3-3;2-2;o;1-1;o;" }
+
+ %% C major for guitar, barred on third fret
+ % verbose style
+ % size 1.0
+ % roman fret label, finger labels below string, straight barre
+ c'1^\markup {
+ % standard size
+ \override #'(size . 1.0) {
+ \override #'(fret-diagram-details . (
+ (number-type . roman-lower)
+ (finger-code . in-dot)
+ (barre-type . straight))) {
+ \fret-diagram-verbose #'((mute 6)
+ (place-fret 5 3 1)
+ (place-fret 4 5 2)
+ (place-fret 3 5 3)
+ (place-fret 2 5 4)
+ (place-fret 1 3 1)
+ (barre 5 1 3))
+ }
+ }
+ }
+
+ %% C major for guitar, barred on third fret
+ % verbose style
+ % landscape orientation, arabic numbers, M for mute string
+ % no barre, fret label down or left, small mute label font
+ c'1^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (number-type . arabic)
+ (label-dir . -1)
+ (mute-string . "M")
+ (orientation . landscape)
+ (barre-type . none)
+ (xo-font-magnification . 0.4)
+ (xo-padding . 0.3))) {
+ \fret-diagram-verbose #'((mute 6)
+ (place-fret 5 3 1)
+ (place-fret 4 5 2)
+ (place-fret 3 5 3)
+ (place-fret 2 5 4)
+ (place-fret 1 3 1)
+ (barre 5 1 3))
+ }
+ }
+
+ %% simple D chord
+ % terse style
+ % larger dots, centered dots, fewer frets
+ % label below string
+ d'1^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (dot-radius . 0.35)
+ (dot-position . 0.5)
+ (fret-count . 3))) {
+ \fret-diagram-terse #"x;x;o;2-1;3-2;2-3;"
+ }
+ }
+ }
+>>
line-arrows.ly
hiding-the-extender-line-for-text-dynamics.ly
vertically-aligning-dynamics-across-multiple-notes.ly
-modifying-default-values-for-articulation-shorthand-notation.ly
+horizontally-aligning-custom-dynamics-e.g.-sempre-pp,-piu-f,-subito-p.ly
changing-text-and-spanner-styles-for-text-dynamics.ly
controlling-the-vertical-ordering-of-scripts.ly
inserting-a-caesura.ly
creating-slurs-across-voices.ly
caesura-railtracks-with-fermata.ly
changing-the-breath-mark-symbol.ly
+modifying-default-values-for-articulation-shorthand-notation.ly
creating-simultaneous-rehearsal-marks.ly
setting-hairpin-behavior-at-bar-lines.ly
changing--flageolet-mark-size.ly
laissez-vibrer-ties.ly
controlling-the-placement-of-chord-fingerings.ly
allowing-fingerings-to-be-printed-inside-the-staff.ly
+customizing-fretboard-fret-diagrams.ly
faking-a-hammer-in-tablatures.ly
fret-diagrams-explained-and-developed.ly
modern-tab-text-clef.ly
stem-and-beam-behavior-in-tablature.ly
+customizing-markup-fret-diagrams.ly
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.55"
+
+\header {
+ lsrtags = "expressive-marks, tweaks-and-overrides"
+
+ texidoc = "
+Some dynamic expressions involve additional text, like \"sempre pp\".
+Since lilypond aligns all dynamics centered on the note, the \\pp would
+be displayed way after the note it applies to.
+
+To correctly align the \"sempre \\pp\" horizontally, so that it is
+aligned as if it were only the \\pp, there are several approaches:
+
+* Simply use @code{\\once\\override DynamicText #'X-offset = #-9.2}
+before the note with the dynamics to manually shift it to the correct
+position. Drawback: This has to be done manually each time you use that
+dynamic markup... * Add some padding (@code{#:hspace 7.1}) into the
+definition of your custom dynamic mark, so that after lilypond
+center-aligns it, it is already correctly aligned. Drawback: The
+padding really takes up that space and does not allow any other markup
+or dynamics to be shown in that position.
+
+* Shift the dynamic script @code{\\once\\override ... #'X-offset = ..}.
+Drawback: @code{\\once\\override} is needed for every invocation!
+
+* Set the dimensions of the additional text to 0 (using
+@code{#:with-dimensions '(0 . 0) '(0 . 0)}). Drawback: To lilypond
+\"sempre\" has no extent, so it might put other stuff there and create
+collisions (which are not detected by the collision dection!). Also,
+there seems to be some spacing, so it's not exactly the same alignment
+as without the additional text
+
+* Add an explicit shifting directly inside the scheme function for the
+dynamic-script.
+
+* Set an explicit alignment inside the dynamic-script. By default, this
+won't have any effect, only if one sets X-offset! Drawback: One needs
+to set @code{DynamicText #'X-offset}, which will apply to all dynamic
+texts! Also, it is aligned at the right edge of the additional text,
+not at the center of pp.
+
+
+
+
+"
+ doctitle = "Horizontally aligning custom dynamics (e.g. \"sempre pp\", \"piu f\", \"subito p\")"
+} % begin verbatim
+\header { title = "Horizontally aligning custom dynamics" }
+\layout { ragged-right = ##t }
+
+% Solution 1: Using a simple markup with a particular halign value
+% Drawback: It's a markup, not a dynamic command, so \dynamicDown etc. will have no effect
+semppMarkup = \markup { \halign #1.4 \italic "sempre" \dynamic "pp" }
+
+% Solution 2: Using a dynamic script and shifting with \once\override ... #'X-offset = ..
+% Drawback: \once\override needed for every invocation
+semppK = #(make-dynamic-script (markup #:line( #:normal-text #:italic "sempre" #:dynamic "pp")))
+
+% Solution 3: Padding the dynamic script so the center-alignment puts it to the correct position
+% Drawback: the padding really reserves the space, nothing else can be there
+semppT = #(
+ make-dynamic-script (
+ markup #:line (
+ #:normal-text #:italic "sempre" #:dynamic "pp" #:hspace 7.1
+ )
+ )
+)
+
+% Solution 4: Dynamic, setting the dimensions of the additional text to 0
+% Drawback: To lilypond "sempre" has no extent, so it might put other stuff there => collisions
+% Drawback: Also, there seems to be some spacing, so it's not exactly the
+% same alignment as without the additional text
+semppM = #(make-dynamic-script (markup #:line( #:with-dimensions '(0 . 0) '(0 . 0) #:right-align #:normal-text #:italic "sempre" #:dynamic "pp")))
+
+% Solution 5: Dynamic with explicit shifting inside the scheme function
+semppG = #(make-dynamic-script
+ (markup
+ #:hspace 0 #:translate (cons -18.85 0 )
+ #:line( #:normal-text #:italic "sempre" #:dynamic "pp"))
+)
+
+% Solution 6: Dynamic with explicit alignment. This has only effect, if one sets X-offset!
+% Drawback: One needs to set DynamicText #'X-offset!
+% Drawback: Aligned at the right edge of the additional text, not at the center of pp
+semppMII = #(make-dynamic-script (markup #:line(#:right-align #:normal-text #:italic "sempre" #:dynamic "pp")))
+
+
+\context StaffGroup <<
+ \context Staff="s" << \set Staff.instrumentName = "Normal"
+ \relative c'' { \key es \major c4\pp c\p c c | c\ff c c\pp c }
+ >>
+ \context Staff="sMarkup" << \set Staff.instrumentName = \markup\column{"Normal" "Markup"}
+ \relative c'' { \key es \major c4-\semppMarkup c\p c c | c\ff c c-\semppMarkup c}
+ >>
+ \context Staff="sK" << \set Staff.instrumentName = \markup\column{"Explicit" "shifting"}
+ \relative c'' { \key es \major
+ \once \override DynamicText #'X-offset = #-9.2 c4\semppK c\p c c |
+ c\ff c \once \override DynamicText #'X-offset = #-9.2 c\semppK c }
+ >>
+ \context Staff="sT" << \set Staff.instrumentName = \markup\column{"Right" "padding"}
+ \relative c'' { \key es \major c4\semppT c\p c c | c\ff c c\semppT c }
+ >>
+ \context Staff="sM" << \set Staff.instrumentName = \markup\column{"Setting" "dimension" "to zero"}
+ \relative c'' { \key es \major c4\semppM c\p c c | c\ff c c\semppM c }
+ >>
+ \context Staff="sG" << \set Staff.instrumentName = \markup\column{"Shifting" "inside" "dynamics"}
+ \relative c'' { \key es \major c4\semppG c\p c c | c\ff c c\semppG c}
+ >>
+ \context Staff="sMII" << \set Staff.instrumentName = \markup\column{"Alignment" "inside" "dynamics"}
+ \relative c'' { \key es \major
+ \override DynamicText #'X-offset = #0 % Setting to ##f (false) gives the same resul
+ c4\semppMII c\p c c | c\ff c c\semppMII c }
+ >>
+>>
+
\relative c {
g16 b d g b d g b
\stemDown
- \override Beam #'damping = #100000
+ \override Beam #'damping = #+inf.0
g,,16 b d g b d g b
}
}
printing-a-repeat-sign-at-the-beginning-of-a-piece.ly
creating-text-spanners.ly
rest-styles.ly
+horizontally-aligning-custom-dynamics-e.g.-sempre-pp,-piu-f,-subito-p.ly
how-to-change-fret-diagram-position.ly
using-the--tweak-command-to-tweak-individual-grobs.ly
suppressing-warnings-for-clashing-note-columns.ly
controlling-tuplet-bracket-visibility.ly
positioning-multi--measure-rests.ly
changing-the-staff-size.ly
+customizing-markup-fret-diagrams.ly
changing-text-and-spanner-styles-for-text-dynamics.ly
fine-tuning-pedal-brackets.ly
controlling-the-vertical-ordering-of-scripts.ly
changing-form-of-multi--measure-rests.ly
time-signature-in-parentheses.ly
changing-a-single-notes-size-in-a-chord.ly
+customizing-fretboard-fret-diagrams.ly
creating-simultaneous-rehearsal-marks.ly
nesting-staves.ly
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.55"
+
+\header {
+ lsrtags = "vocal-music"
+
+ texidoc = "
+In a vocal piece where there are several (two,four or more) lines of
+lyrics, and common lyrics for all voices at some point, these common
+lyrics may be vertically centered regardingly, as shown in the
+following example:
+
+"
+ doctitle = "Vertically centered common lyrics"
+} % begin verbatim
+
+\include "english.ly"
+leftbrace = \markup { \override #'(font-encoding . fetaBraces) \lookup #"brace240" }
+rightbrace = \markup { \rotate #180 \leftbrace }
+
+dropLyrics =
+{
+ \override LyricText #'extra-offset = #'(0 . -5)
+ \override LyricHyphen #'extra-offset = #'(0 . -5)
+ \override LyricExtender #'extra-offset = #'(0 . -5)
+}
+
+raiseLyrics =
+{
+ \revert LyricText #'extra-offset
+ \revert LyricHyphen #'extra-offset
+ \revert LyricExtender #'extra-offset
+}
+
+skipFour = \repeat unfold 4 { \skip 8 }
+
+lyricsA = \lyricmode { The first verse has \dropLyrics the com -- mon
+__ words \raiseLyrics used in all four. }
+lyricsB = \lyricmode { In stan -- za two, \skipFour al -- so ap -- pear. }
+lyricsC = \lyricmode { By the third verse, \skipFour are get -- ting dull. }
+lyricsD = \lyricmode { Last stan -- za, and \skipFour get used once more. }
+
+melody = \relative c' { c4 d e f g f e8( e f) d4 c e d c }
+
+\score
+{
+ <<
+ \new Voice = m \melody
+ \new Lyrics \lyricsto m \lyricsA
+ \new Lyrics \lyricsto m \lyricsB
+ \new Lyrics \lyricsto m \lyricsC
+ \new Lyrics \lyricsto m \lyricsD
+ >>
+}
single-staff-template-with-notes,-lyrics,-and-chords.ly
formatting-lyrics-syllables.ly
vertically-aligning-ossias-and-lyrics.ly
+vertically-centered-common-lyrics.ly
demo-midiinstruments.ly
vocal-ensemble-template.ly
adjusting-lyrics-vertical-spacing.ly
\dynamicUp
\override DynamicLineSpanner #'staff-padding = #4
r2 r16 c'8.\pp r4
- } \\ {
+ }
+ \\
+ {
\override DynamicLineSpanner #'layer = #0
des,2\mf\< ~
\override TextScript #'layer = #2
--- /dev/null
+\version "2.11.55"
+
+\header {
+ lsrtags = "fretted-strings,tweaks-and-overrides"
+
+ texidoc = "Fret diagram properties can be set through
+@code{fret-diagram-details}. For FretBoard fret diagrams,
+overrides are applied to the @code{FretBoards.FretBoard} object.
+"
+ doctitle = "Customizing fretboard fret diagrams"
+}
+
+\include "predefined-guitar-fretboards.ly"
+\storePredefinedDiagram \chordmode { c' }
+ #guitar-tuning
+ #"x;1-1-(;3-2;3-3;3-4;1-1-);"
+<<
+ \context ChordNames {
+ \chordmode { c1 c c d }
+ }
+ \context FretBoards {
+ % Set global properties of fret diagram
+ \override FretBoards.FretBoard #'size = #'1.2
+ \override FretBoards.FretBoard #'fret-diagram-details
+ #'finger-code = #'in-dot
+ \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-color = #'white
+ \chordmode {
+ c
+ \once \override FretBoards.FretBoard #'size = #'1.0
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'barre-type = #'straight
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-color = #'black
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'finger-code = #'below-string
+ c'
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'barre-type = #'none
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'number-type = #'arabic
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'orientation = #'landscape
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'mute-string = #"M"
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'label-dir = #-1
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-color = #'black
+ c'
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'finger-code = #'below-string
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-radius = #0.35
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'dot-position = #0.5
+ \once \override FretBoards.FretBoard #'fret-diagram-details
+ #'fret-count = #3
+ d
+ }
+ }
+ \context Voice {
+ c'1 c' c' d'
+ }
+>>
--- /dev/null
+\version "2.11.55"
+
+\header {
+ lsrtags = "fretted-strings,tweaks-and-overrides"
+
+ texidoc = "Fret diagram properties can be set through
+@code{fret-diagram-details}. For markup fret diagrams, overrides
+can be applied to the @code{Voice.TextScript} object or directly
+to the markup.
+"
+ doctitle = "Customizing markup fret diagrams"
+}
+
+<<
+ \chords { c1 c c d }
+
+ \new Voice = "mel" {
+ \textLengthOn
+ % Set global properties of fret diagram
+ \override Voice.TextScript #'size = #'1.2
+ \override Voice.TextScript #'fret-diagram-details
+ #'finger-code = #'in-dot
+ \override Voice.TextScript #'fret-diagram-details
+ #'dot-color = #'white
+
+ %% C major for guitar, no barre, using defaults
+ % terse style
+ c'1^\markup { \fret-diagram-terse #"x;3-3;2-2;o;1-1;o;" }
+
+ %% C major for guitar, barred on third fret
+ % verbose style
+ % size 1.0
+ % roman fret label, finger labels below string, straight barre
+ c'1^\markup {
+ % standard size
+ \override #'(size . 1.0) {
+ \override #'(fret-diagram-details . (
+ (number-type . roman-lower)
+ (finger-code . in-dot)
+ (barre-type . straight))) {
+ \fret-diagram-verbose #'((mute 6)
+ (place-fret 5 3 1)
+ (place-fret 4 5 2)
+ (place-fret 3 5 3)
+ (place-fret 2 5 4)
+ (place-fret 1 3 1)
+ (barre 5 1 3))
+ }
+ }
+ }
+
+ %% C major for guitar, barred on third fret
+ % verbose style
+ % landscape orientation, arabic numbers, M for mute string
+ % no barre, fret label down or left, small mute label font
+ c'1^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (number-type . arabic)
+ (label-dir . -1)
+ (mute-string . "M")
+ (orientation . landscape)
+ (barre-type . none)
+ (xo-font-magnification . 0.4)
+ (xo-padding . 0.3))) {
+ \fret-diagram-verbose #'((mute 6)
+ (place-fret 5 3 1)
+ (place-fret 4 5 2)
+ (place-fret 3 5 3)
+ (place-fret 2 5 4)
+ (place-fret 1 3 1)
+ (barre 5 1 3))
+ }
+ }
+
+ %% simple D chord
+ % terse style
+ % larger dots, centered dots, fewer frets
+ % label below string
+ d'1^\markup {
+ \override #'(fret-diagram-details . (
+ (finger-code . below-string)
+ (dot-radius . 0.35)
+ (dot-position . 0.5)
+ (fret-count . 3))) {
+ \fret-diagram-terse #"x;x;o;2-1;3-2;2-3;"
+ }
+ }
+ }
+>>
projects / lilypond.git / commitdiff