Replaced @subsubsection with @unnumberedsubsubsec in NR

diff --git a/Documentation/de/user/ancient.itely b/Documentation/de/user/ancient.itely
index 024c209ad26d519e2e5633c152a46d02fe520e21..8e81a5ed31f8858a89c9e5210077bce5f508763e 100644 (file)
--- a/Documentation/de/user/ancient.itely
+++ b/Documentation/de/user/ancient.itely
@@ -36,7 +36,7 @@
 
 
 @node Ancient notation supported
-@subsubsection Ancient notation supported
+@unnumberedsubsubsec Ancient notation supported
 
 @untranslated
 
@@ -57,7 +57,7 @@
 
 
 @node Ancient note heads
-@subsubsection Ancient note heads
+@unnumberedsubsubsec Ancient note heads
 
 @cindex Notenköpfe, Alte Musik
 
@@ -101,7 +101,7 @@ Notenkopfstile zur Verfügung.
 
 
 @node Ancient accidentals
-@subsubsection Ancient accidentals
+@unnumberedsubsubsec Ancient accidentals
 
 @cindex Vorzeichen, Alte Musik
 
@@ -176,7 +176,7 @@ Beispiele:
 
 
 @node Ancient rests
-@subsubsection Ancient rests
+@unnumberedsubsubsec Ancient rests
 
 @cindex Pausen, Alte Musik
 
@@ -215,7 +215,7 @@ Einführung zur Benutzung von Pausen.
 
 
 @node Ancient clefs
-@subsubsection Ancient clefs
+@unnumberedsubsubsec Ancient clefs
 
 @cindex Schlüssel, Alte Musik
 
@@ -453,7 +453,7 @@ Der mensurale G-Schlüssel ist als Petrucci-G-Schlüssel deklariert.
 
 
 @node Ancient flags
-@subsubsection Ancient flags
+@unnumberedsubsubsec Ancient flags
 
 @cindex Fähnchen, Alte Musik
 
@@ -492,7 +492,7 @@ eingesetzt werden.
 
 
 @node Ancient time signatures
-@subsubsection Ancient time signatures
+@unnumberedsubsubsec Ancient time signatures
 
 @cindex Taktart, Alte Musik
 @cindex Mensur
@@ -623,7 +623,7 @@ eine Textbeschriftung (@code{\markup}).
 
 
 @node Ancient articulations
-@subsubsection Ancient articulations
+@unnumberedsubsubsec Ancient articulations
 
 @cindex articulations
 
@@ -658,7 +658,7 @@ ist das rechte Ende der Episem-Linie oft zu weit rechts.
 
 
 @node Custodes
-@subsubsection Custodes
+@unnumberedsubsubsec Custodes
 
 @cindex Custodes
 
@@ -738,7 +738,7 @@ Beispiele:
 
 
 @node Divisiones
-@subsubsection Divisiones
+@unnumberedsubsubsec Divisiones
 
 @cindex divisio
 @cindex divisiones
@@ -792,7 +792,7 @@ Beispiele:
 
 
 @node Ligatures
-@subsubsection Ligatures
+@unnumberedsubsubsec Ligatures
 @cindex Ligaturen
 
 @c TODO: Should double check if I recalled things correctly when I wrote
@@ -843,7 +843,7 @@ mit der selben Wirkung zur Verfügung stellt und stabil zu sein scheint.
 
 
 @node White mensural ligatures
-@subsubsection White mensural ligatures
+@unnumberedsubsubsec White mensural ligatures
 
 @cindex Mensuralligaturen
 @cindex Weiße Mensuralligaturen
@@ -935,7 +935,7 @@ Die horizontale Positionierung ist sehr schlecht.
 
 
 @node Gregorian square neumes ligatures
-@subsubsection Gregorian square neumes ligatures
+@unnumberedsubsubsec Gregorian square neumes ligatures
 
 @cindex Quadratische Neumenligaturen
 @cindex Gregorianische quadratische Neumenligaturen
@@ -1903,7 +1903,7 @@ Präfixen in arbiträrer Reihenfolge notiert werden kann.
 
 
 @node Gregorian chant contexts
-@subsubsection Gregorian chant contexts
+@unnumberedsubsubsec Gregorian chant contexts
 
 @cindex VaticanaVoiceContext
 @cindex VaticanaStaffContext
@@ -1938,7 +1938,7 @@ begonnen werden kann. Siehe das folgende Beispiel:
 
 
 @node Mensural contexts
-@subsubsection Mensural contexts
+@unnumberedsubsubsec Mensural contexts
 
 @cindex MensuralVoiceContext
 @cindex MensuralStaffContext
@@ -1985,25 +1985,25 @@ werden kann. Siehe das folgende Beispiel:
 
 
 @node Ancient and modern from one source
-@subsubsection Ancient and modern from one source
+@unnumberedsubsubsec Ancient and modern from one source
 
 @untranslated
 
 
 @node Incipits
-@subsubsection Incipits
+@unnumberedsubsubsec Incipits
 
 @untranslated
 
 
 @node Mensurstriche layout
-@subsubsection Mensurstriche layout
+@unnumberedsubsubsec Mensurstriche layout
 
 @untranslated
 
 
 @node Transcribing Gregorian chant
-@subsubsection Transcribing Gregorian chant
+@unnumberedsubsubsec Transcribing Gregorian chant
 
 @untranslated
 
@@ -2020,7 +2020,7 @@ werden kann. Siehe das folgende Beispiel:
 
 
 @node Annotational accidentals
-@subsubsection Annotational accidentals
+@unnumberedsubsubsec Annotational accidentals
 
 In der europäischen Musik vor 1600 wurden vom Sänger oftmals
 chromatische Alterationen erwartet, die nicht notiert wurden.
@@ -2051,7 +2051,7 @@ Programmreferenz: @rinternals{Accidental_engraver}-Setzer und das
 
 
 @node Baroque rhythmic notation
-@subsubsection Baroque rhythmic notation
+@unnumberedsubsubsec Baroque rhythmic notation
 
 @untranslated
 

diff --git a/Documentation/de/user/percussion.itely b/Documentation/de/user/percussion.itely
index 48b469731c615dd4ccabeeac3a473ad674dd5a5e..ae44362f3c4527e19e53e6f0de07847728b2fa2d 100644 (file)
--- a/Documentation/de/user/percussion.itely
+++ b/Documentation/de/user/percussion.itely
@@ -33,12 +33,12 @@ aber hiermit kann auch der Rhythmus einer Melodie dargestellt werden.
 @end menu
 
 @node References for percussion
-@subsubsection References for percussion
+@unnumberedsubsubsec References for percussion
 
 @untranslated
 
 @node Basic percussion notation
-@subsubsection Basic percussion notation
+@unnumberedsubsubsec Basic percussion notation
 
 @cindex Percussion
 @cindex Drums
@@ -67,7 +67,7 @@ Programmreferenz:
 
 
 @node Percussion staves
-@subsubsection Percussion staves
+@unnumberedsubsubsec Percussion staves
 
 @cindex Perkussion
 @cindex Schlagzeug
@@ -286,7 +286,7 @@ wird sidestick für diesen Zweck benutzt.
 
 
 @node Ghost notes
-@subsubsection Ghost notes
+@unnumberedsubsubsec Ghost notes
 
 Geisternoten für Schlagzeug und Perkussion können mit dem 
 Klammer- (@code{\parenthesize})-Befehl, beschrieben in @ref{Parentheses}, 

diff --git a/Documentation/de/user/rhythms.itely b/Documentation/de/user/rhythms.itely
index 0e45e41157b18f511f570e9754aca95894d88514..85415e2f6f46a3b15701e4509b19bb8f236d3a9f 100644 (file)
--- a/Documentation/de/user/rhythms.itely
+++ b/Documentation/de/user/rhythms.itely
@@ -36,7 +36,7 @@ This section discusses rhythms, durations, and bars.
 @end menu
 
 @node Durations
-@subsubsection Durations
+@unnumberedsubsubsec Durations
 
 @cindex Dauer
 @cindex Notenlänge
@@ -127,7 +127,7 @@ Programmreferenz: @rinternals{Dots}, and @rinternals{DotColumn}.
 
 
 @node Tuplets
-@subsubsection Tuplets
+@unnumberedsubsubsec Tuplets
 
 @cindex N-tolen
 @cindex Triolen
@@ -283,7 +283,7 @@ Programmreferenz: @rinternals{TupletBracket},
 
 
 @node Scaling durations
-@subsubsection Scaling durations
+@unnumberedsubsubsec Scaling durations
 
 Die Dauer von Längen kann mit einem Bruch multipliziert werden, 
 indem hinter die Note  @qq{*@var{N/M}} (oder @qq{*@var{N}} wenn @var{M=1}) 
@@ -308,7 +308,7 @@ Abschnitt @ref{Tuplets}
 
 
 @node Ties
-@subsubsection Ties
+@unnumberedsubsubsec Ties
 
 @cindex Bindebogen
 @cindex Überbindung
@@ -447,7 +447,7 @@ Legatobogen zu verwenden.
 @end menu
 
 @node Rests
-@subsubsection Rests
+@unnumberedsubsubsec Rests
 @cindex Pausen
 
 @funindex \rest
@@ -486,7 +486,7 @@ Programmreferenz: @rinternals{Rest}.
 
 
 @node Invisible rests
-@subsubsection Invisible rests
+@unnumberedsubsubsec Invisible rests
 
 @cindex Skip
 @cindex Überspringen von Zeichen
@@ -534,7 +534,7 @@ Programmreferenz: @rinternals{SkipMusic}.
 
 
 @node Full measure rests
-@subsubsection Full measure rests
+@unnumberedsubsubsec Full measure rests
 
 @untranslated
 
@@ -552,7 +552,7 @@ Programmreferenz: @rinternals{SkipMusic}.
 @end menu
 
 @node Time signature
-@subsubsection Time signature
+@unnumberedsubsubsec Time signature
 
 @cindex Taktangabe
 @cindex Metrum
@@ -641,7 +641,7 @@ mit @code{set-time-signature} erzeugt werden.
 
 
 @node Upbeats
-@subsubsection Upbeats
+@unnumberedsubsubsec Upbeats
 
 @cindex Auftakt
 @cindex Takte verkürzen
@@ -692,7 +692,7 @@ auftreten.
 
 
 @node Unmetered music
-@subsubsection Unmetered music
+@unnumberedsubsubsec Unmetered music
 
 @cindex Kadenz
 @funindex \cadenzaOn
@@ -729,13 +729,13 @@ einfügen, um anzuzeigen, wo umgebrochen werden darf.
 
 
 @node Polymetric notation
-@subsubsection Polymetric notation
+@unnumberedsubsubsec Polymetric notation
 
 @untranslated
 
 
 @node Automatic note splitting
-@subsubsection Automatic note splitting
+@unnumberedsubsubsec Automatic note splitting
 
 Lange Noten können automatisch in übergebundene Noten aufgeteilt werden. 
 Dieses Verhalten erreicht man, indem der  @rinternals{Note_heads_engraver} 
@@ -782,7 +782,7 @@ Programmreferenz:
 
 
 @node Showing melody rhythms
-@subsubsection Showing melody rhythms
+@unnumberedsubsubsec Showing melody rhythms
 
 Manchmal soll nur der Rhythmus einer Melodie dargestellt werden. Das 
 erreicht man mit einem Schlagzeug-Notensystem. Alle Tonhöhen werden 
@@ -812,7 +812,7 @@ Programmreferenz:
 @end menu
 
 @node Automatic beams
-@subsubsection Automatic beams
+@unnumberedsubsubsec Automatic beams
 
 LilyPond setzt Balken (engl. beam) automatisch.
 
@@ -840,13 +840,13 @@ Programmreferenz: @rinternals{Beam}.
 
 
 @node Setting automatic beam behavior
-@subsubsection Setting automatic beam behavior
+@unnumberedsubsubsec Setting automatic beam behavior
 
 @untranslated
 
 
 @node Manual beams
-@subsubsection Manual beams
+@unnumberedsubsubsec Manual beams
 
 @cindex Balken, manuell
 @funindex ]
@@ -934,7 +934,7 @@ Balken vermeiden nicht andere Objekte, wie etwa Text und Versetzungszeichen.
 
 
 @node Feathered beams
-@subsubsection Feathered beams
+@unnumberedsubsubsec Feathered beams
 
 @untranslated
 
@@ -951,7 +951,7 @@ Balken vermeiden nicht andere Objekte, wie etwa Text und Versetzungszeichen.
 @end menu
 
 @node Bar lines
-@subsubsection Bar lines
+@unnumberedsubsubsec Bar lines
 
 @cindex Taktlinien
 @funindex \bar
@@ -1042,13 +1042,13 @@ Programmreferenz: @rinternals{BarLine} (auf Partitur
 
 
 @node Bar numbers
-@subsubsection Bar numbers
+@unnumberedsubsubsec Bar numbers
 
 @untranslated
 
 
 @node Bar and bar number checks
-@subsubsection Bar and bar number checks
+@unnumberedsubsubsec Bar and bar number checks
 
 @cindex Taktüberprüfung
 @funindex barCheckSynchronize
@@ -1111,7 +1111,7 @@ nicht mit dem Wert 123 übereinstimmt.
 
 
 @node Rehearsal marks
-@subsubsection Rehearsal marks
+@unnumberedsubsubsec Rehearsal marks
 
 @untranslated
 
@@ -1127,7 +1127,7 @@ nicht mit dem Wert 123 übereinstimmt.
 @end menu
 
 @node Grace notes
-@subsubsection Grace notes
+@unnumberedsubsubsec Grace notes
 
 @funindex \grace
 @cindex Verzierungen
@@ -1342,13 +1342,13 @@ zu Fehlermeldungen oder Abstürzen kommen.
 
 
 @node Aligning to cadenzas
-@subsubsection Aligning to cadenzas
+@unnumberedsubsubsec Aligning to cadenzas
 
 @untranslated
 
 
 @node Time administration
-@subsubsection Time administration
+@unnumberedsubsubsec Time administration
 
 @untranslated
 

diff --git a/Documentation/de/user/text.itely b/Documentation/de/user/text.itely
index 2a8b7c6c70d572dbfee4bed61eadfdfae9a103c7..a256a7fc702322bc3e3df6f8c7a00661dc0d3804 100644 (file)
--- a/Documentation/de/user/text.itely
+++ b/Documentation/de/user/text.itely
@@ -34,25 +34,25 @@
 @end menu
 
 @node Text scripts
-@subsubsection Text scripts
+@unnumberedsubsubsec Text scripts
 
 @untranslated
 
 
 @node Text spanners
-@subsubsection Text spanners
+@unnumberedsubsubsec Text spanners
 
 @untranslated
 
 
 @node Text marks
-@subsubsection Text marks
+@unnumberedsubsubsec Text marks
 
 @untranslated
 
 
 @node Separate text
-@subsubsection Separate text
+@unnumberedsubsubsec Separate text
 
 @untranslated
 
@@ -73,37 +73,37 @@
 @end menu
 
 @node Text markup introduction
-@subsubsection Text markup introduction
+@unnumberedsubsubsec Text markup introduction
 
 @untranslated
 
 
 @node Selecting font and font size
-@subsubsection Selecting font and font size
+@unnumberedsubsubsec Selecting font and font size
 
 @untranslated
 
 
 @node Text alignment
-@subsubsection Text alignment
+@unnumberedsubsubsec Text alignment
 
 @untranslated
 
 
 @node Graphic notation inside markup
-@subsubsection Graphic notation inside markup
+@unnumberedsubsubsec Graphic notation inside markup
 
 @untranslated
 
 
 @node Music notation inside markup
-@subsubsection Music notation inside markup
+@unnumberedsubsubsec Music notation inside markup
 
 @untranslated
 
 
 @node Multi-page markup
-@subsubsection Multi-page markup
+@unnumberedsubsubsec Multi-page markup
 
 @untranslated
 
@@ -120,13 +120,13 @@
 @end menu
 
 @node Entire document fonts
-@subsubsection Entire document fonts
+@unnumberedsubsubsec Entire document fonts
 
 @untranslated
 
 
 @node Single entry fonts
-@subsubsection Single entry fonts
+@unnumberedsubsubsec Single entry fonts
 
 @untranslated
 

diff --git a/Documentation/de/user/unfretted-strings.itely b/Documentation/de/user/unfretted-strings.itely
index 66f7af79d7c5b2bc9be4d568c5d5c8e668597bf5..49423c23b4fd1a2630006e729459822c52b6b317 100644 (file)
--- a/Documentation/de/user/unfretted-strings.itely
+++ b/Documentation/de/user/unfretted-strings.itely
@@ -30,7 +30,7 @@
 @end menu
 
 @node References for unfretted strings
-@subsubsection References for unfretted strings
+@unnumberedsubsubsec References for unfretted strings
 
 @untranslated
 
@@ -44,7 +44,7 @@
 @end menu
 
 @node References for bowed strings
-@subsubsection References for bowed strings
+@unnumberedsubsubsec References for bowed strings
 
 @cindex Flageolett
 
@@ -66,7 +66,7 @@ Befehl @code{\harmonic} markiert wird.
 @end menu
 
 @node Harp
-@subsubsection Harp
+@unnumberedsubsubsec Harp
 
 @untranslated
 

diff --git a/Documentation/de/user/vocal.itely b/Documentation/de/user/vocal.itely
index 144a9e77176f5df297ba0add006128b3cc2116ed..c0562cd90b289d1d4905b3c8269d980bb5ab31fd 100644 (file)
--- a/Documentation/de/user/vocal.itely
+++ b/Documentation/de/user/vocal.itely
@@ -36,23 +36,23 @@
 
 
 @node Lyrics explained
-@subsubsection Lyrics explained
+@unnumberedsubsubsec Lyrics explained
 
 @untranslated
 
 
 @node Setting simple songs
-@subsubsection Setting simple songs
+@unnumberedsubsubsec Setting simple songs
 
 @untranslated
 
 @node Working with lyrics and variables
-@subsubsection Working with lyrics and variables
+@unnumberedsubsubsec Working with lyrics and variables
 
 @untranslated
 
 @node References for vocal music
-@subsubsection References for vocal music
+@unnumberedsubsubsec References for vocal music
 
 @untranslated
 
@@ -74,43 +74,43 @@
 @end menu
 
 @node Automatic syllable durations
-@subsubsection Automatic syllable durations
+@unnumberedsubsubsec Automatic syllable durations
 
 @untranslated
 
 
 @node Manual syllable durations
-@subsubsection Manual syllable durations
+@unnumberedsubsubsec Manual syllable durations
 
 @untranslated
 
 
 @node Multiple syllables to one note
-@subsubsection Multiple syllables to one note
+@unnumberedsubsubsec Multiple syllables to one note
 
 @untranslated
 
 
 @node Multiple notes to one syllable
-@subsubsection Multiple notes to one syllable
+@unnumberedsubsubsec Multiple notes to one syllable
 
 @untranslated
 
 
 @node Skipping notes
-@subsubsection Skipping notes
+@unnumberedsubsubsec Skipping notes
 
 @untranslated
 
 
 @node Extenders and hyphens
-@subsubsection Extenders and hyphens
+@unnumberedsubsubsec Extenders and hyphens
 
 @untranslated
 
 
 @node Lyrics and repeats
-@subsubsection Lyrics and repeats
+@unnumberedsubsubsec Lyrics and repeats
 
 @untranslated
 
@@ -130,31 +130,31 @@
 @end menu
 
 @node Divisi lyrics
-@subsubsection Divisi lyrics
+@unnumberedsubsubsec Divisi lyrics
 
 @untranslated
 
 
 @node Lyrics independent of notes
-@subsubsection Lyrics independent of notes
+@unnumberedsubsubsec Lyrics independent of notes
 
 @untranslated
 
 
 @node Chants
-@subsubsection Chants
+@unnumberedsubsubsec Chants
 
 @untranslated
 
 
 @node Spacing out syllables
-@subsubsection Spacing out syllables
+@unnumberedsubsubsec Spacing out syllables
 
 @untranslated
 
 
 @node Centering lyrics between staves
-@subsubsection Centering lyrics between staves
+@unnumberedsubsubsec Centering lyrics between staves
 
 @untranslated
 
@@ -175,25 +175,25 @@
 @end menu
 
 @node Adding stanza numbers
-@subsubsection Adding stanza numbers
+@unnumberedsubsubsec Adding stanza numbers
 
 @untranslated
 
 
 @node Adding dynamics marks to stanzas
-@subsubsection Adding dynamics marks to stanzas
+@unnumberedsubsubsec Adding dynamics marks to stanzas
 
 @untranslated
 
 
 @node Adding singers' names to stanzas
-@subsubsection Adding singers' names to stanzas
+@unnumberedsubsubsec Adding singers' names to stanzas
 
 @untranslated
 
 
 @node Stanzas with different rhythms
-@subsubsection Stanzas with different rhythms
+@unnumberedsubsubsec Stanzas with different rhythms
 
 @untranslated
 
@@ -201,13 +201,13 @@
 @subsubheading Ignoring melismata
 @subsubheading Switching to an alternative melody
 @node Printing stanzas at the end
-@subsubsection Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end
 
 @untranslated
 
 
 @node Printing stanzas at the end in multiple columns
-@subsubsection Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
 
 @untranslated
 

diff --git a/Documentation/es/user/ancient.itely b/Documentation/es/user/ancient.itely
index 0cb2d53b5426bb8b20987b8ebe67c1bea41acf99..10c33fd95abde02eb830cc0d2c4675b06ac1b6d8 100644 (file)
--- a/Documentation/es/user/ancient.itely
+++ b/Documentation/es/user/ancient.itely
@@ -39,7 +39,7 @@
 
 
 @node Ancient notation supported
-@subsubsection Ancient notation supported
+@unnumberedsubsubsec Ancient notation supported
 
 El tratamiento de la notación antigua incluye posibilidades orientadas
 a la notación mensural y de Canto Gregoriano.  También se contempla de
@@ -116,7 +116,7 @@ apareció en el período barroco.
 
 
 @node Ancient note heads
-@subsubsection Ancient note heads
+@unnumberedsubsubsec Ancient note heads
 
 @cindex cabezas de nota antiguas
 
@@ -176,7 +176,7 @@ totalidad de los estilos de cabeza disponibles.
 
 
 @node Ancient accidentals
-@subsubsection Ancient accidentals
+@unnumberedsubsubsec Ancient accidentals
 
 @cindex alteraciones accidentales
 
@@ -245,7 +245,7 @@ Referencia de funcionamiento interno:
 
 
 @node Ancient rests
-@subsubsection Ancient rests
+@unnumberedsubsubsec Ancient rests
 
 @cindex silencios antiguos
 
@@ -283,7 +283,7 @@ al uso de los silencios.
 
 
 @node Ancient clefs
-@subsubsection Ancient clefs
+@unnumberedsubsubsec Ancient clefs
 
 @cindex claves
 
@@ -527,7 +527,7 @@ Petrucci.
 
 
 @node Ancient flags
-@subsubsection Ancient flags
+@unnumberedsubsubsec Ancient flags
 
 @cindex corchetes
 
@@ -566,7 +566,7 @@ disposición avanzadas de la notación clásica (que, de todas formas,
 por lo común se encuentra fuera del ámbito de la notación mensural).
 
 @node Ancient time signatures
-@subsubsection Ancient time signatures
+@unnumberedsubsubsec Ancient time signatures
 
 @cindex compás, indicación de
 @cindex mensuración, símbolo
@@ -698,7 +698,7 @@ un elemento de marcado @code{\markup}.
 
 
 @node Ancient articulations
-@subsubsection Ancient articulations
+@unnumberedsubsubsec Ancient articulations
 
 @cindex articulaciones
 
@@ -734,7 +734,7 @@ el extremo derecho de la línea episemática se encuentra a menudo
 demasiado lejos hacia la derecha.
 
 @node Custodes
-@subsubsection Custodes
+@unnumberedsubsubsec Custodes
 
 @cindex custos
 @cindex custodias
@@ -819,7 +819,7 @@ Ejemplos:
 
 
 @node Divisiones
-@subsubsection Divisiones
+@unnumberedsubsubsec Divisiones
 
 @cindex divisio
 @cindex divisiones
@@ -875,7 +875,7 @@ Ejemplos:
 
 
 @node Ligatures
-@subsubsection Ligatures
+@unnumberedsubsubsec Ligatures
 
 @cindex ligaduras
 
@@ -937,7 +937,7 @@ que causa el mismo efecto y se supone que es lo bastante estable.
 
 
 @node White mensural ligatures
-@subsubsection White mensural ligatures
+@unnumberedsubsubsec White mensural ligatures
 
 @cindex ligaduras mensurales
 @cindex ligaduras mensurales blancas
@@ -1029,7 +1029,7 @@ transcribe de la siguiente manera:
 El espaciado horizontal es pobre.
 
 @node Gregorian square neumes ligatures
-@subsubsection Gregorian square neumes ligatures
+@unnumberedsubsubsec Gregorian square neumes ligatures
 
 @cindex ligaduras de neumas cuadrados
 @cindex ligaduras gregorianas de neumas cuadrados
@@ -1999,7 +1999,7 @@ con los prefijos de cabeza en un orden arbitrario.
 
 
 @node Gregorian chant contexts
-@subsubsection Gregorian chant contexts
+@unnumberedsubsubsec Gregorian chant contexts
 
 @cindex VaticanaVoiceContext
 @cindex VaticanaStaffContext
@@ -2034,7 +2034,7 @@ como lo demuestra el siguiente fragmento
 
 
 @node Mensural contexts
-@subsubsection Mensural contexts
+@unnumberedsubsubsec Mensural contexts
 
 @cindex MensuralVoiceContext
 @cindex MensuralStaffContext
@@ -2078,7 +2078,7 @@ a escribir el canto, como lo demuestra el siguiente fragmento
 
 
 @node Ancient and modern from one source
-@subsubsection Ancient and modern from one source
+@unnumberedsubsubsec Ancient and modern from one source
 
 @c TODO Add text
 @c Here among others the snippets about reducing note length
@@ -2090,7 +2090,7 @@ Continuará...
 
 
 @node Incipits
-@subsubsection Incipits
+@unnumberedsubsubsec Incipits
 
 @c TODO Add text
 @c clefs, mensuration signs etc from lsr and -user
@@ -2102,7 +2102,7 @@ Continuará...
 @c ... and reference to other sections ...
 
 @node Mensurstriche layout
-@subsubsection Mensurstriche layout
+@unnumberedsubsubsec Mensurstriche layout
 
 @c TODO Add text
 @c from lsr and -user
@@ -2114,7 +2114,7 @@ Continuará...
 
 
 @node Transcribing Gregorian chant
-@subsubsection Transcribing Gregorian chant
+@unnumberedsubsubsec Transcribing Gregorian chant
 
 @c TODO Add text
 @c extract from 1.6.1.1
@@ -2135,7 +2135,7 @@ Continuará...
 
 
 @node Annotational accidentals
-@subsubsection Annotational accidentals
+@unnumberedsubsubsec Annotational accidentals
 
 En la música europea de hasta aprox. 1600, se esperaba de los
 cantantes que alterasen cromáticamente ciertas notas de acuerdo con su
@@ -2164,7 +2164,7 @@ el grabador @rinternals{Accidental_engraver}
 y el objeto @rinternals{AccidentalSuggestion}.
 
 @node Baroque rhythmic notation
-@subsubsection Baroque rhythmic notation
+@unnumberedsubsubsec Baroque rhythmic notation
 
 @c TODO Add text
 @c try Till Rettig

diff --git a/Documentation/es/user/percussion.itely b/Documentation/es/user/percussion.itely
index d84a49427ea7125e93cc83d962a1a68f9a72dad6..dda41290ef86186a3fcd1e1e721fa3da9ac4f109 100644 (file)
--- a/Documentation/es/user/percussion.itely
+++ b/Documentation/es/user/percussion.itely
@@ -30,13 +30,13 @@ se puede utilizar para mostrar los valores rítmicos una melodía.
 @end menu
 
 @node References for percussion
-@subsubsection References for percussion
+@unnumberedsubsubsec References for percussion
 
 @untranslated
 
 
 @node Basic percussion notation
-@subsubsection Basic percussion notation
+@unnumberedsubsubsec Basic percussion notation
 
 @cindex percusión
 @cindex batería
@@ -103,7 +103,7 @@ Referencia del programa:
 @rinternals{note-event}.
 
 @node Percussion staves
-@subsubsection Percussion staves
+@unnumberedsubsubsec Percussion staves
 @cindex percusión
 @cindex batería
 
@@ -329,7 +329,7 @@ shot), para este propósito se usa el golpe lateral de baqueta
 
 @c FIXME: check name -gp
 @node Ghost notes
-@subsubsection Ghost notes
+@unnumberedsubsubsec Ghost notes
 
 Las notas fantasma para la batería e instrumentos de percusión se
 pueden crear utilizando la instrucción @code{\parenthesize} detallada

diff --git a/Documentation/es/user/rhythms.itely b/Documentation/es/user/rhythms.itely
index 943f1cbb6a19b661e16c1f3f4161b7cddb4d031d..e34dfb6bf5f3b5101ecad55abcd92c3439cb3320 100644 (file)
--- a/Documentation/es/user/rhythms.itely
+++ b/Documentation/es/user/rhythms.itely
@@ -37,7 +37,7 @@ barras y los compases.
 @end menu
 
 @node Durations
-@subsubsection Durations
+@unnumberedsubsubsec Durations
 
 @cindex duración de las notas
 @cindex notas, duración de
@@ -168,7 +168,7 @@ garrapatea (128) hasta el de máxima (8 redondas).
 
 
 @node Tuplets
-@subsubsection Tuplets
+@unnumberedsubsubsec Tuplets
 
 @cindex grupos especiales
 @cindex tresillos
@@ -274,7 +274,7 @@ se pueden colocar dentro de los corchetes de grupo especial.
 
 
 @node Scaling durations
-@subsubsection Scaling durations
+@unnumberedsubsubsec Scaling durations
 
 @cindex scaling durations
 @cindex durations, scaling
@@ -347,7 +347,7 @@ Fragmentos de código:
 
 
 @node Ties
-@subsubsection Ties
+@unnumberedsubsubsec Ties
 
 @cindex ligadura de unión
 @funindex ~
@@ -507,7 +507,7 @@ expresiones musicales.
 @end menu
 
 @node Rests
-@subsubsection Rests
+@unnumberedsubsubsec Rests
 
 @cindex silencio
 @cindex silencios, indocar duraciones
@@ -588,7 +588,7 @@ hasta la máxima (8 redondas).
 
 
 @node Invisible rests
-@subsubsection Invisible rests
+@unnumberedsubsubsec Invisible rests
 
 @cindex desplazamiento
 @cindex silencio invisible
@@ -653,7 +653,7 @@ Referencia de funcionamiento interno:
 
 
 @node Full measure rests
-@subsubsection Full measure rests
+@unnumberedsubsubsec Full measure rests
 
 @cindex multicompás, silencios
 @cindex compás completo, silencios de
@@ -867,7 +867,7 @@ silencios.
 @end menu
 
 @node Time signature
-@subsubsection Time signature
+@unnumberedsubsubsec Time signature
 
 @cindex Indicación de compás
 @cindex metro, medida
@@ -1009,7 +1009,7 @@ especificada con @code{set-time-signature}.
 
 
 @node Upbeats
-@subsubsection Upbeats
+@unnumberedsubsubsec Upbeats
 
 @cindex anacrusa
 @cindex parte al alzar
@@ -1063,7 +1063,7 @@ advertencias desagradables.
 
 
 @node Unmetered music
-@subsubsection Unmetered music
+@unnumberedsubsubsec Unmetered music
 
 @cindex cadencia
 @cindex líneas divisorias, quitar
@@ -1133,7 +1133,7 @@ para indicar dónde se pueden producir los saltos.
 
 
 @node Polymetric notation
-@subsubsection Polymetric notation
+@unnumberedsubsubsec Polymetric notation
 
 @cindex double time signatures
 @cindex signatures, polymetric
@@ -1294,7 +1294,7 @@ compás.
 
 
 @node Automatic note splitting
-@subsubsection Automatic note splitting
+@unnumberedsubsubsec Automatic note splitting
 
 @cindex notas, división de
 @cindex división de notas
@@ -1348,7 +1348,7 @@ silencios.
 
 
 @node Showing melody rhythms
-@subsubsection Showing melody rhythms
+@unnumberedsubsubsec Showing melody rhythms
 
 A veces podemos querer mostrar solamente el ritmo de una melodía.
 Esto se puede hacer con un pentagrama de ritmo.  Todas las alturas de
@@ -1475,7 +1475,7 @@ Referencia de funcionamiento interno:
 @end menu
 
 @node Automatic beams
-@subsubsection Automatic beams
+@unnumberedsubsubsec Automatic beams
 
 De manera predeterminada, las barras de corchea se insertan
 automáticamente:
@@ -1617,7 +1617,7 @@ Las barras pueden colisionar con las cabezas de las notas y las
 alteraciones accidentales de las otras voces.
 
 @node Setting automatic beam behavior
-@subsubsection Setting automatic beam behavior
+@unnumberedsubsubsec Setting automatic beam behavior
 
 @funindex autoBeamSettings
 @funindex (end * * * *)
@@ -1826,7 +1826,7 @@ Fragmentos de código:
 
 
 @node Manual beams
-@subsubsection Manual beams
+@unnumberedsubsubsec Manual beams
 
 @cindex barras manuales
 @funindex ]
@@ -1879,7 +1879,7 @@ izquierdo, es decir, la barra de corchea del grupo como un todo.
 
 
 @node Feathered beams
-@subsubsection Feathered beams
+@unnumberedsubsubsec Feathered beams
 
 @cindex barras progresivas
 @funindex \featherDurations
@@ -1950,7 +1950,7 @@ Fragmentos de código:
 
 
 @node Bar lines
-@subsubsection Bar lines
+@unnumberedsubsubsec Bar lines
 
 @cindex barras de compás
 @funindex \bar
@@ -2105,7 +2105,7 @@ propiedades del contador de tiempo Timing).
 
 
 @node Bar numbers
-@subsubsection Bar numbers
+@unnumberedsubsubsec Bar numbers
 
 @cindex compás, números de
 @cindex números de compás
@@ -2269,7 +2269,7 @@ c1 c c c
 
 
 @node Bar and bar number checks
-@subsubsection Bar and bar number checks
+@unnumberedsubsubsec Bar and bar number checks
 
 @cindex compás, comprobación de
 @funindex barCheckSynchronize
@@ -2350,7 +2350,7 @@ Fragmentos de código:
 
 
 @node Rehearsal marks
-@subsubsection Rehearsal marks
+@unnumberedsubsubsec Rehearsal marks
 
 @cindex ensayo, letras de
 @cindex letras de ensayo
@@ -2484,7 +2484,7 @@ Referencia de funcionamiento interno:
 @end menu
 
 @node Grace notes
-@subsubsection Grace notes
+@unnumberedsubsubsec Grace notes
 
 @funindex \grace
 @cindex ornamentos
@@ -2708,7 +2708,7 @@ errores.
 
 
 @node Aligning to cadenzas
-@subsubsection Aligning to cadenzas
+@unnumberedsubsubsec Aligning to cadenzas
 
 @cindex cadenza (cadencia)
 @cindex cadenza (cadencia), alinear a
@@ -2754,7 +2754,7 @@ Fragmentos de código:
 
 
 @node Time administration
-@subsubsection Time administration
+@unnumberedsubsubsec Time administration
 
 @cindex tiempo, administración
 @cindex tiempo, control del (dentro de la partitura)

diff --git a/Documentation/es/user/staff.itely b/Documentation/es/user/staff.itely
index 0c24ec87dca2182b005f86dff0f6b8bf2be5b994..7ab1e01aff2744cda8b07405b8a74a36042489a0 100644 (file)
--- a/Documentation/es/user/staff.itely
+++ b/Documentation/es/user/staff.itely
@@ -29,7 +29,7 @@
 @end menu
 
 @node System start delimiters
-@subsubsection System start delimiters
+@unnumberedsubsubsec System start delimiters
 
 @cindex comienzo del sistema
 @cindex Pentagramas, varios
@@ -117,7 +117,7 @@ Los delimitadores del comienzo del sistema se pueden anidar muchas veces:
 
 
 @node Staff symbol
-@subsubsection Staff symbol
+@unnumberedsubsubsec Staff symbol
 
 @cindex ajuste del símbolo del pentagrama
 
@@ -166,7 +166,7 @@ Fragmentos de código:
 
 
 @node Hiding staves
-@subsubsection Hiding staves
+@unnumberedsubsubsec Hiding staves
 
 @cindex francesa, partituras a la
 @cindex ocultación de pentagramas

diff --git a/Documentation/es/user/text.itely b/Documentation/es/user/text.itely
index fe4241ede58f77324a6c28f96b2279b1ef9e405a..070cb5e7c24a2e837e452ceea48caafad3458f4e 100644 (file)
--- a/Documentation/es/user/text.itely
+++ b/Documentation/es/user/text.itely
@@ -49,7 +49,7 @@ partitura.
 @end menu
 
 @node Text scripts
-@subsubsection Text scripts
+@unnumberedsubsubsec Text scripts
 
 @cindex Texto, inscripciones de
 @cindex texto, elementos no vacíos de
@@ -118,7 +118,7 @@ para habilitarlos, utilice
 
 
 @node Text spanners
-@subsubsection Text spanners
+@unnumberedsubsubsec Text spanners
 
 @cindex text spanners
 
@@ -173,7 +173,7 @@ Referencia de funcionamiento interno:
 
 
 @node Text marks
-@subsubsection Text marks
+@unnumberedsubsubsec Text marks
 
 @cindex coda sobre la línea divisoria
 @cindex segno sobre la línea divisoria
@@ -248,7 +248,7 @@ Si se introduce una llamada al final del último compás de la partitura
 (donde no hay línea siguiente), la llamada no se imprime en absoluto.
 
 @node Separate text
-@subsubsection Separate text
+@unnumberedsubsubsec Separate text
 
 @cindex separate text
 @cindex standalone text
@@ -333,7 +333,7 @@ usando la sintaxis específica del modo de @code{\markup}.
 @end menu
 
 @node Text markup introduction
-@subsubsection Text markup introduction
+@unnumberedsubsubsec Text markup introduction
 
 @cindex marcado
 @cindex texto, marcado de
@@ -455,27 +455,27 @@ confusión.
 
 
 @node Selecting font and font size
-@subsubsection Selecting font and font size
+@unnumberedsubsubsec Selecting font and font size
 
 @untranslated
 
 @node Text alignment
-@subsubsection Text alignment
+@unnumberedsubsubsec Text alignment
 
 @untranslated
 
 @node Graphic notation inside markup
-@subsubsection Graphic notation inside markup
+@unnumberedsubsubsec Graphic notation inside markup
 
 @untranslated
 
 @node Music notation inside markup
-@subsubsection Music notation inside markup
+@unnumberedsubsubsec Music notation inside markup
 
 @untranslated
 
 @node Multi-page markup
-@subsubsection Multi-page markup
+@unnumberedsubsubsec Multi-page markup
 
 Así como @code{\markup} se utiliza para introducir un bloque de texto
 no divisible en líneas, se puede usar @code{\markuplines} en el nivel
@@ -529,7 +529,7 @@ Fragmentos de código:
 @end menu
 
 @node Entire document fonts
-@subsubsection Entire document fonts
+@unnumberedsubsubsec Entire document fonts
 
 También es posible cambiar la familia predeterminada de la fuente
 tipográfica para todo el documento.  Se hace llamando a la función
@@ -563,7 +563,7 @@ ejemplo:
 
 
 @node Single entry fonts
-@subsubsection Single entry fonts
+@unnumberedsubsubsec Single entry fonts
 
 @cindex fuente, selección
 @cindex fuente, ampliación

diff --git a/Documentation/es/user/vocal.itely b/Documentation/es/user/vocal.itely
index 00b735eed970b1aab26d7b51c8b4ba06168f4419..7357b56f2ae9b14c17ab0f35091ed690422b0649 100644 (file)
--- a/Documentation/es/user/vocal.itely
+++ b/Documentation/es/user/vocal.itely
@@ -76,7 +76,7 @@ Para hacer que la letra evite las líneas divisorias también, utilice
 
 
 @node Lyrics explained
-@subsubsection Lyrics explained
+@unnumberedsubsubsec Lyrics explained
 
 @cindex letra
 @funindex \lyricmode
@@ -222,7 +222,7 @@ Referencia de funcionamiento interno: @rinternals{LyricText},
 
 
 @node Setting simple songs
-@subsubsection Setting simple songs
+@unnumberedsubsubsec Setting simple songs
 
 @cindex \addlyrics
 
@@ -258,7 +258,7 @@ polifonía.  Para estos casos tendrá que usar @code{\lyricsto} y
 
 
 @node Working with lyrics and variables
-@subsubsection Working with lyrics and variables
+@unnumberedsubsubsec Working with lyrics and variables
 
 @cindex letra, identificadores de
 
@@ -318,7 +318,7 @@ Referencia de funcionamiento interno:
 @rinternals{LyricCombineMusic}, @rinternals{Lyrics}.
 
 @node References for vocal music
-@subsubsection References for vocal music
+@unnumberedsubsubsec References for vocal music
 
 @c TODO Add @refs
 
@@ -366,7 +366,7 @@ o especificando la duración de cada sílaba explícitamente, utilizando
 @end menu
 
 @node Automatic syllable durations
-@subsubsection Automatic syllable durations
+@unnumberedsubsubsec Automatic syllable durations
 
 @cindex duraciones automáticas de las sílabas
 @cindex letra y melodías
@@ -423,7 +423,7 @@ es lo mismo que
 @end example
 
 @node Manual syllable durations
-@subsubsection Manual syllable durations
+@unnumberedsubsubsec Manual syllable durations
 
 El texto también se puede introducir sin @code{\addlyrics} ni
 @code{\lyricsto}.  En este caso, las sílabas se escriben como notas
@@ -467,7 +467,7 @@ Referencia de funcionamiento interno: @rinternals{Lyrics}.
 
 
 @node Multiple syllables to one note
-@subsubsection Multiple syllables to one note
+@unnumberedsubsubsec Multiple syllables to one note
 
 
 @funindex _
@@ -498,7 +498,7 @@ Referencia de funcionamiento interno: @rinternals{LyricCombineMusic}.
 
 
 @node Multiple notes to one syllable
-@subsubsection Multiple notes to one syllable
+@unnumberedsubsubsec Multiple notes to one syllable
 
 @cindex melisma
 @cindex melismata
@@ -581,12 +581,12 @@ Los melismas no se detectan automáticamente, y las líneas de extensión
 se deben insertar a mano.
 
 @node Skipping notes
-@subsubsection Skipping notes
+@unnumberedsubsubsec Skipping notes
 
 @untranslated
 
 @node Extenders and hyphens
-@subsubsection Extenders and hyphens
+@unnumberedsubsubsec Extenders and hyphens
 
 @cindex melisma
 @cindex extender
@@ -618,7 +618,7 @@ Referencia de funcionamiento interno: @rinternals{LyricExtender},
 
 
 @node Lyrics and repeats
-@subsubsection Lyrics and repeats
+@unnumberedsubsubsec Lyrics and repeats
 
 @untranslated
 
@@ -639,7 +639,7 @@ mediante @code{\lyricsto}.
 
 
 @node Divisi lyrics
-@subsubsection Divisi lyrics
+@unnumberedsubsubsec Divisi lyrics
 
 Puede presentar letras alternativas (o divisi) nombrando contextos de
 voz y aplicando la letra a los mencionados contextos específicos.
@@ -684,7 +684,7 @@ sección que se repite.
 
 
 @node Lyrics independent of notes
-@subsubsection Lyrics independent of notes
+@unnumberedsubsubsec Lyrics independent of notes
 
 En cierta música vocal compleja, podría ser deseable colocar la letra
 de forma totalmente independiente de las notas.  La música que se
@@ -712,13 +712,13 @@ lyr = \lyricmode { I like my cat! }
 @end lilypond
 
 @node Chants
-@subsubsection Chants
+@unnumberedsubsubsec Chants
 
 @untranslated
 
 
 @node Spacing out syllables
-@subsubsection Spacing out syllables
+@unnumberedsubsubsec Spacing out syllables
 
 @cindex Espaciado de la letra
 @cindex Letra, aumentar el espaciado
@@ -761,7 +761,7 @@ completa, establezca la propiedad dentro del @q{layout} o disposición.
 @end lilypond
 
 @node Centering lyrics between staves
-@subsubsection Centering lyrics between staves
+@unnumberedsubsubsec Centering lyrics between staves
 
 @untranslated
 
@@ -779,7 +779,7 @@ completa, establezca la propiedad dentro del @q{layout} o disposición.
 
 
 @node Adding stanza numbers 
-@subsubsection Adding stanza numbers 
+@unnumberedsubsubsec Adding stanza numbers 
 
 @cindex verso, número de
 
@@ -803,7 +803,7 @@ Estos números aparecerán inmediatamente antes de la primera sílaba.
 
 
 @node Adding dynamics marks to stanzas
-@subsubsection Adding dynamics marks to stanzas
+@unnumberedsubsubsec Adding dynamics marks to stanzas
 
 Los versos que difieren en su sonoridad se pueden especificar
 escribiendo una indicación dinámica antes de cada verso.  En LilyPond,
@@ -831,7 +831,7 @@ text = {
 
 
 @node Adding singers' names to stanzas
-@subsubsection Adding singers' names to stanzas
+@unnumberedsubsubsec Adding singers' names to stanzas
 
 @cindex cantante, nombre del
 @cindex nombre del cantante
@@ -856,7 +856,7 @@ versión abreviada como @code{shortVocalName}.
 
 
 @node Stanzas with different rhythms
-@subsubsection Stanzas with different rhythms
+@unnumberedsubsubsec Stanzas with different rhythms
 
 @subsubheading Ignoring melismata
 
@@ -994,7 +994,7 @@ asignación de @code{lahlah} a @code{associatedVoice}.
 
 
 @node Printing stanzas at the end
-@subsubsection Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end
 
 En ocasiones es conveniente tener un verso ajustado a la música, y el
 resto añadido en forma de estrofa al final de la pieza.  Esto se puede
@@ -1038,7 +1038,7 @@ its fleece was white as snow.
 
 
 @node Printing stanzas at the end in multiple columns
-@subsubsection Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
 
 Cuando una pieza tiene muchos versos, a menudo se imprimen en varias
 columnas a lo largo de toda la página. Con frecuencia un número de

diff --git a/Documentation/fr/user/ancient.itely b/Documentation/fr/user/ancient.itely
index 7fd69893a8b6c51c6160bb65b9a9ea7ddd3924de..ef07ca9f2b45f91eac574e47203da176b2880d86 100644 (file)
--- a/Documentation/fr/user/ancient.itely
+++ b/Documentation/fr/user/ancient.itely
@@ -111,7 +111,7 @@ Voici les points que nous allons aborder :
 @end menu
 
 @node Ancient notation supported
-@subsubsection Ancient notation supported
+@unnumberedsubsubsec Ancient notation supported
 
 @untranslated
 
@@ -133,7 +133,7 @@ Voici les points que nous allons aborder :
 @end menu
 
 @node Ancient note heads
-@subsubsection Ancient note heads
+@unnumberedsubsubsec Ancient note heads
 
 @cindex têtes de note, musique ancienne
 
@@ -178,7 +178,7 @@ consultez @ref{Note head styles}.
 
 
 @node Ancient accidentals
-@subsubsection Ancient accidentals
+@unnumberedsubsubsec Ancient accidentals
 
 @cindex altérations
 
@@ -246,7 +246,7 @@ Exemples : @rlsr{Ancient notation}.
 
 
 @node Ancient rests
-@subsubsection Ancient rests
+@unnumberedsubsubsec Ancient rests
 
 @cindex silences, musique ancienne
 
@@ -283,7 +283,7 @@ sont exposés dans @ref{Rests}.
 
 
 @node Ancient clefs
-@subsubsection Ancient clefs
+@unnumberedsubsubsec Ancient clefs
 
 @cindex clefs
 @cindex clés
@@ -523,7 +523,7 @@ La clé de sol mensurale est calquée sur celle de Petrucci.
 
 
 @node Ancient flags
-@subsubsection Ancient flags
+@unnumberedsubsubsec Ancient flags
 
 @cindex crochets
 
@@ -564,7 +564,7 @@ pas prévues pour être appliquées à la notation mensurale.
 
 
 @node Ancient time signatures
-@subsubsection Ancient time signatures
+@unnumberedsubsubsec Ancient time signatures
 
 @cindex métrique
 
@@ -694,7 +694,7 @@ plutôt un @code{\markup}.
 @end menu
 
 @node Ancient articulations
-@subsubsection Ancient articulations
+@unnumberedsubsubsec Ancient articulations
 
 @cindex articulations
 
@@ -728,7 +728,7 @@ l'est, son extension à droite est trop longue.
 
 
 @node Custodes
-@subsubsection Custodes
+@unnumberedsubsubsec Custodes
 
 @cindex custos
 @cindex custodes
@@ -808,7 +808,7 @@ Exemples : @rlsr{Ancient notation}.
 
 
 @node Divisiones
-@subsubsection Divisiones
+@unnumberedsubsubsec Divisiones
 
 @cindex divisio
 @cindex divisiones
@@ -859,7 +859,7 @@ Exemples : @rlsr{Winds}.
 
 
 @node Ligatures
-@subsubsection Ligatures
+@unnumberedsubsubsec Ligatures
 
 @cindex Ligatures
 
@@ -916,7 +916,7 @@ qui produit le même résultat, et dont la pérennité est assurée.
 * White mensural ligatures::
 * Gregorian square neumes ligatures::
 @node White mensural ligatures
-@subsubsection White mensural ligatures
+@unnumberedsubsubsec White mensural ligatures
 
 
 @cindex Ligatures mensurales
@@ -1009,7 +1009,7 @@ L'espacement horizontal n'est pas des meilleurs.
 
 
 @node Gregorian square neumes ligatures
-@subsubsection Gregorian square neumes ligatures
+@unnumberedsubsubsec Gregorian square neumes ligatures
 
 @cindex neumes carrés et ligatures
 @cindex grégorien, ligatures de neumes carrés
@@ -1976,7 +1976,7 @@ s'intégrer avec d'autres préfixes dans n'importe quel ordre.
 @end menu
 
 @node Gregorian chant contexts
-@subsubsection Gregorian chant contexts
+@unnumberedsubsubsec Gregorian chant contexts
 
 @cindex VaticanaVoiceContext
 @cindex VaticanaStaffContext
@@ -2012,7 +2012,7 @@ lancer dans la saisie de votre chant, comme ci-dessous :
 
 
 @node Mensural contexts
-@subsubsection Mensural contexts
+@unnumberedsubsubsec Mensural contexts
 
 
 @cindex MensuralVoiceContext
@@ -2060,23 +2060,23 @@ lancer dans la saisie de votre chant comme ci-après :
 @end menu
 
 @node Ancient and modern from one source
-@subsubsection Ancient and modern from one source
+@unnumberedsubsubsec Ancient and modern from one source
 
 @untranslated
 
 @node Incipits
-@subsubsection Incipits
+@unnumberedsubsubsec Incipits
 
 @untranslated
 
 
 @node Mensurstriche layout
-@subsubsection Mensurstriche layout
+@unnumberedsubsubsec Mensurstriche layout
 
 @untranslated
 
 @node Transcribing Gregorian chant
-@subsubsection Transcribing Gregorian chant
+@unnumberedsubsubsec Transcribing Gregorian chant
 
 @untranslated
 
@@ -2093,7 +2093,7 @@ lancer dans la saisie de votre chant comme ci-après :
 @end menu
 
 @node Annotational accidentals
-@subsubsection Annotational accidentals
+@unnumberedsubsubsec Annotational accidentals
 
 
 @cindex MensuralVoiceContext
@@ -2129,7 +2129,7 @@ lancer dans la saisie de votre chant comme ci-après :
 
 
 @node Baroque rhythmic notation
-@subsubsection Baroque rhythmic notation
+@unnumberedsubsubsec Baroque rhythmic notation
 
 @untranslated
 

diff --git a/Documentation/fr/user/fretted-strings.itely b/Documentation/fr/user/fretted-strings.itely
index 99cae747eb33956fc56edf7d7bef2e20295033ae..59fe5166442328412982cb76516bc53b9fa49061 100644 (file)
--- a/Documentation/fr/user/fretted-strings.itely
+++ b/Documentation/fr/user/fretted-strings.itely
@@ -380,7 +380,7 @@ Référence du programme : @rinternals{StrokeFinger}
 @end menu
 
 @node Banjo tablatures
-@subsubsection Banjo tablatures
+@unnumberedsubsubsec Banjo tablatures
 
 @cindex Tablatures de banjo
 

diff --git a/Documentation/fr/user/percussion.itely b/Documentation/fr/user/percussion.itely
index d2f791ae1bb22bf2cabc06913f9d6756c159f6d0..1df88b791acfc9c8736802c00d7caeab36f40364 100644 (file)
--- a/Documentation/fr/user/percussion.itely
+++ b/Documentation/fr/user/percussion.itely
@@ -35,14 +35,14 @@ montrer le rythme d'une mélodie.
 @end menu
 
 @node References for percussion
-@subsubsection References for percussion
+@unnumberedsubsubsec References for percussion
 
 
 @untranslated
 
 
 @node Basic percussion notation
-@subsubsection Basic percussion notation
+@unnumberedsubsubsec Basic percussion notation
 
 
 @cindex percussions
@@ -72,7 +72,7 @@ Référence du Programme : @rinternals{note-event}.
 
 
 @node Percussion staves
-@subsubsection Percussion staves
+@unnumberedsubsubsec Percussion staves
 
 
 @cindex percussions
@@ -294,7 +294,7 @@ sur le bord de la caisse claire --- donc ils sont remplacés par des
 
 
 @node Ghost notes
-@subsubsection Ghost notes
+@unnumberedsubsubsec Ghost notes
 
 
 Des notes fantômes peuvent être créées pour les parties de percussion,

diff --git a/Documentation/fr/user/rhythms.itely b/Documentation/fr/user/rhythms.itely
index 9dfd8a6a17608dd18eb0b1a9bfefe3fcfd3ed17e..8e1b1c7bf3d202c589041dd4b7138a3e43fde992 100644 (file)
--- a/Documentation/fr/user/rhythms.itely
+++ b/Documentation/fr/user/rhythms.itely
@@ -40,7 +40,7 @@ et de mesure.
 @end menu
 
 @node Durations
-@subsubsection Durations
+@unnumberedsubsubsec Durations
 
 @cindex durées
 @funindex \longa
@@ -131,7 +131,7 @@ Référence du programme : @rinternals{Dots}, @rinternals{DotColumn}.
 
 
 @node Tuplets
-@subsubsection Tuplets
+@unnumberedsubsubsec Tuplets
 
 @cindex nolets
 @cindex triolets
@@ -283,7 +283,7 @@ Référence du programme : @rinternals{TupletBracket},
 
 
 @node Scaling durations
-@subsubsection Scaling durations
+@unnumberedsubsubsec Scaling durations
 
 Vous pouvez altérer la durée des notes en leur joignant une fraction
 @var{N/M}, donnant @q{@code{*}@var{N/M}} --- ou @q{@code{*}@var{N}} si
@@ -307,7 +307,7 @@ Dans ce manuel : @ref{Tuplets}.
 
 
 @node Ties
-@subsubsection Ties
+@unnumberedsubsubsec Ties
 
 @cindex liaison de prolongation
 @funindex ~
@@ -466,7 +466,7 @@ legato.
 @end menu
 
 @node Rests
-@subsubsection Rests
+@unnumberedsubsubsec Rests
 @cindex silences
 
 @funindex \rest
@@ -503,7 +503,7 @@ Référence du programme : @rinternals{Rest}.
 
 
 @node Invisible rests
-@subsubsection Invisible rests
+@unnumberedsubsubsec Invisible rests
 
 @cindex sauts de durée
 @cindex silences invisibles
@@ -548,7 +548,7 @@ Référence du programme : @rinternals{SkipMusic}.
 
 
 @node Full measure rests
-@subsubsection Full measure rests
+@unnumberedsubsubsec Full measure rests
 
 @cindex mesures à compter
 @cindex mesure entière de silence
@@ -682,7 +682,7 @@ la numérotation des mesures sera suspendue.
 @end menu
 
 @node Time signature
-@subsubsection Time signature
+@unnumberedsubsubsec Time signature
 
 @cindex chiffrage de mesure
 @cindex chiffre indicateur de mesure
@@ -765,7 +765,7 @@ spécifiés par @code{set-time-signature}.
 
 
 @node Upbeats
-@subsubsection Upbeats
+@unnumberedsubsubsec Upbeats
 
 @cindex anacrouse
 @cindex levée
@@ -823,7 +823,7 @@ s'afficher.
 
 
 @node Unmetered music
-@subsubsection Unmetered music
+@unnumberedsubsubsec Unmetered music
 
 @cindex cadence
 @funindex \cadenzaOn
@@ -859,7 +859,7 @@ endroit un saut de ligne peut intervenir.
 
 
 @node Polymetric notation
-@subsubsection Polymetric notation
+@unnumberedsubsubsec Polymetric notation
 
 @cindex métrique composite
 @cindex composite, métrique
@@ -1020,7 +1020,7 @@ fausser l'espacement régulier.
 
 
 @node Automatic note splitting
-@subsubsection Automatic note splitting
+@unnumberedsubsubsec Automatic note splitting
 
 On peut convertir automatiquement les notes longues en notes liées.  Il
 faut pour cela remplacer le graveur @rinternals{Note_heads_engraver}
@@ -1062,7 +1062,7 @@ divise pas les silences.
 Référence du programme : @rinternals{Completion_heads_engraver}.
 
 @node Showing melody rhythms
-@subsubsection Showing melody rhythms
+@unnumberedsubsubsec Showing melody rhythms
 
 Au moyen d'une portée rythmique -- @q{rhythmic staff} en anglais -- on
 peut montrer seulement le rythme d'une mélodie : toutes les notes sont
@@ -1090,7 +1090,7 @@ Référence du programme : @rinternals{RhythmicStaff}.
 @end menu
 
 @node Automatic beams
-@subsubsection Automatic beams
+@unnumberedsubsubsec Automatic beams
 
 LilyPond décide automatiquement de la manière de grouper les notes et
 d'imprimer les ligatures.
@@ -1118,7 +1118,7 @@ Référence du programme : @rinternals{Beam}.
 
 
 @node Setting automatic beam behavior
-@subsubsection Setting automatic beam behavior
+@unnumberedsubsubsec Setting automatic beam behavior
 
 @funindex autoBeamSettings
 @funindex (end * * * *)
@@ -1315,7 +1315,7 @@ soit achevée.
 
 
 @node Manual beams
-@subsubsection Manual beams
+@unnumberedsubsubsec Manual beams
 
 @cindex groupements de note manuels
 @cindex ligatures manuelles
@@ -1403,7 +1403,7 @@ les notes, contrairement aux textes ou aux altérations.
 
 
 @node Feathered beams
-@subsubsection Feathered beams
+@unnumberedsubsubsec Feathered beams
 
 Les ligatures en soufflet s'obtiennent en définissant la propriété
 @code{grow-direction} d'une barre de ligature.  La fonction
@@ -1435,7 +1435,7 @@ courts extraits.
 @end menu
 
 @node Bar lines
-@subsubsection Bar lines
+@unnumberedsubsubsec Bar lines
 
 @cindex barres de mesure
 @funindex \bar
@@ -1529,7 +1529,7 @@ portées).
 
 
 @node Bar numbers
-@subsubsection Bar numbers
+@unnumberedsubsubsec Bar numbers
 
 @cindex Mesure, numéro de
 @cindex numéros de mesure
@@ -1604,7 +1604,7 @@ positionnement.
 
 
 @node Bar and bar number checks
-@subsubsection Bar and bar number checks
+@unnumberedsubsubsec Bar and bar number checks
 
 @cindex vérification des limites de mesure
 @cindex mesures, vérification des limites
@@ -1661,7 +1661,7 @@ point (variable @code{currentBarNumber}) n'est pas 123.
 
 
 @node Rehearsal marks
-@subsubsection Rehearsal marks
+@unnumberedsubsubsec Rehearsal marks
 
 @cindex Repères, indication de
 @funindex \mark
@@ -1777,7 +1777,7 @@ Exemples : @rlsr{Rhythms}, @rlsr{Expressive marks}.
 @end menu
 
 @node Grace notes
-@subsubsection Grace notes
+@unnumberedsubsubsec Grace notes
 
 @funindex \grace
 @cindex ornements
@@ -1994,7 +1994,7 @@ code peut échouer ou produire des erreurs.
 
 
 @node Aligning to cadenzas
-@subsubsection Aligning to cadenzas
+@unnumberedsubsubsec Aligning to cadenzas
 
 Dans un contexte orchestral, une cadence constitue un problème
 spécifique.  Lors du montage d'une partition contenant une cadence,
@@ -2025,7 +2025,7 @@ cadenza = \relative c' {
 
 
 @node Time administration
-@subsubsection Time administration
+@unnumberedsubsubsec Time administration
 
 @cindex temps, gestion du
 

diff --git a/Documentation/fr/user/unfretted-strings.itely b/Documentation/fr/user/unfretted-strings.itely
index ea7cb56aa7978a7fc4c6b56a2ea0a0491e1a57ee..99a92b0983f179f80aa82fb2c3147ad1e763c272 100644 (file)
--- a/Documentation/fr/user/unfretted-strings.itely
+++ b/Documentation/fr/user/unfretted-strings.itely
@@ -34,7 +34,7 @@ l'écriture pour les cordes frottées.
 @end menu
 
 @node References for unfretted strings
-@subsubsection References for unfretted strings
+@unnumberedsubsubsec References for unfretted strings
 
 @untranslated
 
@@ -48,7 +48,7 @@ l'écriture pour les cordes frottées.
 @end menu
 
 @node References for bowed strings
-@subsubsection References for bowed strings
+@unnumberedsubsubsec References for bowed strings
 
 @cindex harmoniques
 
@@ -71,7 +71,7 @@ par @code{\harmonic}.
 @end menu
 
 @node Harp
-@subsubsection Harp
+@unnumberedsubsubsec Harp
 
 @untranslated
 

diff --git a/Documentation/fr/user/vocal.itely b/Documentation/fr/user/vocal.itely
index c6683f5607dd7eb3fb8e8ef862e9dff89d91c222..6634728d5e975ba5e8f0f13d07faaf4b441b2609 100644 (file)
--- a/Documentation/fr/user/vocal.itely
+++ b/Documentation/fr/user/vocal.itely
@@ -74,7 +74,7 @@ Pour que les paroles évitent également les barres de mesure, ajoutez
 
 
 @node Lyrics explained
-@subsubsection Lyrics explained
+@unnumberedsubsubsec Lyrics explained
 
 @cindex paroles
 @funindex \lyricmode
@@ -211,7 +211,7 @@ Référence du programme : @rinternals{LyricText}, @rinternals{LyricSpace}.
 
 
 @node Setting simple songs
-@subsubsection Setting simple songs
+@unnumberedsubsubsec Setting simple songs
 
 @cindex \addlyrics
 
@@ -248,7 +248,7 @@ constructions polyphoniques.  Dans ce cas, mieux vaut employer
 
 
 @node Working with lyrics and variables
-@subsubsection Working with lyrics and variables
+@unnumberedsubsubsec Working with lyrics and variables
 
 @cindex paroles, variables
 
@@ -310,7 +310,7 @@ Référence du programme : @rinternals{LyricCombineMusic},
 
 
 @node References for vocal music
-@subsubsection References for vocal music
+@unnumberedsubsubsec References for vocal music
 
 @c TODO Add @refs
 
@@ -359,7 +359,7 @@ contexte @code{\lyricmode}
 @end menu
 
 @node Automatic syllable durations
-@subsubsection Automatic syllable durations
+@unnumberedsubsubsec Automatic syllable durations
 
 @cindex durée automatique des syllabes
 @cindex paroles et mélodies
@@ -415,7 +415,7 @@ est exactement la même chose que
 @end example
 
 @node Manual syllable durations
-@subsubsection Manual syllable durations
+@unnumberedsubsubsec Manual syllable durations
 
 On peut aussi se passer de @code{\addlyrics} et de @code{\lyricsto} pour
 saisir des paroles.  Dans ce cas, les syllabes sont entrées comme des
@@ -458,7 +458,7 @@ Référence du programme : @rinternals{Lyrics}.
 
 
 @node Multiple syllables to one note
-@subsubsection Multiple syllables to one note
+@unnumberedsubsubsec Multiple syllables to one note
 
 @funindex _
 @cindex liaisons, dans les paroles
@@ -487,7 +487,7 @@ Référence du programme : @rinternals{LyricCombineMusic}.
 @c the new title might be more self-explanatory
 
 @node Multiple notes to one syllable
-@subsubsection Multiple notes to one syllable
+@unnumberedsubsubsec Multiple notes to one syllable
 
 @cindex mélisme
 @cindex vocalise
@@ -570,7 +570,7 @@ Certains mélismes ne sont pas détectés automatiquement ; vous devrez
 alors prolonger vous-même les syllabes concernées.
 
 @node Skipping notes
-@subsubsection Skipping notes
+@unnumberedsubsubsec Skipping notes
 
 @untranslated
 @ifnothtml
@@ -578,7 +578,7 @@ alors prolonger vous-même les syllabes concernées.
 @end ifnothtml
 
 @node Extenders and hyphens
-@subsubsection Extenders and hyphens
+@unnumberedsubsubsec Extenders and hyphens
 
 @cindex mélisme
 @cindex extenseur
@@ -609,7 +609,7 @@ Référence du programme : @rinternals{LyricExtender},
 
 
 @node Lyrics and repeats
-@subsubsection Lyrics and repeats
+@unnumberedsubsubsec Lyrics and repeats
 
 @untranslated
 @ifnothtml
@@ -631,7 +631,7 @@ La commande @code{\lyricsto} permet de prendre en compte ces variantes.
 @end menu
 
 @node Divisi lyrics
-@subsubsection Divisi lyrics
+@unnumberedsubsubsec Divisi lyrics
 
 En donnant un nom à chaque voix et en leur attribuant spécifiquement
 des paroles, on peut créer des paroles alternatives --- également
@@ -675,7 +675,7 @@ Cette astuce permet de faire varier les paroles lorsqu'une section est reprise.
 @end lilypond
 
 @node Lyrics independent of notes
-@subsubsection Lyrics independent of notes
+@unnumberedsubsubsec Lyrics independent of notes
 
 Dans certaines musiques vocales assez complexes, on peut avoir intérêt à
 imprimer les paroles indépendamment des notes.  La mélodie sur laquelle
@@ -705,7 +705,7 @@ lyr = \lyricmode { I like my cat! }
 @end lilypond
 
 @node Chants
-@subsubsection Chants
+@unnumberedsubsubsec Chants
 
 @untranslated
 @ifnothtml
@@ -713,7 +713,7 @@ lyr = \lyricmode { I like my cat! }
 @end ifnothtml
 
 @node Spacing out syllables
-@subsubsection Spacing out syllables
+@unnumberedsubsubsec Spacing out syllables
 
 @cindex espacer des paroles
 @cindex paroles, accroître l'espacement
@@ -756,7 +756,7 @@ dans le bloc @code{\layout}.
 @end lilypond
 
 @node Centering lyrics between staves
-@subsubsection Centering lyrics between staves
+@unnumberedsubsubsec Centering lyrics between staves
 
 @untranslated
 @ifnothtml
@@ -778,7 +778,7 @@ dans le bloc @code{\layout}.
 
 
 @node Adding stanza numbers
-@subsubsection Adding stanza numbers
+@unnumberedsubsubsec Adding stanza numbers
 
 @cindex numéro de couplet
 
@@ -801,7 +801,7 @@ On peut ajouter un numéro aux couplets en définissant la variable
 Ces numéros se placeront juste avant le début de la première syllabe.
 
 @node Adding dynamics marks to stanzas
-@subsubsection Adding dynamics marks to stanzas
+@unnumberedsubsubsec Adding dynamics marks to stanzas
 
 Lorsque des couplets ont des nuances différentes, vous pouvez ajouter
 une nuance devant chaque numéro.  L'objet @code{StanzaNumber} contient
@@ -827,7 +827,7 @@ text = {
 @end lilypond
 
 @node Adding singers' names to stanzas
-@subsubsection Adding singers' names to stanzas
+@unnumberedsubsubsec Adding singers' names to stanzas
 
 @cindex nom de personnage
 @cindex nom du chanteur
@@ -850,7 +850,7 @@ abrégée.
 @end lilypond
 
 @node Stanzas with different rhythms
-@subsubsection Stanzas with different rhythms
+@unnumberedsubsubsec Stanzas with different rhythms
 
 @subsubheading Mélismes dans certaines strophes seulement
 
@@ -990,7 +990,7 @@ la valeur @code{lahlah}.
 
 
 @node Printing stanzas at the end
-@subsubsection Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end
 
 Il peut parfois s'avérer opportun d'aligner un seul couplet sur la
 mélodie, et de présenter tous les autres en bloc à la fin du morceau.
@@ -1035,7 +1035,7 @@ its fleece was white as snow.
 @end lilypond
 
 @node Printing stanzas at the end in multiple columns 
-@subsubsection Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
 
 Si les couplets sont vraiment nombreux, il est possible de les imprimer
 sur plusieurs colonnes.  De plus, l'exemple suivant vous montrera

diff --git a/Documentation/fr/user/wind.itely b/Documentation/fr/user/wind.itely
index 57ad497bc3ac8beac698b298c3124c3be62329d1..1eab710882538d9bb7d1b279e4116532594d4d67 100644 (file)
--- a/Documentation/fr/user/wind.itely
+++ b/Documentation/fr/user/wind.itely
@@ -53,7 +53,7 @@
 @end menu
 
 @node Bagpipe definitions
-@subsubsection Bagpipe definitions
+@unnumberedsubsubsec Bagpipe definitions
 
 LilyPond inclut des définitions spécifiques destinées à la notation pour
 cornemuse écossaise ; pour les utiliser, il suffit d'ajouter
@@ -97,7 +97,7 @@ ou un défilé, peut survenir un sol aigu, au doux nom de
 @qq{piobaireachd}, et que l'on indiquera par @code{gflat}.
 
 @node Bagpipe example
-@subsubsection Bagpipe example
+@unnumberedsubsubsec Bagpipe example
 
 Et voici en guise d'exemple, à quoi ressemble le chant populaire
 @emph{Amazing Grace}, noté dans l'idiome de la cornemuse.

diff --git a/Documentation/user/percussion.itely b/Documentation/user/percussion.itely
index 8d439f08528b7f87ed8225e3c6910c607161600b..14f090c17a8ca3cfb817fe7cff90a7fa0a476f33 100644 (file)
--- a/Documentation/user/percussion.itely
+++ b/Documentation/user/percussion.itely
@@ -32,7 +32,7 @@ also be used to show the rhythms of melodies.
 @end menu
 
 @node References for percussion
-@subsubsection References for percussion
+@unnumberedsubsubsec References for percussion
 
 TODO add more.
 
@@ -58,7 +58,7 @@ Snippets: @rlsr{Percussion}.
 
 
 @node Basic percussion notation
-@subsubsection Basic percussion notation
+@unnumberedsubsubsec Basic percussion notation
 
 @cindex percussion
 @cindex drums
@@ -106,7 +106,7 @@ Snippets: @rlsr{Percussion}.
 
 
 @node Drum rolls
-@subsubsection Drum rolls
+@unnumberedsubsubsec Drum rolls
 
 Drum rolls are indicated with three slashes across the stem.  For
 quarter notes or longer the three slashes are shown explicitly,
@@ -144,7 +144,7 @@ Snippets: @rlsr{Percussion}.
 
 
 @node Pitched percussion
-@subsubsection Pitched percussion
+@unnumberedsubsubsec Pitched percussion
 
 Certain pitched percussion instruments (e.g. xylophone,
 vibraphone, and timpani) are written using with normal staffs.
@@ -161,7 +161,7 @@ Snippets: @rlsr{Percussion}.
 
 
 @node Percussion staves
-@subsubsection Percussion staves
+@unnumberedsubsubsec Percussion staves
 
 @cindex percussion
 @cindex drums
@@ -350,7 +350,7 @@ mus = \drummode { tri trio trim gui guis guil cb cl tamb cab mar hc s16 }
 
 
 @node Custom percussion staves
-@subsubsection Custom percussion staves
+@unnumberedsubsubsec Custom percussion staves
 
 If you do not like any of the predefined lists you can define your
 own list at the top of your file.
@@ -559,7 +559,7 @@ Internals Reference: @rinternals{DrumStaff}, @rinternals{DrumVoice}.
 
 @c TODO: check name -gp
 @node Ghost notes
-@subsubsection Ghost notes
+@unnumberedsubsubsec Ghost notes
 
 Ghost notes for drums and percussion may be created using the
 @code{\parenthesize} command detailed in @ref{Parentheses}.

diff --git a/Documentation/user/rhythms.itely b/Documentation/user/rhythms.itely
index c0e52358804c486371954d3cd9bf46dc708b2dca..c5eeb57a23538b203064aebefd555172e613e666 100644 (file)
--- a/Documentation/user/rhythms.itely
+++ b/Documentation/user/rhythms.itely
@@ -59,7 +59,7 @@ This section discusses rhythms, rests, durations, beaming and bars.
 @end menu
 
 @node Durations
-@subsubsection Durations
+@unnumberedsubsubsec Durations
 
 @cindex durations, of notes
 @cindex note durations
@@ -183,7 +183,7 @@ rests from 128th to maxima (8 x whole) may be printed.
 
 
 @node Tuplets
-@subsubsection Tuplets
+@unnumberedsubsubsec Tuplets
 
 @cindex tuplets
 @cindex triplets
@@ -287,7 +287,7 @@ placed within tuplet brackets.
 
 
 @node Scaling durations
-@subsubsection Scaling durations
+@unnumberedsubsubsec Scaling durations
 
 @cindex scaling durations
 @cindex durations, scaling
@@ -361,7 +361,7 @@ Snippets:
 
 
 @node Ties
-@subsubsection Ties
+@unnumberedsubsubsec Ties
 
 @cindex tie
 @funindex ~
@@ -521,7 +521,7 @@ Rests are entered as part of the music in music expressions.
 @end menu
 
 @node Rests
-@subsubsection Rests
+@unnumberedsubsubsec Rests
 @cindex rest
 @cindex rest, entering durations
 @cindex maxima
@@ -602,7 +602,7 @@ are rests from 128th to maxima (8 x whole).
 
 
 @node Invisible rests
-@subsubsection Invisible rests
+@unnumberedsubsubsec Invisible rests
 
 @cindex skip
 @cindex invisible rest
@@ -664,7 +664,7 @@ Internals Reference: @rinternals{SkipMusic}
 
 
 @node Full measure rests
-@subsubsection Full measure rests
+@unnumberedsubsubsec Full measure rests
 
 @cindex multi-measure rests
 @cindex full-measure rests
@@ -874,7 +874,7 @@ Multi-measure rests do not take part in rest collisions.
 @end menu
 
 @node Time signature
-@subsubsection Time signature
+@unnumberedsubsubsec Time signature
 
 @cindex time signature
 @cindex meter
@@ -1018,7 +1018,7 @@ Automatic beaming does not use the measure grouping specified with
 
 
 @node Upbeats
-@subsubsection Upbeats
+@unnumberedsubsubsec Upbeats
 
 @cindex anacrusis
 @cindex upbeat
@@ -1084,7 +1084,7 @@ beginning of a piece.  If you use it after the beginning, some
 odd warnings may occur.
 
 @node Unmetered music
-@subsubsection Unmetered music
+@unnumberedsubsubsec Unmetered music
 
 @funindex \cadenzaOn
 @funindex \cadenzaOff
@@ -1153,7 +1153,7 @@ to indicate where breaks can occur.
 
 
 @node Polymetric notation
-@subsubsection Polymetric notation
+@unnumberedsubsubsec Polymetric notation
 
 @cindex double time signatures
 @cindex signatures, polymetric
@@ -1307,7 +1307,7 @@ individual staves than would be normal without the different
 time signatures.
 
 @node Automatic note splitting
-@subsubsection Automatic note splitting
+@unnumberedsubsubsec Automatic note splitting
 
 @cindex notes, splitting
 @cindex splitting notes
@@ -1360,7 +1360,7 @@ split rests.
 
 
 @node Showing melody rhythms
-@subsubsection Showing melody rhythms
+@unnumberedsubsubsec Showing melody rhythms
 
 Sometimes you might want to show only the rhythm of a melody.  This
 can be done with the rhythmic staff.  All pitches of notes on such a
@@ -1488,7 +1488,7 @@ Internals Reference:
 @end menu
 
 @node Automatic beams
-@subsubsection Automatic beams
+@unnumberedsubsubsec Automatic beams
 
 By default, beams are inserted automatically:
 
@@ -1627,7 +1627,7 @@ Beams can collide with note heads and accidentals in other voices
 
 
 @node Setting automatic beam behavior
-@subsubsection Setting automatic beam behavior
+@unnumberedsubsubsec Setting automatic beam behavior
 
 @funindex autoBeamSettings
 @funindex (end * * * *)
@@ -1835,7 +1835,7 @@ Snippets:
 
 
 @node Manual beams
-@subsubsection Manual beams
+@unnumberedsubsubsec Manual beams
 
 @cindex beams, manual
 @funindex ]
@@ -1889,7 +1889,7 @@ TODO -- no difference based on stemLeftBeamCount in this example
 @snippets
 
 @node Feathered beams
-@subsubsection Feathered beams
+@unnumberedsubsubsec Feathered beams
 
 @cindex beams, feathered
 @funindex \featherDurations
@@ -1969,7 +1969,7 @@ Snippets:
 @end menu
 
 @node Bar lines
-@subsubsection Bar lines
+@unnumberedsubsubsec Bar lines
 
 @cindex bar lines
 @funindex \bar
@@ -2124,7 +2124,7 @@ properties).
 
 
 @node Bar numbers
-@subsubsection Bar numbers
+@unnumberedsubsubsec Bar numbers
 
 @cindex bar numbers
 @cindex measure numbers
@@ -2286,7 +2286,7 @@ c1 c c c
 
 
 @node Bar and bar number checks
-@subsubsection Bar and bar number checks
+@unnumberedsubsubsec Bar and bar number checks
 
 @cindex bar check
 @funindex barCheckSynchronize
@@ -2365,7 +2365,7 @@ Snippets:
 
 
 @node Rehearsal marks
-@subsubsection Rehearsal marks
+@unnumberedsubsubsec Rehearsal marks
 
 @cindex rehearsal marks
 @cindex mark, rehearsal
@@ -2495,7 +2495,7 @@ Examples: @c @lsr{parts,rehearsal-mark-numbers.ly}
 @end menu
 
 @node Grace notes
-@subsubsection Grace notes
+@unnumberedsubsubsec Grace notes
 
 @funindex \grace
 @cindex ornaments
@@ -2711,7 +2711,7 @@ expressions.  Nesting or juxtaposing grace sections is not
 supported, and might produce crashes or other errors.
 
 @node Aligning to cadenzas
-@subsubsection Aligning to cadenzas
+@unnumberedsubsubsec Aligning to cadenzas
 
 @cindex cadenza
 @cindex cadenza, aligning to
@@ -2757,7 +2757,7 @@ Snippets:
 
 
 @node Time administration
-@subsubsection Time administration
+@unnumberedsubsubsec Time administration
 
 @cindex time administration
 @cindex timing (within the score)

diff --git a/Documentation/user/text.itely b/Documentation/user/text.itely
index b3177a972f9bddce789a7edce6f7ca3d4468a142..dc8c011519e5dea36e4c09fcd389cb2bc3a98513 100644 (file)
--- a/Documentation/user/text.itely
+++ b/Documentation/user/text.itely
@@ -46,7 +46,7 @@ This section introduces different ways of adding text to a score.
 
 
 @node Text scripts
-@subsubsection Text scripts
+@unnumberedsubsubsec Text scripts
 
 @cindex Text scripts
 @cindex text items, non-empty
@@ -117,7 +117,7 @@ default; to enable it, use
 
 
 @node Text spanners
-@subsubsection Text spanners
+@unnumberedsubsubsec Text spanners
 
 @cindex Text spanners
 
@@ -172,7 +172,7 @@ Internals Reference:
 
 
 @node Text marks
-@subsubsection Text marks
+@unnumberedsubsubsec Text marks
 
 @cindex coda on bar line
 @cindex segno on bar line
@@ -262,7 +262,7 @@ there is no next line), then the mark will not be printed at
 all.
 
 @node Separate text
-@subsubsection Separate text
+@unnumberedsubsubsec Separate text
 
 @cindex separate text
 @cindex standalone text
@@ -346,7 +346,7 @@ using the @code{\markup} mode specific syntax.
 @end menu
 
 @node Text markup introduction
-@subsubsection Text markup introduction
+@unnumberedsubsubsec Text markup introduction
 
 @cindex markup
 @cindex text markup
@@ -460,7 +460,7 @@ Syntax errors for markup mode can be confusing.
 
 
 @node Selecting font and font size
-@subsubsection Selecting font and font size
+@unnumberedsubsubsec Selecting font and font size
 
 @cindex font switching
 @funindex \italic
@@ -625,7 +625,7 @@ Installed files:
 
 
 @node Text alignment
-@subsubsection Text alignment
+@unnumberedsubsubsec Text alignment
 
 @cindex text, aligning
 @cindex aligning text
@@ -850,7 +850,7 @@ Installed files:
 
 
 @node Graphic notation inside markup
-@subsubsection Graphic notation inside markup
+@unnumberedsubsubsec Graphic notation inside markup
 
 @cindex graphics, embedding
 @cindex drawing graphic objects
@@ -1005,7 +1005,7 @@ Installed files:
 @file{scm/@/stencil@/.scm}.
 
 @node Music notation inside markup
-@subsubsection Music notation inside markup
+@unnumberedsubsubsec Music notation inside markup
 
 Various musical notation elements may be added
 to a score, inside a markup object.
@@ -1131,7 +1131,7 @@ Installed files:
 @file{scm/@/harp@/-pedals@/.scm}.
 
 @node Multi-page markup
-@subsubsection Multi-page markup
+@unnumberedsubsubsec Multi-page markup
 
 Although standard markup objects are not breakable, a
 specific syntax allows to enter lines of text that can
@@ -1195,7 +1195,7 @@ and how they may be changed in scores.
 @end menu
 
 @node Fonts explained
-@subsubsection Fonts explained
+@unnumberedsubsubsec Fonts explained
 
 @cindex Pango
 @cindex fonts, explained
@@ -1297,7 +1297,7 @@ Notation Reference:
 @ref{Font}.
 
 @node Single entry fonts
-@subsubsection Single entry fonts
+@unnumberedsubsubsec Single entry fonts
 
 Any font that is installed on the operating system and recognized
 by FontConfig may be used in a score, using the following syntax:
@@ -1338,7 +1338,7 @@ Installed files:
 @file{lily/@/font@/-config@/-scheme@/.cc}.
 
 @node Entire document fonts
-@subsubsection Entire document fonts
+@unnumberedsubsubsec Entire document fonts
 
 
 It is possible to change the default font families for the

diff --git a/Documentation/user/vocal.itely b/Documentation/user/vocal.itely
index eb96f64cda005b74c718c9afe101ac71e1493c05..13a869ab9087ae2522993fd8598e7b1bdce81a7d 100644 (file)
--- a/Documentation/user/vocal.itely
+++ b/Documentation/user/vocal.itely
@@ -37,7 +37,7 @@ that the lyrics will be aligned with the notes of their melody.
 
 
 @node Lyrics explained
-@subsubsection Lyrics explained
+@unnumberedsubsubsec Lyrics explained
 
 @cindex lyrics
 @funindex \lyricmode
@@ -187,7 +187,7 @@ Internals Reference:
 
 
 @node Setting simple songs
-@subsubsection Setting simple songs
+@unnumberedsubsubsec Setting simple songs
 
 @cindex \addlyrics
 
@@ -225,7 +225,7 @@ introduced in @ref{Lyrics explained}.
 @c such as "advanced lyric syntax" or whatever -vv
 
 @node Working with lyrics and variables
-@subsubsection Working with lyrics and variables
+@unnumberedsubsubsec Working with lyrics and variables
 
 @cindex lyrics, variables
 
@@ -319,7 +319,7 @@ Internals Reference:
 
 
 @node References for vocal music
-@subsubsection References for vocal music
+@unnumberedsubsubsec References for vocal music
 
 TBC
 @c TODO Add @refs
@@ -378,7 +378,7 @@ explicitly, using @code{\lyricmode}
 @end menu
 
 @node Automatic syllable durations
-@subsubsection Automatic syllable durations
+@unnumberedsubsubsec Automatic syllable durations
 
 @cindex automatic syllable durations
 @cindex lyrics and melodies
@@ -440,7 +440,7 @@ is the same as
 @end example
 
 @node Manual syllable durations
-@subsubsection Manual syllable durations
+@unnumberedsubsubsec Manual syllable durations
 
 Lyrics can also be entered without @code{\addlyrics} or
 @code{\lyricsto}.  In this case,
@@ -484,7 +484,7 @@ Internals Reference:
 
 
 @node Multiple syllables to one note
-@subsubsection Multiple syllables to one note
+@unnumberedsubsubsec Multiple syllables to one note
 
 
 @funindex _
@@ -516,7 +516,7 @@ Internals Reference:
 
 
 @node Multiple notes to one syllable
-@subsubsection Multiple notes to one syllable
+@unnumberedsubsubsec Multiple notes to one syllable
 
 @cindex melisma
 @cindex melismata
@@ -606,7 +606,7 @@ Melismata are not detected automatically, and extender lines must be
 inserted by hand.
 
 @node Skipping notes
-@subsubsection Skipping notes
+@unnumberedsubsubsec Skipping notes
 
 Making a lyric line run slower than the melody can be achieved by
 inserting @code{\skip}s into the lyrics.  For every @code{\skip}, 
@@ -626,7 +626,7 @@ For example,
 
 
 @node Extenders and hyphens
-@subsubsection Extenders and hyphens
+@unnumberedsubsubsec Extenders and hyphens
 
 @cindex melisma
 @cindex extender
@@ -664,7 +664,7 @@ Internals Reference:
 @rinternals{LyricHyphen}
 
 @node Lyrics and repeats
-@subsubsection Lyrics and repeats
+@unnumberedsubsubsec Lyrics and repeats
 
 @c TODO New section.  Add text
 TBC
@@ -690,7 +690,7 @@ differing ways.  Such variations can still be captured with
 
 
 @node Divisi lyrics
-@subsubsection Divisi lyrics
+@unnumberedsubsubsec Divisi lyrics
 
 You can display alternate (or divisi) lyrics by naming voice
 contexts and attaching lyrics to those specific contexts.
@@ -736,7 +736,7 @@ section.
 
 
 @node Lyrics independent of notes
-@subsubsection Lyrics independent of notes
+@unnumberedsubsubsec Lyrics independent of notes
 
 @cindex Devnull context
 
@@ -778,13 +778,13 @@ the implicit melismata get ignored.
 
 
 @node Chants
-@subsubsection Chants
+@unnumberedsubsubsec Chants
 
 @c TODO Add text from lsr and -user
 TBC
 
 @node Spacing out syllables
-@subsubsection Spacing out syllables
+@unnumberedsubsubsec Spacing out syllables
 
 @cindex Spacing lyrics
 @cindex Lyrics, increasing space between
@@ -869,7 +869,7 @@ To make lyrics avoid bar lines as well, use
 
 
 @node Centering lyrics between staves
-@subsubsection Centering lyrics between staves
+@unnumberedsubsubsec Centering lyrics between staves
 
 @c TODO Add text from -user
 TBC
@@ -888,7 +888,7 @@ TBC
 
 
 @node Adding stanza numbers
-@subsubsection Adding stanza numbers
+@unnumberedsubsubsec Adding stanza numbers
 
 @cindex stanza number
 
@@ -943,7 +943,7 @@ stanzaOneThree =  {
 @end ignore
 
 @node Adding dynamics marks to stanzas
-@subsubsection Adding dynamics marks to stanzas
+@unnumberedsubsubsec Adding dynamics marks to stanzas
 
 Stanzas differing in loudness may be indicated by putting a
 dynamics mark before each stanza.  In LilyPond, everything coming in
@@ -969,7 +969,7 @@ text = {
 @end lilypond
 
 @node Adding singers' names to stanzas
-@subsubsection Adding singers' names to stanzas
+@unnumberedsubsubsec Adding singers' names to stanzas
 
 @cindex singer name
 @cindex name of singer
@@ -991,7 +991,7 @@ the line, just like instrument names.  They are created by setting
 @end lilypond
 
 @node Stanzas with different rhythms
-@subsubsection Stanzas with different rhythms
+@unnumberedsubsubsec Stanzas with different rhythms
 
 @subsubheading Ignoring melismata
 
@@ -1118,7 +1118,7 @@ The underlay is switched back to the starting situation by assigning
 
 
 @node Printing stanzas at the end
-@subsubsection Printing stanzas at the end
+@unnumberedsubsubsec Printing stanzas at the end
 
 Sometimes it is appropriate to have one stanza set
 to the music, and the rest added in verse form at
@@ -1163,7 +1163,7 @@ its fleece was white as snow.
 
 
 @node Printing stanzas at the end in multiple columns
-@subsubsection Printing stanzas at the end in multiple columns
+@unnumberedsubsubsec Printing stanzas at the end in multiple columns
 
 When a piece of music has many verses, they are often printed in
 multiple columns across the page.  An outdented verse number often