@String{CitH = {Computing and the Humanities}}
@String{CMJ = {Computer Music Journal}}
-@TechReport{roush88,
- year = {1988},
- title = {Music Formatting Guidelines},
- author = {D. Roush},
- number = {OSU-CISRC-3/88-TR10},
- institution = {Department of Computer and Information Science, The Ohio State University},
- note = {Rules on formatting music formulated for use in
- computers. Mainly distilled from [Ross] HWN},
+@Book {smith73,
+ year = {1973},
+ title = {Editing and Printing Music by Computer},
+ author = {Leland Smith},
+ totalentry = {Journal of Music Theory},
+ volume={17},
+ pages ={292-309},
+
+ note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's
+music-printing system SCORE}
}
+@Article {byrd74,
+ year = {1974},
+ title = {A System for Music Printing by Computer},
+ author = {Donald Byrd},
+ journal = {Computers and the Humanities},
+ volume ={8},
+ pages ={161-72},
+}
-@InProceedings{assayaag86,
- author = {G. Assayaag and D. Timis},
- title = {A Toolbox for music notation},
- booktitle = {Proceedings of the 1986 International Computer Music Conference},
- year = 1986
+@Article{ericson75,
+ author = {R. F. Ericson},
+ title = {The DARMS Project: A status report},
+ journal = {Computing in the humanities},
+ year = 1975,
+ volume = 9,
+ number = 6,
+ pages = {291--298},
+ note = {Gourlay\cite{gourlay86} writes: A discussion of the design
+ and potential uses of the DARMS music-description language.}
+}
+
+% Gomberg
+@PhdThesis {gomber75,
+ year = {1975},
+ title = {A Computer-Oriented System for Music Printing},
+ author = {David A. Gomberg},
+ school = {Washington University},
+}
+
+@Book {gomberg,
+ title = {A Computer-oriented System for Music Printing},
+ author = {David A. Gomberg},
+ journal = CitH,
+ volume={11},
+ month = {march},
+ year = {1977},
+ pages = {63-80},
+
+ note = {Gourlay \cite{gourlay86} writes: "A discussion of the
+ problems of representing the conventions of musical notation in
+ computer algorithms."}
+}
+
+
+@TechReport{Ornstein83,
+ author={Ornstein, Severo M. and John Turner Maxwell III},
+ title={Mockingbird: A Composer's Amanuensis},
+ institution={Xerox Palo Alto Research Center},
+ address={3333 Coyote Hill Road, Palo Alto, CA, 94304},
+ number={CSL-83-2},
+ month={January},
+ year={1983}
+}
+
+@Article{Ornstein84,
+ author={Ornstein, Severo M. and John Turner Maxwell III},
+ title={Mockingbird: A Composer's Amanuensis},
+ journal= {Byte},
+ volume= 9,
+ month = {January},
+ year= { 1984},
+
+ note={A discussion of an interactive and graphical computer system
+for music composition}
+
}
% byrd
}
+@InProceedings{assayaag86,
+ author = {G. Assayaag and D. Timis},
+ title = {A Toolbox for music notation},
+ booktitle = {Proceedings of the 1986 International Computer Music Conference},
+ year = 1986
+}
+
+@TechReport{roush88,
+ year = {1988},
+ title = {Music Formatting Guidelines},
+ author = {D. Roush},
+ number = {OSU-CISRC-3/88-TR10},
+ institution = {Department of Computer and Information Science, The Ohio State University},
+ note = {Rules on formatting music formulated for use in
+ computers. Mainly distilled from [Ross] HWN},
-@Article {byrd74,
- year = {1974},
- title = {A System for Music Printing by Computer},
- author = {Donald Byrd},
- journal = {Computers and the Humanities},
- volume ={8},
- pages ={161-72},
}
+
@Article{byrd94,
author = {Donald Byrd},
title = {Music Notation Software and Intelligence},
}
-
-@Article{ericson75,
- author = {R. F. Ericson},
- title = {The DARMS Project: A status report},
- journal = {Computing in the humanities},
- year = 1975,
- volume = 9,
- number = 6,
- pages = {291--298},
- note = {Gourlay\cite{gourlay86} writes: A discussion of the design
- and potential uses of the DARMS music-description language.}
-}
-
-
@Article{field-richards93,
author = {H.S. Field-Richards},
title = {Cadenza: A Music Description Language},
}
-
-
@Article{bielawa93,
author = {Herbert Bielawa},
title = {Review of Sibelius 7},
}
-@Book {smith73,
- year = {1973},
- title = {Editing and Printing Music by Computer},
- author = {Leland Smith},
- totalentry = {Journal of Music Theory},
- volume={17},
- pages ={292-309},
-
- note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's
-music-printing system SCORE}
-
-}
-
-
@InProceedings{montel97,
author = {Dominique Montel},
title = {La gravure de la musique, lisibilit\'e esth\'etique, respect de l'oevre},
}
-% Gomberg
-@PhdThesis {gomber75,
- year = {1975},
- title = {A Computer-Oriented System for Music Printing},
- author = {David A. Gomberg},
- school = {Washington University},
-}
-
-@Book {gomberg,
- title = {A Computer-oriented System for Music Printing},
- author = {David A. Gomberg},
- journal = CitH,
- volume={11},
- month = {march},
- year = {1977},
- pages = {63-80},
-
- note = {Gourlay \cite{gourlay86} writes: "A discussion of the
- problems of representing the conventions of musical notation in
- computer algorithms."}
-
-}
-
@Book {CASR,
@Book{selfridge-field97:_beyon_midi,
+ title = {Beyond MIDI: the handbook of musical codes},
editor = {Eleanor Selfridge-Field},
- title = {Beyond MIDI},
publisher = {MIT Press},
year = 1997,
}
-@Book{hewlett01:_virtual_score,
- editor = {Walter B. Hewlett and Eleanor Selfridge-Field},
- title = {The Virtual Score; representation, retrieval and restoration},
- publisher = {MIT Press},
-series = {Computing in Musicology},
- year = 2001
-}
-
-
-
@InProceedings{hoos98:_guido_music_notat_format,
title={The {GUIDO} Music Notation Format---A Novel Approach
for Adequately Representing Score-level Music},
pages = {451--454},
}
-% LIME
-@Article {haken93,
- note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures) HWN},
- year = {1993},
- title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
- author = {Lippold Haken and Dorothea Blostein},
- journal = {Computer Music Journal},
- volume= {17},
- number={3},
- pages = {43--58},
-}
-
-@InProceedings{haken95,
- year = {1995},
- title = {A New Algorithm for Horizontal Spacing of Printed Music},
- author = {Lippold Haken and Dorothea Blostein},
- booktitle = {International Computer Music Conference},
- address={Banff},
- month={Sept},
- pages = {118-119},
-
- note = {This describes an algorithm which uses springs between
-adjacent columns. }, }
-
@Article {blostein91,
note = {This paper provides a overview of the algorithm used in LIME
}
+@Article {haken93,
+ note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures) HWN},
+ year = {1993},
+ title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
+ author = {Lippold Haken and Dorothea Blostein},
+ journal = {Computer Music Journal},
+ volume= {17},
+ number={3},
+ pages = {43--58},
+}
@Article{blostein94,
author = {Dorothea Blostein and Lippold Haken},
title = {The Lime Music Editor: A Diagram Editor Involving Complex
}
+
+
+@InProceedings{haken95,
+ year = {1995},
+ title = {A New Algorithm for Horizontal Spacing of Printed Music},
+ author = {Lippold Haken and Dorothea Blostein},
+ booktitle = {International Computer Music Conference},
+ address={Banff},
+ month={Sept},
+ pages = {118-119},
+
+ note = {This describes an algorithm which uses springs between
+adjacent columns. }, }
+
+
@InProceedings{bouzaiene98:_une,
author = {Nabil Bouzaiene and Lo\"ic Le Gall and Emmanuel Saint-James},
title = {Une biblioth\`eque pour la notation musicale baroque},
-@MastersThesis{gall97:_creat,
- author = {Lo\"ic Le Gall},
- title = {Cr\'eation d'une police adapt\'ee \`a la notation musicale baroque},
-school = {\'Ecole Estienne},
-year = 1997,
-}
@InProceedings{balaban88,
author = {M. Balaban},
}
-
-
@TechReport {hegazy87-breaking-tr,
annote = {This generalizes \TeX's breaking algorithm to music. It also
@InProceedings{hegazy88:_optim,
author = {Wael A. Hegazy and John S. Gourlay},
-year = 1988,
booktitle = {Proceedings of the International Conference on
-Electronic Publishing, Document Manipulation and Typography. Nice (France)
-},
+Electronic Publishing, Document Manipulation and Typography. Nice (France)},
month = {April},
year =1988,
editor={J. C. van Vliet},
}
-@TechReport {sola87-beams,
-
-institution={Department of Computer and Information Science, The Ohio
-State University},
-
- note = {Calculating beam slopes HWN},
- year = {1987},
- title = {Design of Musical Beams,},
- author = {F. Sola and D. Roush},
- number = {OSU-CISRC-10/87-TR30},
-}
-
-
@Article {gourlay86,
note = {This paper describes the {MusiCopy} musicsetting system and an input language to go with it.},
}
+@TechReport {sola87-beams,
-@Article {rader96,
-
- note = {Describes a system called MusicEase, and explains that it
- uses "constraints" (which go unexplained) to automatically position
- various elements. },
+institution={Department of Computer and Information Science, The Ohio
+State University},
- year = {1996},
- title = {Creating Printed Music Automatically},
- author = {Gary M. Rader},
- journal = {Computer},
- volume={29},
- number={6},
- month={June},
- pages = {61--69},
+ note = {Calculating beam slopes HWN},
+ year = {1987},
+ title = {Design of Musical Beams,},
+ author = {F. Sola and D. Roush},
+ number = {OSU-CISRC-10/87-TR30},
}
-
-
@PhdThesis {page88,
note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
year = {1988},
school ={Dissertation University of Oxford},
}
+
+%
+% three part study by John Gr/over
+@TechReport{grover89-symbols,
+ author = {John Gr\/over},
+ title = {A computer-oriented description of Music Notation. Part I. The Symbol Inventory},
+ institution = {Department of informatics, University of Oslo},
+ year = 1989,
+ number = 133,
+
+note = {The goal of this series of reports is a full description of
+music formatting. As these largely depend on parameters of fonts, it
+starts with a verbose description of music symbols.
+
+ The subject is treated backwards: from general rules of typesetting
+the author tries to extract dimensions for characters, whereas the
+rules of typesetting (in a particular font) follow from the dimensions
+of the symbols. His symbols do not match (the stringent) constraints
+formulated by eg. \cite{wanske}} }
+
+@TechReport{grover89-twovoices,
+ author = {John Gr\/over},
+ title = {A computer-oriented description of Music Notation. Part II: Two Voice Sharing a Staff, Leger Line Rules, Dot Positioning},
+
+ institution = {Department of informatics, University of Oslo},
+ year = 1989,
+ number = 134,
+
+ note = {A lot rules for what is in the title are formulated. The
+descriptions are long and verbose. The verbosity shows that
+formulating specific rules is not the proper way to approach the
+problem. Instead, the formulated rules should follow from more
+general rules, similar to\cite{parrish87-simultaneities}},
+}
+
+@TechReport{grover89-accidentals,
+ author = {John Gr\/over},
+ title = {A computer-oriented description of Music Notation. Part III: Accidental Positioning},
+ institution = {Department of informatics, University of Oslo},
+ year = 1989,
+ number = 135,
+
+note = {Placement of accidentals crystallised in an enormous set of
+rules. Same remarks as for \cite{grover89-twovoices} applies} }
+
+
+@PhdThesis{mueller90:_inter_bearb_musik,
+ author = {Giovanni M\"uller},
+ title = {Interaktive Bearbeitung konventioneller Musiknotation},
+ school = {Eidgen\"ossischen Technischen Hochschule Z\"urich},
+ year = 1990,
+
+note = {This is about engraver-quality typesetting with computers. It
+accepts the axiom that notation is too difficult to generate
+automatically. The result is that a notation program should be a
+WYSIWYG editor that allows one to tweak everything.
+}
+
+}
+
+
+
+
+
@MastersThesis{roelofs91,
note = {This dutch thesis describes a monophonic typesetting system,
pages = {485-502},
}
+@Article {Langston90,
+
+ note = {This paper deals with some command-line
+ tools for music editing and playback. },
+
+ year = {1990},
+ title = {Unix music tools at Bellcore},
+ author = {Peter S. Langston},
+ journal={Software --- Practice and Experience},
+ volume={20},
+ number={S1},
+ pages={47--61},
+}
+
@Book {filgueiras96,
year = {1996},
-@Article {Langston90,
-
- note = {This paper deals with some command-line
- tools for music editing and playback. },
-
- year = {1990},
- title = {Unix music tools at Bellcore},
- author = {Peter S. Langston},
- journal={Software --- Practice and Experience},
- volume={20},
- number={S1},
- pages={47--61},
-}
@Article {tablature-web,
note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
},
}
-@TechReport{Ornstein83,
- author={Ornstein, Severo M. and John Turner Maxwell III},
- title={Mockingbird: A Composer's Amanuensis},
- institution={Xerox Palo Alto Research Center},
- address={3333 Coyote Hill Road, Palo Alto, CA, 94304},
- number={CSL-83-2},
- month={January},
- year={1983}
-}
-
-
-
-@Article{Ornstein84,
- author={Ornstein, Severo M. and John Turner Maxwell III},
- title={Mockingbird: A Composer's Amanuensis},
- journal= {Byte},
- volume= 9,
- month = {January},
- year= { 1984},
-
- note={A discussion of an interactive and graphical computer system
-for music composition}
-
-}
-@PhdThesis{mueller90:_inter_bearb_musik,
- author = {Giovanni M\"uller},
- title = {Interaktive Bearbeitung konventioneller Musiknotation},
- school = {Eidgen\"ossischen Technischen Hochschule Z\"urich},
- year = 1990,
+@Article {rader96,
-note = {This is about engraver-quality typesetting with computers. It
-accepts the axiom that notation is too difficult to generate
-automatically. The result is that a notation program should be a
-WYSIWYG editor that allows one to tweak everything.
-}
+ note = {Describes a system called MusicEase, and explains that it
+ uses "constraints" (which go unexplained) to automatically position
+ various elements. },
+ year = {1996},
+ title = {Creating Printed Music Automatically},
+ author = {Gary M. Rader},
+ journal = {Computer},
+ volume={29},
+ number={6},
+ month={June},
+ pages = {61--69},
}
-%
-% three part study by John Gr/over
-@TechReport{grover89-symbols,
- author = {John Gr\/over},
- title = {A computer-oriented description of Music Notation. Part I. The Symbol Inventory},
- institution = {Department of informatics, University of Oslo},
- year = 1989,
- number = 133,
-
-note = {The goal of this series of reports is a full description of
-music formatting. As these largely depend on parameters of fonts, it
-starts with a verbose description of music symbols.
-
- The subject is treated backwards: from general rules of typesetting
-the author tries to extract dimensions for characters, whereas the
-rules of typesetting (in a particular font) follow from the dimensions
-of the symbols. His symbols do not match (the stringent) constraints
-formulated by eg. \cite{wanske}} }
-
-@TechReport{grover89-twovoices,
- author = {John Gr\/over},
- title = {A computer-oriented description of Music Notation. Part II: Two Voice Sharing a Staff, Leger Line Rules, Dot Positioning},
-
- institution = {Department of informatics, University of Oslo},
- year = 1989,
- number = 134,
-
- note = {A lot rules for what is in the title are formulated. The
-descriptions are long and verbose. The verbosity shows that
-formulating specific rules is not the proper way to approach the
-problem. Instead, the formulated rules should follow from more
-general rules, similar to\cite{parrish87-simultaneities}},
+@MastersThesis{gall97:_creat,
+ author = {Lo\"ic Le Gall},
+ title = {Cr\'eation d'une police adapt\'ee \`a la notation musicale baroque},
+ school = {\'Ecole Estienne},
+ year = 1997,
}
-@TechReport{grover89-accidentals,
- author = {John Gr\/over},
- title = {A computer-oriented description of Music Notation. Part III: Accidental Positioning},
- institution = {Department of informatics, University of Oslo},
- year = 1989,
- number = 135,
-
-note = {Placement of accidentals crystallised in an enormous set of
-rules. Same remarks as for \cite{grover89-twovoices} applies} }
-
@TechReport{droettboom00:_study_notat_descr_languag,
author = {Michael Droettboom},
title = {Study of music Notation Description Languages},
issues as usability and availability of tools, GUIDO wins on
implementation simplicity.} }
-@InBook{powell02:_music,
- author = {Steven Powell},
- title = {Music engraving today},
- publisher = {Brichtmark},
- year = 2002,
-
- note = {A "How Steven uses Finale" manual.}
-}
-
-
@PhdThesis{gieseking01:_code_gener_noten,
author = {Martin Gieseking},
title = {Code-basierte Generierung interaktiver Notengraphik
},
school = {Universit\"at Osnabr\"uck},
year = 2001,
-isbn = {ISBN 3-923486-30-8}
+ isbn = {ISBN 3-923486-30-8}
}
+@Book{hewlett01:_virtual_score,
+ editor = {Walter B. Hewlett and Eleanor Selfridge-Field},
+ title = {The Virtual Score; representation, retrieval and restoration},
+ publisher = {MIT Press},
+series = {Computing in Musicology},
+ year = 2001
+}
+
+
@PhdThesis{renz02:_algor_guido,
author = {Kai Renz},
year = 2002
}
+@InBook{powell02:_music,
+ author = {Steven Powell},
+ title = {Music engraving today},
+ publisher = {Brichtmark},
+ year = 2002,
+
+ note = {A "How Steven uses Finale" manual.}
+}
+
+
+@InProceedings{nienhuys03:_lilyp,
+ author = {Han-Wen Nienhuys and Jan Nieuwenhuizen},
+ title = {LilyPond, a system for automated music engraving},
+ booktitle = {XIV Colloquium on Musical Informatics},
+ year = 2003,
+ pages = {167--172},
+ address = {Firenze},
+ month = {May}
+}
+
projects / lilypond.git / commitdiff