#(define RH rightHandFinger)
{
\set strokeFingerOrientations = #'(right)
- \override StrokeFinger #'digit-names = ##("x" "y" "z" "!" "@")
+ \override StrokeFinger #'digit-names = #'#("x" "y" "z" "!" "@")
<c-\RH #5 >4
<c-\RH "@">4
}
#(define RH rightHandFinger)
{
\set strokeFingerOrientations = #'(right)
- \override StrokeFinger #'digit-names = ##("x" "y" "z" "!" "@")
+ \override StrokeFinger #'digit-names = #'#("x" "y" "z" "!" "@")
<c-\RH #5 >4
<c-\RH "@">4
<c-\RH #2 >4
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
{
\time 12/16
- \override Staff.BarLine #'break-visibility = ##(#f #f #f)
+ \override Staff.BarLine #'break-visibility = #'#(#f #f #f)
c4 b8 c d16 c d8 |
g, a16 b8 c d4 e16 |
e8
#(define RH rightHandFinger)
{
\set strokeFingerOrientations = #'(right)
- \override StrokeFinger #'digit-names = ##("x" "y" "z" "!" "@")
+ \override StrokeFinger #'digit-names = #'#("x" "y" "z" "!" "@")
<c-\RH #5 >4
<c-\RH "@">4
}
#(define RH rightHandFinger)
{
\set strokeFingerOrientations = #'(right)
- \override StrokeFinger #'digit-names = ##("x" "y" "z" "!" "@")
+ \override StrokeFinger #'digit-names = #'#("x" "y" "z" "!" "@")
<c-\RH #5 >4
<c-\RH "@">4
}
@c -*- coding: utf-8; mode: texinfo; documentlanguage: fr -*-
-@c This file is part of lilypond.tely
+@c This file is part of lilypond-kearning.tely
@ignore
Translation of GIT committish: 27af34a245b02a6b89c9af3becefcfe676b2e19d
@node Introduction
@chapter Introduction
+Ce chapitre constitue une première présentation de LilyPond et de sa
+documentation.
+
+@menu
+* Background::
+* About the documentation::
+@end menu
+
+
+@node Background
+@section Background
+
+Cette partie présente les objectifs de LilyPond ainsi que son
+architecture.
@menu
* Engraving::
* What symbols to engrave?::
* Music representation::
* Example applications::
-* About the documentation::
@end menu
@node Engraving
-@section Engraving
+@unnumberedsubsec Engraving
L'art de la typographie musicale se nomme la @emph{gravure}. Ce terme
est issu du processus traditionnel d'impression musicale. Il y a
@end ifnottex
@end ifnotinfo
@ifinfo
-@c workaround for makeinfo-4.6: line breaks and multi-column cookies
-@image{henle-flat-bw,,,png} @image{baer-flat-bw,,,png}
-@image{lily-flat-bw,,,png}
+@image{lilypond/henle-flat-bw,,,png} @image{lilypond/baer-flat-bw,,,png}
+@image{lilypond/lily-flat-bw,,,png}
@end ifinfo
@item @tab
@node Automated engraving
-@section Automated engraving
+@unnumberedsubsec Automated engraving
Comment pouvons-nous implémenter la typographie ? Si les artisans ont
besoin de plus de dix ans pour devenir de vrais maîtres, comment nous,
programme étaient figées par les développeurs. Ceci s'est avéré
insatisfaisant pour plusieurs raisons :
-@itemize @bullet
+@itemize
@item Quand Lilypond fait des erreurs,
les utilisateurs ont besoin de contredire les décisions de formatage.
Les utilisateurs doivent donc avoir accès au moteur de formatage. Par
@node What symbols to engrave?
-@section What symbols to engrave?
+@unnumberedsubsec What symbols to engrave?
@cindex gravure
@cindex typographie
}
@end lilypond
+@noindent
Le graveur de hampe est notifié de chaque tête de note qui survient.
Chaque fois qu'une tête de note --- plusieurs pour un accord --- est
rencontrée, un objet hampe est créé et connecté à la tête de note. En
@end lilypond
@node Music representation
-@section Music representation
+@unnumberedsubsec Music representation
Idéalement, le format d'entrée pour n'importe quel système de
formatage est une description abstraite du contenu. Dans ce cas-ci,
conséquent il est facile de saisir
@example
+@{
c'4 d'8
+@}
@end example
@noindent
@c < > is not a music expression,
@c so we use <<>> iso. <> to drive home the point of
@c expressions. Don't change this back --hwn.
+
+@c FIXME: change this. I can explain it better. -gp
@example
<<c4 d4 e4>>
@end example
moins de 10% du code source.
@node Example applications
-@section Example applications
+@unnumberedsubsec Example applications
Nous avons conçu LilyPond comme une expérimentation visant à
concentrer l'art de la gravure musicale dans un logiciel. Grâce à
@node About the documentation
@section About the documentation
-Deux manuels traitent de LilyPond : le @emph{manuel de l'utilisateur}
---- que vous lisez actuellement --- et le @emph{manuel d'utilisation du
-programme.}
+Cette partie présente les différents volumes de la documentation.
-@subheading Manuel de l'utilisateur
+@c leave these lines wrapping around. It's some texinfo 4.12 thing. -gp
+@menu
+* About the Learning Manual (LM):: introduction à LilyPond, ce volume
+ explique en profondeur comment créer de la notation.
-Ce manuel se divise en trois livres.
-@c pourquoi pas "tomes" au lieu de "livres" ? -John M.
+* About the Music Glossary (MG):: ce volume explique de nombreux termes
+ musicaux et en donne la traduction dans d'autres langues.
-@subsubheading Manuel d'apprentissage
+* About the Notation Reference (NR):: ce volume représente le cœur de
+ la documentation. Il fournit des informations détaillées sur la
+ manière de créer de la notation. La lecture de cet ouvrage requiert
+ une bonne compréhension des concepts exposés dans le manuel
+ d'initiation.
-Ce livre explique comment débuter avec LilyPond, et expose de manière
+* About the Application Usage (AU):: ce volume traite des différentes
+ composantes de LilyPond ainsi que des particularités selon les
+ environements.
+
+* About the Snippet List (SL):: ce volume constitue une collection
+ d'extraits réalisés avec LilyPond.
+
+* About the Internals Reference (IR):: ce volume est la source
+ d'information sur le fonctionnement interne de LilyPond. Il constitue
+ la base des ressources nécessaires à l'élaboration de retouches.
+
+* Other documentation:: d'autres sources de documentation sont
+ disponibles, telles que les notes d'actualité et les archives des
+ listes de diffusion.
+
+@end menu
+
+
+@node About the Learning Manual (LM)
+@unnumberedsubsec About the Learning Manual (LM)
+
+Ce volume explique comment débuter avec LilyPond, et expose de manière
simple quelques concepts clés. Il est conseillé de lire ces chapitres
de manière linéaire.
-@itemize @bullet
+@itemize
@item
-@ifhtml
-Le
-@end ifhtml
-@emph{@ref{Tutorial}}
-propose une introduction en douceur à la typographie musicale.
+@ref{Introduction} :
+le pourquoi du comment de LilyPond.
+
+@item
+@ref{Tutorial} :
+introduction en douceur à la typographie musicale.
Les utilisateurs débutants sont invités à commencer ici.
@item
-@emph{@ref{Fundamental concepts}}
-explique des concepts généraux du format de fichier ly. Si vous n'êtes
-pas certain de l'endroit où placer une commande, lisez ce chapitre !
+@ref{Fundamental concepts} :
+concepts généraux du format de fichier @code{ly} spécifique à
+LilyPond. Si vous n'êtes pas certain de l'endroit où placer une
+commande, lisez ce chapitre !
+
+@item
+@ref{Tweaking output} :
+introduction aux retouches de gravure avec LilyPond.
+
+@item
+@ref{Working on LilyPond projects} :
+utilisations pratiques de LilyPond, et conseils
+afin d'éviter les problèmes les plus courants. À lire absolument avant
+de se lancer dans des travaux d'envergure.
+
+@end itemize
+
+Ce volume contient aussi des annexes que vous pouvez consulter au gré de
+vos besoins :
+
+@itemize
@item
-@emph{@ref{Working on LilyPond projects}}
-montre des utilisations pratiques de LilyPond et donne des conseils
-afin d'éviter les problèmes les plus courants.
+@ref{Templates}
+de pièces LilyPond. Copiez et collez un modèle
+dans un fichier, ajoutez les notes, et c'est prêt !
@item
-@emph{@ref{Tweaking output}}
-est une introduction aux retouches de gravure avec LilyPond.
+@ref{Scheme tutorial} :
+courte introduction à Scheme, le langage de programmation
+utilisé dans les fonctions de musique. Ces quelques lignes vous
+aideront à construire des retouches avancées ; nombre d'utilisateurs n'ont
+jamais touché à Scheme.
@end itemize
-@subsubheading Manuel de référence
+@node About the Music Glossary (MG)
+@unnumberedsubsec About the Music Glossary (MG)
+
+@itemize
+@cindex jargon
+@cindex terminologie
+@cindex langues étrangères
+@cindex langue
+@cindex langag
+
+@ref{Top,Music Glossary,,music-glossary} : explication des termes
+musicaux et traduction dans diverses langues. Il est
+également disponible au format PDF.
+Si vous n'êtes pas familier avec la notation musicale ou la
+terminologie, il est conseillé de consulter le glossaire, notamment
+pour les parties non encore traduites de la documentation.
+
+@end itemize
+
-Ce livre détaille toutes les commandes LilyPond produisant une notation
+@node About the Notation Reference (NR)
+@unnumberedsubsec About the Notation Reference (NR)
+
+Ce volume détaille toutes les commandes LilyPond produisant une notation
musicale. La lecture de cet ouvrage requiert une bonne compréhension des
concepts exposés dans le manuel d'apprentissage.
-@itemize @bullet
+@itemize
@item
-@emph{@ruser{Musical notation}}
-traite de sujets groupés par type de notation. Cette section
+@ruser{Musical notation} :
+sujets groupés par type de notation. Cette partie
détaille la notation de base, qui sera utile dans la plupart des
projets de partition.
@item
-@emph{@ruser{Specialist notation}}
-traite de sujets groupés par type de notation. Cette section détaille
-des notations spéciales qui ne seront utiles que pour des types
-particuliers d'instruments ou la voix.
+@ruser{Specialist notation} :
+sujets groupés par type de notation. Cette partie détaille
+des spécificités concernant certains instruments ou la voix.
@item
-@emph{@ruser{Changing defaults}}
-explique comment ajuster finement la mise en page.
+@ruser{Input syntax} :
+informations généralistes quant aux fichiers LilyPond et
+comment contrôler les sorties.
@item
-@emph{@ruser{Non-musical notation}}
-traite de sorties non musicales comme les titres, les mouvements
-multiples, et la sélection des instruments MIDI.
+@ruser{Spacing issues} :
+sujets affectant la sortie globale, comme sélectionner
+la taille de papier ou spécifier les sauts de page.
@item
-@emph{@ruser{Spacing issues}}
-traite de sujets affectant la sortie globale, comme sélectionner
-la taille de papier ou spécifier les sauts de page.
+@ruser{Changing defaults} :
+comment, grace aux retouches, obtenir de Lilypond
+presque tout ce que vous désirez.
@item
-@emph{@ruser{Interfaces for programmers}}
-explique comment créer des fonctions de musique.
+@ruser{Interfaces for programmers} :
+comment créer des fonctions de musique à l'aide de Scheme.
@end itemize
+Ce volume contient aussi des annexes que vous pouvez consulter au gré de
+vos besoins :
-@subsubheading Annexes
-
-Ce livre contient des tables de référence pratiques.
-
-@c Nous avons besoin d'ecrivez tous ca, aprez GDP est fini. -gp
-@ignore
-@itemize @bullet
+@itemize
@item
-@ifhtml
-La
-@end ifhtml
-@emph{@ruser{Literature list}}
-contient un choix de livres de référence utiles pour ceux qui veulent
+@ruser{Literature list} :
+choix de livres de référence utiles pour ceux qui veulent
en savoir plus sur la notation et la gravure.
@item
-Le
-@emph{@ref{Scheme tutorial}}
-propose une courte introduction à Scheme, le langage de programmation
-utilisé dans les fonctions de musique.
-
-@item
-@ifhtml
-Les
-@end ifhtml
-@emph{@ruser{Notation manual tables}}
-sont un ensemble de tableaux montrant les noms d'accord, les
+@ruser{Notation manual tables} :
+ensemble de tableaux montrant les noms d'accord, les
instruments MIDI, les noms de couleur, et la police Feta.
@item
-Les
-@emph{@ref{Templates}}
-de pièces LilyPond. Copiez et collez un modèle
-dans un fichier, ajoutez les notes, et c'est prêt !
-
-@item
-L'
-@emph{@ruser{Cheat sheet}}
-est une référence pratique des commandes LilyPond les plus courantes.
+@ruser{Cheat sheet} :
+référence pratique des commandes LilyPond les plus courantes.
@item
-L'
-@emph{@ruser{LilyPond command index}}
-est un index de toutes les @code{\commandes} LilyPond.
+@ruser{LilyPond command index} :
+index de toutes les @code{\commandes} LilyPond.
@item
-L'
-@emph{@ruser{LilyPond index}}
-est un index complet.
+@ruser{LilyPond index} :
+un index complet.
@end itemize
-@subheading Utilisation du programme
+@node About the Application Usage (AU)
+@unnumberedsubsec About the Application Usage (AU)
-Ce livre explique l'exécution du programme et l'intégration de
+Ce volume explique l'exécution du programme et l'intégration de
partitions LilyPond dans d'autres programmes.
-@itemize @bullet
+@itemize
+
+@item
+@rprogram{Install} :
+comment installer de LilyPond, et pour ceux que cela intéresse,
+comment le compiler.
@item
-@emph{@rprogram{Install}}
-explique l'installation (et pour les personnes intéressées la
-compilation) de LilyPond.
+@rprogram{Setup} :
+comment configurer votre ordinateur pour une utilisation optimale
+de LilyPond, y compris avec certains éditeurs de tecte.
@item
-@emph{@rprogram{Running LilyPond}}
-documente le lancement de LilyPond et de ses programmes auxiliaires. De
-plus, cette section explique la mise à jour de fichiers source écrits
-pour d'anciennes versions de LilyPond.
+@rprogram{Running LilyPond} :
+comment lancer LilyPond et ses programmes auxiliaires. De
+plus, cette partie explique comment effectuer la mise à jour de fichiers
+source écrits avec d'anciennes versions de LilyPond.
@item
-@emph{@rprogram{LilyPond-book}}
-détaille la création de documents intégrant des exemples musicaux,
+@rprogram{LilyPond-book} :
+comment créer des documents intégrant des exemples musicaux,
comme ce manuel.
@item
-@emph{@rprogram{Converting from other formats}}
-explique l'exécution des programmes de conversion. Ces programmes sont
+@rprogram{Converting from other formats} :
+comment exécuter les programmes de conversion. Ces programmes sont
livrés avec le paquetage LilyPond, et convertissent divers formats
musicaux vers le format @code{.ly}.
@end itemize
-@end ignore
-@subsubheading Autre documentation
+@node About the Snippet List (SL)
+@unnumberedsubsec About the Snippet List (SL)
-D'autres documents constituent de précieuses sources d'information.
+@cindex snippets
+@cindex LSR
-@itemize @bullet
-@cindex jargon
-@cindex terminologie
-@cindex langues étrangères
-@cindex langue
-@cindex langage
-@iftex
-Le glossaire de musique explique les termes musicaux, et inclut
-leur traduction dans diverses langues. C'est un document séparé,
-disponible aux formats HTML et PDF.
-@end iftex
-@ifnottex
-Le @ruser{Top,glossaire musical,,music-glossary} explique les termes
-musicaux et inclut les traductions dans diverses langues. Il est
-également disponible au format PDF.
-@end ifnottex
-Si vous n'êtes pas familier avec la notation musicale ou la
-terminologie, il est conseillé de consulter le glossaire, notamment
-pour les parties non encore traduites de la documentation.
+@c FIXME: check on kainhofer.
+@ref{Top,LilyPond Snippet List,,lilypond-snippets} :
+il s'agit d'une sélection de petits exemples montrant des trucs,
+astuces et fonctionnalités particulières de LilyPond, issus de
+@uref{http://lsr@/.dsi@/.unimi@/.it,LilyPond Snippet Repository}, abrégé
+sous la forme de LSR. Ils sont dans le domaine public.
-@cindex exemples de code
-@cindex LSR
-@item
-Les
-@ifhtml
-@uref{source/input/lsr/collated-files.html,Exemples de code}
-@end ifhtml
-@ifnothtml
-Exemples de code
-@end ifnothtml
-sont une vaste sélection de petits exemples montrant des trucs, astuces
-et fonctionnalités particulières de LilyPond. La plupart de ces
-exemples sont également disponibles sur le
-@uref{http://lsr.dsi.unimi.it/,LilyPond Snippet Repository}. Ce site
-Web possède également le manuel de LilyPond avec une fonctionnalité de
-recherche.
+Notez bien que cette annexe n'est en aucune manière un mirroir du LSR.
+Dans la mesure où le LSR repose sur une version stable de LilyPond, un
+exemple qui illustrerait de nouvelles fonctionnalités de la version de
+développement devrait y être ajouté isolément. C'est la raison pour
+laquelle vous le trouverez alors dans le répertoire @file{input/new/}
+des sources de LilyPond.
+
+La liste des exemples correspondant à chacun des sous-chapitres du
+Manuel de notation est accessible par un lien au paragraphe
+@strong{Voir aussi}.
+
+
+@node About the Internals Reference (IR)
+@unnumberedsubsec About the Internals Reference (IR)
+
+@c zzz
+
+@itemize
@item
La
référence du programme
@end iftex
@ifnottex
-@ruser{Top,référence du programme,,lilypond-internals}.
+@ref{Top,Internals Reference,,lilypond-internals}
@end ifnottex
est un ensemble de pages HTML étroitement liées entre elles, qui
documente les moindres petits détails de chaque classe, objet et
variables qui contrôlent les épaisseurs, les distances etc., peuvent
être modifiées dans les fichiers d'entrée. Il y a un grand nombre
d'options de formatage, et elles sont toutes décrites dans ce
-document. Chaque section du manuel de notation a une section @b{Voir
+document. Chaque section du manuel de notation a un paragraphe @b{Voir
aussi} qui renvoie à la documentation générée automatiquement. Dans la
-documentation au format HTML, ces sous-sections ont des liens
+documentation au format HTML, ces paragraphes disposent de liens
cliquables.
@end itemize
+
+@node Other documentation
+@unnumberedsubsec Other documentation
+
+FIXME: most of this should go higher up. Discuss News, mailist
+archives, ...?
+
+There are a number of other places which may be very valuable.
+
Lorsque vous serez un utilisateur expérimenté, vous pourrez consulter le
manuel comme une référence : il y a un index complet@footnote{Si vous
cherchez quelque chose sans le trouver dans la documentation, c'est un
@uref{source/Documentation/user/lilypond-big-page.html, une seule grande
page},
@end ifhtml
-ce qui facilite la recherche avec la fonction de recherche de votre
+ce qui facilite la recherche avec la fonction adéquate de votre
navigateur.
Dans tous les documents HTML qui incluent des fragments musicaux,
-le code Lilypond utilisé pour produire l'image peut être vu en
-cliquant l'image.
+le code Lilypond utilisé pour produire l'image est accessible par un
+clic sur l'image.
L'emplacement des fichiers de documentation mentionnés ici peut varier
d'un système à l'autre. De temps en temps, ce manuel fait référence aux
n-ième degré de la gamme. Toutes les combinaisons sont possibles :
@lilypond[verbatim,relative=1,fragment]
- \set shapeNoteStyles = ##(cross triangle fa #f mensural xcircle diamond)
+ \set shapeNoteStyles = #'#(cross triangle fa #f mensural xcircle diamond)
c8 d4. e8 a2 g1
@end lilypond
qu'en tête de chaque ligne. C'est ce qu'illustre l'exemple suivant.
@lilypond[verbatim,ragged-right,quote,fragment,relative]
-\override Score.BarNumber #'break-visibility = ##(#f #t #t)
+\override Score.BarNumber #'break-visibility = #'#(#f #t #t)
\set Score.currentBarNumber = #11
\bar "" % Permit first bar number to be printed
% Print a bar number every second measure
"Project-Id-Version: fr\n"
"Report-Msgid-Bugs-To: \n"
"POT-Creation-Date: 2008-06-20 09:14+0200\n"
-"PO-Revision-Date: 2008-07-05 22:19+0200\n"
+"PO-Revision-Date: 2008-07-16 18:51+0200\n"
"Last-Translator: Jean-Charles Malahieude <lolyfan-AT-wanadoo-DOT-fr>\n"
"Language-Team: Français <lilypond-user-fr@gnu.org>\n"
"MIME-Version: 1.0\n"
#. @node in Documentation/de/user/introduction.itely
#. @section in Documentation/de/user/introduction.itely
msgid "About the documentation"
-msgstr "Compilation de la documentation"
+msgstr "À propos de la documentation"
#. @node in Documentation/user/introduction.itely
#. @unnumberedsubsec in Documentation/user/introduction.itely
#. @node in Documentation/user/introduction.itely
#. @unnumberedsubsec in Documentation/user/introduction.itely
msgid "About the Music Glossary (MG)"
-msgstr "À porpos du glossaire musicologique (MG)"
+msgstr "À propos du glossaire musicologique (MG)"
#. @node in Documentation/user/introduction.itely
#. @unnumberedsubsec in Documentation/user/introduction.itely
#. @node in Documentation/user/introduction.itely
#. @unnumberedsubsec in Documentation/user/introduction.itely
msgid "About the Application Usage (AU)"
-msgstr ""
+msgstr "À propos du manuel d'utilisation (AU)"
#. @node in Documentation/user/introduction.itely
#. @unnumberedsubsec in Documentation/user/introduction.itely
msgid "About the Snippet List (SL)"
-msgstr "À propos ds morceaux choisis (SL)"
+msgstr "À propos des morceaux choisis (SL)"
#. @node in Documentation/user/introduction.itely
#. @unnumberedsubsec in Documentation/user/introduction.itely
#. Documentation/user/tutorial.itely:271 (comment)
msgid "c is 1 staff space up, so is the c above"
-msgstr ""
+msgstr "do est à un cran de plus, il sera donc au dessus"
#. Documentation/user/tutorial.itely:272 (comment)
msgid "d is 2 up or 5 down, so is the d above"
-msgstr ""
+msgstr "ré est à 2 crans de plus ou 5 de moins, il sera donc au dessus"
#. Documentation/user/tutorial.itely:273 (comment)
msgid "e is 3 up or 4 down, so is the e above"
-msgstr ""
+msgstr "mi est à 3 crans de plus ou 4 de moins, il sera donc au dessus"
#. Documentation/user/tutorial.itely:274 (comment)
msgid "a is 6 up or 1 down, so is the a below"
-msgstr ""
+msgstr "la est à 6 crans de plus ou 1 de moins, il sera donc en dessous"
#. Documentation/user/tutorial.itely:275 (comment)
msgid "g is 5 up or 2 down, so is the g below"
-msgstr ""
+msgstr "sol est à 5 crans de plus ou 2 de moins, il sera donc en dessous"
#. Documentation/user/tutorial.itely:276 (comment)
msgid "f is 4 up or 3 down, so is the f below"
-msgstr ""
+msgstr "fa est à 4 crans de plus ou 3 de moins, il sera donc en dessous"
#. Documentation/user/tutorial.itely:1525 (variable)
#. Documentation/user/working.itely:214 (variable)
#. @subsection in Documentation/user/tutorial.itely
#. @node in Documentation/es/user/tutorial.itely
#. @subsection in Documentation/es/user/tutorial.itely
-#, fuzzy
msgid "Working on input files"
-msgstr "Travail sur des fichiers texte"
+msgstr "Travail sur les fichiers d'entrée"
#. @node in Documentation/user/tutorial.itely
#. @subsection in Documentation/user/tutorial.itely
#. Documentation/user/fundamental.itely:877 (comment)
msgid "Omit Voice three"
-msgstr ""
+msgstr "Pas de Voix trois"
#. Documentation/user/fundamental.itely:878 (comment)
msgid "Voice four"
#. Documentation/user/fundamental.itely:966 (comment)
msgid "Default behavior or behavior after \\oneVoice"
-msgstr ""
+msgstr "Comportement par défaut ou après \\oneVoice"
#. Documentation/user/fundamental.itely:1004 (comment)
msgid "The following notes are monophonic"
-msgstr ""
+msgstr "Les notes qui suivent sont monophoniques"
#. Documentation/user/fundamental.itely:1006 (comment)
msgid "Start simultaneous section of three voices"
#. Documentation/user/fundamental.itely:1012 (comment)
msgid "Set stems, etc, down"
-msgstr ""
+msgstr "Hampes et autres attributs iront vers le bas"
#. Documentation/user/fundamental.itely:1016 (comment)
#. Documentation/user/fundamental.itely:1078 (comment)
#. Documentation/user/fundamental.itely:1018 (comment)
msgid "Set stems, etc, up"
-msgstr ""
+msgstr "Hampes et autres attributs iront vers le haut"
#. Documentation/user/fundamental.itely:1067 (comment)
msgid "Initiate first voice"
#. Documentation/user/fundamental.itely:1074 (comment)
msgid "set stems, etc down"
-msgstr ""
+msgstr "Hampes et autres attributs iront vers le bas"
#. Documentation/user/fundamental.itely:1080 (comment)
msgid "set stems, etc up"
-msgstr ""
+msgstr "Hampes et autres attributs iront vers le haut"
#. Documentation/user/fundamental.itely:1187 (variable)
#. Documentation/user/fundamental.itely:2497 (variable)
#. Documentation/user/fundamental.itely:1238 (variable)
#. Documentation/user/fundamental.itely:2712 (variable)
msgid "TimeKey"
-msgstr ""
+msgstr "MetriqueArmure"
#. Documentation/user/fundamental.itely:1239 (variable)
#. Documentation/user/tweaks.itely:3157 (variable)
#. Documentation/user/fundamental.itely:1602 (comment)
msgid "create LH staff; needs two simultaneous voices"
-msgstr ""
+msgstr "création de la portée MG ; nécessite deux voix simultanées"
#. Documentation/user/fundamental.itely:1605 (comment)
msgid "create LH voice one"
-msgstr ""
+msgstr "création de la voix un de MG"
#. Documentation/user/fundamental.itely:1607 (comment)
msgid "start of LH voice one notes"
-msgstr ""
+msgstr "début des notes de la voix un de MG"
#. Documentation/user/fundamental.itely:1610 (comment)
msgid "end of LH voice one notes"
-msgstr ""
+msgstr "fin des notes de la voix un de MG"
#. Documentation/user/fundamental.itely:1611 (comment)
msgid "end of first LH voice"
-msgstr "fin de la première voix de MG"
+msgstr "fin de la voix un de MG"
#. Documentation/user/fundamental.itely:1612 (comment)
msgid "create LH voice two"
-msgstr ""
+msgstr "création de la voix deux de MG"
#. Documentation/user/fundamental.itely:1614 (comment)
msgid "start of LH voice two notes"
-msgstr ""
+msgstr "début des notes de la voix deux de MG"
#. Documentation/user/fundamental.itely:1617 (comment)
msgid "end of LH voice two notes"
-msgstr ""
+msgstr "fin des notes de la voix deux de MG"
#. Documentation/user/fundamental.itely:1618 (comment)
msgid "end of LH voice two"
-msgstr ""
+msgstr "fin de la voix deux de MG"
#. Documentation/user/fundamental.itely:1619 (comment)
msgid "end of LH staff"
#. Documentation/user/fundamental.itely:1620 (comment)
msgid "end of simultaneous staves section"
-msgstr ""
+msgstr "fin de la section de portées simultanées"
#. Documentation/user/fundamental.itely:1621 (comment)
msgid "end of single compound music expression"
#. Documentation/user/fundamental.itely:2536 (comment)
msgid "combine ChoirStaff and PianoStaff in parallel"
-msgstr ""
+msgstr "combinaison en parallèle du ChoirStaff et du PianoStaff"
#. Documentation/user/fundamental.itely:2558 (comment)
msgid "end ChoirStaff"
-msgstr ""
+msgstr "fin du ChoirStaff (système pour choeur)"
#. Documentation/user/fundamental.itely:2713 (variable)
msgid "ManualOneVoiceOneMusic"
-msgstr ""
+msgstr "ManuelUnVoixUnMusique"
#. Documentation/user/fundamental.itely:2716 (variable)
msgid "ManualOneVoiceTwoMusic"
-msgstr ""
+msgstr "ManuelUnVoixDeuxMusique"
#. Documentation/user/fundamental.itely:2720 (variable)
msgid "ManualTwoMusic"
-msgstr "MainDeuxMusique"
+msgstr "ManuelDeuxMusique"
#. Documentation/user/fundamental.itely:2724 (variable)
msgid "PedalOrganMusic"
-msgstr ""
+msgstr "PedalierOrgueMusique"
#. Documentation/user/fundamental.itely:2730 (comment)
msgid "PianoStaff and Pedal Staff must be simultaneous"
-msgstr ""
+msgstr "Système pianistique et portée de pédalier sont synchrones"
#. Documentation/user/fundamental.itely:2733 (comment)
msgid "set time signature and key"
#. Documentation/user/fundamental.itely:2748 (comment)
msgid "end PedalOrgan Staff"
-msgstr ""
+msgstr "fin du contexte de la portée PedalOrgan"
#. Documentation/user/fundamental.itely:2750 (comment)
msgid "end Score context"
#. @subsubheading in Documentation/user/fundamental.itely
#. @subsubheading in Documentation/es/user/fundamental.itely
-#, fuzzy
msgid "Changing a single context"
msgstr "Modification d'un seul contexte"
#. Documentation/user/tweaks.itely:540 (comment)
#. Documentation/user/tweaks.itely:664 (comment)
msgid "Increase thickness of all following slurs from 1.2 to 5.0"
-msgstr ""
+msgstr "L'épaisseur de toutes les liaisons à venir passe de 1,2 à 5,0"
#. Documentation/user/tweaks.itely:605 (comment)
#. Documentation/user/tweaks.itely:639 (comment)
#. Documentation/user/tweaks.itely:642 (comment)
msgid "Increase thickness of immediately following slur only"
-msgstr ""
+msgstr "Épaississement de la prochaine liaison seulement"
#. Documentation/user/tweaks.itely:668 (comment)
msgid "Revert thickness of all following slurs to default of 1.2"
-msgstr ""
+msgstr "Retour à l'épaisseur par défaut de 1,2 pour les prochaines liaisons"
#. Documentation/user/tweaks.itely:1257 (comment)
msgid "Don't print clefs in this staff"
#. Documentation/user/tweaks.itely:1320 (comment)
msgid "Reduce all font sizes by ~24%"
-msgstr ""
+msgstr "Réduction d'environ 24 % de toutes les tailles de fonte"
#. Documentation/user/tweaks.itely:1376 (comment)
msgid "Reduce stem length and line spacing to match"
-msgstr ""
+msgstr "Réduction de la taille des hampes et de l'interligne pour ne pas déborder"
#. Documentation/user/tweaks.itely:1750 (comment)
#. Documentation/user/tweaks.itely:1811 (comment)
msgid "Set details for later Text Spanner"
-msgstr ""
+msgstr "Réglage des détails du texte avec extension"
#. Documentation/user/tweaks.itely:1753 (comment)
#. Documentation/user/tweaks.itely:1814 (comment)
msgid "Place dynamics above staff"
-msgstr ""
+msgstr "Positionnement des nuances au dessus de la portée"
#. Documentation/user/tweaks.itely:1755 (comment)
#. Documentation/user/tweaks.itely:1818 (comment)
#. Documentation/user/tweaks.itely:1821 (comment)
#. Documentation/user/tweaks.itely:1828 (comment)
msgid "Add Dynamic Text"
-msgstr ""
+msgstr "Ajout d'une nuance textuelle"
#. Documentation/user/tweaks.itely:1760 (comment)
#. Documentation/user/tweaks.itely:1823 (comment)
msgid "Add Dynamic Line Spanner"
-msgstr ""
+msgstr "Ajout d'une nuance graphique"
#. Documentation/user/tweaks.itely:1762 (comment)
#. Documentation/user/tweaks.itely:1825 (comment)
#. Documentation/user/tweaks.itely:1816 (comment)
msgid "Place following Ottava Bracket below Text Spanners"
-msgstr ""
+msgstr "Positionnement du crochet d'octavation sous le texte avec extension"
#. Documentation/user/tweaks.itely:1872 (comment)
msgid "Cause notes to space out to accommodate text"
-msgstr ""
+msgstr "Force les notes à s'espacer selon le texte"
#. Documentation/user/tweaks.itely:1890 (comment)
msgid "This markup is short enough to fit without collision"
-msgstr ""
+msgstr "Cette étiquette est assez courte pour ne pas risquer de chevauchement"
#. Documentation/user/tweaks.itely:1894 (comment)
msgid "This is too long to fit, so it is displaced upwards"
-msgstr ""
+msgstr "Celle-ci est trop longue pour tenir, elle est déplacée plus haut"
#. Documentation/user/tweaks.itely:1898 (comment)
#. Documentation/user/tweaks.itely:1903 (comment)
-#, fuzzy
msgid "Turn off collision avoidance"
msgstr "Désactivation du processus d'évitement de collision"
#. Documentation/user/tweaks.itely:1905 (comment)
msgid "and turn on textLengthOn"
-msgstr ""
+msgstr "activation de textLengthOn"
#. Documentation/user/tweaks.itely:1906 (comment)
msgid "Spaces at end are honored"
-msgstr ""
+msgstr "Les espaces de la fin sont pris en compte"
#. Documentation/user/tweaks.itely:2009 (comment)
msgid "Extend width by 1 staff space"
-msgstr ""
+msgstr "Élargissement d'un espace"
#. Documentation/user/tweaks.itely:2275 (comment)
msgid "This will not work, see below:"
-msgstr ""
+msgstr "La commande suivante est sans résultat ; voir plus loin."
#. Documentation/user/tweaks.itely:2279 (comment)
msgid "This works:"
-msgstr ""
+msgstr "Celle-ci donne le résultat escompté"
#. Documentation/user/tweaks.itely:2324 (variable)
msgid "naturalplusflat"
#. Documentation/user/tweaks.itely:2359 (comment)
msgid "Extend width by 1 unit"
-msgstr ""
+msgstr "Élargissement d'une unité"
#. Documentation/user/tweaks.itely:2361 (comment)
msgid "Align dynamics to a base line 2 units above staff"
-msgstr ""
+msgstr "Alignement des nuances sur une ligne de base à 2 unités au dessus de la portée"
#. Documentation/user/tweaks.itely:2639 (variable)
#. Documentation/user/tweaks.itely:2690 (variable)
#. Documentation/user/tweaks.itely:2898 (comment)
#. Documentation/user/tweaks.itely:2955 (comment)
msgid "Move the c2 out of the main note column so the merge will work"
-msgstr ""
+msgstr "Déplace le do2 pour que la fusion puisse fonctionner"
#. Documentation/user/tweaks.itely:2901 (comment)
#. Documentation/user/tweaks.itely:2958 (comment)
msgid "Stem on the d2 must be down to permit merging"
-msgstr ""
+msgstr "la hampe du ré2 ira vers le bas pour permettre la fusion"
#. Documentation/user/tweaks.itely:2953 (comment)
msgid "Reposition the c2 to the right of the merged note"
-msgstr ""
+msgstr "Repositionnement du do2 à droite de la note fusionnée"
#. Documentation/user/tweaks.itely:3081 (comment)
#. Documentation/user/tweaks.itely:3100 (comment)
msgid "Visible tempo marking"
-msgstr ""
+msgstr "Indication de tempo visible"
#. Documentation/user/tweaks.itely:3085 (comment)
#. Documentation/user/tweaks.itely:3104 (comment)
msgid "Invisible tempo marking to lengthen fermata in MIDI"
-msgstr ""
+msgstr "Indication de tempo invisible ; utilisée pour le MIDI"
#. Documentation/user/tweaks.itely:3088 (comment)
#. Documentation/user/tweaks.itely:3107 (comment)
msgid "New tempo for next section"
-msgstr ""
+msgstr "Nouveau tempo pour la section suivante"
#. Documentation/user/tweaks.itely:3147 (variable)
msgid "emph"
-msgstr ""
+msgstr "emphase"
#. Documentation/user/tweaks.itely:3151 (variable)
msgid "norm"
#. Documentation/user/tweaks.itely:3373 (comment)
msgid "Arrange to obtain color from color-notehead procedure"
-msgstr ""
+msgstr "Arranger pour obtenir une couleur par la procédure color-notehead"
#. @node in Documentation/user/tweaks.itely
#. @chapter in Documentation/user/tweaks.itely
#. @node in Documentation/es/user/tweaks.itely
#. @section in Documentation/es/user/tweaks.itely
msgid "The Internals Reference manual"
-msgstr ""
+msgstr "Le manuel des références internes"
#. @node in Documentation/user/tweaks.itely
#. @subsection in Documentation/user/tweaks.itely
#. @node in Documentation/es/user/tweaks.itely
#. @subsection in Documentation/es/user/tweaks.itely
msgid "Properties of layout objects"
-msgstr ""
+msgstr "Propriétés des objets de rendu"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "Overriding once only"
-msgstr ""
+msgstr "Redéfinition pour une seule occurence"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "Reverting"
-msgstr ""
+msgstr "Rétablissement"
#. @node in Documentation/user/tweaks.itely
#. @subsection in Documentation/user/tweaks.itely
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "stencil"
-msgstr ""
+msgstr "stencil"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "break-visibility"
-msgstr ""
+msgstr "visibilité des barres (break-visibility)"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
#. @node in Documentation/es/user/tweaks.itely
#. @subsection in Documentation/es/user/tweaks.itely
msgid "Within-staff objects"
-msgstr ""
+msgstr "Objets inclus dans la portée"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "\\textLengthOn"
-msgstr ""
+msgstr "\\textLengthOn"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "Grob sizing"
-msgstr ""
+msgstr "Dimensionnement des objets graphiques"
#. @node in Documentation/user/tweaks.itely
#. @section in Documentation/user/tweaks.itely
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "padding property"
-msgstr ""
+msgstr "la propriété padding"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "left-padding and right-padding"
-msgstr ""
+msgstr "left-padding et right-padding"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "staff-padding property"
-msgstr ""
+msgstr "la propriété staff-padding"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "self-alignment-X property"
-msgstr ""
+msgstr "la propriété self-alignment-X"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "staff-position property"
-msgstr ""
+msgstr "la propriété staff-position"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "extra-offset property"
-msgstr ""
+msgstr "la propriété extra-offset"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "positions property"
-msgstr ""
+msgstr "la propriété positions"
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "force-hshift property"
-msgstr ""
+msgstr "la propriété force-hshift"
#. @node in Documentation/user/tweaks.itely
#. @subsection in Documentation/user/tweaks.itely
#. @node in Documentation/es/user/tweaks.itely
#. @section in Documentation/es/user/tweaks.itely
msgid "Further tweaking"
-msgstr ""
+msgstr "Autres retouches"
#. @node in Documentation/user/tweaks.itely
#. @subsection in Documentation/user/tweaks.itely
#. @subheading in Documentation/user/tweaks.itely
#. @subheading in Documentation/es/user/tweaks.itely
msgid "Simulating a fermata"
-msgstr ""
+msgstr "Rendu MIDI d'un point d'orgue"
#. @node in Documentation/user/tweaks.itely
#. @subsection in Documentation/user/tweaks.itely
#. Documentation/user/working.itely:212 (variable)
msgid "fragA"
-msgstr ""
+msgstr "fragmentA"
#. Documentation/user/working.itely:213 (variable)
msgid "fragB"
-msgstr ""
+msgstr "fragmentB"
#. Documentation/user/working.itely:226 (variable)
msgid "dolce"
-msgstr ""
+msgstr "dolce"
#. Documentation/user/working.itely:227 (variable)
#. Documentation/user/working.itely:273 (variable)
#. Documentation/user/scheme-tutorial.itely:235 (variable)
#. Documentation/user/programming-interface.itely:100 (variable)
-#, fuzzy
msgid "padText"
-msgstr "Texte"
+msgstr "decallageTexte"
#. Documentation/user/working.itely:228 (variable)
msgid "fthenp"
-msgstr ""
+msgstr "fpuisp"
#. Documentation/user/working.itely:310 (variable)
msgid "mpdolce"
-msgstr ""
+msgstr "mpdolce"
#. Documentation/user/working.itely:312 (variable)
#. Documentation/user/scheme-tutorial.itely:256 (variable)
#. Documentation/user/programming-interface.itely:134 (variable)
msgid "tempoMark"
-msgstr ""
+msgstr "tempoMarque"
#. @node in Documentation/user/working.itely
#. @chapter in Documentation/user/working.itely
#. Documentation/user/scheme-tutorial.itely:274 (variable)
msgid "pattern"
-msgstr ""
+msgstr "motif"
#. @node in Documentation/user/scheme-tutorial.itely
#. @appendix in Documentation/user/scheme-tutorial.itely
#. Documentation/user/pitches.itely:615 (variable)
msgid "mus"
-msgstr "mus"
+msgstr "musique"
#. Documentation/user/pitches.itely:979 (comment)
msgid "not strictly necessary, but a good reminder"
-msgstr ""
+msgstr "pas strictement nécessaire, mais en pense-bête"
#. Documentation/user/pitches.itely:1068 (variable)
msgid "musicA"
#. @rglos in Documentation/user/pitches.itely
#. @rglos in Documentation/es/user/pitches.itely
msgid "scordatura"
-msgstr ""
+msgstr "scordatura"
#. @node in Documentation/user/pitches.itely
#. @unnumberedsubsubsec in Documentation/user/pitches.itely
#. @rglos in Documentation/user/pitches.itely
#. @rglos in Documentation/es/user/pitches.itely
msgid "concert pitch"
-msgstr ""
+msgstr "tonalité de concert"
#. @rglos in Documentation/user/pitches.itely
#. @rglos in Documentation/es/user/pitches.itely
#. Documentation/user/rhythms.itely:312 (comment)
msgid "Double the duration of chord"
-msgstr ""
+msgstr "Doublement de la durée de l'accord"
#. Documentation/user/rhythms.itely:314 (comment)
msgid "Duration of quarter, appears like sixteenth"
-msgstr ""
+msgstr "Bien que durant une noire, apparaît comme une double croche"
#. Documentation/user/rhythms.itely:337 (comment)
msgid "Scale music by *2/3"
#. Documentation/user/rhythms.itely:426 (comment)
msgid "First alternative: following note is tied normally"
-msgstr ""
+msgstr "Première alternative : la note qui suit est liée normalement"
#. Documentation/user/rhythms.itely:428 (comment)
msgid "Second alternative: following note has a repeated tie"
-msgstr ""
+msgstr "Seconde alternative : la liaison est rappelée"
#. Documentation/user/rhythms.itely:545 (comment)
msgid "These two lines are just to prettify this example"
-msgstr ""
+msgstr "Les deux lignes qui suivent ne sont là que illustrer le propos"
#. Documentation/user/rhythms.itely:548 (comment)
msgid "Print a maxima rest, equal to four breves"
-msgstr ""
+msgstr "Affiche une maxima, équivalant à quatre double-pauses"
#. Documentation/user/rhythms.itely:550 (comment)
msgid "Print a longa rest, equal to two breves"
-msgstr ""
+msgstr "Affiche une longa, équivalant à deux double-pauses"
#. Documentation/user/rhythms.itely:552 (comment)
msgid "Print a breve rest"
-msgstr ""
+msgstr "Affiche une double-pause"
#. Documentation/user/rhythms.itely:653 (comment)
msgid "This is valid input, but does nothing"
-msgstr ""
+msgstr "Cette entrée est tout à fait valide, mais ne fait rien"
#. Documentation/user/rhythms.itely:679 (comment)
msgid "Rest bars contracted to single bar"
-msgstr ""
+msgstr "Contraction des mesures de silence consécutives en une seule"
#. Documentation/user/rhythms.itely:728 (comment)
msgid "Default behavior"
#. Documentation/user/rhythms.itely:732 (comment)
msgid "Rest measures contracted to single measure"
-msgstr ""
+msgstr "Contraction des mesures de silence consécutives en une seule"
#. Documentation/user/rhythms.itely:735 (comment)
msgid "Rest measures expanded"
-msgstr ""
+msgstr "Expansion des mesures de silence"
#. Documentation/user/rhythms.itely:768 (comment)
msgid "This fails, as the wrong object name is specified"
-msgstr ""
+msgstr "Ceci échouera, il y a erreur sur l'objet spécifié"
#. Documentation/user/rhythms.itely:771 (comment)
msgid "This is correct and works"
-msgstr ""
+msgstr "La formulation correcte, qui fonctionnera"
#. Documentation/user/rhythms.itely:917 (comment)
msgid "Default style"
#. Documentation/user/rhythms.itely:920 (comment)
msgid "Change to numeric style"
-msgstr ""
+msgstr "Adoption du style numérique"
#. Documentation/user/rhythms.itely:924 (comment)
msgid "Revert to default style"
-msgstr ""
+msgstr "Retour au style par défaut"
#. Documentation/user/rhythms.itely:1127 (comment)
msgid "Show all bar numbers"
#. Documentation/user/rhythms.itely:1261 (comment)
msgid "Now each staff has its own time signature."
-msgstr ""
+msgstr "Chaque portée dispose désormais de sa propre métrique."
#. Documentation/user/rhythms.itely:1458 (comment)
msgid "Set beam sub-group length to an eighth note"
-msgstr ""
+msgstr "Subdivision des ligatures à la croche"
#. Documentation/user/rhythms.itely:1461 (comment)
msgid "Set beam sub-group length to a sixteenth note"
-msgstr ""
+msgstr "Subdivision des ligatures à la double-croche"
#. Documentation/user/rhythms.itely:1629 (comment)
msgid "this won't revert it!"
-msgstr ""
+msgstr "ceci n'est pas en concordance"
#. Documentation/user/rhythms.itely:1631 (comment)
msgid "this will"
-msgstr ""
+msgstr "ceci est conforme"
#. Documentation/user/rhythms.itely:1804 (comment)
msgid "revert to non-feathered beams"
-msgstr "retour à des liens de croches plats"
+msgstr "retour à des liens de croches rectilignes"
#. Documentation/user/rhythms.itely:2025 (comment)
#. Documentation/user/rhythms.itely:2041 (comment)
msgid "Permit first bar number to be printed"
-msgstr ""
+msgstr "Le numéro de la première mesure sera affiché"
#. Documentation/user/rhythms.itely:2042 (comment)
#. Documentation/user/rhythms.itely:2090 (comment)
msgid "Print a bar number every second measure"
-msgstr ""
+msgstr "Affichage du numéro toutes les deux mesures"
#. Documentation/user/rhythms.itely:2058 (comment)
msgid "Prevent bar numbers at the end of a line and permit them elsewhere"
-msgstr ""
+msgstr "Affichage du numéro à chaque mesure, hormis en fin de ligne"
#. Documentation/user/rhythms.itely:2062 (comment)
#. Documentation/user/rhythms.itely:2088 (comment)
msgid "Increase the size of the bar number by 2"
-msgstr ""
+msgstr "Augmentation de la taille des numéros de mesure au double"
#. Documentation/user/rhythms.itely:2066 (comment)
msgid "Draw a box round the following bar number(s)"
-msgstr ""
+msgstr "Numéros de mesure encadrés dans un rectangle"
#. Documentation/user/rhythms.itely:2071 (comment)
msgid "Draw a circle round the following bar number(s)"
-msgstr ""
+msgstr "Numéros de mesure encadrés dans un cercle"
#. Documentation/user/rhythms.itely:2093 (comment)
msgid "Center-align bar numbers"
#. Documentation/user/rhythms.itely:2194 (variable)
msgid "pipeSymbol"
-msgstr ""
+msgstr "pipeSymbole"
#. Documentation/user/rhythms.itely:2565 (variable)
#. @rglos in Documentation/user/rhythms.itely
#. @rglos in Documentation/user/rhythms.itely
msgid "meter"
-msgstr ""
+msgstr "métrique"
#. @node in Documentation/user/rhythms.itely
#. @subsubsection in Documentation/user/rhythms.itely
#. Documentation/user/expressive.itely:332 (variable)
#. Documentation/user/expressive.itely:377 (variable)
msgid "moltoF"
-msgstr ""
+msgstr "moltoF"
#. Documentation/user/expressive.itely:348 (variable)
msgid "roundf"
-msgstr ""
+msgstr "suggereF"
#. Documentation/user/expressive.itely:350 (variable)
msgid "boxf"
-msgstr ""
+msgstr "carreF"
#. Documentation/user/expressive.itely:364 (variable)
msgid "sfzp"
-msgstr ""
+msgstr "sfzp"
#. @node in Documentation/user/expressive.itely
#. @section in Documentation/user/expressive.itely
#. @rglos in Documentation/user/expressive.itely
#. @rglos in Documentation/es/user/expressive.itely
msgid "tenuto"
-msgstr ""
+msgstr "tenuto"
#. @rglos in Documentation/user/expressive.itely
#. @rglos in Documentation/es/user/expressive.itely
#. @rglos in Documentation/user/expressive.itely
#. @rglos in Documentation/es/user/expressive.itely
msgid "staccato"
-msgstr ""
+msgstr "staccato"
#. @rglos in Documentation/user/expressive.itely
#. @rglos in Documentation/es/user/expressive.itely
msgid "portato"
-msgstr ""
+msgstr "portato"
#. @node in Documentation/user/expressive.itely
#. @subsubsection in Documentation/user/expressive.itely
#. @rglos in Documentation/user/repeats.itely
#. @rglos in Documentation/es/user/repeats.itely
msgid "volta"
-msgstr ""
+msgstr "volta"
#. @node in Documentation/user/repeats.itely
#. @subsubsection in Documentation/user/repeats.itely
#. @rglos in Documentation/user/repeats.itely
msgid "simile"
-msgstr "simmile"
+msgstr "simile"
#. @node in Documentation/user/repeats.itely
#. @subsubsection in Documentation/user/repeats.itely
#. Documentation/user/simultaneous.itely:539 (comment)
msgid "Bar 3 ..."
-msgstr ""
+msgstr "Mesure 3..."
#. @node in Documentation/user/simultaneous.itely
#. @section in Documentation/user/simultaneous.itely
#. Documentation/user/staff.itely:534 (comment)
msgid "Set here the overrides for the staff "
-msgstr ""
+msgstr "Définition de réglages particuliers pour cette portée"
#. Documentation/user/staff.itely:538 (comment)
msgid "Revert to the default"
#. Documentation/user/staff.itely:726 (comment)
msgid "To use the setting globally, uncomment the following line:"
-msgstr ""
+msgstr "Pour une application à toutes les portées, décommenter la ligne suivante"
#. Documentation/user/staff.itely:727 (comment)
msgid "\\override VerticalAxisGroup #'remove-first = ##t"
-msgstr ""
+msgstr "\\override VerticalAxisGroup #'remove-first = ##t"
#. Documentation/user/staff.itely:735 (comment)
msgid ""
"To use the setting globally, comment this line, uncomment the line above"
-msgstr ""
+msgstr "Pour une application à toutes les portées, commenter la ligne suivante, et décommenter celle du bloc \\layout"
#. Documentation/user/staff.itely:1105 (variable)
msgid "smaller"
#. Documentation/user/staff.itely:1119 (comment)
msgid "setup a context for cue notes."
-msgstr ""
+msgstr "définition d'un contexte pour la citation"
#. Documentation/user/staff.itely:1161 (variable)
msgid "picc"
#. Documentation/user/staff.itely:1169 (variable)
msgid "cbsn"
-msgstr ""
+msgstr "cbsn"
#. @node in Documentation/user/staff.itely
#. @section in Documentation/user/staff.itely
#. @rglos in Documentation/user/staff.itely
msgid "staff"
-msgstr ""
+msgstr "portée"
#. @rglos in Documentation/user/staff.itely
msgid "staves"
#. @node in Documentation/user/staff.itely
#. @subsubsection in Documentation/user/staff.itely
msgid "Deeper nested staff groups"
-msgstr ""
+msgstr "Regroupements imbriqués de portées"
#. @node in Documentation/user/staff.itely
#. @subsection in Documentation/user/staff.itely
#. Documentation/user/editorial.itely:288 (comment)
msgid "this is deliberate nonsense; note that the stems remain black"
-msgstr ""
+msgstr "pour cette erreur manifeste, notez que les hampes restent en noir"
#. @node in Documentation/user/editorial.itely
#. @section in Documentation/user/editorial.itely
#. @node in Documentation/de/user/text.itely
#. @subsubsection in Documentation/de/user/text.itely
msgid "Separate text"
-msgstr ""
+msgstr "Texte indépendant"
#. @node in Documentation/user/text.itely
#. @subsection in Documentation/user/text.itely
#. @node in Documentation/es/user/text.itely
#. @subsubsection in Documentation/es/user/text.itely
msgid "Graphic notation inside markup"
-msgstr ""
+msgstr "Inclusion de graphique dans une étiquette de texte"
#. @node in Documentation/user/text.itely
#. @subsubsection in Documentation/user/text.itely
#. @node in Documentation/es/user/text.itely
#. @subsubsection in Documentation/es/user/text.itely
msgid "Multi-page markup"
-msgstr ""
+msgstr "Bloc de texte étendu"
#. @node in Documentation/user/text.itely
#. @subsection in Documentation/user/text.itely
#. @node in Documentation/es/user/text.itely
#. @subsubsection in Documentation/es/user/text.itely
msgid "Entire document fonts"
-msgstr ""
+msgstr "Choix des fontes par défaut"
#. @node in Documentation/user/text.itely
#. @subsubsection in Documentation/user/text.itely
#. @node in Documentation/es/user/text.itely
#. @subsubsection in Documentation/es/user/text.itely
-#, fuzzy
msgid "Single entry fonts"
-msgstr "Portée unique"
+msgstr "Attribution d'une fonte en particulier"
#. @node in Documentation/user/specialist.itely
#. @chapter in Documentation/user/specialist.itely
msgstr "ajout d'espace vertical entre les couplets"
#. Documentation/user/vocal.itely:1131 (comment)
-#, fuzzy
msgid "adds horizontal spacing between columns; if they are"
msgstr "ajout d'espace horizontal entre les colonnes ; si elles sont"
#. @node in Documentation/es/user/vocal.itely
#. @subsubsection in Documentation/es/user/vocal.itely
msgid "Stanzas with different rhythms"
-msgstr ""
+msgstr "Rythme différent selon le couplet"
#. @subsubheading in Documentation/user/vocal.itely
#. @subsubheading in Documentation/es/user/vocal.itely
msgid "Ignoring melismata"
-msgstr ""
+msgstr "Désactivation du traitement des mélismes"
#. @subsubheading in Documentation/user/vocal.itely
#. @subsubheading in Documentation/es/user/vocal.itely
msgid "Switching to an alternative melody"
-msgstr ""
+msgstr "Passage à une mélodie alternative"
#. @node in Documentation/user/vocal.itely
#. @subsubsection in Documentation/user/vocal.itely
#. Documentation/user/keyboards.itely:162 (comment)
msgid "keep staff alive"
-msgstr ""
+msgstr "maintien la portée active"
#. @node in Documentation/user/keyboards.itely
#. @section in Documentation/user/keyboards.itely
#. @node in Documentation/de/user/keyboards.itely
#. @subsubsection in Documentation/de/user/keyboards.itely
msgid "Changing staff automatically"
-msgstr ""
+msgstr "Changement de portée automatique"
#. @node in Documentation/user/keyboards.itely
#. @subsubsection in Documentation/user/keyboards.itely
#. @node in Documentation/de/user/keyboards.itely
#. @subsubsection in Documentation/de/user/keyboards.itely
msgid "Discant symbols"
-msgstr ""
+msgstr "Symboles de jeux"
#. @node in Documentation/user/unfretted-strings.itely
#. @section in Documentation/user/unfretted-strings.itely
#. @node in Documentation/de/user/fretted-strings.itely
#. @section in Documentation/de/user/fretted-strings.itely
msgid "Fretted string instruments"
-msgstr "Instruments à cordes frettés"
+msgstr "Instruments à cordes frettées"
#. @node in Documentation/user/fretted-strings.itely
#. @subsection in Documentation/user/fretted-strings.itely
#. @node in Documentation/es/user/fretted-strings.itely
#. @subsection in Documentation/es/user/fretted-strings.itely
msgid "Common notation for fretted strings"
-msgstr ""
+msgstr "Vue d'ensemble des cordes frettées"
#. @node in Documentation/user/fretted-strings.itely
#. @subsubsection in Documentation/user/fretted-strings.itely
#. @node in Documentation/es/user/fretted-strings.itely
#. @subsubsection in Documentation/es/user/fretted-strings.itely
msgid "References for fretted strings"
-msgstr ""
+msgstr "Références en matière de cordes frettées"
#. @node in Documentation/user/fretted-strings.itely
#. @subsubsection in Documentation/user/fretted-strings.itely
#. @node in Documentation/es/user/fretted-strings.itely
#. @subsubsection in Documentation/es/user/fretted-strings.itely
msgid "Indicating position and barring"
-msgstr ""
+msgstr "Indication de la position et du barré"
#. @node in Documentation/user/fretted-strings.itely
#. @subsection in Documentation/user/fretted-strings.itely
#. Documentation/user/chords.itely:857 (comment)
#. Documentation/user/chords.itely:878 (comment)
msgid "Put notes on same Staff as figures"
-msgstr ""
+msgstr "Assemblage des notes et de la basse chifrée sur une même portée"
#. Documentation/user/chords.itely:955 (comment)
msgid "The extenders are correct here, with the same rhythm as the bass"
-msgstr ""
+msgstr "Les prolongateurs sont corrects, ils suivent bien le rythme de la basse"
#. Documentation/user/chords.itely:967 (comment)
msgid "The extenders are incorrect here, even though the timing is the same"
-msgstr ""
+msgstr "Les prolongateurs sont erronés, bien que le rythme soit le même"
#. Documentation/user/chords.itely:969 (comment)
msgid "\\repeat unfold 4 {<6 4->16. <6 4->32}"
#. Documentation/user/input.itely:497 (comment)
msgid "not printed"
-msgstr ""
+msgstr "non imprimé"
#. @node in Documentation/user/input.itely
#. @chapter in Documentation/user/input.itely
#. @node in Documentation/user/input.itely
#. @subsection in Documentation/user/input.itely
msgid "Structure of a score"
-msgstr ""
+msgstr "Structure d'une partition"
#. @node in Documentation/user/input.itely
#. @subsection in Documentation/user/input.itely
#. @node in Documentation/de/user/non-music.itely
#. @subsection in Documentation/de/user/non-music.itely
msgid "What goes into the MIDI? FIXME"
-msgstr ""
+msgstr "Éléments pris en compte dans le MIDI"
#. @node in Documentation/user/input.itely
#. @subsubsection in Documentation/user/input.itely
#. Documentation/user/spacing.itely:671 (comment)
msgid "this does nothing"
-msgstr ""
+msgstr "ceci est sans effet"
#. Documentation/user/spacing.itely:672 (comment)
msgid "a break here would work"
-msgstr ""
+msgstr "une rupture serait ici acceptée"
#. Documentation/user/spacing.itely:673 (comment)
msgid "as does this break"
-msgstr ""
+msgstr "tout comme celle-ci"
#. Documentation/user/spacing.itely:685 (comment)
msgid "now the break is allowed"
-msgstr ""
+msgstr "la rupture est maintenant autorisée"
#. Documentation/user/spacing.itely:1438 (comment)
msgid "this time the text will be closer to the staff"
-msgstr ""
+msgstr "cette fois, le texte est plus proche de la portée"
#. Documentation/user/spacing.itely:1440 (comment)
msgid "by setting outside-staff-priority to a non-number, we"
-msgstr ""
+msgstr "definir outside-staff-priority à autre chose qu'un nombre"
#. Documentation/user/spacing.itely:1441 (comment)
msgid "disable the automatic collision avoidance"
-msgstr "désactivation de l'évitement automatique de collision"
+msgstr "désactive l'évitement automatique de collision"
#. Documentation/user/spacing.itely:1444 (comment)
msgid "now they will collide"
-msgstr ""
+msgstr "il y a maintenant chevauchement"
#. Documentation/user/spacing.itely:1469 (comment)
msgid "the markup is too close to the following note"
-msgstr ""
+msgstr "l'étiquette est trop proche de la note qui suit"
#. Documentation/user/spacing.itely:1472 (comment)
msgid "setting outside-staff-horizontal-padding fixes this"
-msgstr ""
+msgstr "définir outside-staff-horizontal-padding règle le problème"
#. @node in Documentation/user/spacing.itely
#. @chapter in Documentation/user/spacing.itely
#. @node in Documentation/de/user/spacing.itely
#. @section in Documentation/de/user/spacing.itely
msgid "Page layout MOVED FROM LM"
-msgstr ""
+msgstr "Mise en page (DÉPLACÉ DU MANUEL D'INITIATION)"
#. @node in Documentation/user/spacing.itely
#. @subsection in Documentation/user/spacing.itely
#. @node in Documentation/de/user/spacing.itely
#. @subsection in Documentation/de/user/spacing.itely
msgid "Global sizes"
-msgstr ""
+msgstr "Tailles par défaut"
#. @node in Documentation/user/spacing.itely
#. @subsection in Documentation/user/spacing.itely
#. @node in Documentation/de/user/changing-defaults.itely
#. @section in Documentation/de/user/changing-defaults.itely
msgid "Discussion of specific tweaks"
-msgstr ""
+msgstr "Considération de certaines retouches spécifiques"
#. @node in Documentation/user/changing-defaults.itely
#. @subsection in Documentation/user/changing-defaults.itely
#. Documentation/user/programming-interface.itely:117 (variable)
msgid "custosNote"
-msgstr ""
+msgstr "guidonNote"
#. Documentation/user/programming-interface.itely:177 (variable)
msgid "manualBeam"
#. Documentation/user/programming-interface.itely:197 (variable)
msgid "AltOn"
-msgstr ""
+msgstr "ZoomOui"
#. Documentation/user/programming-interface.itely:202 (variable)
msgid "AltOff"
-msgstr ""
+msgstr "ZoomNon"
#. Documentation/user/programming-interface.itely:215 (variable)
msgid "withAlt"
-msgstr ""
+msgstr "Zoome"
#. Documentation/user/programming-interface.itely:349 (variable)
msgid "traLaLa"
-msgstr ""
+msgstr "traLaLa"
#. Documentation/user/programming-interface.itely:351 (comment)
msgid "dummy action to deal with parser lookahead"
-msgstr ""
+msgstr "leurre pour prise en charge par l'analyseur lookahead"
#. @node in Documentation/user/programming-interface.itely
#. @chapter in Documentation/user/programming-interface.itely
msgstr "Mise à jour d'anciens fichiers"
#. @top in Documentation/fr/user/lilypond-program.tely
-#, fuzzy
msgid "GNU LilyPond --- utilisation des programmes"
msgstr "GNU LilyPond --- utilisation du programme"
Some of these articulations have shorthands for easier entry.
Shorthands are appended to the note name, and their syntax
-consists of a dash (@tie{}@code{-}) followed by a symbol
-signifying the articulation. Predefined shorthands exist for
-@notation{marcato}, @notation{stopped}, @notation{tenuto},
-@notation{staccatissimo}, @notation{accent}, @notation{staccato},
-and @notation{portato}. Their corresponding output appears as
-follows:
+consists of a dash @code{-} followed by a symbol signifying the
+articulation. Predefined shorthands exist for @notation{marcato},
+@notation{stopped}, @notation{tenuto}, @notation{staccatissimo},
+@notation{accent}, @notation{staccato}, and @notation{portato}.
+Their corresponding output appears as follows:
@lilypond[verbatim,quote,relative=2]
c4-^ c-+ c-- c-|
-c4-> c-. c-_
+c4-> c-. c2-_
@end lilypond
The rules for the default placement of articulations are defined
@rinternals{TextScript}.
-@knownissues
-
-These signs appear in the printed output but have no effect on the
-MIDI rendering of the music.
-
-
@node Dynamics
@unnumberedsubsubsec Dynamics
c2-\bendAfter #-8
@end lilypond
-The dash (@tie{-}) immediately preceding the @code{\bendAfter}
+The dash @code{-} immediately preceding the @code{\bendAfter}
command is @emph{required} when writing falls and doits.
<c e g c>1\arpeggio
@end lilypond
-The direction of an arpeggio is indicated by adding an arrowhead
-to the wiggly line. The commands @code{\arpeggioArrowUp} and
-@code{\arpeggioArrowDown} are used for this task.
-@code{\arpeggioNormal} reverts back to an arrow-less arpeggio:
+Different types of arpeggios may be written.
+@code{\arpeggioNormal} reverts to a normal arpeggio:
@lilypond[verbatim,quote,relative=1]
+<c e g c>2\arpeggio
\arpeggioArrowUp
<c e g c>2\arpeggio
\arpeggioArrowDown
<c e g c>2\arpeggio
\arpeggioNormal
-<c e g c>1\arpeggio
+<c e g c>2\arpeggio
@end lilypond
-The command @code{\arpeggioBracket} can be used to create a square
-bracket on the left of a chord, indicating that the chord should
-@emph{not} be arpeggiated. @code{\arpeggioNormal} reverts back
-to a regular arpeggio:
+Special @emph{bracketed} arpeggio symbols can be created:
@lilypond[verbatim,quote,relative=1]
<c e g c>2
\arpeggioBracket
<c e g c>2\arpeggio
-\arpeggioNormal
-<c e g c>1\arpeggio
-@end lilypond
-
-A @emph{parenthesis} style bracket may be attached to a chord
-construct instead of a square bracket.
-
-@lilypond[verbatim,quote,relative=1]
-<c e g c>2
\arpeggioParenthesis
<c e g c>2\arpeggio
\arpeggioNormal
-<c e g c>1\arpeggio
+<c e g c>2\arpeggio
@end lilypond
Arpeggios can be explicitly written out with ties. For more
@lilypond[verbatim,quote,relative=2]
c1 \afterGrace
-d1\startTrillSpan { c16[\stopTrillSpan d] }
-c4
+d1\startTrillSpan { c32[ d]\stopTrillSpan }
+e2 r2
@end lilypond
@cindex pitched trills
@end lilypond
LilyPond comes with predefined string tunings for banjo, mandolin,
-guitar and bass guitar.
+guitar and bass guitar. Lilypond automatically sets the correct
+transposition for predefined tunings. The following example is
+for bass guitar, which sounds an octave lower than written.
-@example
-\set TabStaff.stringTunings = #bass-tuning
-@end example
+@lilypond[quote,ragged-right,verbatim]
+<<
+ \new Staff <<
+ \clef "bass_8"
+ \relative c, {
+ c4 d e f
+ }
+ >>
+ \new TabStaff <<
+ \set TabStaff.stringTunings = #bass-tuning
+ \relative c, {
+ c4 d e f
+ }
+ >>
+>>
+@end lilypond
The default string tuning is @code{guitar-tuning} (the standard
EADGBE tuning). Some other predefined tunings are
before the closing @code{>}.}
@lilypond[quote,verbatim,relative=0]
-{
- \clef "treble_8"
- <c-\rightHandFinger #1 >4
- <e-\rightHandFinger #2 >
- <g-\rightHandFinger #3 >
- <c-\rightHandFinger #4 >
- <c,-\rightHandFinger #1 e-\rightHandFinger #2 g-\rightHandFinger #3 c-\rightHandFinger #4 >1
-}
+\clef "treble_8"
+<c-\rightHandFinger #1 >4
+<e-\rightHandFinger #2 >
+<g-\rightHandFinger #3 >
+<c-\rightHandFinger #4 >
+<c,-\rightHandFinger #1 e-\rightHandFinger #2 g-\rightHandFinger #3 c-\rightHandFinger #4 >1
@end lilypond
For convenience, you can abbreviate @code{\rightHandFinger} to something
You may exercise greater control over the placement of right-hand
fingerings by setting @code{strokeFingerOrientations},
-@lilypond[quote,verbatim,ragged-right,fragment,relative=0]
+@lilypond[quote,verbatim]
#(define RH rightHandFinger)
-{
+\relative c {
\clef "treble_8"
\set strokeFingerOrientations = #'(up down)
<c-\RH #1 e-\RH #2 g-\RH #3 c-\RH #4 > 4
This example combines left-hand fingering, string indication, and
right-hand fingering
-@lilypond[quote,ragged-right,fragment,verbatim,relative=0]
+@lilypond[quote,verbatim]
#(define RH rightHandFinger)
-{
+\relative c {
\clef "treble_8"
<c-3\5-\RH #1 >4
<e-2\4-\RH #2 >
@node Guitar
@subsection Guitar
-@c TODO Make a snippet based on
-@c http://www.nabble.com/Creating-a-nice-formatted-Chords-%2B-Lyrics-layout-for-guitar-players-to13829430.html
-@c and include it somewhere -td
+Most of the notational issues associated with guitar music are
+covered sufficiently in the general fretted strings section, but there
+are a few more worth covering here. Occasionally users want to
+create songbook-type documents having only lyrics with chord
+indications above them. Since Lilypond is a music typesetter,
+it is not recommended for documents that have no music notation
+in them. A better alternative is a word processor, text editor,
+or, for experienced users, a typesetter like GuitarTeX.
@menu
-* Guitar tablatures::
* Indicating position and barring::
* Indicating harmonics and dampened notes::
@end menu
-@node Guitar tablatures
-@subsubsection Guitar tablatures
-
-@c TODO Add text
-TBC
-
@node Indicating position and barring
@subsubsection Indicating position and barring
for five-string banjo, use the banjo tablature format function to get
correct fret numbers for the fifth string:
+@c due to crazy intervals of banjo music, absolute pitch is recommended
+
@lilypond[quote,ragged-right,fragment,verbatim]
\new TabStaff <<
\set TabStaff.tablatureFormat = #fret-number-tablature-format-banjo
+
of specifying the inital or overall MIDI tempo is described below,
see @ref{MIDI block}.
+@snippets
+
+@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
+{changing-midi-output-to-one-channel-per-voice.ly}
+
@knownissues
@c In 2.11 the following no longer seems to be a problem -td
@}
@end example
-@snippets
-
-@lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
-{changing-midi-output-to-one-channel-per-voice.ly}
-
@node MIDI instrument names
@subsection MIDI instrument names
@item @uref{http://fontforge.sf.net/,FontForge} 20060125 or newer.
+@item @uref{http://www.lcdf.org/~eddietwo/type/#t1utils,t1utils}
+(version 1.33 or newer recommended).
+
@item New Century Schoolbook fonts, as PFB files. These are shipped with
X11 and Ghostscript, and are named @file{c059033l.pfb}
-@file{c059036l.pfb}, @file{c059013l.pfb} and @file{c059016l.pfb}
+@file{c059036l.pfb}, @file{c059013l.pfb} and @file{c059016l.pfb}.
@item @uref{http://www.gnu.org/software/guile/guile.html,GUILE} (version
1.8.2 or newer). If you are installing binary packages, you may need to
@item @uref{http://www.gnu.org/software/gettext/gettext.html,gettext}.
-@item @uref{http://www.gnu.org/software/flex/,Flex}
+@item @uref{http://www.gnu.org/software/flex/,Flex}.
-@item @uref{http://www.perl.org/,Perl}
+@item @uref{http://www.perl.org/,Perl}.
-@item @uref{http://www.gnu.org/software/flex/,GNU Bison}
+@item @uref{http://www.gnu.org/software/flex/,GNU Bison}.
@item All packages required for running, including development packages with
header files and libraries.
example bar numbers are printed at all possible places:
@lilypond[verbatim,ragged-right,quote,fragment,relative]
-\override Score.BarNumber #'break-visibility = ##(#t #t #t)
+\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
\set Score.currentBarNumber = #11
\bar "" % Permit first bar number to be printed
c1 c c c
except at the end of the line:
@lilypond[verbatim,ragged-right,quote,fragment,relative]
-\override Score.BarNumber #'break-visibility = ##(#f #t #t)
+\override Score.BarNumber #'break-visibility = #'#(#f #t #t)
\set Score.currentBarNumber = #11
\bar "" % Permit first bar number to be printed
% Print a bar number every second measure
@lilypond[verbatim,ragged-right,quote,fragment,relative]
\set Score.currentBarNumber = #111
-\override Score.BarNumber #'break-visibility = ##(#t #t #t)
+\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
% Increase the size of the bar number by 2
\override Score.BarNumber #'font-size = #2
% Print a bar number every second measure
@c \version "2.11.51"
+
@node Simultaneous notes
@section Simultaneous notes
than one voice on the same staff.
@menu
-* Single voice::
-* Multiple voices::
+* Single voice::
+* Multiple voices::
@end menu
This section discusses simultaneous notes inside the same voice.
@menu
-* Chorded notes::
-* Clusters::
+* Chorded notes::
+* Clusters::
@end menu
+
@node Chorded notes
@unnumberedsubsubsec Chorded notes
@code{<g a>8 <e a>8}.
@end ignore
+
@node Clusters
@unnumberedsubsubsec Clusters
themselves. Separate clusters would need a separating rest between
them.
+
@node Multiple voices
@subsection Multiple voices
multiple staves.
@menu
-* Single-staff polyphony::
-* Voice styles::
-* Collision resolution::
-* Automatic part combining::
-* Writing music in parallel::
+* Single-staff polyphony::
+* Voice styles::
+* Collision resolution::
+* Automatic part combining::
+* Writing music in parallel::
@end menu
+
@node Single-staff polyphony
@unnumberedsubsubsec Single-staff polyphony
First and third voices get stems up, second and fourth voices get
stems down, third and fourth voice noteheads are horizontally shifted,
-and rests move to avoid collisions.
+and rests move to avoid collisions.
@lilypond[quote,relative=3,verbatim]
<<
{ r8 g g g g f16 es f8 d }
- \\
+ \\
{ es,8 r es r d r d r }
\\
{ d'8 s c s bes s a s }
@funindex \voiceFour
@code{\voiceFour}.
-
@seealso
Learning Manual:
To revert the standard presentation, the @code{\voiceNeutralstyle}
command is used.
-These styles are arbitrarily defined but can be changed. For example,
-the initial definition for @code{\voiceOneStyle} is as follows:
-
-@example
-voiceOneStyle = @{
- \override NoteHead #'style = #'diamond
- \override NoteHead #'color = #red
- \override Stem #'color = #red
- \override Beam #'color = #red
-@}
-@end example
-
-
@predefined
@funindex \voiceOneStyle
Snippets:
@rlsr{Simultaneous notes}.
+
@node Collision resolution
@unnumberedsubsubsec Collision resolution
Notes are only merged if they have opposing stem directions (i.e., in
@code{Voice} 1 and 2).
-
@cindex multiple voices
@cindex polyphonic music
@cindex shifting voices
@funindex \oneVoice
@code{\oneVoice}.
-
@funindex \shiftOn
@code{\shiftOn},
@funindex \shiftOnn
@rinternals{NoteCollision},
@rinternals{RestCollision}.
-
@knownissues
When using @code{merge-differently-headed} with an upstem eighth
@snippets
-Parts may be merged without printing text:
-
-@lilypond[quote,verbatim]
-\new Staff <<
- \set Staff.printPartCombineTexts = ##f
- \partcombine
- \relative g' { g a( b) r }
- \relative g' { g r4 r f }
->>
-@end lilypond
-
-The printed text may be changed:
-
-@lilypond[quote,verbatim]
-\new Staff <<
- \set Score.soloText = #"girl"
- \set Score.soloIIText = #"boy"
- \set Score.aDueText = #"together"
- \partcombine
- \relative g' { g4 g r r a2 g }
- \relative g' { r4 r a( b) a2 g }
->>
-@end lilypond
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{combining-two-parts-on-the-same-staff.ly}
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{changing-partcombine-texts.ly}
@seealso
Snippets:
@rlsr{Simultaneous notes}.
-
Internals Reference:
@rinternals{PartCombineMusic},
@rinternals{Voice}.
@c IIRC in users list someone pointed out more issues. TODO: lookup FV
+
@node Writing music in parallel
@unnumberedsubsubsec Writing music in parallel
be of the same length.}
@lilypond[quote,verbatim]
-\parallelMusic #'(voiceA voiceB voiceC) {
+\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
- r8 g'16[ c''] e''[ g' c'' e''] r8 g'16[ c''] e''[ g' c'' e''] |
- c'2 c'2 |
- r16 e'8.~ e'4 r16 e'8.~ e'4 |
+ r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
+ r16 e'8.~ e'4 r16 e'8.~ e'4 |
+ c'2 c'2 |
+
% Bar 2
- r8 a'16[ d''] f''[ a' d'' f''] r8 a'16[ d''] f''[ a' d'' f''] |
- c'2 c'2 |
- r16 d'8.~ d'4 r16 d'8.~ d'4 |
+ r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
+ r16 d'8.~ d'4 r16 d'8.~ d'4 |
+ c'2 c'2 |
+
}
\new StaffGroup <<
- \new Staff << \voiceA \\ \voiceC >>
- \new Staff { \clef bass \voiceB }
+ \new Staff << \voiceA \\ \voiceB >>
+ \new Staff { \clef bass \voiceC }
>>
@end lilypond
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g16 c e g, c e r8 g,16 c e g, c e |
- c2 c |
r16 e8.~ e4 r16 e8.~ e4 |
+ c2 c |
% Bar 2
r8 a,16 d f a, d f r8 a,16 d f a, d f |
- c2 c |
r16 d8.~ d4 r16 d8.~ d4 |
+ c2 c |
+
}
\new StaffGroup <<
- \new Staff << \relative c'' \voiceA \\ \relative c' \voiceC >>
- \new Staff \relative c' { \clef bass \voiceB }
+ \new Staff << \relative c'' \voiceA \\ \relative c' \voiceB >>
+ \new Staff \relative c' { \clef bass \voiceC }
>>
@end lilypond
@item
@code{TabStaff} creates by default a tablature with six strings in
-standard guitar tuning. See @ref{Guitar tablatures}.
+standard guitar tuning. See @ref{Default tablatures}.
@lilypond[verbatim,ragged-right,quote,fragment,relative=2]
\new TabStaff { c d e f }
Music Glossary: @rglos{staff}, @rglos{staves}.
Notation Reference: @ref{Percussion staves},
-@ref{Guitar tablatures}, @ref{Gregorian chant contexts},
+@ref{Default tablatures}, @ref{Gregorian chant contexts},
@ref{Mensural contexts}.
Snippets:
@lilypond[quote,fragment,ragged-right,verbatim,relative=2]
{
\time 12/16
- \override Staff.BarLine #'break-visibility = ##(#f #f #f)
+ \override Staff.BarLine #'break-visibility = #'#(#f #f #f)
c4 b8 c d16 c d8 |
g, a16 b8 c d4 e16 |
e8
used many times it may be worth defining variables to hold them.
Suppose we wish to emphasize certain words in lyrics by printing
them in bold italics. The @code{\italic} and @code{\bold}
-commands do not work within lyrics so we must instead use the
-following @code{\override} and @code{\revert} commands:
+commands only work within lyrics if they are also embedded in
+@code{\markup}, which makes them tedious to enter, so as an
+alternative can we instead use the @code{\override} and
+@code{\revert} commands?
@example
@code{\override Lyrics . LyricText #'font-shape = #'italic}
@code{\revert Lyrics . LyricText #'font-series}
@end example
-These would be extremely tedious to enter if there were many words
-requiring emphasis. So instead we define these as two variables,
-and use them as follows:
+These would also be extremely tedious to enter if there were many
+words requiring emphasis. So instead we define these as two
+variables, and use them as follows, although normally we would
+perhaps choose shorter names for the variables to make them
+quicker to type:
@lilypond[quote,verbatim]
emphasize = {
\clef "treble"
\new Voice = "Soprano" { \voiceOne \global \SopranoMusic }
\new Voice = "Alto" { \voiceTwo \AltoMusic }
- \new Lyrics \lyricsto "Sop" { \VerseOne }
- \new Lyrics \lyricsto "Sop" { \VerseTwo }
- \new Lyrics \lyricsto "Sop" { \VerseThree }
- \new Lyrics \lyricsto "Sop" { \VerseFour }
+ \new Lyrics \lyricsto "Soprano" { \VerseOne }
+ \new Lyrics \lyricsto "Soprano" { \VerseTwo }
+ \new Lyrics \lyricsto "Soprano" { \VerseThree }
+ \new Lyrics \lyricsto "Soprano" { \VerseFour }
>>
\new Staff <<
\clef "bass"
PACKAGE_NAME=LilyPond
MAJOR_VERSION=2
MINOR_VERSION=11
-PATCH_LEVEL=52
+PATCH_LEVEL=53
MY_PATCH_LEVEL=
STEPMAKE_PATH_PROG(FONTFORGE, fontforge, REQUIRED, 20050624)
+STEPMAKE_PATH_PROG(T1ASM, t1asm, REQUIRED)
+
AC_CHECK_HEADERS([assert.h grp.h libio.h pwd.h sys/stat.h wchar.h fpu_control.h])
AC_LANG_PUSH(C++)
AC_CHECK_HEADERS([sstream boost/lambda/lambda.hpp])
#{ \tweak #'text #tuplet-number::calc-fraction-text $music #})
triangle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = ##(do do do do do do do) $music #})
+ #{ \once \set shapeNoteStyles = #'#(do do do do do do do) $music #})
semicircle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = ##(re re re re re re re) $music #})
+ #{ \once \set shapeNoteStyles = #'#(re re re re re re re) $music #})
blackdiamond = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = ##(mi mi mi mi mi mi mi) $music #})
+ #{ \once \set shapeNoteStyles = #'#(mi mi mi mi mi mi mi) $music #})
tiltedtriangle = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = ##(fa fa fa fa fa fa fa) $music #})
+ #{ \once \set shapeNoteStyles = #'#(fa fa fa fa fa fa fa) $music #})
square = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = ##(la la la la la la la) $music #})
+ #{ \once \set shapeNoteStyles = #'#(la la la la la la la) $music #})
wedge = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = ##(ti ti ti ti ti ti ti) $music #})
+ #{ \once \set shapeNoteStyles = #'#(ti ti ti ti ti ti ti) $music #})
harmonic = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = ##(harmonic harmonic harmonic harmonic harmonic harmonic harmonic) $music #})
+ #{ \once \set shapeNoteStyles = #'#(harmonic harmonic harmonic harmonic harmonic harmonic harmonic) $music #})
cross = #(define-music-function (parser location music) (ly:music?)
- #{ \once \set shapeNoteStyles = ##(cross cross cross cross cross cross cross) $music #})
+ #{ \once \set shapeNoteStyles = #'#(cross cross cross cross cross cross cross) $music #})
white = #(define-music-function (parser location music) (ly:music?)
#{ \once \override NoteHead #'duration-log = #1 $music #})
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "keyboards"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords, ancient-notation, contexts-and-engravers"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches, staff-notation, vocal-music"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, contexts-and-engravers, breaks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, contexts-and-engravers"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, percussion"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "titles"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "repeats"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "simultaneous-notes"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, vocal-music, spacing"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, paper-and-layout, titles"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, vocal-music"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "tweaks-and-overrides, paper-and-layout, spacing"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "editorial-annotations, spacing"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches, vocal-music"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "editorial-annotations, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "ancient-notation"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "ancient-notation, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "ancient-notation, template"
-transcription-of-ancient-music-with-incipit.ly
+incipit.ly
mensurstriche-layout-bar-lines-between-the-staves.ly
adding-a-figured-bass-above-or-below-the-notes.ly
-incipit.ly
chant-or-psalms-notation.ly
ancient-notation-template----modern-transcription-of-mensural-music.ly
ancient-fonts.ly
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "ancient-notation"
"
doctitle = "Ancient time signatures"
} % begin verbatim
-\score {
- {
- \override Staff.TimeSignature #'style = #'neomensural
- s1
- }
- \layout {raggedright = ##t}
+{
+ \override Staff.TimeSignature #'style = #'neomensural
+ s1
}
-
-
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches, editorial-annotations"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, breaks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "editorial-annotations, text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "winds"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, unfretted-strings"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "simultaneous-notes, editorial-annotations, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
doctitlees = "Cambiar la forma de los silencios multicompás"
texidoces = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "contexts-and-engravers, midi"
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
+%% This file is in the public domain.
+\version "2.11.52"
+
+\header {
+ lsrtags = "simultaneous-notes"
+
+ texidoc = "
+When using the automatic part combining feature, the printed text for
+the solo and unison sections may be changed:
+
+"
+ doctitle = "Changing partcombine texts"
+} % begin verbatim
+\new Staff <<
+ \set Staff.soloText = #"girl"
+ \set Staff.soloIIText = #"boy"
+ \set Staff.aDueText = #"together"
+ \partcombine
+ \relative c'' {
+ g4 g r r
+ a2 g
+ }
+ \relative c'' {
+ r4 r a( b)
+ a2 g
+ }
+>>
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
Se puede modificar el texto empleado para los crescendos y
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, editorial-annotations"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, tweaks-and-overrides, paper-and-layout"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
La propiedad @code{measureLength}, junto con
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, vocal-music, ancient-notation, contexts-and-engravers"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "paper-and-layout" % a new tag like "Mixing text and music" or
% "Special output" might be more adequate -jm
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "simultaneous-notes, chords, keyboards"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "simultaneous-notes, text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "editorial-annotations, chords, keyboards"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, editorial-annotations, contexts-and-engravers, paper-and-layout"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, text"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
A diferencia de las inscripciones de texto, las lestras de ensayo
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, keyboards, unfretted-strings"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks, text, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "ancient-notation, tweaks-and-overrides"
\override Staff.Custos #'style = #'hufnagel
c1^"hufnagel" \break
- <d a' f'>
+ <d a' f'>1
\override Staff.Custos #'style = #'medicaea
- c^"medicaea" \break
- <d a' f'>
+ c1^"medicaea" \break
+ <d a' f'>1
\override Staff.Custos #'style = #'vaticana
- c^"vaticana" \break
- <d a' f'>
+ c1^"vaticana" \break
+ <d a' f'>1
\override Staff.Custos #'style = #'mensural
- c^"mensural" \break
- <d a' f'>
+ c1^"mensural" \break
+ <d a' f'>1
}
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "editorial-annotations"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "vocal-music, keyboards, unfretted-strings, midi"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, paper-and-layout, titles"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation,tweaks-and-overrides"
texidoc = "If there is only one staff in one of the staff types
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "tweaks-and-overrides"
texidoc = "
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "tweaks-and-overrides"
texidoc = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "editorial-annotations, text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "contexts-and-engravers"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "keyboards, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "simultaneous-notes, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, vocal-music"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "editorial-annotations"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "editorial-annotations"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, percussion"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, vocal-music"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
Los «incipit» se pueden escribir utilizando el grob del nombre del
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "keyboards"
texidoc = "
-An arpeggioBracket can indicate that notes on two different staves are
-to be played with the same hand. In order to do this, the PianoStaff
-must be set to accept cross-staff arpeggios and the arpeggios must be
-set to the bracket shape at the PianoStaff level.
+An arpeggio bracket can indicate that notes on two different staves are
+to be played with the same hand. In order to do this, the
+@code{PianoStaff} must be set to accept cross-staff arpeggios and the
+arpeggios must be set to the bracket shape in the @code{PianoStaff}
+context.
(Debussy, Les collines d’Anacapri, m. 65)
} % begin verbatim
\paper { ragged-right = ##t }
-\new Score {
- \new PianoStaff
- <<
- \set PianoStaff.connectArpeggios = ##t
- \override PianoStaff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket
- \new Staff \relative c' {
+\new PianoStaff <<
+ \set PianoStaff.connectArpeggios = ##t
+ \override PianoStaff.Arpeggio #'stencil = #ly:arpeggio::brew-chord-bracket
+ \new Staff {
+ \relative c' {
\key b \major
\time 6/8
b8-.(\arpeggio fis'-.\> cis-. e-. gis-. b-.)\!\fermata^\laissezVibrer
\bar "||"
}
- \new Staff \relative c' {
+ }
+ \new Staff {
+ \relative c' {
\clef bass
\key b \major
<<
- { <a e cis>2.\arpeggio } \\
- { <a, e a,>2. }
+ {
+ <a e cis>2.\arpeggio
+ }
+ \\
+ {
+ <a, e a,>2.
+ }
>>
}
- >>
-}
+ }
+>>
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks,tweaks-and-overrides"
texidoc = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "keyboards, percussion, template"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
Se pueden aplicar puntas de flecha a los elementos de extensión de
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
El «Makam» es un tipo de melodía de Turquía que
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms,tweaks-and-overrides"
texidoc = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, editorial-annotations"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "repeats, staff-notation, editorial-annotations"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, ancient-notation, contexts-and-engravers, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, contexts-and-engravers, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches, staff-notation"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches, text"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "spacing"
texidoc = "Page labels may be placed inside music or at top-level,
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "percussion"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "keyboards, template"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, keyboards, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "vocal-music, keyboards, template"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
doctitlees = "Posicionar los silencios multicompás"
texidoces = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "repeats, breaks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, expressive-marks, staff-notation, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, percussion"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "tweaks-and-overrides, spacing"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "Los pasajes citados tienen en cuenta la
transposición de la fuente tanto como la del destino. En este
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation"
texidoc = "With @code{\\quote}, fragments of previously entered
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, tweaks-and-overrides, breaks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, ancient-notation, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "template"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
Si la nota que da fin a un regulador cae sobre la primera parte de
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "repeats"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords"
forcing-horizontal-shift-of-notes.ly
additional-voices-to-avoid-collisions.ly
-suppressing-warnings-for-clashing-note-columns.ly
-clusters.ly
+changing-partcombine-texts.ly
changing-a-single-notes-size-in-a-chord.ly
combining-two-parts-on-the-same-staff.ly
+clusters.ly
+suppressing-warnings-for-clashing-note-columns.ly
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "vocal-music, chords, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "vocal-music, chords, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "chords, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "vocal-music, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, vocal-music"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, vocal-music"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "unfretted-strings, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "unfretted-strings, template"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "simultaneous-notes,tweaks-and-overrides"
texidoc = "
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "paper-and-layout"
texidoc = "A table of contents is included using
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms, text"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, tweaks-and-overrides"
"
doctitle = "Time signature in parentheses"
} % begin verbatim
-tsMarkup = \markup {
- \override #'(baseline-skip . 0)
- \number {
- \bracket \column { 2 4 }
- }
-}
-
\relative c'' {
- \override Staff.TimeSignature #'stencil = #ly:text-interface::print
- \override Staff.TimeSignature #'text = #tsMarkup
+ \override Staff.TimeSignature #'stencil = #(lambda (grob)
+ (bracketify-stencil (ly:time-signature::print grob) Y 0.1 0.2 0.1))
\time 2/4
a4 b8 c
}
+++ /dev/null
-%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
-%% This file is in the public domain.
-\version "2.11.51"
-
-\header {
- lsrtags = "ancient-notation, tweaks-and-overrides"
-
- texidoces = "
-A modo de alternativa para obtener auténticos «incipit»
-independientes de la partitura principal, se incluyen como
-elemento de marcado en el campo que se usa normalmente para el
-nombre del instrumento. Por el momento, la letra sólo se puede
-añadir como marcado directo. Por desgracia, su espaciado no es
-análogo al de la letra principal.
-
-"
- doctitlees = "Transcripción de música antigua con incipit"
-
- texidoc = "
-As a workaround to get real incipits which are independent from the
-main score these are included as a markup into the field normally used
-for the instrument name. As for now lyrics can only be added as a
-direct markup. It doesn't unfortunately conform with the spacing of the
-main lyrics.
-
-"
- doctitle = "Transcription of Ancient music with incipit"
-} % begin verbatim
-global = {
- \set Score.skipBars = ##t
- \key g \major
- \time 4/4
-
- %make the staff lines invisible on staves
- \override Staff.BarLine #'transparent = ##t
- \skip 1*8 % the actual music
-
- % let finis bar go through all staves
- \override Staff.BarLine #'transparent = ##f
-
- % finis bar
- \bar "|."
-}
-
-
-discantusNotes = {
- \transpose c' c'' {
- \clef "treble"
- d'2. d'4 |
- b e' d'2 |
- c'4 e'4.( d'8 c' b |
- a4) b a2 |
- b4.( c'8 d'4) c'4 |
- \once \override NoteHead #'transparent = ##t c'1 |
- b\breve |
- }
-}
-
-discantusLyrics = \lyricmode {
- Ju -- bi -- |
- la -- te De -- |
- o, om --
- nis ter -- |
- ra, __ om- |
- "..." |
- -us. |
-}
-
-altusNotes = {
- \transpose c' c'' {
- \clef "treble"
- r2 g2. e4 fis g | % two bars
- a2 g4 e |
- fis g4.( fis16 e fis4) |
- g1 |
- \once \override NoteHead #'transparent = ##t g1 |
- g\breve |
- }
-}
-
-altusLyrics = \lyricmode {
- Ju -- bi -- la -- te | % two bars
- De -- o, om -- |
- nis ter -- ra, |
- "..." |
- -us. |
-}
-
-tenorNotes = {
- \transpose c' c' {
- \clef "treble_8"
- R1 |
- R1 |
- R1 |
- r2 d'2. d'4 b e' | % two bars
- \once \override NoteHead #'transparent = ##t e'1 |
- d'\breve |
- }
-}
-
-tenorLyrics = \lyricmode {
- Ju -- bi -- la -- te | % two bars
- "..." |
- -us.
-}
-
-bassusNotes = {
- \transpose c' c' {
- \clef "bass"
- R1 |
- R1 |
- R1 |
- R1 |
- g2. e4 |
- \once \override NoteHead #'transparent = ##t e1 |
- g\breve |
- }
-}
-
-bassusLyrics = \lyricmode {
- Ju -- bi- |
- "..." |
- -us.
-}
-
-incipitDiscantus = \markup{
- \score{
- {
- \set Staff.instrumentName="Discantus "
- \override NoteHead #'style = #'neomensural
- \override Rest #'style = #'neomensural
- \override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
- \clef "neomensural-c1"
- \key f \major
- \time 2/2
- c''1._"IV-" s2 %two bars
- \skip 1*8 % eight bars
- }
- \layout {
- \context {\Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- }
- line-width=4.5\cm
- }
- }
-}
-
-incipitAltus = \markup{
- \score{
- {
- \set Staff.instrumentName="Altus "
- \override NoteHead #'style = #'neomensural
- \override Rest #'style = #'neomensural
- \override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
- \clef "neomensural-c3"
- \key f \major
- \time 2/2
- r1 % one bar
- f'1._"IV-" s2 % two bars
- \skip 1*7 % seven bars
- }
- \layout {
- \context {\Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- }
- line-width=4.5\cm
- }
- }
-}
-
-incipitTenor = \markup{
- \score{ {
- \set Staff.instrumentName = "Tenor "
- \override NoteHead #'style = #'neomensural
- \override Rest #'style = #'neomensural
- \override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
- \clef "neomensural-c4"
- \key f \major
- \time 2/2
- r\longa % four bars
- r\breve % two bars
- r1 % one bar
- c'1._"IV-" s2 % two bars
- \skip 1 % one bar
- }
- \layout {
- \context {\Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- }
- line-width=4.5\cm
-}
-}
-}
-
-incipitBassus = \markup{
- \score{ {
- \set Staff.instrumentName = "Bassus "
- \override NoteHead #'style = #'neomensural
- \override Rest #'style = #'neomensural
- \override Staff.TimeSignature #'style = #'neomensural
- \cadenzaOn
- \clef "bass"
- \key f \major
- \time 2/2
- % incipit
- r\maxima % eight bars
- f1._"IV-" s2 % two bars
- }
- \layout {
- \context {\Voice
- \remove Ligature_bracket_engraver
- \consists Mensural_ligature_engraver
- }
- line-width=4.5\cm
- }
- }
-}
-
-%StaffGroup is used instead of ChoirStaff to get bar lines between systems
-\score {
- <<
- \new StaffGroup = choirStaff <<
- \new Voice =
- "discantusNotes" << \global
- \set Staff.instrumentName=\incipitDiscantus
- \discantusNotes >>
- \new Lyrics =
- "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
-
- \new Voice =
- "altusNotes" << \global
- \set Staff.instrumentName=\incipitAltus
- \altusNotes >>
- \new Lyrics =
- "altusLyrics" \lyricsto altusNotes { \altusLyrics }
-
- \new Voice =
- "tenorNotes" << \global
- \set Staff.instrumentName=\incipitTenor
- \tenorNotes >>
- \new Lyrics =
- "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
-
- \new Voice =
- "bassusNotes" << \global
- \set Staff.instrumentName=\incipitBassus
- \bassusNotes >>
- >>
- \new Lyrics =
- "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
- %Keep the bass lyrics outside of the staff group to avoid bar lines
- %between the lyrics.
- >>
-
- \layout {
- \context {
- \Score
-
- % no bars in staves
- \override BarLine #'transparent = ##t
- }
- % the next three instructions keep the lyrics between the barlines
- \context { \Lyrics
- \consists "Bar_engraver"
- \override BarLine #'transparent = ##t }
- \context { \StaffGroup \consists "Separating_line_group_engraver" }
- \context {
- \Voice
-
- % no slurs
- \override Slur #'transparent = ##t
-
- % Comment in the below "\remove" command to allow line
- % breaking also at those barlines where a note overlaps
- % into the next bar. The command is commented out in this
- % short example score, but especially for large scores, you
- % will typically yield better line breaking and thus improve
- % overall spacing if you comment in the following command.
- %\remove "Forbid_line_break_engraver"
- }
- indent=5\cm
- }
-}
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
doctitlees = "Transportar música con el menor número de alteraciones"
texidoces = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "pitches, staff-notation, tweaks-and-overrides"
tweaking-clef-properties.ly
proportional-strict-notespacing.ly
making-an-object-invisible-with-the-transparent-property.ly
-transcription-of-ancient-music-with-incipit.ly
alignment-vertical-spacing.ly
drawing-circles-around-various-objects.ly
analysis-brackets-above-the-staff.ly
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "staff-notation, contexts-and-engravers"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "tweaks-and-overrides"
texidoc = "
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "rhythms"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
%% Edit this file using a Unicode aware editor, such as GVIM, GEDIT, Emacs
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "tweaks-and-overrides, spacing"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "expressive-marks"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "vocal-music, tweaks-and-overrides, spacing"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "vocal-music, keyboards, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "text, vocal-music, contexts-and-engravers, template"
%% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "vocal-music, template"
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
texidoces = "
Mediante la adición del grabador @code{Volta_engraver} al
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "repeats,staff-notation,fretted-strings"
texidoc = "By adding the @code{Volta_engraver} to the relevant
%% Do not edit this file; it is auto-generated from input/new
%% This file is in the public domain.
-\version "2.11.51"
+\version "2.11.52"
\header {
lsrtags = "repeats"
\version "2.11.51"
\include "english.ly"
#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
}
% NR 1.3 Expressive marks
\once \override TextScript #'staff-padding = #2
d'8 \staccato
^ \markup { \column {
- "RONDO"
- \italic "Allegro" } }
+ RONDO
+ \italic Allegro } }
d'8 \staccato
g'8 \staccato
a'8 \staccato
\include "english.ly"
#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
}
+% NR 2.2 Keyboard instruments
+
+% M. Ravel, Sonatine (1905)
+% First movement
+
\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
+ \context {
+ \Score
+ \remove "Bar_number_engraver"
+ }
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ }
+}
+
+fermataLong = \markup {
+ \override #'(direction . 1)
+ \override #'(baseline-skip . 2) {
+ \dir-column {
+ \musicglyph #"scripts.ufermata"
+ \text \italic \hcenter long
+ }
}
}
\new PianoStaff <<
\set PianoStaff.connectArpeggios = ##t
\new Staff {
- \time 2/4
- \key fs \major
- <<
- \new Voice {
- \voiceOne
- fs''8 (
- ^ \markup \column {
- \line \bold { Un peu retenu }
- \line \italic { très expressif } }
- es''16
- cs''16
- as'4 )
- |
- fs''8 (
- es''16
- cs''16
- as'4 )
- |
- fs''8 (
- es''16
- cs''16
- as'8
- cs''8 )
- |
- }
- \new Voice {
- \voiceTwo
- r8 \ppp
- fs'4 (
- es'8 )
- |
- r8
- fs'4 (
- es'8 )
- |
- r8
- fs'4 (
- es'8 )
- |
- }
- >>
- \clef bass
- <ds b! es'>4 (
- ^ \markup \bold { Rall. }
- \once \override Script #'padding = #2
- <ds' as'>8 ) \fermata
- \noBeam
- \clef treble
- \slurUp
- <as fs'>8 ( \pp
- |
- <gs b cs'>4. )
- ^ \markup \bold { a tempo }
- \slurUp
- <as fs'>8 (
- |
- <gs b cs'>4. )
- <<
- \new Voice {
- \voiceOne
- <as fs'>8 (
- ^ \markup \bold { Rallentando }
- |
- cs'8
- b16
- cs'16
- d'8
- e'16
- fs'16
- |
- <as! cs' gs'>4. )
- s8
- |
- r8
- <cs'' as'' cs'''>4 \arpeggio
- e''16 (
- ^ \markup \bold { Lent }
- fs''16
- |
- \stemDown
- <as'! cs'' gs''>2 )
- |
- }
+ \time 2/4
+ \key fs \major
+ <<
\new Voice {
- \voiceTwo
- s8
- |
- <gs b>4 \<
- <fs bs>4 \>
- |
- s4. \!
- \slurUp
- \once \override Script #'direction = #up
- <a bs e'>8 ( \accent
- |
- <as! cs' gs'>4. )
- <a' bs'>8 \ppp \>
- |
- s8 \!
- \stemDown
- \once \override Script #'direction = #up
- #(set-octavation 1)
- % \once \override Arpeggio #'extra-offset = #'(-0.25 .
- % 0)
- <cs''' as''' cs''''>4. \arpeggio \fermata
- #(set-octavation 0)
- \bar "|."
- }
- >>
- }
- \new Staff <<
- \set Staff.pedalSustainStyle = #'bracket
- \key fs \major
- \clef bass
- \new Voice {
\voiceOne
- ds'4 \tenuto
- cs'4 \tenuto
+ fs''8 ( ^\markup {
+ \override #'(baseline-skip . 2.4) \column {
+ \line \bold { Un peu retenu }
+ \line \italic { très expressif }
+ }
+ }
+ es''16
+ cs''16
+ as'4 )
+ |
+ fs''8 (
+ es''16
+ cs''16
+ as'4 )
+ |
+ fs''8 (
+ es''16
+ cs''16
+ as'8
+ cs''8 )
+ |
+ }
+ \new Voice {
+ \voiceTwo
+ gs'8\rest \ppp
+ fs'4 (
+ es'8 )
|
- ds'4 \tenuto
- cs'4 \tenuto
+ gs'8\rest
+ fs'4 (
+ es'8 )
|
- ds'4 \tenuto
- cs'4 \tenuto
+ gs'8\rest
+ fs'4 (
+ es'8 )
|
- s8
- \clef treble
- <b' cs''>8 [
- \clef bass
- <es b cs'>8 \fermata ]
- s8
+ }
+ >>
+ \clef bass
+ <ds b! es'>4 ( ^ \markup \bold { Rall. }
+ \override Script #'stencil = #(lambda (grob)
+ ly:script::print (grob-interpret-markup grob fermataLong))
+ <ds' as'>8 ) \fermata
+ \noBeam
+ \clef treble
+ \slurUp
+ \once \override Hairpin #'to-barline = ##f
+ <as fs'>8 ( \pp \>
+ |
+ <gs b cs'>4. \! ) ^\markup \bold { a Tempo }
+ \slurUp
+ <as fs'>8 ^\( \>
+ |
+ <gs b cs'>4. \! \)
+ <<
+ \new Voice {
+ \voiceOne
+ <as fs'>8 (
|
- r8
- \clef treble
- <b' cs''>4 \tenuto
- s8
+ cs'8 ^\markup \bold { Rallentando }
+ b16
+ cs'16
+ d'8
+ e'16
+ fs'16
|
- r8
- \clef treble
- <b' cs''>4 \tenuto
+ <as! cs' gs'>4. )
s8
|
- s2
- |
r8
- \clef treble
- <as' cs''>4
- \clef bass
- s8
+ <cs'' as'' cs'''>4 \arpeggio
+ e''16 ( ^\markup \bold { Lent }
+ fs''16
|
- s8
- \clef treble
- <as'>4 \arpeggio
- \clef bass
- s8
- |
- s8
- \clef treble
- <as''>4. \arpeggio \fermata
- |
- }
- \new Voice {
\voiceTwo
- ds'8 [ (
- < ds bs >8
- cs'8
- < ds as >8 ] )
- |
- ds'8 [ (
- < ds bs >8
- cs'8
- < ds as >8 ] )
- |
- ds'8 [ (
- < ds bs >8
- cs'8
- < ds as >8 ] )
+ <as'! cs'' gs''>2 )
|
- \once \override Script #'outside-staff-priority = #100
- \once \override TextScript #'outside-staff-priority = #500
- <cs, gs,>4. \fermata
- _ \markup \italic { ped. }
- <fs, cs>8 (
- |
- <e, b,>4. ) \sustainOn
- \clef bass
- <fs, cs>8 ( \sustainOff
- |
- <e, b,>4. ) \sustainOn
- \clef bass
- <fs, cs>8 ( \sustainOff
- |
- <e, b,>4
- <d, a,>4
+ }
+ \new Voice {
+ \voiceTwo
+ s8
|
- <fs,, cs,>4. ) \sustainOn
- <a, e>8 ( \sustainOff
+ <gs b>4 \<
+ <fs bs>4 \>
|
- <fs, cs>4. ) \sustainOn
+ s4. \!
\slurUp
- <a e'>8 ( \sustainOff \sustainOn
+ \once \override Script #'direction = #UP
+ <a bs e'>8 ( \accent
|
- <fs cs'>2 ) \sustainOff \sustainOn
+ <as! cs' gs'>4. )
+ \once \override Hairpin #'to-barline = ##f
+ <a' bs'>8 \ppp \>
|
- }
+ s8 \!
+ \stemDown
+ \once \override Script #'direction = #UP
+ #(set-octavation 1)
+ \voiceOne
+ \once \override PianoStaff.Arpeggio #'padding = #0.8
+ <cs''' as''' cs''''>4. \arpeggio \fermata
+ #(set-octavation 0)
+ \bar "|."
+ }
+ >>
+ }
+ \new Staff <<
+ \set Staff.pedalSustainStyle = #'bracket
+ \key fs \major
+ \clef bass
+ \new Voice {
+ \voiceOne
+ ds'4 \tenuto
+ cs'4 \tenuto
+ |
+ ds'4 \tenuto
+ cs'4 \tenuto
+ |
+ ds'4 \tenuto
+ cs'4 \tenuto
+ |
+ s8
+ \clef treble
+ <b' cs''>8 [
+ \clef bass
+ <es b cs'>8 \fermata ]
+ s8
+ |
+ fs8\rest
+ \clef treble
+ <b' cs''>4 \tenuto
+ s8
+ |
+ fs8\rest
+ \clef treble
+ <b' cs''>4 \tenuto
+ s8
+ |
+ s2
+ |
+ ds8\rest
+ \clef treble
+ <as' cs''>4
+ \clef bass
+ s8
+ |
+ s8
+ \clef treble
+ <as'>4 \arpeggio
+ \clef bass
+ s8
+ |
+ s8
+ \clef treble
+ <as''>4. \arpeggio \fermata
+ |
+ }
+ \new Voice {
+ \voiceTwo
+ ds'8 [ (
+ < ds bs >8
+ cs'8
+ < ds as >8 ] )
+ |
+ ds'8 [ (
+ < ds bs >8
+ cs'8
+ < ds as >8 ] )
+ |
+ ds'8 [ (
+ < ds bs >8
+ cs'8
+ < ds as >8 ] )
+ |
+ \once \override Script #'outside-staff-priority = #100
+ \once \override TextScript #'outside-staff-priority = #500
+ <cs, gs,>4. \fermata _\markup \italic { ped. }
+ <fs, cs>8 (
+ |
+ <e, b,>4. ) \sustainOn
+ \clef bass
+ <fs, cs>8 \( \sustainOff
+ |
+ <e, b,>4. \) \sustainOn
+ \clef bass
+ <fs, cs>8 ( \sustainOff
+ |
+ <e, b,>4
+ <d, a,>4
+ |
+ <fs,, cs,>4. ) \sustainOn
+ <a, e>8 ( \sustainOff
+ |
+ <fs, cs>4. ) \sustainOn
+ \slurUp
+ <a e'>8 ( \sustainOff \sustainOn
+ |
+ <fs cs'>2 ) \sustainOff \sustainOn
+ |
+ }
>>
>>
-
\version "2.11.51"
\include "english.ly"
#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
}
% NR 1.7 Repeats
% Movt II, Andante con moto
% Measures 9 - 16
-\layout { }
+\layout {
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ }
+}
\new PianoStaff <<
\set Score.currentBarNumber = #9
\bar "|:"
<af ef c>4 (
- <af g c>8..
+ <af gf c>8..
<af ef c>32
|
<af f df>8. )
\version "2.11.51"
\include "english.ly"
#(set-global-staff-size 15)
-\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
-}
-
-\layout {
- \context { \Score
- \override PaperColumn #'keep-inside-line = ##t
- \override NonMusicalPaperColumn #'keep-inside-line = ##t
- }
+\paper {
+ line-width = 16\cm
+ indent = 0\cm
}
% NR 1.2 Rhythms
% Measures 31 - 34
\layout {
- \context {
- \Score
- \override SpacingSpanner #'base-shortest-duration =
- #(ly:make-moment 1 40)
+ \context {
+ \Score
+ \override SpacingSpanner #'base-shortest-duration =
+ #(ly:make-moment 1 40)
%\override SpacingSpanner #'strict-grace-spacing = ##t
- }
+ }
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ }
}
\new PianoStaff <<
\time 2/4
\set Score.currentBarNumber = #31
- <c'' c'>8 (
+ <c''' c''>8 ( -\markup {
+ \override #'(baseline-skip . 2) \italic \column {
+ \line { a tempo }
+ cantabile
+ }
+ }
<g'' g'>8 )
~
<g'' g'>8 (
|
\afterGrace
- <f'' f'>8 (
+ <f'' f'>8 [ (
{
e''16 [
f''16
d''16 ]
}
<e''! e'>16
- <f'' f'>16 )
- <g'' g'>16 ( \staccato
+ <f'' f'>16 ] )
+ \once \override TextScript #'padding = #3.8
+ <g'' g'>16 ( \staccato -\markup { \italic cresc. }
<a'' a'>16 ) \staccato
<bf'' bf'>32 (
<b'' b'>32 )
<c''' c''>32 )
|
-
- b''32 (
+
+ \once \override DynamicLineSpanner #'padding = #2
+ b''32 ( \p \>
c'''32
d'''32
- c'''32 )
+ c'''32 ) \!
g''8 (
~
g''32 [
|
\afterGrace
- <f'' f'>8 (
+ <f'' f'>8 [ (
{
e''16 [
f''16
d''16 ]
}
<e''! e'>16
- <f'' f'>16 )
- <g'' g'>16 ( \staccato
+ <f'' f'>16 ] )
+ <g'' g'>16 ( \staccato -\markup { \italic cresc. }
<af''! af'!>16 ) \staccato
<bf'' bf'>32 (
<b'' b'>32 )
\include "english.ly"
#(set-global-staff-size 15)
\paper{
- ragged-right=##t
- line-width=17\cm
- indent=0\cm
+ line-width = 16\cm
+ indent = 0\cm
}
\layout {
<df'' g'>4
<bf' g'>2
- _ \markup { \italic { "ten." } }
+ _ \markup { \italic { ten. } }
|
\once \override TextScript #'staff-padding = #4
ef''8. (
- _ \markup { \italic { "tranqu." } }
+ _ \markup { \italic { tranqu. } }
d''16 )
df''8 \trill \fermata
- _ \markup { \italic { "ten." } }
+ _ \markup { \italic { ten. } }
}
\new Voice {
\oneVoice
\once \override TextScript #'staff-padding = #4
df''32
- _ \markup { \italic "dolce" }
+ _ \markup { \italic dolce }
c''32
df''32
ef''32
|
bf4
- bf8 ^ \markup { \italic "ten." }
+ bf8 ^ \markup { \italic ten. }
}
\new Voice {
--- /dev/null
+\version "2.11.53"
+
+\header {
+ texidoc = "Cautionary accidentals applied to tied notes after a
+bar line are valid for the whole measure."
+}
+
+notes = \relative c' {
+ fis1 ~
+ fis!2 fis ~
+ fis?2 fis
+}
+
+<<
+ \new NoteNames \notes
+ \new Staff \notes
+>>
<<
\key c \major
- \set Staff.shapeNoteStyles = ##(do re mi fa #f la ti)
+ \set Staff.shapeNoteStyles = #'#(do re mi fa #f la ti)
{ f'4 }
\\
You also get ledger lines, of course."
}
-
-\layout {
- ragged-right = ##t
-}
-
\relative {
\easyHeadsOn
f1 e
f2 e
f4 e
- \override NoteHead #'note-names = ##("U" "V" "W" "X" "Y" "Z" "z")
- c2 d4 e
+ \override NoteHead #'note-names = #'#("U" "V" "W" "X" "Y" "Z" "z")
+ c2 d4 e
}
-
-
\header {
texidoc = "With @code{shapeNoteStyles}, the style of the note head
fragment = {
\key c \major
- \set shapeNoteStyles = ##(do re mi fa #f la ti)
+ \set shapeNoteStyles = #'#(do re mi fa #f la ti)
c1 d e f g a b c d e f g a b c
c,,2 d e f g a b c d e f g a b c
c,,4 d e f g a b c d e f g a b c
}
-
-\transpose c d
- \relative {
- \fragment
+\transpose c d {
+ \relative c' {
+ \fragment
+ }
}
-
--- /dev/null
+ texidoces = "
+Los símbolos específicos de acordeón discanto se escriben mediante
+@code{\\markup}. Se puede trucar la colocación vertical de los
+símbolos modificando los argumentos de @code{\\raise}.
+
+"
+ doctitlees = "Símbolos de acordeón discanto"
--- /dev/null
+ texidoces = "
+Mediante la utilización de las potentes herramientas preconfiguradas
+como la función @code{\\drummode} y el contexto @code{DrumStaff}, la
+introducción de partes para percusión es muy fácil: las percusiones se
+sitúan en sus propias posiciones de pentagrama (con una clave
+especial) y tienen las cabezas correspondientes al instrumento. Es
+posible añadir un símbolo adicional a la percusión o reducir el número
+de líneas.
+
+"
+ doctitlees = "Escritura de partes de percusión"
--- /dev/null
+ texidoces = "
+Con algo de código de Scheme, se puede añadir fácilmente la fecha
+actual a una partitura.
+
+"
+ doctitlees = "Añadir la fecha actual a una partitura"
--- /dev/null
+ texidoces = "
+El grabador @code{Volta_engraver} reside de forma predeterminada
+dentro del contexto de @code{Score}, y los corchetes de la repetición
+se imprimen así normalmente sólo encima del pentagrama superior. Esto
+se puede ajustar añadiendo el grabador @code{Volta_engraver} al
+contexto de @code{Staff} en que deban aparecer los corchetes; véase
+también el fragmento de código \"Volta multi staff\".
+
+"
+ doctitlees = "Añadir corchetes de primera y segunda vez a más pentagramas"
--- /dev/null
+ texidoces = "
+Este fragmento de código muestra cómo situar la línea de base de la
+letra más cerca del pentagrama.
+
+"
+ doctitlees = "Ajuste del especiado vertical de la letra"
--- /dev/null
+ texidoces = "
+Los nombres de instrumento se imprimen generalmente a la izquierda de
+los pentagramas. Para alinear los nombres de varios instrumentos
+distintos, sitúelos dentro de un bloque @code{\\markup} y utilice una
+de las siguientes posiblidades:
+
+*
+ Nombres de instrumento alineados por la derecha: es el
+ comportamiento predeterminado
+
+*
+ Nombres de instrumento centrados: la utilización de la instrucción
+ @code{\\hcenter-in #n} sitúa los nombres de instrumento dentro de
+ un rectángulo separado, donde @code{n} es la anchura del
+ rectángulo
+
+*
+ Nombres de instrumento alineados por la izquierda: los nombres se
+ imprimen en la parte superior de un rectángulo vacío, utilizando
+ la instrucción @code{\\combine} con un objeto @code{\\hspace #n}.
+
+"
+ doctitlees = "Alinear y centrar los nombres de instrumento"
--- /dev/null
+ texidoces = "
+La alineación horizontal de la letra se puede ajustar sobreescribiendo
+la propiedad @code{self-alignment-X} del objeto @code{LyricText}.
+@code{#-1} es izquierda, @code{#0} es centrado y @code{#1} es derecha;
+sin embargo, puede usar también @code{#LEFT}, @code{#CENTER} y
+@code{#RIGHT}.
+
+"
+ doctitlees = "Alineación de la letra"
--- /dev/null
+ texidoces = "
+Si están especificadas, las marcas de texto se pueden alinear con
+objetos de notación distintos a las líneas divisorias. Entre estos
+objetos se encuentran @code{ambitus}, @code{breathing-sign},
+@code{clef}, @code{custos}, @code{staff-bar}, @code{left-edge},
+@code{key-cancellation}, @code{key-signature} y @code{time-signature}.
+
+En estos casos, las marcas de texto se centran horizontalmente sobre
+el objeto, aunque esto se puede cambiar, como se muestra en la segunda
+línea de este ejemplo (en una partitura con varios pentagramas, se
+debe hacer este ajuste para todos los pentagramas).
+
+"
+ doctitlees = "Alinear marcas con varios objetos de notación"
--- /dev/null
+ texidoces = "
+Mediante el establecimiento de las propiedades de
+@code{NonMusicalPaperColumn} se puede ajustar el espaciado vertical en
+cada sistema.
+
+Ajustando @code{alignment-extra-space} o
+@code{fixed-alignment-extra-space} se puede ampliar verticalmente un
+sistema individual.
+
+Por razones técnicas, se debe usar @code{\\overrideProperty} para
+cambiar estas propiedades dentro de un pentagrama; aún se debe usar
+@code{\\override} dentro de un bloque @code{\\context} para las
+sobreescrituras globales.
+
+"
+ doctitlees = "Espaciado de la alineación vertical"
--- /dev/null
+ texidoces = "
+De forma predeterminada se añaden corchetes de análisis sencillos
+debajo del pentagrama. El ejemplo siguiente muestra una manera de
+colocarlos por encima.
+
+"
+ doctitlees = "Corchetes de análisis encima del pentagrama"
--- /dev/null
+ texidoces = "
+Las indicaciones de compás también se pueden grabar en estilo antiguo.
+
+"
+ doctitlees = "Indicaciones de compás antiguas"
--- /dev/null
+ texidoces = "
+Se pueden subdividir las barras automáticamente. Estableciendo la
+propiedad @code{subdivideBeams}, las barras se subdividen en
+posiciones de pulso (tal y como se especifica en @code{beatLength}).
+
+"
+ doctitlees = "Subdivisiones de barra automáticas"
--- /dev/null
+ texidoces = "
+En un compás sencillo como 2/2 ó 4/4, las corcheas se barran de forma
+predeterminada como dos grupos de cuatro.
+
+Utilizando un macro que seobreescribe el comportamiento automático del
+barrado, este fragmento de código cambia el barrado a pulsos de negra.
+
+"
+ doctitlees = "Barras automáticas de dos en dos en los compases de 4/4 o de 2/2"
&& origin->where_defined (ly_symbol2scm ("localKeySignature"), &localsig))
{
bool change = false;
- if (accidentals_[i].tied_)
+ if (accidentals_[i].tied_
+ && !(to_boolean (accidentals_[i].accidental_->get_property ("forced"))))
{
/*
Remember an alteration that is different both from
\revert NoteHead #'font-series
}
-aikenHeads = \set shapeNoteStyles = ##(do re mi fa #f la ti)
+aikenHeads = \set shapeNoteStyles = #'#(do re mi fa #f la ti)
-sacredHarpHeads = \set shapeNoteStyles = ##(fa #f la fa #f la mi)
+sacredHarpHeads = \set shapeNoteStyles = #'#(fa #f la fa #f la mi)
dynamicUp = {
\override DynamicText #'direction = #UP
projects / lilypond.git / commitdiff