@node Chord notation
@section Chord notation
-Chords can be entered in chord mode, which recognizes some
-traditional European chord naming conventions. Chord names can also
+@lilypondfile[quote]{chords-headword.ly}
+
+Chords can be entered in chord mode, which recognizes some traditional European chord naming conventions. Chord names can also
be displayed. In addition, figured bass notation can be displayed.
@menu
@lilypond[quote,ragged-right,fragment,verbatim,relative=1]
\chordmode {
- c:2 c:3 c:4 c:5
+ c1:2 c:3 c:4 c:5
c:6 c:7 c:8 c:9
c:10 c:11 c:12 c:13
+ c:14
}
@end lilypond
@c @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
@c {volta-brackets-over-chord-names.ly}
-@c TODO convert to snippet
-@c @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
-@c {changing-chord-separator.ly}
-
-The separator between different parts of a chord name
-can be set to any markup.
-
-@lilypond[quote,ragged-right,fragment,verbatim]
-\chords {
- c:7sus4
- \set chordNameSeparator
- = \markup { \typewriter "|" }
- c:7sus4
-}
-@end lilypond
+@lilypondfile[verbatim,lilyquote,texidoc,doctitle]
+{changing-chord-separator.ly}
@seealso
@node Figured bass
@subsection Figured bass
+@lilypondfile[quote]{figured-bass-headword.ly}
+
Figured bass notation can be displayed.
@menu
@c TODO: musicological blurb about FB
+
LilyPond has support for figured bass, also called thorough bass
or basso continuo:
@lilypond[verbatim,quote,ragged-right,fragment]
\figures {
-<6>
-% FIXME: broken.
- %<6\\>
+ <6>
+ <6\\>
}
@end lilypond
>>
@end lilypond
-@c I have no idea what this means -cds
-@c A predefined command for changing this has been proposed -cds
-@c TODO -- put stacking direction snippet here -cds
-When using figured bass above the staff with extender lines and
-@code{implicitBassFigures} the lines may become swapped around.
-Maintaining order consistently will be impossible when multiple figures
-have overlapping extender lines. To avoid this problem, please
-use @code{stacking-dir} on @code{BassFigureAlignment}.
+When using extender lines, adjacent figures with the same number in
+a different figure location can cause the figure positions to invert.
+
+@lilypond[verbatim,ragged-right,fragment,quote,relative=1]
+<<
+ { fis g g, e' }
+ \figures {
+ \bassFigureExtendersOn
+ <6 5> <5\! 4> < 5 _!> <6>
+ }
+>>
+@end lilypond
+
+To avoid this problem, simply turn on extenders after the figure that
+begins the extender line and turn them off at teh end of the extender line.
+@lilypond[verbatim,ragged-right,fragment,quote,relative=1]
+<<
+ { fis g g, e' }
+ \figures {
+ <6 5> <5 4>
+ \bassFigureExtendersOn
+ < 5 _!> <6>
+ \bassFigureExtendersOff
+ }
+>>
+@end lilypond
@seealso
--- /dev/null
+\version "2.11.51"
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##f
+ line-width=17\cm
+ indent=0\cm
+}
+
+theChords = \chordmode {
+ \time 2/2
+ f1 | c2 f2 | f1 | c2 f2| %\break
+ f2 bes2 | f1 | c2:7 f | c1 | \break
+}
+
+verseOne = \lyricmode{
+ \set stanza = "1. "
+ Fair is the sun - shine,
+ Fair - er the moon - light
+ And all the stars __ _ in heav'n a -- bove;
+}
+
+verseTwo = \lyricmode{
+ \set stanza = "2. "
+ Fair are the mead - ows,
+ Fair - er the wood - land,
+ Robed in the flow -- ers of bloom -- ing spring;
+}
+
+Soprano = {
+ \time 2/2
+ \key f \major
+ \stemUp
+ f'2 f'4 f' | g'4 e' f'2 | a'4. a'8 a'4 a' | bes'4 g' a'2 |
+c''2 f''4 d'' | c''2 bes'4 a' | bes'2 a' | g'1 |
+}
+
+Alto = {
+ \key f \major
+ c'2 c'4 c' | d'4 c' c'2 | f'4. f'8 f'4 ges' | g'4 e' f'2 |
+ f'2 f'4 f' | f'2 g'4 f' | e'2 f' | e'1 |
+}
+
+Tenor = {
+ \key f \major
+ \stemDown
+ a2 a4 a | bes4 g a2 | c'4. c'8 d'4 d' | d'4 c' c'2 |
+ a2 d'4 bes | a2 c'4 c' | c'2 c' | c'1 |
+}
+
+Bass = {
+ \key f \major
+ f2 f4 f | bes,4 c f2 | f4. e8 d4 c | bes,4 c f2 |
+ f2 bes,4 d | f2 e4 f | g2 f | c1 |
+}
+
+
+\score {
+ <<
+ \new ChordNames { \theChords }
+ \context Staff = upper {
+ \context Voice = sop {
+ <<
+ \Soprano
+ \Alto
+ >>
+ }
+ }
+ \context Lyrics="LyrOne" \lyricsto "sop" {\verseOne}
+ \context Lyrics="LyrTwo" \lyricsto "sop" {\verseTwo}
+ \context Staff = lower {
+ \new Voice {
+ \clef bass
+ #(set-accidental-style 'modern-cautionary)
+ <<
+ \Tenor
+ \Bass
+ >>
+ }
+ }
+ >>
+
+\layout {
+ %between-system-space = 1\mm
+ indent = 0
+ \context {
+ \Score
+ \remove "Bar_number_engraver"
+ }
+ \context { \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ }
+ }
+}
+\paper { }
--- /dev/null
+\version "2.11.51"
+#(set-global-staff-size 15)
+\paper{
+ ragged-right=##f
+ line-width=17\cm
+ indent=0\cm
+}
+
+% NR 2.7.3 Figured bass
+
+% Arcangelo Corelli, 12 Sonate da Camera, Op. 2
+% Sonata II, Allemanda
+% measures 1 - 88
+% Coded by Neil Puttock; modified by Carl Sorensen
+
+extendOn = \bassFigureExtendersOn
+extendOff = \bassFigureExtendersOff
+
+\score {
+
+ \new StaffGroup <<
+
+ \new GrandStaff <<
+
+ \new Staff = "violinoI" {
+ \set Staff.instrumentName = \markup {
+ \hcenter-in #11
+ \line { Violino I. }
+ }
+ \time 4/4
+ \mark \markup { \italic Adagio. }
+ \partial 8
+ r16 a'16 |
+ a'8. [ d''16 d''8. e''16 ] cis''8 a'4 a''16 bes''16 |
+ cis''8 d''16 ( e'' ) e''8. d''16 d''4 r8 d''16 e''16 |
+ f''8 f''4 g''16 ( f''16 ) e''8 e''4 f''16 ( e''16 ) |
+ d''8. d''16 g''16 ( f''16 ) e''16 ( d''16 ) cis''8
+ cis''4 cis''16 cis''16 |
+ d''8 d''8 c''8. c''16 c''8 ( b'4 ) b'16 b'16 |
+ c''8 c''8 bes'8. bes'16 bes'8 ( a'4 ) a''16 a''16 |
+ a''8 g''8 g''8. g''16 g''8 ( f''8 ) r8 f''8 |
+ }
+
+ \new Staff = "violinoII" {
+ \set Staff.instrumentName = \markup {
+ \hcenter-in #11
+ \line { Violino II. }
+ }
+ \time 4/4
+ \partial 8
+ r16 f'16 |
+ f'8. g'16 g'4 a'4 r8 d''16 d''16 |
+ e''8 a'8 cis''8. d''16 d''4 r8 f''16 g''16 |
+ a''8 a''8 d''8. d''16 g'8 g'8 c''8. c''16 |
+ f'8. f''16 bes''16 ( a''16 ) g''16 ( f''16 ) e''8 e''4 e''16 e''16 |
+ a'8 fis''8 g''8 a''8 d''8 d''4 d''16 d''16 |
+ g'8 e''8 f''8 g''8 c''8 c''4 cis''16 cis''16 |
+ d''8 d''8 e''8. e''16 e''8 a'8 r8 d''8 |
+ }
+
+ >>
+
+ \new Staff = "violone" {
+ \set Staff.instrumentName = \markup {
+ \hcenter-in #13 {
+ \center-align {
+ Violone,
+ \line { e Cembalo. }
+ }
+ }
+ }
+ \time 4/4
+ \clef bass
+ \partial 8
+ r16 d16 |
+ d4 bes,4 a,4 f4 |
+ g8 f16 g16 a8 a,8 d4 d'4 ~ |
+ d'8 c'8 b4 c'8 c'16 bes16 a4 |
+ bes8 bes16 a16 g4 a8 a,4 a16 g16 |
+ fis8 d8 e8 fis8 g8 g,4 g16 f16 |
+ e8 c8 d8 e8 f8 f,4 a,8 |
+ b,4 cis4 d4 r8 d'8 |
+ }
+
+ \new FiguredBass \figuremode {
+ \set figuredBassAlterationDirection = #RIGHT
+ \set figuredBassPlusDirection = #RIGHT
+ \override VerticalAxisGroup #'minimum-Y-extent = #'()
+ \override BassFigureAlignment #'stacking-dir = #DOWN
+ s8 |
+ s4 <6>4 <_+>4 <6>4 |
+ <6 4\+ 2>8 <6>8 <_+> s8 s2 |
+ <5>8 <6 4>8 <6 5>4 s4 <5>8 <6>8 |
+ s4 <6 5 _-> <_+>2 |
+ <6>8 <_+>8 <6>8 <6 5>8 <5 4>8 \extendOn <5 _!>8 \extendOff s4 |
+ <6>4 <6->8 <6 5->8 <5 4->8 \extendOn <5 3>4 \extendOff <5 _+>8 |
+ <7>8 <6>8 <5>4 <9 4>8 <8 3>8 s4 |
+ }
+
+ >>
+
+ \layout {
+ \context {
+ \Score
+ \override RehearsalMark #'break-align-symbols = #'(time-signature)
+ \override RehearsalMark #'self-alignment-X = #LEFT
+ \override TimeSignature #'break-align-anchor-alignment = #LEFT
+ }
+ }
+}
projects / lilypond.git / commitdiff