--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+The default font families for text can be overridden with
+@code{make-pango-font-tree}.
+" }
+
+\paper {
+ % change for other default global staff size.
+ myStaffSize = #20
+ %{
+ run
+ lilypond -dshow-available-fonts blabla
+ to show all fonts available in the process log.
+ %}
+
+ #(define fonts
+ (make-pango-font-tree "Times New Roman"
+ "Nimbus Sans"
+ "Luxi Mono"
+;; "Helvetica"
+;; "Courier"
+ (/ myStaffSize 20)))
+}
+
+\relative {
+ c'^\markup {
+ roman: foo \bold bla \italic bar \italic \bold baz
+ }
+ c'_\markup {
+ \override #'(font-family . sans)
+ {
+ sans: foo \bold bla \italic bar \italic \bold baz
+ }
+ }
+ c'^\markup {
+ \override #'(font-family . typewriter)
+ {
+ mono: foo \bold bla \italic bar \italic \bold baz
+ }
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+The \\markup command is quite versatile. In this snippet, it contains a
+\\score bloc instead of texts or marks.
+" }
+
+tuning = \markup {
+ \score {
+ \new Staff \with {
+ \remove Time_signature_engraver
+ } {
+ \clef bass <c, g, d g>1
+ }
+ \layout { ragged-right = ##t }
+ }
+}
+
+
+\header {
+ title = "Solo Cello Suites"
+ subtitle = "Suite IV"
+ subsubtitle = \markup { "Originalstimmung:" \tuning }
+}
+
+\relative {
+ \time 4/8
+ \times 2/3 { c'8 d e } \times 2/3 {c d e}
+ \times 2/3 { c8 d e } \times 2/3 {c d e}
+ g8 a8 g8 a
+ g8 a8 g8 a
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+Use a glissando without final note. Contemporary glissando !
+" }
+
+\relative c'' {
+ \override Glissando #'style = #'zigzag
+ \time 3/4
+ c4 c
+ \cadenzaOn c\glissando \hideNotes c,, \unHideNotes \cadenzaOff
+ \bar "|"
+ }
+
+\addlyrics { Use cadenzaOn glissando hideNotes }
+\addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4 }
+\layout{raggedright = ##t}
+\header { tagline="" }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+Though the set-time-signature thing was not the most essential here, it
+has been included to show the beat of this piece (which is a template
+of a real balkan song!).
+" }
+
+#(define (compound-time one two three four five six seven eight nine ten num)
+ (markup #:override '(baseline-skip . 0) #:number
+ (#:line ((#:column (one num)) #:vcenter "+" (#:column (two num)) #:vcenter "+" (#:column (three num)) #:vcenter "+" (#:column (four num)) #:vcenter "+" (#:column (five num)) #:vcenter "+" (#:column (six num)) #:vcenter "+" (#:column (seven num)) #:vcenter "+" (#:column (eight num)) #:vcenter "+" (#:column (nine num)) #:vcenter "+" (#:column (ten num))))))
+
+
+melody =
+{ \relative c'' {
+ \set Staff.instrumentName = "Bb Sop."
+ \key g \major \time 25/8
+ \override Staff.TimeSignature #'stencil = #ly:text-interface::print
+ \override Staff.TimeSignature #'text = #(compound-time "3" "2" "2" "3" "2" "2" "2" "3" "2" "2" "8" )
+ c8[ c c] d4 c8[ c] b[ c b] a4 g fis8[ e d c] b'[ c d] e4-^ fis8[ g] | \break
+ c,4. d4 c4 d4. c4 d c2 d4. e4-^ d4 |
+ c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | \break
+ c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 |
+ c4. d4 c4 d4. c4 d c2 d4. e4-^ d4 | \break }
+}
+drum = {
+ \new DrumStaff \drummode
+ {
+ \bar "|:" bd4. ^\markup { "Drums" } sn4 bd \bar ":" sn4. bd4 sn \bar ":"
+ bd sn bd4. sn4 bd \bar ":|"
+ }
+}
+
+{
+ \melody
+ \drum
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+Use a glissando without final note. Contemporary glissando !
+" }
+
+\relative c'' {
+ \override Glissando #'style = #'zigzag
+ \time 3/4
+ c4 c
+ \cadenzaOn c\glissando \hideNotes c,, \unHideNotes \cadenzaOff
+ \bar "|"
+ }
+
+\addlyrics { Use cadenzaOn glissando hideNotes }
+\addlyrics { unHideNotes cadenzaOff, skip_and_\bar \skip 4 }
+\layout{raggedright = ##t}
+\header { tagline="" }
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+If you want to place an exiting segno sign and add text like \"D.S. al
+Coda\" next to it where usually the staff lines are you can use this
+snippet. The coda will resume in a new line. Theres a variation
+documented in this snippet, where the coda will remain on the same
+line.
+" }
+
+{
+ \clef treble
+ \key g \major
+ \time 4/4
+ \relative c'' {
+ \repeat unfold 2 {
+ | c4 c c c
+ }
+
+ % Set segno sign as rehearsal mark and adjust size if needed
+ % \once \override Score.RehearsalMark #'font-size = #3
+ \mark \markup { \musicglyph #"scripts.segno" }
+ \repeat unfold 2 {
+ | c4 c c c
+ }
+
+ % Set coda sign as rehearsal mark and adjust size if needed
+ \once \override Score.RehearsalMark #'font-size = #4
+ \mark \markup { \musicglyph #"scripts.coda" }
+ \repeat unfold 2 {
+ | c4 c c c
+ }
+
+ % Should Coda be on anew line?
+ % Coda NOT on new line: use \nobreak
+ % Coda on new line: DON'T use \nobreak
+ % \noBreak
+
+ \bar "||"
+
+ % Set segno sign as rehearsal mark and adjust size if needed
+ \once \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
+ % \once \override Score.RehearsalMark #'font-size = #3
+ \mark \markup { \musicglyph #"scripts.segno" }
+
+ % Here begins the trickery!
+ % \cadenzaOn will suppress the bar count and \stopStaff removes the staff lines.
+ \cadenzaOn
+ \stopStaff
+ % Some examples of possible text-displays
+
+ % text line-aligned
+ % ==================
+ % Move text to the desired position
+ % \once \override TextScript #'extra-offset = #'( 2 . -3.5 )
+ % | s1*0^\markup { D.S. al Coda } }
+
+ % text center-aligned
+ % ====================
+ % Move text to the desired position
+ % \once \override TextScript #'extra-offset = #'( 6 . -5.0 )
+ % | s1*0^\markup { \center-align { D.S. "al Coda" } }
+
+ % text and symbols center-aligned
+ % ===============================
+ % Move text to the desired position and tweak spacing for optimum text alignment
+ \once \override TextScript #'extra-offset = #'( 8 . -5.5 )
+ \once \override TextScript #'word-space = #1.5
+ | s1*0^\markup { \center-align { "D.S. al Coda" \line { \musicglyph #"scripts.coda" \musicglyph #"scripts.tenuto" \musicglyph #"scripts.coda"} } }
+
+ % Increasing the unfold counter will expand the staff-free space
+ \repeat unfold 4 {
+ s4 s4 s4 s4
+ \bar ""
+ }
+ % Resume bar count and show staff lines again
+ \startStaff
+ \cadenzaOff
+
+ % Should Coda be on new line?
+ % Coda NOT on new line: DON'T use \break
+ % Coda on new line: use \break
+ \break
+
+ % Show up, you clef and key!
+ \once \override Staff.KeySignature #'break-visibility = #end-of-line-invisible
+ \once \override Staff.Clef #'break-visibility = #end-of-line-invisible
+
+ % Set coda sign as rehearsal mark and adjust size and position
+
+ % Put the coda sign ontop of the (treble-)clef dependend on coda's line-position
+
+ % Coda NOT on new line, use this:
+ % \once \override Score.RehearsalMark #'extra-offset = #'( -2 . 1.75 )
+
+ % Coda on new line, use this:
+ \once \override Score.RehearsalMark #'extra-offset = #'( -8.42 . 1.75 )
+
+ \once \override Score.RehearsalMark #'font-size = #5
+ \mark \markup { \musicglyph #"scripts.coda" }
+
+ % The coda
+ \repeat unfold 5 {
+ | c4 c c c
+ }
+ \bar"|."
+ }
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+The \\markup command is quite versatile. In this snippet, it contains a
+\\score bloc instead of texts or marks.
+" }
+
+tuning = \markup {
+ \score {
+ \new Staff \with {
+ \remove Time_signature_engraver
+ } {
+ \clef bass <c, g, d g>1
+ }
+ \layout { ragged-right = ##t }
+ }
+}
+
+
+\header {
+ title = "Solo Cello Suites"
+ subtitle = "Suite IV"
+ subsubtitle = \markup { "Originalstimmung:" \tuning }
+}
+
+\relative {
+ \time 4/8
+ \times 2/3 { c'8 d e } \times 2/3 {c d e}
+ \times 2/3 { c8 d e } \times 2/3 {c d e}
+ g8 a8 g8 a
+ g8 a8 g8 a
+}
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+The default font families for text can be overridden with
+@code{make-pango-font-tree}.
+" }
+
+\paper {
+ % change for other default global staff size.
+ myStaffSize = #20
+ %{
+ run
+ lilypond -dshow-available-fonts blabla
+ to show all fonts available in the process log.
+ %}
+
+ #(define fonts
+ (make-pango-font-tree "Times New Roman"
+ "Nimbus Sans"
+ "Luxi Mono"
+;; "Helvetica"
+;; "Courier"
+ (/ myStaffSize 20)))
+}
+
+\relative {
+ c'^\markup {
+ roman: foo \bold bla \italic bar \italic \bold baz
+ }
+ c'_\markup {
+ \override #'(font-family . sans)
+ {
+ sans: foo \bold bla \italic bar \italic \bold baz
+ }
+ }
+ c'^\markup {
+ \override #'(font-family . typewriter)
+ {
+ mono: foo \bold bla \italic bar \italic \bold baz
+ }
+ }
+}
+
--- /dev/null
+%% Do not edit this file; it is auto-generated from LSR!
+\version "2.11.35"
+
+\header { texidoc = "
+This can be achieved by separating those syllables by tildes.
+" }
+
+\lyrics {
+ wa~o~a
+}
projects / lilypond.git / commitdiff