2004-09-18 Han-Wen Nienhuys <hanwen@xs4all.nl>
+ * input/{input,regression}/*.ly: run convert-ly
+
+ * VERSION: release 2.3.17
+
* lily/slur-scoring.cc (enumerate_attachments): make stem_extent a
little wider for attachment calculation. This prevents stem and
slur touching.
-\version "2.3.16"
+\version "2.3.17"
%% +.ly: Be the first .ly file for lys-to-tely.py.
%% Better to make lys-to-tely.py include "introduction.texi" or
%% other .texi documents too?
}
-\score { \context Lyrics \lyricmode { " " }}
+\score { \lyrics { " " }}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Cautionary accidentals are indicated using either
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "If two forced accidentals happen at the same time, only one
sharp sign is printed."
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Quarter tone notation is supported, including
threequarters flat."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\relative c'' {
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
A sharp sign after a double sharp sign, as well as a flat sign
-\version "2.3.16"
+\version "2.3.17"
\header {
wreak havoc in the spacing when unbroken."
}
-\version "2.3.16"
+\version "2.3.17"
rechts = \relative c' {
\clef treble
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
"
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "The @code{\applyoutput} expression is the most flexible way to
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
A square bracket on the left indicates that the player should not
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Arpeggio stays clear of accidentals and flipped note heads."
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Arpeggios are supported, both cross-staff and broken single staff.
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="No auto beams will be put over (manual) repeat bars."
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
}
texidoc = "Automatic beaming is also done on tuplets."
}
-\version "2.3.16"
+\version "2.3.17"
\score{
\relative c''{
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Tuplet-spanner should not put (visible) brackets on
beam."
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "With balloon texts, objects in the output can be marked,
with lines and explanatory text added."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
{
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "The meaning of @code{|} is stored in the
identifier @code{pipeSymbol}."
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header{ texidoc="A knee is made automatically when a horizontal
beam fits in a gap between note heads that is larger than a predefined
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc = "@cindex Beaming Presets
There are presets for the @code{auto-beam} engraver in the case of common
"
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright= ##t }
\score { \relative c'' {
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="Simple beams on middle staffline are allowed to be
texidoc = "Beams that are not strictly concave are damped
according to their concaveness. "
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
}
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc = "Fully concave beams should be horizontal. Informally spoken,
-\version "2.3.16"
+\version "2.3.17"
\header{
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Cross staff (kneed) beams do not cause extreme slopes."
}
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Beams can be typeset over fixed distance aligned staves, beam
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex Beam Damp
Beams are less steep than the notes they encompass. " }
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="Beamed stems have standard lengths if possible. Quantization is switched off in this example."
% junkme?
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Beam Dir Functions
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc=" Funky kneed beams with beamlets also work. The beamlets
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "In complex configurations of knee beaming, according to
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="@cindex Beam Isknee
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Point-symmetric beams should receive the same
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Explicit beams may cross barlines. "
}
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc=" Beams on ledgered notes should always reach the middle staff
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Beams and ties may be entered in postfix notation, separating the
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\relative c''{
-\version "2.3.16"
+\version "2.3.17"
\header{
-\version "2.3.16"
+\version "2.3.17"
\header
{
texidoc= "Quarter notes may be beamed: the beam is halted momentarily."
texidoc = "The number of beams does not change on a rest."
}
-\version "2.3.16"
+\version "2.3.17"
\score { \relative c, {
\clef bass
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Engraving second intervals is tricky. We used to have problems with seconds
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="Beams in unnatural direction, have shortened stems, but do not look too short."
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc = "Hairy case for beam, chord, and automatic knees."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Automatic beaming works also in ternary time sigs."
}
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Beaming can be also given explicitly."
}
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
#(ly:set-option 'old-relative)
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Breathing signs are available in different tastes: commas (default),
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="Property chordChanges: display chord names only when
-\version "2.3.16"
+\version "2.3.17"
\header {
}
-\score {
- \chordmode { c:13 c:13.11 c:m13 }
- \paper { raggedright = ##t }
-}
-
+\paper { raggedright = ##t }
+\chordmode { c:13 c:13.11 c:m13 }
+
-\version "2.3.16"
+\version "2.3.17"
\header {
-texidoc = "Chords can be produced with the new chordname entry
+ texidoc = "Chords can be produced with the new chordname entry
code (@code{\chordmode} mode), using a pitch and a suffix. Here,
the suffixes are printed below pitches.
"
}
-\score
-{
- { \context Voice \chordmode {
-c1_"(nothing)"
-c:7_":7"
-c:m_":m"
-c:m7_":m7"
-c:aug_":aug"
-c:maj7_":maj7"
-c:dim_":dim"
-c:dim7_":dim7"
-c:sus4_":sus4"
-c:sus2_":sus2"
-c:6_":6"
-c:m6_":m6"
-c:7sus4_":7sus4"
-c:3-_":3-"
-c:3+_":3+"
-c:5+.3-_":5+.3-"
-c:7_":7"
-c:9_":9"
-c:11_":11"
-c:13_":13"
-c:m13_":m13"
-c:7^5_":7\\^{~}5"
-c^3_"\\^{~}3"
-c/g_"/g"
-c/gis_"/gis"
-c/a_"/a"
-c/+f_"/+f"
-c/+g_"/+g"
-}
+{ \context Voice \chordmode {
+ c1_"(nothing)"
+ c:7_":7"
+ c:m_":m"
+ c:m7_":m7"
+ c:aug_":aug"
+ c:maj7_":maj7"
+ c:dim_":dim"
+ c:dim7_":dim7"
+ c:sus4_":sus4"
+ c:sus2_":sus2"
+ c:6_":6"
+ c:m6_":m6"
+ c:7sus4_":7sus4"
+ c:3-_":3-"
+ c:3+_":3+"
+ c:5+.3-_":5+.3-"
+ c:7_":7"
+ c:9_":9"
+ c:11_":11"
+ c:13_":13"
+ c:m13_":m13"
+ c:7^5_":7\\^{~}5"
+ c^3_"\\^{~}3"
+ c/g_"/g"
+ c/gis_"/gis"
+ c/a_"/a"
+ c/+f_"/+f"
+ c/+g_"/+g"
}
}
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "The property @code{chordNameExceptions} can used
to store a list of special notations for specific chords.
" }
-% 7sus4 denoted with ^7 wahh
+ % 7sus4 denoted with ^7 wahh
chExceptionMusic = {
- <c f g bes>1-\markup { \super "7" "wahh" }}
+ <c f g bes>1-\markup { \super "7" "wahh" }}
-% add to existing exceptions.
+ % add to existing exceptions.
chExceptions = #(append
- (sequential-music-to-chord-exceptions chExceptionMusic #t)
- ignatzekExceptions)
+ (sequential-music-to-chord-exceptions chExceptionMusic #t)
+ ignatzekExceptions)
theMusic = \chordmode {
- c:7sus4 c:dim7/+f
- \set chordNameExceptions = #chExceptions
- c:7sus4 c:dim7/+f }
+ c:7sus4 c:dim7/+f
+ \set chordNameExceptions = #chExceptions
+ c:7sus4 c:dim7/+f
+}
-
-\score {
- << \context ChordNames \theMusic
- \context Voice \theMusic
- >>
- }
+<< \context ChordNames \theMusic
+ \context Voice \theMusic
+>>
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "The layout of the major 7 can be tuned with
@code{majorSevenSymbol}."
}
-\score {\context ChordNames \chordmode {
- c:7+
- \set majorSevenSymbol = \markup { "j7" }
- c:7+ }
+\chords {
+ c:7+
+ \set majorSevenSymbol = \markup { "j7" }
+ c:7+
}
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Scripts can also be attached to chord elements."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "
Tremolo repeats can be constructed for short tremolos (total duration smaller than 1/4) too. Only some of the beams are connected to the stems.
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16" \header {
+\version "2.3.17" \header {
texidoc = "Octavation signs may be added to clefs. These
octavation signs may be placed below or above (meaning an octave
-\version "2.3.16"
+\version "2.3.17"
\header{
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\new PianoStaff <<
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Clusters are a device to denote that a complete range of
notes is to be played."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Single head notes may collide. "
}
\paper { raggedright = ##t }
-\version "2.3.16"
+\version "2.3.17"
\relative <<
\new Staff {
dots: notes with dots should go to the right, if there could be
confusion to which notes the dots belong."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\relative c'' {
<< <a c>2\\ { <b d>4 <b d>4 } >>
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "If collision resolution finds dotted note head must
on the right side."
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright= ##t }
% todo: b2 (up) + b8 down looks strange compared to c2up + b8. (down)
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Note heads in collisions should be merged if
they have the same positions in the extreme note heads.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc =
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "If NoteCollision has merge-differently-dotted = ##t note
texidoc = "When merging heads, the dots are merged too."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
{
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Oppositely stemmed chords, meshing into each other,
are resolved."
#(ly:set-option 'old-relative)
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
In addition to normal collision rules, there is support for polyphony,
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Completion heads are broken across bar lines. This was
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Custodes may be engraved in various styles."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Dots move to the right when a collision with the (up)flag happens."
}
-\version "2.3.16" \header{
+\version "2.3.17" \header{
texidoc=" Noteheads can have dots, and rests too.
}
-\version "2.3.16"
+\version "2.3.17"
drh = \drummode { cymc4.^"crash" hhc16^"h.h." hh \repeat "unfold" 5 {hhc8 hho hhc8 hh16 hh} hhc4 r4 r2 }
drl = \drummode {\repeat "unfold" 3 {bd4 sn8 bd bd4 << bd ss >> } bd8 tommh tommh bd toml toml bd tomfh16 tomfh }
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc = "Broken crescendi should be open on one side."
}
-\version "2.3.16"
+\version "2.3.17"
\header {texidoc = "Dynamic letters are kerned, and their weight
matches that of the hairpin signs. The dynamic scripts should be
respectively."
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc=" Dynamics appear below or above the staff. If multiple
dynamics are linked with (de)crescendi, they should be on the same
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Crescendi may start off-notes, however, they should not collapse into flat lines."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = " Easy-notation (or Ez-notation) prints names in note heads.
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "
Fermatas over multimeasure rests are positioned as over normal rests.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "
Figured bass is created by the FiguredBass context which eats
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "With the new chord syntax, it is possible to associate
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Automatic fingering tries to put fingering instructions
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc = "
The line-spanners connects to the Y position of the note on the next line.
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "The magnification can be set for any font. Note
that this does not change variable symbols such as beams or slurs.
" }
-\version "2.3.16"
+\version "2.3.17"
\header {
the scheme-function @code{make-century-schoolbook-tree}."
}
-\version "2.3.16"
+\version "2.3.17"
\bookpaper
{
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
#(ly:set-option 'old-relative)
-\version "2.3.16"
+\version "2.3.17"
\header{
-\version "2.3.16"
+\version "2.3.17"
\header
{
texidoc = "The autobeamer is not confused by grace notes."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Bar line should come before the grace note."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Grace notes do tricky things with timing. If a measure
\paper { raggedright= ##t }
-\version "2.3.16"
+\version "2.3.17"
\score { \relative c'' { c4 d8[ \grace { e32[ d c d] } e8] e[ e \grace { f16 } e8 e] }}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc="@cindex Grace End
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Grace code should not be confused by nested sequential musics, containing grace notes; practically speaking, this means that the end-bar and measure bar coincide in this example."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Grace code should not be confused by nested sequential musics, containing grace notes; practically speaking, this means that the end-bar and measure bar coincide in this example."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Grace code should not be confused by nested sequential musics, containing grace notes; practically speaking, this means that the end-bar and measure bar coincide in this example."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "In nested syntax, graces are still properly handled."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Also in the nested syntax here, grace notes appear rightly."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Graces notes may have the same duration as the main note."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Grace notes may be put in a @code{partcombine}r."
}
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc = "Stripped version of trip.ly. Staves should be of correct length."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Pieces may begin with grace notes."
}
would lead to beam quanting program. "
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc = "Here @code{startGraceMusic} should set @code{no-stem-extend} to
true; the two grace beams should be the same here.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Grace notes in different voices/staves are synchronized."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "There are three different kinds of grace types: the base
grace switches to smaller type, the appoggiatura inserts also a slur, and the
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "When grace notes are entered with unfolded repeats,
line breaks take place before grace notes.
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc ="Hairpin crescendi may be dashed. "
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc =
}
-\version "2.3.16"
+\version "2.3.17"
textFlat = \markup {\smaller \flat}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Instrument names are also printed on partial starting measures."
}
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Staff margins are also markings attached to barlines. They should be
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "Each clef have own accidental placing rules. " }
#(set-global-staff-size 16)
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "By setting @code{Staff.keySignature} directly,
key signatures can be set invidually per pitch.
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Key signatures may appear on key changes, even without a barline.
texidoc = "Ledger lines are shortened when they are very close. This ensures
that ledgers lines stay separate."
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
withPaddingA = #(def-music-function (location padding music) (number? ly:music?)
- #{ \override TextScript #'padding = #$padding
- $music
- \revert TextScript #'padding #})
+ #{ \override TextScript #'padding = #$padding
+ $music
+ \revert TextScript #'padding #})
withPaddingB = #(def-music-function (location padding music) (number? ly:music?)
- #{ \override TextScript #'padding = #$(* padding 2)
- $music
- \revert TextScript #'padding #})
+ #{ \override TextScript #'padding = #$(* padding 2)
+ $music
+ \revert TextScript #'padding #})
withPaddingC = #(def-music-function (location padding music) (number? ly:music?)
- #{ \override TextScript #'padding = #(+ 1 $(* padding 2))
- $music
- \revert TextScript #'padding #})
+ #{ \override TextScript #'padding = #(+ 1 $(* padding 2))
+ $music
+ \revert TextScript #'padding #})
-\score {
- \notemode {
- c'^"1"
- \withPaddingA #2
- { c'^"2" c'^"3"}
- c'^"4"
- \withPaddingB #2
- { c'^"5" c'^"6"}
- c'^"7"
- \withPaddingC #2
- { c'^"8" c'^"9"}
- c'^"10"
- }
+{
+ c'^"1"
+ \withPaddingA #2
+ { c'^"2" c'^"3"}
+ c'^"4"
+ \withPaddingB #2
+ { c'^"5" c'^"6"}
+ c'^"7"
+ \withPaddingC #2
+ { c'^"8" c'^"9"}
+ c'^"10"
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "With the @code{\\lyricsto} mechanism, individual lyric
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc ="Polyphonic rhythms and rests do not disturb
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc= "Lyrics can be set to a melody automatically. Excess lyrics will be
-\version "2.3.16"
+\version "2.3.17"
\header
{
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc= "In lyric extenders, a syllable may be extended over several notes. "}
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "In lyrics, hyphens may be used."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header
{
texidoc = "Melismata are triggered by manual beams."
texidoc = "Lyrics are not lowered despite the presence of an octavation 8."
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
\context {
\Staff
texidoc = "The note markup function may be used to make metronome
markings. It works for a variety of flag, dot and duration settings."
}
-\version "2.3.16"
+\version "2.3.17"
\score { { c4^\markup {
\note #"1" #1
texidoc = "Use \\score block as markup command."
}
-\version "2.3.16"
+\version "2.3.17"
tuning = \markup {
\score {
-\version "2.3.16"
+\version "2.3.17"
\header {texidoc="Markup scripts may be stacked."}
\paper { raggedright = ##t}
\score { { c''^\markup { "a" \column < "1" \bold "2" "3" > } } }
}
-\version "2.3.16" % to be updated
+\version "2.3.17" % to be updated
#(def-markup-command (upcase paper props str) (string?)
"Upcase the string characters. Syntax: \\upcase #\"string\""
}
-\version "2.3.16"
+\version "2.3.17"
%% TODO: should have 2/4 + 5/8 time sig style.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "There is limited support for mensural notation: note head
}
-\version "2.3.16"
+\version "2.3.17"
\score { \relative c'' { \tempo \breve = 100 c1 c1 \tempo 8.. = 50 c1 }
\paper { raggedright = ##t }
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc=" You can write stencil callbacks in Scheme, thus
providing custom glyphs for notation elements. A simple example is
-\version "2.3.16"
+\version "2.3.17"
\header
{
texidoc = "The multimeasure rest is centered exactly between bar lines."
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "There are both long and short instrument names.
independent on prefatory matter in other staves."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
<< \new Staff { R1 }
texidoc = "By setting texts starting with a multi-measure rest, an
extra spacing column is created. This should not cause problems."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
<<
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
which can be used to extend music syntax seamlessly."
}
-\version "2.3.16"
+\version "2.3.17"
#(define myBar
(ly:make-music-function
}
-\version "2.3.16"
+\version "2.3.17"
#(define (notes-to-skip m)
"Convert all stuff with duration (notes, lyrics, bass figures, etc.) to skips.
texts using a similar syntax as @code{\\markup}."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
{
\fatText
texidoc = "With the new markup syntax, text may be written in various manners."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
}
>>
-\version "2.3.16"
+\version "2.3.17"
-\version "2.3.16"
+\version "2.3.17"
% possible rename to staff-something. -gp
\header{ texidoc = "@cindex Staff Remove
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc=" By default, text is set with empty horizontal dimensions.
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Note heads are flipped on the stem to prevent collisions.
Harmonic heads do not get dots. If @code{harmonicAccidentals} is unset, they also don't get accidentals."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
{
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Note head shapes may be set from several choices.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Note head lines (e.g. glissando)
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc=" The number of stafflines of a staff can be set. Ledger
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
"
}
-\version "2.3.16"
+\version "2.3.17"
% . There must be a minimum distance between the octavation line and the
% topmost staff line, taking into account the height of the closing
#(ly:set-point-and-click 'line-column)
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header{ texidoc = "This shows how different settings on \bookpaper
modify the general page layout. Basically \bookpaper will set the
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc ="The a2 string is printed only on notes (i.e. not on rests),
and only after chords, solo or polyphony."
"
}
-\version "2.3.16"
+\version "2.3.17"
vone = \relative a' { g4 g f f e e d d }
vtwo = \relative a' { e4 e f f g g a a }
"
}
-\version "2.3.16"
+\version "2.3.17"
vone =
\header { texidoc = " Multimeasure rests are printed after solos, both
for solo1 and for solo2." }
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
\new Staff
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
<<
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\new Staff
vone = \relative a' { d4 r8 d8 d8 r8 d8 r8 d2 ~ d2 ~ d4 }
vtwo = \relative g' { g4. g8 r2 g4 r4 r2 g4 }
-\version "2.3.16"
+\version "2.3.17"
\score {
}
-\version "2.3.16"
+\version "2.3.17"
vone = \relative a' { R1 a2 r4 r a a a a }
vtwo = \relative a' { R1 f4 f4 f4 f f f a a }
"
}
-\version "2.3.16"
+\version "2.3.17"
vone = \relative a' { g2 g g g4 g f' c c( c) c c c ~ c
c2. c4 c
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Unterminated piano pedal brackets run to the end of the piece. "
-\version "2.3.16"
+\version "2.3.17"
\header
{
texidoc = "The standard piano pedals style comes with Ped symbols.
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="@code{PhrasingSlur}s go over normal slurs."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Distances between prefatory items (e.g. clef, bar,
}
\paper { raggedright = ##t }
-\version "2.3.16"
+\version "2.3.17"
\relative c'' {
<<
{ \grace e8 d2 }
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Once properties take effect during a single time step only."
}
}
-\version "2.3.16"
+\version "2.3.17"
A = \relative c' { c4 d e f | << R1 \\
\quote "qB" 1 >> | }
B = \relative c' { << R1 \\
In this example, all instruments play sounding central C, the target is a instrument in F."
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
@code{rest-event} is not in @code{quotedEventTypes}."
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
}
with @code{\mark NUMBER}, or with @code{Score.rehearsalMark}."
}
-\version "2.3.16"
+\version "2.3.17"
\score { \relative c'' {
c1 \mark \default
c1 \mark #7
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\relative c''{
\set Score.markFormatter = #format-mark-numbers
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Measure repeats may be nested with beat repeats."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Within a bar, beat repeats denote that a music snippet should be
played again."
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "Volta repeats may be unfolded through the music
function @code{\unfoldrepeats}."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Unfolding tremolo repeats. All fragments fill one
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "When too few alternatives are present, the first
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
texidoc = "Rests under beams are only moved if necessary."
}
-\version "2.3.16"
+\version "2.3.17"
fig = \relative c' {
<a c e>8[ r <c e a> r <e a c> r <a c e>] r |
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Rests should not collide with beams, stems and noteheads. Rests may
}
-\version "2.3.16"
+\version "2.3.17"
{
\set Score.timing = ##f
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Whole and half rests moving outside the staff should get
ledger lines."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Rests can have pitches--these will be affected by
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\new Staff \relative c' {
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header
{
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Scripts can be stacked. The order is determined by a
priority field, but when objects have the same priority, the input
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright= ##t }
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
foollilypondbook = "
\score
"
-\version "2.3.16"
+\version "2.3.17"
foollilypondbook = "
\score
"
-\version "2.3.16"
+\version "2.3.17"
foollilypondbook = "
\score
"
-\version "2.3.16"
+\version "2.3.17"
foollilypondbook = "
\score
"
-\version "2.3.16"
+\version "2.3.17"
foollilypondbook = "
\score
"
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "The area underneath an (up) slur is minimised to improve the shape. "
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
Slurs behave decently when broken across a linebreak.
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="Slurs should not get confused by augmentation dots. With a lot
of dots, the problems becomes more visible."
texidoc = "Some composers use slurs both above and below chords.
This can be typeset by setting @code{doubleSlurs}"
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
\relative {
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header
{
texidoc ="Slurs may be placed over rest. The slur will avoid colliding with
}
-\version "2.3.16"
+\version "2.3.17"
\paper { raggedright = ##t }
For different configurations, the scripts can be moved manually."
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
}
-\version "2.3.16"
+\version "2.3.17"
\header
{
texidoc = "Symmetric figures should lead to symmetric slurs."
-\version "2.3.16"
+\version "2.3.17"
\header
{
texidoc = "Symmetric figures should lead to symmetric slurs."
\paper {
raggedright = ##t
}
-\version "2.3.16"
+\version "2.3.17"
\relative c'' {
\time 2/4
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Accidentals in different staves do not affect the
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Accidentals do not influence the amount of stretchable space.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Accidentals sticking out to the left
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Downstem notes following a barline are
printed with some extra space. This is an optical correction similar
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Clef changes at the start of a line get much more space
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc ="Broken engraving of a bar at the end of a line does not upset
#(ly:set-option 'old-relative)
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "
A voicelet (a very short voice to get polyphonic chords correct)
should not confuse the spacing engine."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "A clef can be folded below notes in a different staff, if
this does not disrupt the flow of the notes."
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "A clef can be folded below notes in a different staff, if
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Spacing uses the duration of the notes, but disregards
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Grace note spacing. Should it be tuned? "
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "For knees, the spacing correction is such that the
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc = "Concurrent tuplets should be equidistant on all staffs.
}
}
-\version "2.3.16"
+\version "2.3.17"
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Rests get a little less space, since they are narrower.
However, the quarter rest in feta font is relatively wide, causing this
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Notes that are shorter than the common shortest note get a
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Upstem notes before a barline are printed with some extra
-\version "2.3.16"
+\version "2.3.17"
\header{
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "For juxtaposed chords with the same direction, a
slight optical correction is used. It is constant, and works only if
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "
When tightly spaced, the spaces between elements (hinterfleisch?)
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Span bars are drawn only between staff bar lines. By setting
bar lines to transparent, they are shown only between systems.
-\version "2.3.16"
+\version "2.3.17"
\header{
\header { texidoc = " Staves starting and ending halfway include clefs
and bar lines. " }
-\version "2.3.16"
+\version "2.3.17"
\score {
\new StaffGroup \relative c'' <<
}
-\version "2.3.16"
+\version "2.3.17"
\score {
<<
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "The staff is a grob (graphical object) which may be adjusted as well, for example, to have 6 thick lines and a slightly large @code{staff-space}.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Stanza numbers are put left of their lyric. They are aligned in a column."
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "The size of every system is correctly determined; this
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "By setting betweensystempadding to a negative
value, it is possible to eliminate the anti-collision constraints.
Then setting @code{betweensystemspace} to a low (nonzero) value,
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc =
"
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\new TabStaff {
-\version "2.3.16"
+\version "2.3.17"
\header{ texidoc = "@cindex Tabulature
A sample tablature, with both normal staff and tab.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc= "Text spanners should not repeat start text when broken."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Tie engraver uses @code{busyGrobs} to keep track of
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
When tying chords, the outer slurs point outwards, the inner slurs
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Ties should not collide with dots."
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Tieing a grace to the to a following grace or main note works."
}
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
texidoc = "Trill spanner"
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##T
}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "In combination with a beam, the bracket of the tuplet
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
indent = 0.0\mm
-\version "2.3.16"
+\version "2.3.17"
\header {
}
-\version "2.3.16"
+\version "2.3.17"
\score {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Tuplets may contain rests. "
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\relative c' {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "Horizontal tuplet brackets are shifted vertically
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc= "
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc ="Broken volta spanners behave correctly at their left edge in all cases."
also over other staves than the topmost one in a score."
}
-\version "2.3.16"
+\version "2.3.17"
vmus = { \repeat volta 2 c1 \alternative { d e } }
-\version "2.3.16"
+\version "2.3.17"
%% +.ly: Be the first .ly file for lys-to-tely.py.
%% Better to make lys-to-tely.py include "introduction.texi" or
%% other .texi documents too?
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc= "@cindex make-music Fingering
}
-\version "2.3.16"
+\version "2.3.17"
\paper {
raggedright = ##t
"
}
-\version "2.3.16"
+\version "2.3.17"
\relative c'' {
\time 5/4
-\version "2.3.16"
+\version "2.3.17"
% TODO: split ancient-font into seperate files; possibly in
% different locations.
\header {
-\version "2.3.16"
+\version "2.3.17"
% TODO: move stuff from ancient-font into here? See comment
% for ancient-font.ly
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Bars Always
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex Bar line lyric only
You can move @code{Bar_engraver} and @code{Span_bar_engraver} to
a different engraving context, if you want, for example, bar lines
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Bar Number Every Fifth Reset
" }
-\version "2.3.16"
+\version "2.3.17"
\score {
\context Staff \transpose c c' {
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="@cindex Bar Number Show All
By default, bar numbers are printed only in the first measure. This
}
-\version "2.3.16"
+\version "2.3.17"
wipeNote = {
\once \override NoteHead #'transparent = ##t
-\version "2.3.16"
+\version "2.3.17"
% keep for now, although merging into beam-auto-override is a possibility.
\header {
texidoc = "@cindex Auto Beaming 4/8
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Auto Beaming Override
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="@cindex Beam Position Control
-\version "2.3.16"
+\version "2.3.17"
\header{
texidoc="@cindex Beam Count
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Boxed Stencil
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Capital Letters
The font can be changed to small caps.
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Chord Names German
The english naming of chords (default) can be changed to german
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = " Chord names are generated from a list pitches. The
-\version "2.3.16"
+\version "2.3.17"
% Ugh, we need to override some LaTeX titling stuff
" }
-\version "2.3.16"
+\version "2.3.17"
\include "gregorian-init.ly"
-\version "2.3.16"
+\version "2.3.17"
% probably should be merged into refman.
\header{
texidoc = "@cindex Dynamic Piu Forte
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Embedded Postscript
By inserting the @TeX{} command \embeddedps, you can
-\version "2.3.16"
+\version "2.3.17"
\header{ texidoc="@cindex Embedded Tex
You can embed Tex commands in your score. "}
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc ="In polyphonic notation, many voices can share a staff: In
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "The notation problem, creating a certain symbol,
-\version "2.3.16"
+\version "2.3.17"
% definitely wil be renamed to something.
%{
texidoc = "Frets are supported as markup commands."
}
-\version "2.3.16"
+\version "2.3.17"
\score {
<<
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Gregorian Scripts
-\version "2.3.16"
+\version "2.3.17"
#(if (not (defined? 'pieceTagLine))
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex Instrument Name Grandstaff
You can have a name for the whole @code{GrandStaff} in addition to
individual @code{Staff}s. " }
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex Ancient Vaticana
Vaticana ligature uses four staff lines, special clef, and
-\version "2.3.16"
+\version "2.3.17"
% MERGE with title.ly -gp
%{
-\version "2.3.16"
+\version "2.3.17"
% TODO:
% check with ancient- stuff. rename, merge, something. -gp
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc ="@cindex Ancient Mensural Note Heads
-\version "2.3.16"
+\version "2.3.17"
% possible rename to scheme- or something like that. -gp
\header { texidoc = "@cindex Scheme Move Text
Objects, like text, can be moved around by using some Scheme code.
-\version "2.3.16"
+\version "2.3.17"
% possible rename to scheme- something. -gp
\header { texidoc = "@cindex Scheme Music Creation
-\version "2.3.16"
+\version "2.3.17"
% possible rename to bar-lines-foo. -gp
\header{ texidoc = "@cindex Bar Lines Remove
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Key Signature End of Line
@code{RemoveEmptyStaffContext} take out the unused parts.
" }
-\version "2.3.16"
+\version "2.3.17"
\score {
\relative c''
-\version "2.3.16"
+\version "2.3.17"
% check with invisible-notes or blank-notes. possible rename. -gp
\header{ texidoc = "@cindex Partial Blank
When entering partially typeset music (i.e. for students to be
}
-\version "2.3.16"
+\version "2.3.17"
#(define ((futz-alignment-callback distance count) grob axis)
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "
@cindex Preset Extent
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc = "@cindex Rests
-\version "2.3.16"
+\version "2.3.17"
% possible rename to scheme-something.
\header { texidoc="@cindex Scheme Reverse Music
Symmetric, or palindromical music can be produced, first, by printing
% this chart is used in the manual too.
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex Script Abbreviations
Some articulations may be entered using an abbreviation.
-\version "2.3.16"
+\version "2.3.17"
% this chart is used in the manual too.
-\version "2.3.16"
+\version "2.3.17"
\header {texidoc = "@cindex Slur, dotted
The appearance of slurs may be changed from solid to dotted or dashed.
"
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex Slur Minimum Length
By setting the minimum length of a slur, notes are more separated. "
-\version "2.3.16"
+\version "2.3.17"
\header {
texidoc="@cindex Smart Transpose
-\version "2.3.16"
+\version "2.3.17"
\header{ texidoc="@cindex Nested Staff Groups
Staffs can be nested in various combinations. Here, @code{StaffGroup}
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex Staff Size
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex Stem Extend
Extending stems to the center line may be prevented using @code{no-stem-extend}.
-\version "2.3.16"
+\version "2.3.17"
\header {texidoc = "@cindex Tablature hammer
A hammer in tablature can be faked with slurs. "
}
-\version "2.3.16"
+\version "2.3.17"
\header {
}
-\version "2.3.16"
+\version "2.3.17"
\score {
\new Staff \relative c'' {
-\version "2.3.16"
+\version "2.3.17"
\header { texidoc = "@cindex text spanner
Text spanners can be used in the similar manner than markings for pedals
-\version "2.3.16"
+\version "2.3.17"
%{
Markup titles also available for direct PostScript output:
-\version "2.3.16"
+\version "2.3.17"
\header {
-\version "2.3.16"
+\version "2.3.17"
% TODO: huh? what's this file about? -gp
\header { texidoc = "
projects / lilypond.git / commitdiff