First round of doc reorg.

diff --git a/Documentation/user/basic-notation.itely b/Documentation/user/basic-notation.itely
index 93ccabb0e371d60af973b877b1c406f0f6282abe..430f5486734d41b1e30461872c54326ac47823b5 100644 (file)
--- a/Documentation/user/basic-notation.itely
+++ b/Documentation/user/basic-notation.itely
@@ -2202,6 +2202,7 @@ Examples: @inputfileref{input/@/regression,finger@/-chords@/.ly}.
 @subsection Dynamics
 
 @cindex Dynamics
+@cindex @code{\pppp}
 @cindex @code{\ppp}
 @cindex @code{\pp}
 @cindex @code{\p}
@@ -2220,9 +2221,10 @@ Examples: @inputfileref{input/@/regression,finger@/-chords@/.ly}.
 @cindex @code{\rfz}
 
 Absolute dynamic marks are specified using a command after a note
-@code{c4\ff}.  The available dynamic marks are @code{\ppp},
+@code{c4\ff}.  The available dynamic marks are @code{\ppppp},
+@code{\pppp}, @code{\ppp},
 @code{\pp}, @code{\p}, @code{\mp}, @code{\mf}, @code{\f}, @code{\ff},
-@code{\fff}, @code{\fff}, @code{\fp}, @code{\sf}, @code{\sff},
+@code{\fff}, @code{\ffff}, @code{\fp}, @code{\sf}, @code{\sff},
 @code{\sp}, @code{\spp}, @code{\sfz}, and @code{\rfz}.
 
 @lilypond[quote,verbatim,ragged-right,fragment,relative=2]

diff --git a/Documentation/user/examples.itely b/Documentation/user/examples.itely
index 1a416ed3fc4fec21e094baa7fff499718d11dae8..10ae7a0e3bdc3804fe36c651dcf7c4d978ce4fa0 100644 (file)
--- a/Documentation/user/examples.itely
+++ b/Documentation/user/examples.itely
@@ -1,6 +1,6 @@
 @c -*- coding: utf-8; mode: texinfo; -*-
 @node Example templates
-@chapter Example templates
+@appendix Example templates
 
 This section of the manual contains templates with the LilyPond score
 already set up for you.  Just add notes, run LilyPond, and enjoy
@@ -19,8 +19,8 @@ beautiful printed scores!
 
 
 @node Single staff
-@section Single staff
-@subsection Notes only
+@appendixsec Single staff
+@appendixsubsec Notes only
 
 The first example gives you a staff with notes, suitable for a solo
 instrument or a melodic fragment.  Cut and paste this into a file,
@@ -43,7 +43,7 @@ melody = \relative c' {
 }
 @end lilypond
 
-@subsection Notes and lyrics
+@appendixsubsec Notes and lyrics
 
 The next example demonstrates a simple melody with lyrics.  Cut and
 paste, add notes, then words for the lyrics.  This example turns off
@@ -78,7 +78,7 @@ text = \lyricmode {
 }
 @end lilypond
 
-@subsection Notes and chords
+@appendixsubsec Notes and chords
 
 Want to prepare a lead sheet with a melody and chords?  Look no further!
 
@@ -111,7 +111,7 @@ harmonies = \chordmode {
 }
 @end lilypond
 
-@subsection Notes, lyrics, and chords.
+@appendixsubsec Notes, lyrics, and chords.
 
 This template allows you to prepare a song with melody, words, and chords.
 
@@ -151,8 +151,8 @@ harmonies = \chordmode {
 @end lilypond
 
 @node Piano templates
-@section Piano templates
-@subsection Solo piano
+@appendixsec Piano templates
+@appendixsubsec Solo piano
 
 Here is a simple piano staff.
 
@@ -185,7 +185,7 @@ lower = \relative c {
 }
 @end lilypond
 
-@subsection Piano and melody with lyrics
+@appendixsubsec Piano and melody with lyrics
 
 Here is a typical song format: one staff with the melody and lyrics, with
 piano accompaniment underneath.
@@ -241,7 +241,7 @@ lower = \relative c {
 @end lilypond
 
 
-@subsection Piano centered lyrics
+@appendixsubsec Piano centered lyrics
 
 Instead of having a full staff for the melody and lyrics, you can place
 the lyrics between the piano staff (and omit the separate melody staff).
@@ -286,7 +286,7 @@ text = \lyricmode {
 @end lilypond
 
 
-@subsection Piano centered dynamics
+@appendixsubsec Piano centered dynamics
 
 Many piano scores have the dynamics centered between the two
 staffs.  This requires a bit of tweaking to implement, but
@@ -384,8 +384,8 @@ pedal = {
 
 
 @node String quartet
-@section String quartet
-@subsection String quartet
+@appendixsec String quartet
+@appendixsubsec String quartet
 
 This template demonstrates a string quartet.  It also uses a @code{\global}
 section for time and key signatures.
@@ -437,7 +437,7 @@ cello = \new Voice { \relative c' {
 }
 @end lilypond
 
-@subsection String quartet parts
+@appendixsubsec String quartet parts
 
 The previous example produces a nice string quartet, but what if you
 needed to print parts?  This template demonstrates how to use the
@@ -545,9 +545,9 @@ music = {
 
 
 @node Vocal ensembles
-@section Vocal ensembles
+@appendixsec Vocal ensembles
 
-@subsection SATB vocal score
+@appendixsubsec SATB vocal score
 
 Here is a standard four-part SATB vocal score.  With larger ensembles,
 it's often useful to include a section which is included in all
@@ -627,7 +627,7 @@ bassWords = \lyricmode {
 @end lilypond
 
 
-@subsection SATB vocal score and automatic piano reduction
+@appendixsubsec SATB vocal score and automatic piano reduction
 
 This template adds an automatic piano reduction to the SATB vocal
 score.  This demonstrates one of the strengths of LilyPond -- you
@@ -726,9 +726,9 @@ bassWords = \lyricmode {
 
 @c bad node name to avoid node name confict
 @node Ancient notation templates
-@section Ancient notation templates
+@appendixsec Ancient notation templates
 
-@subsection Transcription of mensural music
+@appendixsubsec Transcription of mensural music
 
 When transcribing mensural music, an incipit at the beginning of the
 piece is useful to indicate the original key and tempo.  While today
@@ -957,7 +957,7 @@ bassusLyrics = \lyricmode {
 @end lilypond
 
 
-@subsection Gregorian transcription template
+@appendixsubsec Gregorian transcription template
 
 This example demonstrates how to do modern transcription of Gregorian
 music.  Gregorian music has no measure, no stems; it uses only half and
@@ -1007,7 +1007,7 @@ verba = \lyricmode {
 
 
 @node Jazz combo
-@section Jazz combo
+@appendixsec Jazz combo
 
 This is a much more complicated template, for a jazz ensemble.  Note that all
 instruments are notated in @code{\key c \major}.  This refers to the key in
@@ -1351,12 +1351,12 @@ violin concerto as TchaikovskyPI, whereas perhaps you wish to print
 
 
 @node Lilypond-book templates
-@section Lilypond-book templates
+@appendixsec Lilypond-book templates
 
 These templates are for use with @code{lilypond-book}.  If you're not familiar
 with this program, please refer to @ref{LilyPond-book}.
 
-@subsection LaTeX
+@appendixsubsec LaTeX
 
 You can include LilyPond fragments in a LaTeX document.
 
@@ -1383,7 +1383,7 @@ d4 c b a
 \end@{document@}
 @end example
 
-@subsection Texinfo
+@appendixsubsec Texinfo
 
 You can include LilyPond fragments in Texinfo; in fact, this entire manual
 is written in Texinfo.

diff --git a/Documentation/user/invoking.itely b/Documentation/user/invoking.itely
index 54cd553dabb8670740f3df17315975220fd609e6..53f573cca411699e3bb6da9d82eeeca5dc6facf0 100644 (file)
--- a/Documentation/user/invoking.itely
+++ b/Documentation/user/invoking.itely
@@ -46,7 +46,7 @@ GUILE is not reset after processing a @code{.ly} file, so be careful
 not to change any system defaults from within Scheme.}
 
 
-@section Command line options
+@subsection Command line options
 
 The following options are supported:
 
@@ -306,7 +306,7 @@ Show the warranty with which GNU LilyPond comes. (It comes with
 @end table
 
 
-@section Environment variables
+@subsection Environment variables
 
 
 @cindex LANG

diff --git a/Documentation/user/putting.itely b/Documentation/user/putting.itely
index c3edcd8af2ea872c338b5254e6d30c4126c17978..378d40cc24437ee734db8ffb280c88326cd6c8e2 100644 (file)
--- a/Documentation/user/putting.itely
+++ b/Documentation/user/putting.itely
@@ -86,6 +86,8 @@ best.
 @end itemize
 
 
+
+
 @node Extending the templates
 @section Extending the templates