+Similarly, Jazz style chord names are implemented as a variation on
+American style names:
+@quotation
+@lilypond[verbatim]
+scheme = \chords {
+ % major chords
+ c
+ c:6 % 6 = major triad with added sixth
+ c:maj % triangle = maj
+ c:6.9^7 % 6/9
+ c:9^7 % add9
+
+ % minor chords
+ c:m % m = minor triad
+ c:m.6 % m6 = minor triad with added sixth
+ c:m.7+ % m triangle = minor major seventh chord
+ c:3-.6.9^7 % m6/9
+ c:m.7 % m7
+ c:3-.9 % m9
+ c:3-.9^7 % madd9
+
+ % dominant chords
+ c:7 % 7 = dominant
+ c:7.5+ % +7 = augmented dominant
+ c:7.5- % 7b5 = hard diminished dominant
+ c:9 % 7(9)
+ c:9- % 7(b9)
+ c:9+ % 7(#9)
+ c:13^9.11 % 7(13)
+ c:13-^9.11 % 7(b13)
+ c:13^11 % 7(9,13)
+ c:13.9-^11 % 7(b9,13)
+ c:13.9+^11 % 7(#9,13)
+ c:13-^11 % 7(9,b13)
+ c:13-.9-^11 % 7(b9,b13)
+ c:13-.9+^11 % 7(#9,b13)
+
+ % half diminished chords
+ c:m5-.7 % slashed o = m7b5
+ c:9.3-.5- % o/7(pure 9)
+
+ % diminished chords
+ c:m5-.7- % o = diminished seventh chord
+}
+
+\score {
+ \notes <
+ \context ChordNames \scheme
+ \context Staff \transpose c'' \scheme
+ >
+ \paper {
+ \translator {
+ \ChordNamesContext
+ ChordName \override #'word-space = #1
+ ChordName \override #'style = #'jazz
+ }
+ }
+}
+@end lilypond
+@end quotation