X-Git-Url: https://git.donarmstrong.com/lilypond.git?a=blobdiff_plain;f=Documentation%2Ftex%2Fcomputer-notation.bib;h=eaa4ba804310fecc1e4aaad0077e7f6b1da92f6b;hb=ee0dca4cea06f2d354cb33d935033116e88a3dba;hp=b5d801d4319386f87c3cf0bce83ea91f5682bab6;hpb=5101b276acd03f5c315f1e373df7778461f9a322;p=lilypond.git diff --git a/Documentation/tex/computer-notation.bib b/Documentation/tex/computer-notation.bib index b5d801d431..eaa4ba8043 100644 --- a/Documentation/tex/computer-notation.bib +++ b/Documentation/tex/computer-notation.bib @@ -24,6 +24,7 @@ year = 1986 } +% byrd @PhdThesis {byrd85, year = {1985}, title = {Music Notation by Computer}, @@ -31,6 +32,15 @@ school = {Indiana University}, } +@Article {byrd74, + year = {1974}, + title = {A System for Music Printing by Computer}, + author = {Donald Byrd}, + journal = {Computers and the Humanities}, + volume ={8}, + pages ={161-72}, +} + @Article{byrd94, author = {Donald Byrd}, title = {Music Notation Software and Intelligence}, @@ -43,22 +53,24 @@ pages = {17--20}, note = {Byrd (author of Nightinggale) shows four problematic fragments of notation, and rants about notation programs that try to exhibit intelligent behaviour. HWN} - } -@Article{erickson75, - author = {R. F. Erickson}, +@Article{ericson75, + author = {R. F. Ericson}, title = {The DARMS Project: A status report}, journal = {Computing in the humanities}, year = 1975, volume = 9, number = 6, pages = {291--298} + + note = {Gourlay\cite{gourlay86} writes: A discussion of the design + and potential uses of the DARMS music-description language.} } -c + @Article{field-richards93, author = {H.S. Field-Richards}, title = {Cadenza: A Music Description Language}, @@ -70,7 +82,6 @@ c note = {A description through examples of a music entry language. Apparently it has no formal semantics. There is also no implementation of notation convertor. HWN} - } @@ -156,30 +167,17 @@ note = {A no-science-here review of Encore. HWN} } -@Article {byrd74, - year = {1974}, - title = {A System for Music Printing by Computer}, - author = {Donald Byrd}, - journal = {Computers and the Humanities}, - volume ={8}, - pages ={161-72}, -} - - @Book {smith73, - note = {If I remember correctly, this was concerned more with an input language than with the typography. SP}, year = {1973}, title = {Editing and Printing Music by Computer}, author = {Leland Smith}, totalentry = {Journal of Music Theory}, volume={17}, pages ={292-309}, + note = {Gourlay\cite{gourlay86} writes: A discussion of Smith's music-printing system} } - - - @InProceedings{montel97, author = {Dominique Montel}, title = {La gravure de la musique, lisibilit\'e esth\'etique, respect de l'oevre}, @@ -189,6 +187,8 @@ note = {A no-science-here review of Encore. HWN} editors ={Genevois \& Orlarey} } + +% Gomberg @PhdThesis {gomber75, year = {1975}, title = {A Computer-Oriented System for Music Printing}, @@ -196,6 +196,21 @@ note = {A no-science-here review of Encore. HWN} school = {Washington University}, } +@Book {gomberg, + title = {A Computer-oriented System for Music Printing}, + author = {David A. Gomberg}, + journal = CitH, + volume={11}, + month = {march}, + year = {1977}, + pages = {63-80}, + note = {Gourlay \cite{gourlay86} writes: "A discussion of the + problems of representing the conventions of musical notation in + computer algorithms."} + +} + + @Book {CASR, note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP}, @@ -205,14 +220,41 @@ note = {A no-science-here review of Encore. HWN} } -@Book {gomberg, - title = {A Computer-oriented System for Music Printing}, - author = {David A. Gomberg}, - journal = CitH, - volume={11}, - pages = {63-80}, + +% LIME +@Article {haken93, + note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN}, + year = {1993}, + title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor}, + author = {Lippold Haken and Dorothea Blostein}, + journal = {Computer Music Journal}, + volume= {17}, + number={3}, + pages = {43--58}, +} + +@InProceedings{haken95, + year = {1995}, + title = {A New Algorithm for Horizontal Spacing of Printed Music}, + author = {Lippold Haken and Dorothea Blostein}, + booktitle = {International Computer Music Conference}, + address={Banff}, + month={Sept}, + pages = {118-119}, + note = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN}, } +@Article {blostein91, + note = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN}, + year = {1991}, + title = {Justification of Printed Music}, + author = {Dorothea Blostein and Lippold Haken}, + journal = {Communications of the ACM}, + volume= {J34}, + number= {3}, + month= {March}, + pages = {88-99}, +} @Article{blostein94, @@ -225,7 +267,8 @@ note = {A no-science-here review of Encore. HWN} number = {3}, month = {march}, pages = {289--306}, - note = {A description of various conversions, decisions and issues relating to this interactive editor HWN}, + note = {A description of various conversions, +decisions and issues relating to this interactive editor HWN}, } @InProceedings{bouzaiene98:_une, @@ -257,6 +300,9 @@ year = 1997, organization = {International Computer Music Association} } +% +% MusiCopy +% @TechReport {gourlay87-spacing, note = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it (as of pl 76) HWN}, year = {1987}, @@ -278,11 +324,9 @@ year = 1997, @TechReport {gourlay87-formatting, - note = {This paper discusses the development of algorithms for the formatting of musical scores (from abstract). It also appeared at PROTEXT III, Ireland 1986}, - year = {1987}, title = {Computer Formatting of Music}, author = {John S. Gourlay and A. Parrish @@ -390,39 +434,6 @@ surprising that LilyPond is more mature. pages = {388--401}, } -@Article {haken93, - note = {A description of Lime internals (which resemble older (before 0.0.68pre) LilyPond data structures somewhat) HWN}, - year = {1993}, - title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor}, - author = {Lippold Haken and Dorothea Blostein}, - journal = {Computer Music Journal}, - volume= {17}, - number={3}, - pages = {43--58}, -} - -@InProceedings{haken95, - year = {1995}, - title = {A New Algorithm for Horizontal Spacing of Printed Music}, - author = {Lippold Haken and Dorothea Blostein}, - booktitle = {International Computer Music Conference}, - address={Banff}, - month={Sept}, - pages = {118-119}, - note = {This describes an algorithm which uses springs between adjacent columns. This algorithm is a "subclass" of the LilyPond algorithm. HWN}, -} - -@Article {blostein91, - note = {This paper provides a shallow overview of the algorithm used in LIME for spacing individual lines. HWN}, - year = {1991}, - title = {Justification of Printed Music}, - author = {Dorothea Blostein and Lippold Haken}, - journal = {Communications of the ACM}, - volume= {J34}, - number= {3}, - month= {March}, - pages = {88-99}, -} @Article {rader96, @@ -570,6 +581,20 @@ basically say: "You can embed a NIFF or MIDI file") HWN} year={1983} } + + +@Article{Ornstein84, + author={Ornstein, Severo M. and John Turner Maxwell III}, + title={Mockingbird: A Composer's Amanuensis}, + journal= {Byte}, + volume= 9, + month = {January}, + year= { 1984}, + note={A discussion of an interactive and graphical computer system for +music composition} + +} + @PhdThesis{mueller90:_inter_bearb_musik, author = {Giovanni M\"uller}, title = {Interaktive Bearbeitung konventioneller Musiknotation}, @@ -586,6 +611,9 @@ chapters on engraving and notation are well structured and clear, though.} } + +% +% three part study by John Gr/over @TechReport{grover89-symbols, author = {John Gr\/over}, title = {A computer-oriented description of Music Notation. Part I. The Symbol Inventory},