% sarabande-urtext.ly
-% belongs together with -cello.ly and -alto.ly
+% belongs together with -cello.ly and -viola.ly
% (who is going to make a -violin.ly?)
%{
Well, there are still some scripts in this "urtext".
-But merging melodic and scripts doen't work too well yet (see alto_scripts).
+But merging melodic and scripts doen't work too well yet (see viola_scripts).
%}
n = { \slurnormal }
d = { \slurdotted }
-%
-% ugh, the non-shortened beamstems of voice in forced direction
-% look ugly here!
-sarabande_a = \melodic \relative c {
- \voiceone \d[d8.()e16] e4.-\trill([d16 )e] |
- f4. \onevoice [e8(d)c] |
- [bes g']\n[f e16(f][g a bes)d,] |
- cis4.-\trill\d[b8(a)g] |
+sarabande_a = \context Staff \notes \relative c {
+ \context Voice=i
+ \stemup \d d8.()e16 e4.-\trill( d16 )e |
+ f4. \stemboth e8(d)c |
+ bes g' \n f e16(f g a bes)d, |
+ cis4.-\trill\d b8(a)g |
% copy bar 1, half bar 2
- \voiceone \d[d'8.()e16] f4.-\trill([d16 )e] |
+ \stemup \d d'8.()e16 f4.-\trill( d16 )e |
%5
- f4. \onevoice [d8(e)f] |
- \n[g bes16()a][c()bes a()g][d'8 f,] |
- \voiceone e4.-\trill \onevoice \d[d8(c)bes] |
+ f4. \stemboth d8(e)f |
+ \n g bes16()a c()bes a()g d'8 f, |
+ \stemup e4.-\trill \stemboth \d d8(c)bes |
%8
- \voiceone \n[f' g16()a] a4. [g16()f] |
- [g8 a16()bes]bes4. [c16()d]|
+ \stemup \n f' g16()a a4. g16()f |
+ g8 a16()bes bes4. c16()d |
% 11
- \onevoice \d [e,8()f][c, g'][f'()e] |
+ \stemboth \d e,8()f c, g' f'()e |
f4 f,2 |
- \voiceone a'4 \d a4.-\trill()bes8 |
- [c bes16()a] \onevoice [fis8.-\trill()es16][d8()c] |
- [bes g'][a, fis'][es'()d] |
+ \stemup a'4 \d a4.-\trill()bes8 |
+ c bes16()a \stemboth fis8.-\trill()es16 d8()c |
+ bes g' a, fis' es'()d |
%16
- \voiceone bes4.-\trill \onevoice [a8(g)f!] |
- [e bes()a f'(g)a] |
- [d, as()g es'(f)g]|
- [cis, bes'][a g16()f][e!8 f16()d] |
- [cis8 e16()a][a,8. g'16]\n[f8()e] |
+ \stemup bes4.-\trill \stemboth a8(g)f! |
+ e bes()a f'(g)a |
+ d, as()g es'(f)g |
+ cis, bes' a g16()f e!8 f16()d |
+ cis8 e16()a a,8. g'16 \n f8()e |
%21
- \voiceone [d e16()f]f4. [e16()d] |
- [e8 f16()g]g4. [a16()bes] |
- \d[a8 cis16()d][d,8 e16(f32)g][f8-\trill \n e16()d] |
- d4 [d,16 a'( b cis][d e f )g] |
+ \stemup d e16()f f4. e16()d |
+ e8 f16()g g4. a16()bes |
+ \d a8 cis16()d d,8 e16(f32)g f8-\trill \n e16()d |
+ d4 d,16 a'( b cis d e f )g |
%25
- [a(b c)b] c4. [b16()a] |
- \d[b(cis d )cis] d4. \n[e16()f] |
- \onevoice [d(cis)d f,] [a,8 e']\d[d'()cis] |
+ a(b c)b c4. b16()a |
+ \d b(cis d )cis d4. \n e16()f |
+ \stemboth d(cis)d f, a,8 e' \d d'()cis |
d4 d,,2 |
}
-sarabande_b = \melodic \relative c {
- \voicetwo
+sarabande_b = \context Staff \notes \relative c {
+ \context Voice=ii
+ \stemdown
% dispute
% d4 a2 |
% this avoids the clash bug
<a4. d,> s8*3 |
s2. |
% 8
- <g4. c,> s8*3 |
+ <g4. c,> s8*3 |
a4 <bes4. d> r8 |
%10
bes4 <g2 f'> |
s2.*2 |
- \d[f'8()es] es4. r8 |
+ \d f'8()es es4. r8 |
d4 s2 |
%15
s2. |
- <d4. g,> s8*3 |
+ <d4. g,> s8*3 |
s2.*4 |
%21
- bes4 g2 |
+ bes4 g2 |
g4 <bes4. cis,> s8 |
<d8 a f> r r g, a4 |
s2. |
f'4 fis4. s8 |
<d4 g,> gis4. s8 |
+ s2.*2
}
-sarabande = \type Staff \melodic<
+sarabande = \context Staff \notes<
\$sarabande_a
\$sarabande_b
>
+\version "1.1.52";