* tremolo
+* lyrics.
+
%}
-\version "1.3.59";
-praeludiumRight = \notes {
+\version "1.3.117";
+praeludiumRight = \notes {
\key e \major;
\clef violin;
% 13 -- how to type -- where to split -- this more neatly?
\context Staff <
- \context Voice = I \relative c'' { \stemup r4 dis4 e4. e8 ~ |
- \shifton e4-.-^^\f [d8 fis8] \shiftoff gis4 ~ [gis8 fis16 e ] |
+ \context Voice = I \relative c'' { \stemUp r4 dis4 e4. e8 ~ |
+ \shiftOn e4-.-^^\f [d8 fis8] \shiftOff gis4 ~ [gis8 fis16 e ] |
fis4 ~ [fis8 e16 dis] e4 r8 e8 }
- \context Voice = III \relative c'' { \stemup \shifton r4 bis cis \shiftoff cis |
- a' ~ [a16 gis a b] \shifton dis,4 cis ~ |
+ \context Voice = III \relative c'' { \stemUp \shiftOn r4 bis cis \shiftOff cis |
+ a' ~ [a16 gis a b] \shiftOn dis,4 cis ~ |
[cis8 dis16 ais] bis4 cis r8 b }
\context Voice = IV \relative c'' {
- \stemdown
- \shifton s4 gis }
+ \stemDown
+ \shiftOn s4 gis }
- \context Voice = II \relative c' { \stemdown
-% \shifton % idem
+ \context Voice = II \relative c' { \stemDown
+% \shiftOn % idem
- r4 fis \shiftoff gis gis |
+ r4 fis \shiftOff gis gis |
a4. cis8 gis2 |
fis4 gis gis r8 e8 }
> |
% 16
}
-praeludiumLeft = \notes \relative c {
+praeludiumLeft = \notes \relative c {
\key e \major;
\clef bass;
% 13
\context Staff <
\context Voice = two { r4 }
- \context Voice = one { \stemup s4 dis' cis cis ~ |
+ \context Voice = one { \stemUp s4 dis' cis cis ~ |
\times 4/5
{ [cis8 ( cis
- a \translator Staff = treble \stemdown \shifton d
+ a \translator Staff = treble \stemDown \shiftOn d
)
cis] }
\translator Staff = bass
- \shiftoff
+ \shiftOff
[bis gis] cis4 |
dis2 cis4 r8 cis }
- \context Voice = one { \stemup bis2 }
+ \context Voice = one { \stemUp bis2 }
\context Voice = three {
- \property Voice.dynamicDirection = \down
- \stemup \shifton r4 gis ~ [gis8
+ \property Voice.DynamicLineSpanner \override #'direction = #-1
+ \stemUp \shiftOn r4 gis ~ [gis8
\<
- gis] ~ \stemdown \shiftoff gis4 |
+ gis] ~ \stemDown \shiftOff gis4 |
a4. fis8
\!
gis4. a8 ~ |
a4 gis4 gis r8 gis }
- \context Voice = four { \stemdown \shifton s4 fis4 e}
- \context Voice = two { \stemdown s4 dis4 cis4 }
+ \context Voice = four { \stemDown \shiftOn s4 fis4 e}
+ \context Voice = two { \stemDown s4 dis4 cis4 }
> |
%16
}
-fugaIIRight = \notes \relative c'' {
+fugaIIRight = \notes \relative c'' {
\key e \major; % E-major
\clef violin;
\time3/4;
%15
\context Staff <
- \context Voice = VA { \stemup [b8 fis8] b4 }
- \context Voice = VB { \stemdown fis2 }
+ \context Voice = VA { \stemUp [b8 fis8] b4 }
+ \context Voice = VB { \stemDown fis2 }
>
\context Staff \notes\relative c''<
\context Voice=one {
- \property Voice.horizontalNoteShift=0
- \property Voice.verticalDirection=1
- e4
+ \shiftOff
+ \stemUp
+ e4 -5
}
\context Voice=two {
- \property Voice.verticalDirection=1
- \property Voice.horizontalNoteShift=1
- cis
+ \shiftOn
+ \stemUp
+ cis-4
}
\context Voice=three {
- \property Voice.horizontalNoteShift=2
- \property Voice.verticalDirection=1
- ais
+ \shiftOnn
+ \stemUp
+ ais-3
}
\context Voice=four {
- \property Voice.verticalDirection=-1
- \property Voice.horizontalNoteShift=-1
- fis
+ \shiftOnnn
+ \stemUp
+ fis-2
}
>
\context Voice = one { dis2 dis4 |
cis2 cis4 |
b4. [cis8 dis e] }
- \context Voice = three { \stemup \shifton [b8 fis] b2 ~ |
+ \context Voice = three { \stemUp \shiftOn [b8 fis] b2 ~ |
[b8 a!16 gis] a2 ~ |
a4 gis2 }
- \context Voice = two { \stemdown fis2. ~ |
+ \context Voice = two { \stemDown fis2. ~ |
fis ~ |
fis4 e2 }
> |
%19
}
-gracetest = \notes \grace { [c16 ( cis dis] }
+gracetest = \notes \grace { [c16 ( cis dis] }
-fugaIILeft = \notes {
+fugaIILeft = \notes {
\key e \major;
\clef bass;
%15
\context Staff <
- \context Voice = one { \stemdown
+ \context Voice = one { \stemDown
\gracetest
- \relative b, < )b2 dis fis a b cis dis> \stemup ais4 |
+ \relative b, < )b2 dis fis a b cis dis> \stemUp ais4 |
b2 b4 }
- \context Voice = two { \stemdown s2 e4 |
+ \context Voice = two { \stemDown s2 e4 |
fis2 fis4 }
>
- \stemboth cis2 [e16( fis a \clef "treble"; b] |
+ \stemBoth cis2 [e16( fis a \clef "treble"; b] |
d'4 ) b8 b8 b4 |
%19
}
-fugaIIPedal = \notes \relative c {
+fugaIIPedal = \notes \relative c {
\key e \major;
\clef bass;
- %15
- %
- % TODO: the volta typesetting should spread over the complete score.
- %
\repeat "volta" 2 { dis4.-\ltoe } \alternative { e8-\rtoe cis4 } |
b4.-\lheel [cis8-\ltoe dis8-\rtoe e8-\rheel] |
fis4.-\rtoe [e8-\rheel dis8-\rtoe cis8-\ltoe] |
\property Score.midiInstrument = "church organ"
\praeludiumRight
- r1 \mark "B";
+ \times 4/3 { c4 c4 c4 } \mark "B";
\fugaIIRight }
\context Staff = bass {
\property Staff.instrument = #"left"
%13
r4 fis,4-\ltoe e4.-\lheel e'8-\rheel |
- fis4.-\rtoe fis8-\rtoe fis4-\rtoe [e8-\ltoe a-\rtoe] |
+% tie accs: 2nd should get no acc
+f4-\rtoe~ f8
+fis8-\rtoe fis4-\rtoe [e8-\ltoe a-\rtoe] |
dis,4-\ltoe gis-\rtoe [cis,8-\ltoe
(
- b!-\lheel ais-\rtoe gis-\ltoe ~ ] |
- gis8 r4.
+ b!-\lheel ais-\rtoe g-\ltoe ~ ] |
+
+% tie should generate acc.
+\break
+ g r4.
)
c2^^^-^\f
\time 3/4;
- \fugaIIPedal }
+ \fugaIIPedal \bar "|." ; }
>
>