% The purpose of this file is to demonstrate features of LilyPond.
% (there is an accompanying LaTeX file, standchen.tex)
%
-% thanks to \music group changing, all notes
-% (except for grace notes) are printed
-%
-%%1
-melodie = \melodic{
- \meter{ 3/4 }
- \clef\violin
- \key{ bes }
- \octave{ c }
- \duration{ 8 }
- r pp < [ d 'a-| > f-| < d 'a-| > f-| < d 'a-| ] > |
+\version "0.0.54";
+
+commands = \melodic{
+ \skip 2.*4;
+ \bar ":|";
+ \skip 2.*24;
+% volta1
+ \skip 2.*8;
+% volta2
+ \bar ":|";
+ \skip 2.*22;
+ \bar "||";
+ }
+
+melodie = \melodic{
+ \meter 3/4;
+ \clef\violin;
+ \key bes;
+ \octave c';
+ \duration 8;
+ r \pp < [ d 'a-| > f-| < d 'a-| > f-| < d 'a-| ] > |
%%2
r < [ d 'bes-| > f-| < d 'bes-| > f-| < d 'bes-| ] > |
%%3
- \textstyle "italic"
- r_"simile" < [ d 'bes > e < d 'bes > e < d 'bes ] >
- \textstyle "roman" |
+ \textstyle "italic";
+ r_"simile" < [ d 'bes > e < d 'bes > e < d 'bes ] >|
+ \textstyle "roman";
+
%%4
r < [ 'a cis > e < 'a cis > e < 'a cis ] > |
-%#%:|
%%5
- [ a()bes a ]2/3 d'4. a |
+ [ a()bes a ]2/3 d'4. a |
%%6
- [ g()a g ]2/3 d'4 g r |
+ [ g()a g ]2/3 d'4 g r |
%%7
- a4.^> g [ g()f e ]2/3 |
+ a4.^> g [ g()f e ]2/3 |
%%8
f2 r4 |
%%9
- < { a'4.( )g' [ g'( f' )e' ]2/3 }
- { cis'4. e'_"dolce" \plet{ 2/3 } e' \plet{ 1/1 } } > |
+ < { a'4.( )g' [ g'( f' )e' ]2/3 }
+ { cis'4. e'_"dolce" \plet 2/3; e' \plet 1/1; } > |
%%10
< f'2. d'2. > |
%%11
- [ a pp( )bes a ]2/3 f'4. a |
+ [ a (\pp )bes a ]2/3 f'4. a |
%%12
- [ g( ) a g ]2/3 e'4. d' |
+ [ g( ) a g ]2/3 e'4. d' |
%%13
- c'4. bes [ bes( ) a g ]2/3 |
+ c'4. bes [ bes( ) a g ]2/3 |
%%14
a2 r
- < { d'( | )c'4. g [ bes a g ]2/3 }
- { f p ( | )e4._"dolce" bes \plet{ 2/3 } g \plet{ 1/1 } } > |
+ < { d'( | )c'4. g [ bes a g ]2/3 }
+ { f \p ( | )e4._"dolce" bes
+ \plet 2/3; g
+ \plet 1/1;
+ } > |
%%16
< a2. f2. > |
%%17
- \textstyle "italic"
+ \textstyle "italic";
[ a8._"cresc." cis'16 ] f'4. e'
- \textstyle "roman" |
+ \textstyle "roman";|
%%18
[ d'8. a16 ] f4. d |
%%19
%#% c'\grace\stemup
- [ bes pp( ) a bes ]2/3 d'4. bes |
+ [ bes (\pp ) a bes ]2/3 d'4. bes |
%%20
a2. |
%%21
%#% a\grace
- [ g( )fis g ]2/3 bes4.^> g |
+ [ g( )fis g ]2/3 bes4.^> g |
%%22
-%#% =f2. |
- f2. |
+ f!2. |
%%23
- [ a8. mf cis'16 ] f'4. e' |
+ [ a8. \mf cis'16 ] f'4. e' |
%%24
[ d'8. a16 ] fis4. d |
%%25
- [ b mf( ) ais b ]2/3 d'4. b |
+ [ b \mf( ) ais b ]2/3 d'4. b |
%%26
< a2. fis2. > |
%%27
- [ e' df( )dis' e' ]2/3 g'4. cis' |
+ [ e' \f( )dis' e' ]2/3 g'4. cis' |
%%28
< d'2. fis2. > |
%#%\volta1
%%29
- < { bes2( [ d'8.( ))g16 ] }
- { g2 mf [ bes8. bes16 ] } > |
+ < { bes2( [ d'8.( ))g16 ] }
+ { g2 \mf [ bes8. bes16 ] } > |
%%30
< { a4. [ a-. a-. a-. ] }
{ fis4. [ fis-.( fis-. )fis-. ] } > |
-%%31
+%%31
< { a4. [ a-. a-. a-. ] }
{ g4. [ cis-.( e-. )g-. ] } > |
%%32
- < a2 fis2 pp > < a4 fis4 > |
+ < a2 fis2 \pp > < a4 fis4 > |
%%33
< { b2( [ d'8.( ) )g16 ] }
{ g2 [ b8. b16 ] } > |
%%36
< a2. fis2. > |
%#%\volta2
-%#%:|
%%37
[ a8. a16 ] [ cis'8. cis'16 ] [ e'8. e'16 ] |
%%38
d'4( )cis'4 r4 |
%%39
%#% > a4. [ cis' e'8. >! d'16 ] |
- a4. [ cis' e'8. d'16 ] |
+ a4. \> [ cis' e'8. \! d'16 ] |
%%40
cis'2 r4 |
%%41
- < fis'4. cis'4. df > e' [ e'( )d' cis' ]2/3 |
+ < fis'4. \> cis'4. \f > e' [ e'( )d' \! cis' ]2/3 |
%%42
[ b8. cis'16 ] d'4^> b r |
%%43
- [ b8. df cis'16 ] d'4^> b r |
+ [ b8. \f cis'16 ] d'4^> b r |
%%44
- [ b8. cis'16 ] d'4^> b r |
+ [ b8. \> cis'16 ] d'4^> b \! r |
%%45
- [ b p ( )ais b ]2/3 d'4. b |
+ [ b \p ( )ais b ]2/3 d'4. b |
%%46
-%#% { =a2. fis2. } |
- < a2. fis2. > |
+ <a!2. fis2. > |
%%47
- [ e' df( )dis' e' ]2/3 g'4.^> cis' |
+ [ e' \f( )dis' e' ]2/3 g'4.^> cis' |
%%48
- \textstyle "italic"
- < \multivoice { \stem{ 1 } fis2.( | \stem{ -1 } )f2. }
- { \stem{ 1 } d'2.( | \stem{ 1 } )d'4 r4_"decresc." d'4 } >
- \textstyle "roman" |
+ \textstyle "italic";
+ <
+ { fis2.( \group "+1"; \stem -1; )f2. }
+ { d'2. ( \stem 1; )d'4 r4_"decresc." d'4 }
+ >
+ \textstyle "roman"; |
%%50
< bes2. e2. > |
%%51
< a2. cis2. > |
%%52
- < fis2 d2 > < a4 fis4 pp > |
+ < fis2 d2 > < a4 fis4 \pp > |
%%53
< bes2 g2 > < [ d'8.^> bes8. > < bes16 g16 ] > |
< { a4. [ a-. a-. a-. ] }
{ g4. [ cis-.( e-. )g-. ] } > |
%%56
- \textstyle "italic"
+ \textstyle "italic";
< a2. fis2._"dim." >
- \textstyle "roman" |
+ \textstyle "roman"; |
%%57
< a2. fis2. > |
%%58
}
begeleiding = \melodic{
- \meter{3/4}
- \clef\bass
- \key{bes}
- \octave{ c }
- \duration{2}
+ \meter 3/4;
+ \clef\bass;
+ \key bes;
+ \octave c';
+ \duration 2;
'd r4 |
%%2
''bes r4 |
%%4
''a r4 |
-%#%:|
%%5
-\duration{ 8 }
- < \multivoice { \stem{ 1 } [ 'f 'a d 'a d 'a ] }
- { \stem{ -1 } 'd2 r4 } > |
-%%6
- < \multivoice { \stem{ 1 } [ 'd 'e 'g 'e 'g 'e ] }
- { \stem{ -1 } ''bes2 r4 } > |
-%%7
- < \multivoice { \stem{ 1 } [ 'cis 'e 'g 'e 'g e ] }
- { \stem{ -1 } ''a2 r4 } > |
- %%8
- < \multivoice { \stem{ 1 } [ 'd 'a d 'a d 'a ] }
- { \stem{ -1 } 'd2 r4 } > |
+\duration 8;
+ < \multivoice { \stem 1;
+ [ 'f 'a d 'a d 'a ]
+ [ 'd 'e 'g 'e 'g 'e ]
+ [ 'cis 'e 'g 'e 'g e ]
+ [ 'd 'a d 'a d 'a ]
+ }
+ { \stem -1;
+ 'd2 r4
+ ''bes2 r4
+ ''a2 r4
+ 'd2 r4
+ } >
%%9
[ 'a e g e g e ] |
%%10
[ 'd 'a d 'a d 'a ] |
%%11
- < \multivoice { \stem{ 1 } [ 'f 'a d 'a d 'a ] }
- { \stem{ -1 } 'd2 r4 } > |
-%%12 == 6
- < \multivoice { \stem{ 1 } [ 'd 'e 'g 'e 'g 'e ] }
- { \stem{ -1 } ''bes2 r4 } > |
-%13
- < \multivoice { [ 'e 'g 'bes 'g 'bes 'g ] }
- { \stem{ -1 } 'c2 r4 } > |
-%%14
- < \multivoice { \stem{ 1 } [ 'a c f c f c ] }
- { \stem{ -1 } 'f2 r4 } > |
+ < \multivoice
+ { \stem 1;
+ [ 'f 'a d 'a d 'a ]
+ [ 'd 'e 'g 'e 'g 'e ]
+ [ 'e 'g 'bes 'g 'bes 'g ]
+ [ 'a c f c f c ]
+ } { \stem -1;
+ 'd2 r4
+ ''bes2 r4
+ 'c2 r4
+ 'f2 r4 }
+ >
%%15
[ 'c 'g 'bes 'g 'bes 'g ] |
%%16
[ ''f 'c 'f 'c 'f 'c ] |
-%%17
- < \multivoice { \stem{ 1 } [ ''a 'e 'g 'e 'g 'e ] }
- { \stem{ -1 } ''a2 r4 } > |
-%%18
- < \multivoice { \stem{ 1 } [ 'd 'a d 'a d 'a ] }
- { \stem{ -1 } 'd2 r4 } > |
-%%19
- < \multivoice { \stem{ 1 } [ ''bes 'f 'bes 'f 'bes 'f ] }
- { \stem{ -1 } ''bes2 r4 } > |
-%%20
- < \multivoice { \stem{ 1 } [ ''f 'c 'f 'c 'f 'c ] }
- { \stem{ -1 } ''f2 r4 } > |
+ < \multivoice
+ { \stem 1;
+ [ ''a 'e 'g 'e 'g 'e ][ 'd 'a d 'a d 'a ]
+ [ ''bes 'f 'bes 'f 'bes 'f ][ ''f 'c 'f 'c 'f 'c ] }
+ { \stem -1;
+ ''a2 r4
+ 'd2 r4
+ ''bes2 r4
+ ''f2 r4
+ } >
%%21
< [ 'e 'c > 'g c 'g c 'g ] |
%%22
[ 'f 'a c 'a 'f 'c ] |
-%%23
- < \multivoice { \stem{ 1 } [ ''a 'e 'g 'e 'g 'e ] }
- { \stem{ -1 } ''a2 r4 } > |
-%%24
- < \multivoice { \stem{ 1 } [ 'd 'fis 'a 'fis 'a 'fis ] }
- { \stem{ -1 } 'd2 r4 } > |
-%%25
- < \multivoice { \stem{ 1 } [ ''g 'd 'b 'd 'b 'd ] }
- { \stem{ -1 } ''g2 r4 } > |
-%%26
- < \multivoice { \stem{ 1 } [ 'd 'a d 'a d 'a ] }
- { \stem{ -1 } 'd2 r4 } > |
-%%27
+ < \multivoice {
+ \stem 1;
+ [ ''a 'e 'g 'e 'g 'e ]
+ [ 'd 'fis 'a 'fis 'a 'fis ]
+ [ ''g 'd 'b 'd 'b 'd ]
+ [ 'd 'a d 'a d 'a ]
+ }
+ {\stem -1;
+ ''a2 r4
+ 'd2 r4
+ ''g2 r4
+ 'd2 r4
+ }
+ >
< [ 'cis ''a > 'e 'a 'e 'a 'e ] |
%%28
[ 'd 'a d 'a d 'a ] |
%%36
[ 'd 'fis 'a 'fis 'a 'fis ] |
%#%\volta2
-%#%:|
%%37
[ ''a 'e 'g 'e ''bes^> 'e ] |
%%38
- [ ''a < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a ] > |
+ [ ''a < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a ] > |
%%39
[ ''a 'e 'g 'e ''bes^> 'e ] |
%%40
- [ ''a < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a ] > |
+ [ ''a < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a > < e cis 'a ] > |
%%41
[ ''ais 'e 'fis 'e 'fis 'e ] |
%%42
%%44
< [ 'd ''b > 'fis 'b 'fis 'b 'fis ] |
%%45
- < \multivoice { \stem{ 1 } [ ''g 'd 'b 'd 'b 'd ] }
- { \stem{ -1 } ''g2 r4 } > |
-%%46
- < \multivoice { \stem{ 1 } [ 'd 'a d 'a d 'a ] }
- { \stem{ -1 } 'd2 r4 } > |
+ < \multivoice { \stem 1;
+ [ ''g 'd 'b 'd 'b 'd ]
+ [ 'd 'a d 'a d 'a ]
+ } {
+ \stem -1;
+ ''g2 r4
+ 'd2 r4
+ } >
+
%%47
< [ 'cis ''a > 'e 'a 'e 'a 'e ] |
%%48
tekstI = \lyric{
- \meter{ 3/4 }
- \duration{4}
+ \meter 3/4;
+ \duration 4;
_ _ _
_ _ _
_ _ _
[ Lei- se8 ]2/3 fleh-4. en8
[ mei- ne8 ]2/3 Lie- der8 _8
Durch4. die8 [ Nacht zu8 ]2/3
- dir;2 _
+ dir;2 _
_ _ _
_ _ _
% 11
% 37
La\ss8. auch16 dir8. die16 Brust8. be-16
we- gen, _
- Lieb-4. chen,8 h\"o-8. re16
+ Lieb-4. chen,8 h\"o-8. re16
mich!2 _
Be-8. bend16 harr' ich8 _8
dir8. ent-16 ge- gen!8 _8
}
tekstII = \lyric{
- \meter{3/4}
- \duration{4}
+ \meter 3/4;
+ \duration 4;
_ _ _
_ _ _
_ _ _
Herz.2.
_ _ _
_ _ _
-
% volta 1
% 29
_ _ _ _ _ _
% volta 2
% 37
-% _ _ _ _ _ _
-% _ _ _ _ _ _
-% _ _ _ _ _ _
-% _ _ _ _ _ _
-% _ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _
% 47
-% _ _ _ _ _ _
-% _ _ _ _ _ _
-% _ _ _ _ _ _
-% _ _ _ _ _ _
-% _ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _
+ _ _ _ _ _ _
% 57
-% _ _ _ _ _ _
+ _ _ _ _ _ _
}
\score{
- \staff{ lyric % this sux el grandioso. What about \lyricstaff, \melodicstaff etc.
- tekstI tekstII }
- \staff{ melodie }
- \staff{ begeleiding }
+ \staff{ lyricregs tekstI }
+ \staff{ lyricregs tekstII }
+
+ \staff{ melodicregs melodie commands}
+ \staff{ melodicregs begeleiding commands }
\paper{
\width 195\mm
projects / lilypond.git / blobdiff