2nd fuga transposed subject -- 4 bar excerpt.
We try to imitate the Griepenkerl/Keller edition which
gives the best approximation to Bach's original layout
-
%}
%{
Tested Features:
* organ staff...
%}
-\version "1.0.6";
+\version "1.3.110";
praeludium_commands = \notes {
\time 4/4;
- \key e;
+ \key e \major;
}
-praeludium_right = \notes\transpose c'' {
+praeludium_right = \notes {
\$praeludium_commands
\clef violin;
% 13 -- how to type -- where to split -- this more neatly?
- \type Staff <
- { \stemup r4 dis'4 e'4. e'8 ~ |
- \shifton e'4 [d'8 fis'8] \shiftoff gis'4 ~ [gis'8 fis'16 e'16] |
- fis'4 ~ [fis'8 e'16 dis'16] e'4 r8 e'8 }
- { \stemup \shifton r4 bis4 cis'4 \shiftoff cis'4 |
- a'4 ~ [a'16 gis'16 a'16 b'16] \shifton dis'4 cis'4 ~ |
- [cis'8 dis'16 ais16] bis4 cis'4 r8 b8 }
- {
-
- %\stemup
+ \context Staff <
+ \context Voice = I \relative c'' { \stemUp r4 dis4 e4. e8 ~ |
+ \shiftOn e4 [d8 fis8] \shiftOff gis4 ~ [gis8 fis16 e ] |
+ fis4 ~ [fis8 e16 dis] e4 r8 e8 }
+ \context Voice = III \relative c'' { \stemUp \shiftOn r4 bis cis \shiftOff cis |
+ a' ~ [a16 gis a b] \shiftOn dis,4 cis ~ |
+ [cis8 dis16 ais] bis4 cis r8 b }
+ \context Voice = IV \relative c'' {
+
+ %\stemUp
%{
this is a diversion from the Griepenkerl/Keller
edition; a hack to avoid collisions
%}
- \stemdown
- \shifton s4 gis4 }
+ \stemDown
+ \shiftOn s4 gis }
- { \stemdown
-% \shifton % idem
+ \context Voice = II \relative c' { \stemDown
+% \shiftOn % idem
- r4 fis4 \shiftoff gis4 gis4 |
- a4. cis'8 gis2 |
- fis4 gis4 gis4 r8 e8 }
+ r4 fis \shiftOff gis gis |
+ a4. cis8 gis2 |
+ fis4 gis gis r8 e8 }
> |
% 16
}
-praeludium_left = \notes {
+praeludium_left = \notes \relative c {
\$praeludium_commands
\clef bass;
% 13
- \type Staff <
- { \stemup r4 dis'4 cis'4 cis'4 ~ |
- [cis'8 a8 d'8 cis'8] [bis8 gis8] cis'4 |
- dis'2 cis'4 r8 cis'8 }
- { \stemup bis2 }
- { \stemup \shifton r4 gis4 ~ [gis 8 gis8] ~ \stemdown \shiftoff gis4 |
+ \context Staff <
+ \context Voice = two { r4 }
+ \context Voice = one { \stemUp s4 dis' cis cis ~ |
+ [cis8 a d cis] [bis gis] cis4 |
+ dis2 cis4 r8 cis }
+ \context Voice = one { \stemUp bis2 }
+ \context Voice = three { \stemUp \shiftOn r4 gis ~ [gis8 gis] ~ \stemDown \shiftOff gis4 |
a4. fis8 gis4. a8 ~ |
- a4 gis4 gis4 r8 gis8 }
-% { \stemup \shifton s4 fis4 e}
+ a4 gis4 gis r8 gis }
+% { \stemUp \shiftOn s4 fis4 e}
% a quick hack to avoid some collisons
- { \stemdown \shifton s4 fis4 e}
- { \stemdown s4 dis4 cis4 }
+ \context Voice = four { \stemDown \shiftOn s4 fis4 e}
+ \context Voice = two { \stemDown s4 dis4 cis4 }
> |
- % 16
+ %16
}
-praeludium_pedal = \notes {
+praeludium_pedal = \notes \relative c{
\$praeludium_commands
\clef bass;
- % 13
- r4 fis,4-\ltoe e,4.-\lheel e8-\rheel |
- fis4.-\rtoe fis8-\rtoe fis4-\rtoe [e8-\ltoe a8-\rtoe] |
- dis4-\ltoe gis4-\rtoe [cis8-\ltoe b,!8-\lheel ais,8-\rtoe gis,8-\ltoe] |
- % 16
+ %13
+ r4 fis,4-\ltoe e4.-\lheel e'8-\rheel |
+ fis4.-\rtoe fis8-\rtoe fis4-\rtoe [e8-\ltoe a-\rtoe] |
+ dis,4-\ltoe gis-\rtoe [cis,8-\ltoe b!-\lheel ais-\rtoe gis-\ltoe] |
+ %16
}
-fuga2_commands = \notes{
- \time 3/4;
- \key e; % E-major
+fugaII_commands = \notes{
+ \time3/4;
+ \key e \major; % E-major
}
-fuga2_right = \notes\transpose c'' {
- \$fuga2_commands
+fugaII_right = \notes \relative c'' {
+ \$fugaII_commands
\clef violin;
- % 15
- \type Staff <
- { \stemup [b8 fis8] b4 }
- { \stemdown fis2 }
+ %15
+ \context Staff <
+ \context Voice = VA { \stemUp [b8 fis8] b4 }
+ \context Voice = VB { \stemDown fis2 }
>
- %{ this chord is usually set like this:
- |
- x||
- x||
- x|
- |x
- |
- %}
- \type Staff <
- { \stemup \shiftoff e'4 }
- { \stemup \shifton cis'4 }
- { \stemup \shifton ais4 }
- { \stemdown fis4 }
- > |
- % 16
- \type Staff <
- { \stemup dis'2 dis'4 |
- cis'2 cis'4 |
- b4. [cis'8 dis'8 e'8] }
- { \stemup \shifton [b8 fis8] b2 ~ |
- [b8 a!16 gis16] a2 ~ |
+
+ \context Staff \notes\relative c''<
+ \context Voice=one {
+ \property Voice.horizontalNoteShift=0
+ \property Voice.verticalDirection=1
+ e4
+ }
+ \context Voice=two {
+ \property Voice.verticalDirection=1
+ \property Voice.horizontalNoteShift=1
+ cis
+ }
+ \context Voice=three {
+ \property Voice.horizontalNoteShift=2
+ \property Voice.verticalDirection=1
+ ais
+ }
+ \context Voice=four {
+ \property Voice.verticalDirection=-1
+ \property Voice.horizontalNoteShift=-1
+ fis
+ }
+ >
+
+ %16
+ \context Staff <
+ \context Voice = one { dis2 dis4 |
+ cis2 cis4 |
+ b4. [cis8 dis e] }
+ \context Voice = three { \stemUp \shiftOn [b8 fis] b2 ~ |
+ [b8 a!16 gis] a2 ~ |
a4 gis2 }
- { \stemdown fis2. ~ |
- fis2. ~ |
+ \context Voice = two { \stemDown fis2. ~ |
+ fis ~ |
fis4 e2 }
> |
- % 19
+ %19
}
-fuga2_left = \notes {
- \$fuga2_commands
+fugaII_left = \notes {
+ \$fugaII_commands
\clef bass;
- % 15
- \type Staff <
- { \stemdown b2 \stemup ais4 |
+ %15
+ \context Staff <
+ \context Voice = two { \stemDown b2 \stemUp ais4 |
b2 b4 }
- { \stemdown s2 e4 |
+ \context Voice = two { \stemDown s2 e4 |
fis2 fis4 }
>
- \stemdown cis'2 e'4 |
+ \stemDown cis2 e4 |
b4. b8 b4 |
- % 19
+ %19
}
-fuga2_pedal = \notes {
- \$fuga2_commands
+fugaII_pedal = \notes \relative c {
+ \$fugaII_commands
\clef bass;
- % 15
+ %15
dis4.-\ltoe e8-\rtoe cis4 |
- b,4.-\lheel [cis8-\ltoe dis8-\rtoe e8-\rheel] |
+ b4.-\lheel [cis8-\ltoe dis8-\rtoe e8-\rheel] |
fis4.-\rtoe [e8-\rheel dis8-\rtoe cis8-\ltoe] |
dis4-\rtoe e4-\rheel e,4-\ltoe |
- % 19
+ %19
}
breakmusic = \notes {
- %\time 4/4;
+ %\time4/4;
r1
}
% these should be two separate scores...
\score{
- \type Score <
- \type GrandStaff <
- \type Staff = treble {
- \praeludium_right \breakmusic \fuga2_right }
- \type Staff = bass {
- \praeludium_left \breakmusic \fuga2_left }
+ \context Score <
+ \context PianoStaff <
+ \context Staff = treble {
+ \property Score.midiInstrument = "church organ"
+ \praeludium_right \breakmusic \fugaII_right }
+ \context Staff = bass {
+ \praeludium_left \breakmusic \fugaII_left }
>
- \type Staff = pedal {
- \praeludium_pedal \breakmusic \fuga2_pedal }
+ \context Staff = pedal {
+ \praeludium_pedal \breakmusic \fugaII_pedal }
>
- \paper{}
+ \paper {
+
+ \translator { \OrchestralScoreContext }
+ }
\midi {
- \tempo 4 = 96; }
+ \tempo 4 =96; }
}
projects / lilypond.git / blobdiff