COMMENT(
+questions:
+ long lyrics don't get any space at the end
+ lyrics and scripts collide
+ \key b; \time 4/4; looks bad---no space between key sig and clef
+ \portato still DOES NOT WORK!
+ \cadenza vs. barNonAuto ?
+ not enough space for \key b;
+ I noticed that ledger lines in the previewer looked like they had
+ a double line (of different lengths). On printed output, I think
+ I can see a slight thickening of the ledger lines in the middle.
+ Is this supposed to happen?
+ restStyle=mensural doesn't seem to work (lots of characters not found
+ for rests.fly)
+ what happened to the Staff.textalignment and Lyrics.textalignment
+ properties?
+
+
TODO:
- the use of semicolons needs to be documented once it settles down
+ autobeamer
paper size?
+ paper variables
the explanation of how lyrics mode parses words seems ridiculous.
- Is there a simple way to explain this, or is the behavior
- too complicated for a reasonable explanation?
- \relative and \tranpose and \times make it necessary to specify
- an explicit \type staff, or bizarre things happen.
- catalan.ly
+ Is there a simple way to explain this, or is the behavior
+ too complicated for a reasonable explanation?
accordion symbols
- extender* (see extender.ly)
- \repeat & \alternative -> probably should have an example
- properties:
- unfoldRepeats
- voltaVisibility
- property: stemLeftBeamCount stemRightBeamCount
interstaff beams (beam-interstaff.ly)
interstaff slurs (see preludes-1.ly)
- boolean property barAuto
- property: noteheadStyle
- harmonics: test/harmonics.fly
- autobeamer
- properties: beamAutoEndx ??? rational string "1/2"
- beamAutoBegin
- beamAutoEnd
- beamAuto
- ScriptPadding
- Direction
- chordNameStyle (banter)
- chordInversionPreserve
- createInitdefaultClef
- dynamicStyle
- singleStaffBracket
- numberOfStaffLines
-
-
- {Mark,BarNumber,Margin}{Direction,ScriptPadding}
-
-
+
+ Current list of undocumented properties:
+
+ "alignmentReference" to do with minVerticalAlign, etc?
+ "beamAuto"
+ "beamAutoBegin"
+ "beamAutoBegin" + type_str
+ "beamAutoEnd"
+ "beamAutoEnd" + type_str
+ "createInitdefaultClef"
+ "dynamicStyle"
+ "postBreakPadding"
+ "staffLineLeading"
+ "stemLeftBeamCount"
+ "stemRightBeamCount"
+ time_str + "beamAutoBegin"
+ time_str + "beamAutoBegin" + type_str
+ time_str + "beamAutoEnd"
+ time_str + "beamAutoEnd" + type_str
+ type_ + "Direction"
+ type_ + "HangOnClef"
+ type_ + "ScriptPadding"
)
whentexinfo(notableofcontents())
-article(Mudela 1.0.14 / LilyPond 1.1.27 Reference Manual)
+article(Mudela 1.0.14 / LilyPond 1.1.40 Reference Manual)
(Adrian Mariano, Han-Wen Nienhuys and Jan Nieuwenhuizen)
(nop()PIPETHROUGH(date "+%B %d, %Y")()()nop())
A Mudela file consists of keywords with arguments and identifier
assignments separated by spaces, tabs or newlines. Semicolons are
-used by some keywords but are not generally required. A one line
-comment is introduced by a code(%) character. Block comments are
-started by code(%{) and ended by code(%}). They cannot be nested.
+used by some keywords and are inconsistantly required in other
+circumstances. A one line comment is introduced by a code(%)
+character. Block comments are started by code(%{) and ended by
+code(%}). They cannot be nested.
Mudela supports several types:
)
-COMMENT(
-Compound types are built up from the simple types. The compound types
-are: arglist, assignlist and musiclist. An arglist is a
-white space separated list of integers, reals and or strings surrounded
-by braces code({) and code(}). An assignlist is a list of
-identifier assignments, which have the form var(key)code(=)var(value).
-A statement in Mudela has one of three forms:
-verb(\keyword argument
-\keyword argument1 argument2 ... ;
-string=value)
-)
subsect(Identifiers)
name with a backslash: code(\)var(name). It is legal to redefine an
identifier in terms of its old value: code(foo = \foo * 2.0).
Identifier assignments must appear at the top level in the Mudela
-file.
+file. Note that semicolons are forbidden after assignments appearing
+at the top level but they are obligatory after assignments appearing
+elsewhere.
An identifier can be created with any string for its name, but you
will only be able to refer to identifiers whose names begin with a
alternative grouping mm relative tempo
bar header musicalpitch remove time
cadenza in name repeat times
-chordmodifier include notenames scm translator
+chordmodifiers include notenames scm translator
chords key notes scmfile transpose
clef keysignature paper score type
cm lyrics partial script version
Section ref(translators) for more information.
-COMMENT(
-subsect(Hierarchical structures)
-
-The general structure consists of declarations:
-verb(IDENTIFIER = \TYPE{
- <type specific data>
-})
-and instantiations:
-
-verb(\TYPE{ <type specific data> })
-
-(Currently, code(\score) is the only type that can be instantiated
-at top level.)
-
-Most instantiations that use an IDENTIFIER are specified as follows:
-
-verb(\TYPE{ \IDENTIFIER [...] })
-
-Some exceptions on this rule have been made to prevent inputting
-Mudela becoming tedious
-)
-
subsect(Modes)
label(modes)
been created yet. You must explicitly specify the Voice context in
this situation
mudela(fragment,verbatim,center)(
-\type Voice { \times 2/3 {c'4 d' e'}}
+\context Voice { \times 2/3 {c'4 d' e'}}
)
A shorthand for code(\times) is to write code(*)var(fraction) after a
f'()g'()a' [a'8 b'(] a'4 g' )f'
)
-A tie connects two adjacent note heads. When used with chords, it
-connects all of the note heads. Ties are indicated using the tilde symbol
+A tie connects two adjacent note heads of the same pitch.
+When used with chords, it
+connects all of the note heads whose pitches match.
+Ties are indicated using the tilde symbol
code(~) by analogy with TeX()'s tie which connects words.
+Note that if you try to tie together chords which have no common
+pitches, then a warning message will appear and no tie will be created.
+(Note that ties between different pitches can be enabled using the
+property Voice.oldTieBehavior.)
mudela(fragment,verbatim,center)(
e' ~ e' <c' e' g'> ~ <c' e' g'>
context:
mudela(fragment,verbatim,center)(
<
-\type Staff=one \notes\relative c'{
+\context Staff=one \notes\relative c'{
\stemup
[c8 c \translator Staff=two \stemup c c]
\translator Staff=one
d4( \translator Staff=two )a4
}
-\type Staff=two \notes{ \clef bass;}
+\context Staff=two \notes{ \clef bass;}
>
)
-COMMENT(!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!)
-
subsect(Note Ornaments)
A variety of symbols can appear above and below notes to indicate
-different characteristics of the performance.
-These symbols can be
-added to a note with `var(note)code(-\)var(name)'. Numerous different
-symbols are defined in file(script.ly). Each symbol is defined using
-the code(\script) keyword which specifies where symbols appear.
-Symbols can be forced to appear above the note by writing
+different characteristics of the performance. These symbols can be
+added to a note with `var(note)code(-\)var(name)'. Numerous symbols
+are defined in file(script.ly) and file(script.scm). Symbols can be
+forced to appear above the note by writing
`var(note)code(^\)var(name)', and they can be forced to appear below
by writing `var(note)code(_\)var(name)'. Here is a chart showing
symbols above notes, with the name of the corresponding symbol
-appearing underneath.
+appearing underneath.
mudela()(
\score{
c''-\trill
c''-\prall c''-\mordent c''-\prallprall c''-\prallmordent
c''-\upprall c''-\downprall c''-\thumb }
- \type Lyrics \lyrics{
- accent marcato staccatissimo fermata stopped
- staccato tenuto upbow downbow lheel rheel ltoe rtoe turn
- open flageolet reverseturn
- trill prall
- mordent prallprall prallmordent uprall downprall thumb }
+ \context Lyrics \lyrics{
+ accent__ marcato__ staccatissimo__ fermata stopped__
+ staccato__ tenuto__ upbow downbow__ lheel__ rheel__ ltoe
+ rtoe__ turn__ open__ flageolet reverseturn__ trill__ prall__
+ mordent prallprall__ prallmordent__ uprall__ downprall thumb }
>
\paper{ linewidth = 5.875\in;
indent = 0.0; }
}
)
-COMMENT( The following are defined in script.ly but do not work:
-
-portato lbheel rbheel lbtoe rbtoe lfheel rfheel lftoe rftoe )
-
In addition, it is possible to place arbitrary strings of text or
TeX() above or below notes by using a string instead of an identifier:
`code(c^"text")'. Fingerings can be placed by simply using digits.
single characters:
mudela()(
\score{ \notes {
- \property Voice.textstyle = typewriter
+ \property Voice.textStyle = typewriter
c''4-._"c-." s4
c''4--_"c-{}-" s4
c''4-+_"c-+" s4
deutsch.ly c d e f g a b h -is -es
norsk.ly c d e f g a b h -iss/-is -ess/-es
svenska.ly c d e f g a b h -iss -ess
-italiano.ly do re mi fa sol la sid si -d -b)
+italiano.ly do re mi fa sol la sid si -d -b
+catalan.ly do re mi fa sol la sid si -d/-s -b)
subsect(Relative Pitch Specification)
label(relative)
above. Also note that if the music passed to a code(\relative) keyword
contains a code(\transpose) keyword, the tranposed music will not be
processed in relative mode. An additional code(\relative) must be placed
-inside the code(\transpose).
+inside the code(\transpose). If code(\relative) will be used several
+times, or if it will be used in the same music with code(\transpose),
+then you may get bizarre effects. This can be fixed by using an
+explicit code(Staff) context.
subsect(Tranposition of Pitches)
If you want to use both code(\transpose) and code(\relative), then you must use
code(\transpose) first. Any code(\relative) keywords that are outside the
code(\transpose) have no effect on notes that appear inside the
-code(\transpose).
+code(\transpose). As with code(\relative), using code(\transpose)
+repeatedly can cause bizarre effects. An explicit code(Staff) context
+will eliminate the problems.
sect(Chords)
or directly using angle brackets.
mudela(fragment,verbatim)(
<
- \type ChordNames { \chords{ a b c} \notes{ < d f g > < e g b > } }
- \type Staff \notes{ a b c' d' e' }
+ \context ChordNames { \chords{ a b c} \notes{ < d f g > < e g b > } }
+ \context Staff \notes{ a b c' d' e' }
>
)
Lilypond examines chords specified as lists of notes to determine a
chord inversions:
mudela(fragment,verbatim,center)(
<
- \type ChordNames {
+ \context ChordNames {
\notes{ < e' g' c'' > } }
- \type Staff \notes{ c' }
+ \context Staff \notes{ c' }
>)
If you want inversions to be recognized, you must set the property
code(Score.chordInversion):
mudela(fragment,verbatim,center)(
<
\property Score.chordInversion = 1
- \type ChordNames {
+ \context ChordNames {
\notes{ < e' g' c'' > } }
- \type Staff \notes{ c' }
+ \context Staff \notes{ c' }
>)
-COMMENT(
- Two other properties
- chordInversionPreserve
- and chordNameStyle = Banter
- exist. What do these do?
-)
sect(Lyrics)
See Section ref(modes) for a description of what is interpreted as a lyric.
In order to instruct LilyPond to write lyrics underneath the
-staff, you must enter the lyrics context with code(\type Lyrics).
+staff, you must enter the lyrics context with code(\context Lyrics).
Lyrics should be entered in lyrics mode which is entered with code(\lyrics).
Spaces can be introduced into a lyric either by using quotes (code("))
mudela(verbatim)(\score{
< \notes \transpose c'' {c d e c | c d e c | e f g'2 |
e'4 f g'2 \bar "|."; }
- \type Lyrics \lyrics {
+ \context Lyrics \lyrics {
DOEXPAND(Fr\)`e-4 re Ja- que DOEXPAND(Fr\)`e- re Ja- que
Dor- mez vous?2 Dor-4 mez vous?2 }
>
When one word is attached to many notes, you may
want a continuous line after the lyric to show this. To achieve
-this effect, add a code(__) lyric after the lyric to be extended.
+this effect, add a code(__) lyric as a separate word
+after the lyric to be extended.
This will create
an extender, a line that extends over the entire duration of
-the lyric. There must be a lyric after the code(__), so if you want
-to extend the final lyric, you will have to end with a blank lyric.
-mudela(verbatim,center)(
-\score{
+the lyric. This line will run all the way to the start of the next
+lyric, so you may want to shorten it by using a blank lyric.
+mudela(verbatim)(\score{
< \notes \relative c''{
- a4()b()c()d c()d()b()a }
- \type Lyrics \lyrics {
- foo1 __ bar2. __ _ }
+ a4()b()c()d c()d()b()a c()d()b()a }
+ \context Lyrics \lyrics {
+ foo1 __ bar2. __ _4 baz1 __ }
> })
-COMMENT(Broken!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!)
-
sect(Time)
row(cell()cell(code(|) code({) em(MusicList) code(})))
row(cell()cell(code(|) code(<) em(MusicList) code(>)))
row(cell()cell(code(|) em(Command)))
- row(cell()cell(code(|) code(\type) em(string) code(=) em(string) em(Music)))
+ row(cell()cell(code(|) code(\context) em(string) code(=) em(string) em(Music)))
row(cell()cell(;))
row(cell(em(MusicList))cell(: em(empty)))
row(cell()cell(code(|) em(MusicList) em(Music)))
d % from c to the d that's almost one octave down
{ e4 f4 } % the horizontal music
)
-it()verb(\type)
+it()verb(\context)
it()verb(\property)
it()verb(\translator)
it()verb(\relative)
{ c <c e> <c e g> <c e g \transpose d' dis > } % 4 increasing chords
)
-)
+END OF COMMENT )
sect(Repeats)
\repeat 2 {c'4 d' e' f'}
\alternative { {d'2 d'} {f' f} })
When the repeats involve partial measures, it will be necessary to use
-code(\partial) keywords to indicate which measures are short.
+code(\partial) keywords in a somewhat unexpected way
+to indicate some measure lengths.
mudela(fragment,verbatim)(
-\type Staff { \relative c'{
+\context Staff { \relative c'{
\repeat 2 { \partial 4; e | c2 d2 | e2 f2 | }
- \alternative { { g4 g g } {\partial 2.; a a a a | b1 } }
+ \alternative { { g4 g g } {\partial 1; a a a a | b1 } }
+}})
+Repeats can be unfolded by setting the property Staff.unfoldRepeats.
+Note also that if your music begins with code(\repeat), you must place
+it in an explicit code(Staff) context or you will get bizarre results.
+
+If you don't give enough alternatives for all of the repeats, then the
+first alternative is assumed to be repeated enough to equal to
+specified number of repeats.
+mudela(fragment,verbatim)(
+\context Staff { \relative c'{
+ \repeat 3 { \partial 4; e | c2 d2 | e2 f2 | }
+ \alternative { { g4 g g } {\partial 1; e4 e e }
+ {\partial 1; a a a a | b1 } }
}})
-Repeats can be unfolded by setting the unfoldRepeats
sect(Keywords)
mudela(center)(
\score{
\notes{ \cadenza 1;
- %\property Voice.textstyle = typewriter
+ %\property Voice.textStyle = typewriter
\clef subbass; c'4-"\kern-10mm subbass"
\clef bass; c'4^"\kern -8mm bass"
\clef baritone; c'4_"\kern -10mm baritone"
\clef varbaritone; c'4^"\kern -10mm varbaritone"
\clef tenor; c'4_"\kern -10mm tenor"
- \clef "G_8"; c'4^"\kern -6mm G\_8" }
+ \clef "G_8"; c'4^"\kern -6mm G\_8"
+ }
\paper{ linewidth= 4.5 \in; }
}
)
The treble clef can also be obtained using the names code(G) or
code(violin). The bass clef is also available by code(\clef F).
+dit(code(\chord) var(chordlist)) Parse var(chordlist) in chords mode.
+
+dit(code(\chordmodifiers) var(modifierlist)) Specify the text chord
+modifiers that may appear after chord names. These are specified in
+the file file(chord-modifiers.ly).
+
dit(code(\cm)) Specify a dimension in centimeters.
dit(code(\consists) var(string)code(;)) This keyword can appear only within a
each score block describing its contents. Tools like code(ly2dvi) can
use this information for generating titles. Key values that are used
by ly2dvi are: title, subtitle, composer, opus, poet, instrument,
-metre, arranger, and piece.
+metre, arranger, piece and tagline.
dit(code(\in)) Specify a dimension in inches.
var(type) should be code(\major) or code(\minor) to get
var(pitch)-major or var(pitch)-minor, respectively. The second
argument is optional, the default is major keys.
-The var(\type) argument can also be given as an integer, which tells
+The var(\context) argument can also be given as an integer, which tells
the number of semitones that should be added to the pitch given in the
subsequent code(\key) commands to get the corresponding major key,
-e.g. code(\minor) is defined as 3.
+e.g. code(\minor) is defined as 3. The standard mode names
+code(\ionian), code(\locrian), code(\aeolian), code(\mixolydian),
+code(\lydian), code(\phrygian), and code(\dorian) are also defined.
dit(code(\keysignature) var(pitchseq)code(;))
Specify an arbitrary key signature. The pitches from var(pitch) will
output. See Section ref(paper).
dit(code(\partial) var(duration)code(;)) Specify that the first measure of
-the music lasts only for the specified duration.
+the music lasts only for the specified duration. Use also to specify
+the duration of the first measure of the argument to
+code(\alternative).
dit(code(\penalty) code(=) var(int)code(;)) Allowed only in music.
Discourage or encourage line breaks. See identifiers code(\break) and
is the top level notation context.
COMMENT(this still needs work)
-dit(code(\script) code({) var(name) var(instaff) var(withstem)
-var(location) var(invertible) var(priority) code(})) This keyword is
-used the initialization file(script.ly) to define the various symbols
-that can appear above and below notes. The first argument is the name
-of the symbol. The second argument var(instaff) is 1 if the symbol
-follows the notehead into the staff and 0 if the symbol stays above or
-below the staff lines. The third parameter var(withstem) is 0 if the
-symbol's placement does not depend on the stem direction; it is 1 if
-the symbol should be at the stem end of the note and it is -1 if the
-symbol should be at the note head end of the note. The argument
-var(location) is set to 1 for symbols that always appear above the
-staff; it is -1 for symbols that appear below the staff. If
-var(invertible) is set to 1 then the symbol can be inverted; otherwise
-it cannot. The last argument var(priority) sets a priority for the
-order of placement of several symbols on a single note.
+dit(code(\script) var(alias)) Prints a symbol above or below a note.
+The argument is a string which points into the script-alias table
+defined in file(script.scm). The scheme definitions specify whether
+the symbol follows notes into the staff, dependence of symbol
+placement on staff direction, and a priority for placing several
+symbols over one note. Usually the code(\script) keyword is not used
+directly. Various helpful identifier definitions appear in
+file(script.ly).
dit(code(\shape) code(=) var(indent1) var(width1) var(indent2)
var(width2) ... code(;)) Allowed only within code(\paper). Each pair
var(context) = var(name)) The first variant appears only within
code(\paper) and specifies a translator for
converting music to notation. The translator is specified with a
-single code(\type) statement and a series of code(\accepts), and
+single code(\context) statement and a series of code(\accepts), and
code(\consists) statements. See Section ref(translators).
The second variant appears in
music. It specifies that the current the contexts
transposition should be specified inside another code(\relative). See Section
ref(transpose).
-dit(code(\type) var(contexttype) [code(=) var(contextname)]
-var(music) or code(\type) var(translatortype)code(;)) The first
+dit(code(\context) var(contexttype) [code(=) var(contextname)]
+var(music) or code(\context) var(translatortype)code(;)) The first
variant is used only within music to create an instance of a
context. The new context can optionally be given a name. The
specified var(music) is processed in the new context. The second
Notation contexts provide information that appears in printed music
but not in the music itself. A new musical context is created using
-the code(\type) keyword: `code(\type) var(contexttype) [code(=)
+the code(\context) keyword: `code(\context) var(contexttype) [code(=)
var(contextname)] var(music)'. The following context types are
allowed.
contained staffs are not connected vertically.
dit(code(Score)) This is the top level notation context. It is specified with
-the code(\score) keyword rather than the code(\type) command. No
+the code(\score) keyword rather than the code(\context) command. No
other context can contain a code(Score) context. This context handles
the administration of time signatures. It also makes sure that items
such as clefs, time signatures, and key-signatures are aligned across
description(
-dit(code(textstyle)) Set the font for lyrics. The available font
+dit(code(textStyle)) Set the font for lyrics. The available font
choices are code(roman), code(italic), code(bold), code(large),
code(Large), code(typewriter), and code(finger). The code(finger)
font can only display numbers. Note also that you must be careful
are parsed, either put quotes around the arguments to code(\property)
or be sure to leave a space on both sides of the dot.
-dit(code(textalignment)) Controls alignment of lyrics. Set to code(\left)
+GONE dit(code(textalignment)) Controls alignment of lyrics. Set to code(\left)
to align the left end of the lyric with the note; set to code(\right) to
align the right end of the lyric with the note. Set to code(\center) to
align the center of the lyric with the note.
description(
+dit(code(textEmptyDimension)) If set to 1 then text placed above or
+below the staff is assumed to have zero width.
+
+dit(code(noteheadStyle)) Selects type of note head. Choices are
+code(cross), code(diamond), code(harmonic), code(transparent), and
+code(""). They are shown in that order below.
+mudela(center)(
+\score{
+ \notes{
+ \property Staff.barNonAuto = 1
+ \property Voice.noteHeadStyle = cross
+ a'
+ \property Voice.noteHeadStyle = diamond
+ a'
+ \property Voice.noteHeadStyle = harmonic
+ a'
+ \property Voice.noteHeadStyle = transparent
+ a'
+ \property Voice.noteHeadStyle = ""
+ a'
+ }
+ \paper{ linewidth = -1.;}
+}
+)
+
dit(code("midi_instrument")) Sets the instrument for MIDI output. This
property name must be quoted because of the embedded underscore. If
this property is not set then LilyPond will use the code(instrument)
dit(code(transposing)) Tranpose the MIDI output. Set this property to
the number of half-steps to transpose by.
+dit(code(oldTieBehavior)) Set to 1 in order to get old tie behavior
+where ties would connect unequal pitches.
+
dit(code(ydirection)) Determines the direction of stems, subscripts,
beams, slurs, and ties. Set to code(\down) to force them down,
code(\up) to force them up, or code(\free) to let LilyPond decide.
code(\up) to print marks above the staff; set to code(\down) to print
marks below the staff.
-dit(code(textalignment)) Controls alignment of superscripted and
+GONE dit(code(textalignment)) Controls alignment of superscripted and
subscripted text. Set to \left to align the left end of the text with
the note; set to \right to align the right end of the text with the
note. Set to \center to align the center of the text with the note.
-dit(code(textstyle)) Set the text style for superscripts and
+dit(code(textStyle)) Set the text style for superscripts and
subscripts. See above for list of text styles.
dit(code(textScriptPadding)) Determines the extra space added between
super-/subscripted text and the closest staff line or note.
-dit(code(textScriptPadding)) Determines the extra space added between
-super-/subscripted text and the closest staff line or note.
-
dit(code(fontsize)) Can be used to select smaller font sizes for
music. The normal font size is 0, and the two smaller sizes are -1
and -2.
-dit(code(pletvisibility)) Determines whether tuplets of notes are
-labelled. Setting to 0 shows nothing; setting to 1 shows a number;
-setting to 2 shows a number and a bracket if there is no beam; setting
-to 3 shows a number, and if there is no beam it adds a bracket;
-setting to 4 shows both a number and a bracket unconditionally.
-
-dit(code(markScriptPadding)) Determines the extra space added between
+GONE dit(code(markScriptPadding)) Determines the extra space added between
the mark and the closest staff line or note.
-dit(code(markDirection)) Determines if marks should be printed above
+GONE dit(code(markDirection)) Determines if marks should be printed above
or below the staff. Set to code(\up) to print marks above the staff;
set to code(\down) to print marks below the staff.
subsubsubsect(Staff properties)
description(
+
+dit(code(barAtLineStart)) Set to 1 to produce a bar line after the
+clef at the start of each line (but not at the beginning of the
+music).
+
+dit(code(voltaVisibility)) Set to 0 to suppress the printing
+of brackets over alternate endings specified by code(\alternative).
+
+dit(code(voltaSpannerDuration)) Set to an integer to control the size
+of the brackets printed by code(\alternative). The integer specifies
+the number of whole notes duration to use for the brackets. It seems
+to be rounded to the nearest measure. This can be used to shrink the
+length of brackets in the situation where one alternative is very
+large. It may have odd effects if the specified duration is longer
+than the music given in an code(\alternative).
+
+dit(code(barNonAuto)) If set to 1 then bar lines will not be printed
+automatically; they must be explicitly created with code(\bar) keywords.
+
+dit(code(unfoldRepeats)) If set to 1 then repeats will be unfolded.
+Otherwise, they will be printed using repeat symbols.
dit(code(defaultClef)) Determines the default clef. See code(\clef)
keyword.
-dit(code(nolines)) Sets the number of lines that the staff has.
+dit(code(nuberOfStaffLines)) Sets the number of lines that the staff has.
dit(code(barAlways)) If set to 1 a bar line is drawn after each note.
description(
dit(code(C)) 4/4 and 2/2 are typeset as C and struck C,
respectively. All other time signatures are written with two digits.
- dit(code(old)) 2/2, 3/2, 3/4, 4/4, 6/4 and 9/4 are typeset with
- old-style mensuration marks. All other time signatures are
+ dit(code(old)) 2/2, 3/2, 3/4, 4/4, 6/4, 9/4, 6/8 and 9/8 are typeset
+ with old-style mensuration marks. All other time signatures are
written with two digits.
dit(code(1)) All time signatures are typeset with a single
digit, e.g. 3/2 is written as 3.
dit(code(C2/2), code(C4/4), code(old2/2), code(old3/2),
- code(old3/4), code(old4/4), code(old6/4) or
- code(old9/4)) Tells Lilypond to use a specific symbol as time
- signature.
+ code(old3/4), code(old4/4), code(old6/4), code(old9/4),
+ code(old6/8) or code(old9/8))Tells Lilypond to use a
+ specific symbol as time signature.
)
The different time signature characters are shown below with
their names:
-mudela(fragment,center)(
-\relative c'' {
-\property Voice.textstyle = typewriter
+mudela(center)(
+\score{
+ \notes\relative c'' {
+\property Voice.textStyle = typewriter
\property Staff.timeSignatureStyle = "C2/2"
\time 2/2; a2^"C2/2" a2
\property Staff.timeSignatureStyle = "C4/4"
\time 2/2; a2^"old6/4" a2
\property Staff.timeSignatureStyle = "old9/4"
\time 2/2; a2^"old9/4" a2
+\property Staff.timeSignatureStyle = "old6/8"
+\time 2/2; a2^"old6/8" a2
+\property Staff.timeSignatureStyle = "old9/8"
+\time 2/2; a2^"old9/8" a2
+}
+ \paper{ linewidth= 4.5 \in; }
}
)
-COMMENT(Broken!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!)
+dit(code(restStyle)) Change the layout of rests shorter than quarter notes.
+Currently, the standard layout code(restStyle="") and mensural notation
+code(restStyle="mensural") are available.
+dit(code(clefStyle)) Determines how clefs are typeset. When set to
+code(transparent), the clefs are not printed at all, when set to
+code(fullSizeChanges), clef changes in the middle of a line are
+typeset with a full size clef. By default, clef changes are typeset in
+smaller size.
)
-
-
subsubsubsect(GrandStaff properties)
description(
)
-COMMENT(
-
-Mystery properties:
-
-bar-number-engraver.cc: "barScriptPadding" vertical space for numbers
-span-bar-engraver.cc: "singleStaffBracket" do single staffs get a bracket?
-)
sect(Pre-defined Identifiers)
label(ident)
provide shorthands for some settings.
description(
+dit(code(\aeolian)) Used as the second argument of the code(\key)
+keyword to get an aeolian mode.
dit(code(\break)) Force a line break in music by using a large
argument for the keyword code(\penalty).
dit(code(\center)) Used for setting textalignment property. Is set to 0.
dit(code(\cr)) Start a crescendo.
dit(code(\decr)) Start a decrescendo.
+dit(code(\dorian)) Used as the second argument of the code(\key)
+keyword to get a dorian mode.
dit(code(\down)) Used for setting direction setting properties. Is
equal to -1.
dit(code(\f)) Print forte symbol on the preceeding note.
code(castingalgorithm). Is equal to 1.0.
dit(code(\infinity)) Used for setting the Score.beamslopedamping
property. Is actually equal to 10000.
+dit(code(\ionian)) Used as the second argument of the code(\key)
+keyword to get an ionian mode.
dit(code(\left)) Used for setting textalignment property. Is equal to -1.
+dit(code(\locrian)) Used as the second argument of the code(\key)
+keyword to get a locrian mode.
+dit(code(\lydian)) Used as the second argument of the code(\key)
+keyword to get a lydian mode.
dit(code(\major)) Used as the second argument of the code(\key)
-command to get a major key.
+keyword to get a major key.
dit(code(\minor)) Used as the second argument of the code(\key)
-command to get a minor key.
+keyword to get a minor key.
+dit(code(\mixolydian)) Used as the second argument of the code(\key)
+keyword to get a mixolydian mode.
dit(code(\mf)) Print mezzoforte symbol on preceeding note.
dit(code(\mp)) Print mezzopiano symbol on preceeding note.
dit(code(\nobreak)) Prevent a line break in music by using a large
dit(code(\normalkey)) Select normal key signatures where each octave
has the same key signature. This sets the Staff.keyoctaviation property.
dit(code(\p)) Print a piano symbol on preceeding note.
+dit(code(\phrygian)) Used as the second argument of the code(\key)
+keyword to get a phrygian mode.
dit(code(\pp)) Print pianissimo symbol on preceeding note.
dit(code(\ppp)) Print pianississimo symbol on preceeding note.
dit(code(\pppp)) Print pianissississimo symbol on preceeding note.
projects / lilypond.git / blobdiff