]> git.donarmstrong.com Git - lilypond.git/blobdiff - Documentation/bibliography/colorado.bib
release: 1.5.25
[lilypond.git] / Documentation / bibliography / colorado.bib
index 6d7cf5120046978627ee79843bcc7b681330d35a..b9ac8df280ca43826508349c3d94e13aaf5f74b8 100644 (file)
@@ -3,19 +3,16 @@
 % AUTHOR=Alyssa Lamb (edited & converted to bibtex by HWN)
 %
 
-
-% TODO: fix the labelling.  
-
-@Book {6,
+@Book {jacob47:_music,
        author ={Jacob, Archibald},
-       year={1947},
+       year=1947,
        title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
        address ={London},
        publisher ={Oxford University Press}, 
        note = {subject: Musical notation},
 }
 
-@Book {15,
+@Book{brandt:_stand_chord_symbol_notat,
        author ={Carl Brandt and Clinton Roemer},
        title = {Standardized Chord Symbol Notation},
        address={Sherman Oaks, CA},
        note ={subject: musical notation},
 }
 
-@Book {22,
+@Book{johnson46:_how,
        author = {Johnson, Harold M},
-       year = {1946},
+       year = 1946,
        title = {How to write music manuscript an exercise-method handbook for the  music student, copyist, arranger, composer, teacher},
        publisher={Carl Fischer, Inc.},
        address= {New York},
        note = {subject: Musical notation --Handbooks, manuals},
 }
 
-@Book {31,
+@Book{sadie90:_music_print_publis,
        title = {Music Printing & Publishing},
        author ={Donald W. Krummel \& Stanley Sadie},
-       year = {1990},
+       year = 1990,
        publisher= {Macmillan Press},
        note ={subject: musical notation},
 }
@@ -43,7 +40,7 @@
 %series={The Norton/Grove Handbooks in Music.},
 % publisher={W.W. Norton},
 
-@Book {40,
+@Book{foss:_music_print,
        author={Foss, Hubert},
        title = {Music Printing},
        series = {Practical Printing and Binding},
        note ={subject: musical notation},
 }
 
-@Book {48,
+@Book{steele03:_earlies_englis_music_print,
        author = {Steele, Robert},
-       year = {1903},
+       year = 1903,
        title = {The Earliest English Music Printing},
        address={London},
        note= {subject: history of music printing and engraving},
 }
 
-@Book {54,
+@Book{austin:_story_music_print,
        author={Austin, Ernest},
        title = {The Story of Music Printing},
        address={London},
@@ -71,7 +68,7 @@
 
 
 
-@Book {63,
+@Book{?:_pictor_histor_music_print,
        author={?},
        title = {Pictoral History of Music Printing},
        address={Elhardt, Indiana},
@@ -80,9 +77,9 @@
 
 }
 
-@Book {77,
+@Book{wintermitz55:_music_autog_montev_hindem,
        author = {Wintermitz, Emmanuel},
-       year = {1955},
+       year = 1955,
        title = {Musical Autographs from Monteverdi to Hindemith},
        address={Princeton},
        publisher={Princeton University Press},
 }
 
 
-@Book {92,
+@Book{novello47:_some_accoun_method_music_print,
 
        author = {Novello, A},
-       year = {1847},
+       year = 1847,
        title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
        address={London},
        note={ subject: history of music printing and engraving},
 }
 
-@Book {100,
+@Book{chrsander18:_sketc_histor_music,
        author={Chrsander, F.},
        year={18??},
        title={A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
 
 @Article {squire1897,
        author = {Squire, W},
-       year = {1897},
+       year = 1897,
        title = {Notes on Early Music Printing},
        journal = {Bibliographica},
        volume={iii},
-       number={99},
+       number=99,
        note={ subject: history of music printing and engraving},
 
 }
 
-@Article{113,
+@Article{meyer35:_print_music,
        author = {Meyer, K. and O'Meara, J},
-       year = {1935},
+       year = 1935,
        title = {The Printing of Music, 1473-1934},
        journal = {The Dolphin},
        volume={ ii},
 
 }
 %% 4th ver.,
-@Article {120,
+@Article{pattison39:_notes_early_music_print,
        author = {Pattison, B},
-       year = {1939},
+       year = 1939,
        title = {Notes on Early Music Printing},
        journal = {The Library},
        note={subject: history of music printing and engraving},
        pages={389-421}, 
 }
 
-@Book {136,
+@Book{king64:_four_hundr_years_music_print,
        author = {King, H},
-       year = {1964},
+       year = 1964,
        title = {Four Hundred Years of Music Printing},
        address={London},
        note={ subject: history of music printing and engraving},
 
 
 %(Rev.1961).
-@Book{150,
+@Book{deutsch46:_music_number,
        author={Deutsch, O.F.},
-       year ={1946},
+       year =1946,
        title = {Music Publishers' Numbers},
        address={London},
        note={ subject: history of music printing and engraving},
 }
 
-@Book {151,
+@Book{marco62:_earlies_music_print_contin_europ,
        author = {Marco, G.A},
-       year = {1962},
+       year = 1962,
        title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
        address={Charlottesville, Virginia},
        note={ subject: history of music printing and engraving},
 }
 
-@Article {158,
+@Article{kinkeldey32:_music_and_music_print_incun,
        author = {Kinkeldey, O},
-       year = {1932},
+       year = 1932,
        title = {Music And Music Printing in Incunabula},
        journal = {Papers of the Bibliographical Society of America},
        volume={ xxvi},
        note={ subject: history of music printing and engraving},
 }
 
-@Book {166,
+@Book{oldman34:_collec_music_first_edition,
        author = {Oldman, C.B},
-       year = {1934},
+       year = 1934,
        title = {Collecting Musical First Editions},
        address={London},
        note={ subject: history of music printing and engraving},
 }
 
-@Book{170,
+@Book{carter34:_new_paths_book_collec,
        author={Carter, J},
-       year={1934},
+       year=1934,
        title = {New Paths in Book Collecting},
        address={London},
        note={ subject: history of music printing and engraving},
 }
 
-@Book {179,
+@Book{krummel58:_graph_analy_applic_early_americ_engrav_music,
        author={Krummel, D.W.},
-       year={1958},
-       month={9},
+       year=1958,
+       month=9,
        title = {Graphic Analysis in Application to Early American Engraved Music},
        journal = {Notes},
        volume={xvi},
-       pages={213},
+       pages=213,
        note={ subject: history of music printing and engraving},
 }
 
-@Book {189,
+@Book{krummel71:_oblon_format_early_music_books,
        author = {Krummel, D.W},
-       year = {1971},
+       year = 1971,
        title = {Oblong Format in Early Music Books},
        journal = {The Library},
        volume={5th ser., xxvi},
-       pages={312},
+       pages=312,
        note={ subject: history of music printing and engraving},
 }
 
-@Book {198,
+@Book{king73:_anniv_music_print,
        author = {King, A.H},
-       year = {1973},
+       year = 1973,
        title = {The 50th Anniversary of Music Printing},
 }
 
-@Book {204,
+@Book{rastall82:_wester,
        author={Rastall, Richard},
-       year={1982},
+       year=1982,
  title = {The notation of Western music : an introduction},
        address={New York, N.Y.},
        publisher={St. Martin's Press},
 
 }
 
-@Book {215,
+@Book{tappolet47:_la_notat_music,
        author = {Tappolet, Willy},
-       year = {1947},
+       year = 1947,
        title = {La Notation Musicale},
        address={Paris},
        note={subject: general notation},
        publisher={Neuch\^atel},
 }
 
-@Book {223,
+@Book{williams03:_story_notat,
        author = {Williams, C.F. Abdy},
-       year = {1903},
+       year = 1903,
        title = {The Story of Notation},
        address={New York},
        publisher={Charles Scribner's Sons},
        note={subject: general notation},
 }
 
-@Book {239,
+@Book{apel53,
        author={Apel, Willi},
-       year={1953},
+       year=1953,
        title = {The notation of polyphonic music, 900-1600},
        address={Cambridge, Mass},
        institution={Mediaeval Academy of America},
        note = {Musical notation},
 }
 
-@Book {248,
+@Book{berger93:_mensur,
        author={Berger, Anna Maria Busse},
-       year={1993},
+       year=1993,
        title = {Mensuration and proportion signs : origins and evolution},
        address={Oxford, England},
        publisher={Clarendon Press},
        note={subject: early notation},
 }
 
-@Book {258,
+@Book{parrish57,
        author={Parrish, Carl},
-       year={1957},
+       year=1957,
  title = {The notation of medieval music},
        address={New York},
        publisher={Norton},
 
 }
 
-@Book {269,
+@Book{parrish46:_notat_mediev_music,
        author = {Parrish, Carl},
-       year = {1946},
+       year = 1946,
        title = {The Notation of Medieval Music},
        address={New York},
        publisher={Carl Fischer, Inc.},
        note={subject: early notation},
 }
 
-@Book {277,
+@Book{patch49:_genes_music,
        author = {Patch, Harry},
-       year = {1949},
+       year = 1949,
        title = {Genesis of a Music},
        address={Madison},
        publisher={University of Wisconsin Press},
        note={subject: early notation},
 }
 
-@Book {285,
+@Book{cage69:_notat,
        author={Cage, John},
-       year={1969},
+       year=1969,
   title = {Notations},
        address={New York},
        publisher={Something Else Press},
        Performance Arts, with text by 269 composers, but rearranged using
        chance operations.,V)} },
 
-@Book {295,
+@Book{gaburo77:_notat,
        author = {Gaburo, Virginia},
-       year = {1977},
+       year = 1977,
        title = {Notation},
        address={publisher= {Lingua Press},
        publisher={La Jolla, California}},
        note = {A Lecture about notation, new ideas about},
 }
 
-@Book {306,
+@Book{risatti75:_new_music_vocab,
        author = {Risatti, Howard},
-       year = {1975},
+       year = 1975,
        title = {New Music Vocabulary},
        address={Urbana, Illinois},
        publisher={University of Illinois Press},
 
 
 
-@Book {325,
+@Book{cowell30:_new_music_resour,
        author = {Cowell, Henry},
-       year = {1930},
+       year = 1930,
        title = {New Musical Resources},
        address={New York},
        publisher={Alfred A. Knopf, Inc.},
        note={subject: 20th century notation},
 }
 
-@Article {333,
+@Article{cowell27:_our_inadeq_notat,
        author = {Cowell, Henry},
-       year = {1927},
+       year = 1927,
        title = {Our Inadequate Notation},
        journal = {Modern Music},
-       volume={4},
-       number={3},
+       volume=4,
+       number=3,
        note={subject: 20th century notation},
 
 }
 
-@Book {342,
+@Book{bowers92:_music_letter,
        author = {Bowers, Roger},
-       year = {1992},
+       year = 1992,
        title = {Music & Letters},
-       volume={73},
-       number={3},
+       volume=73,
+       number=3,
        month={August},
        pages={347(52)},
        note={Some reflection upon notation and proportion in Monteverdi's mass and vespers},
 }
 
-@Book {353,
+@Book{brainard92:_curren_music,
        author = {Brainard, Paul},
-       year = {1992},
+       year = 1992,
        title = {Current Musicology},
-       number={50},
+       number=50,
        month={July-Dec},
        pages={21(26)},
        note={Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
 }
 
-@Book {362,
+@Book{monelle89:_compar_liter,
        author = {Monelle, Raymond},
-       year = {1989},
+       year = 1989,
        title = {Comparative Literature},
-       volume={41}, number={3}
+       volume=41, number=3
        month={Summer},
        pages={252(18)},
 
        note={Music notation and the poetic foot},
 }
 
-@Book {373,
+@Book{pinegar93:_curren_music,
        author = {Pinegar, Sandra},
-       year = {1993},
+       year = 1993,
        title = {Current Musicology},
-       number={53},
+       number=53,
        month={July},
        pages={99(10)},
        note={The seeds of notation and music paleography.},
 }
 
-@Book {382,
+@Book{smith90:_curren_music,
        author = {Smith, Norman E},
-       year = {1990},
+       year = 1990,
        title = {Current Musicology},
        number={45-47},
        month={Jan-Dec},
        note={The notation of fractio modi.},
 }
 
-@Book {392,
+@Book{treitler92:_journ_music,
        author = {Treitler, Leo},
-       year = {1992},
+       year = 1992,
        title = {The Journal of Musicology},
-       volume={10},
-       number={2},
+       volume=10,
+       number=2,
        month={Spring},
        pages={131(61)},
 
        Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
 }
 
-@Book {407,
+@Book{west94:_music_letter,
        author = {West, M.L},
-       year = {1994},
+       year = 1994,
        title = {Music & Letters},
-       volume={75},
-       number={2},
+       volume=75,
+       number=2,
        month={May},
        pages={161(19)},
        note={The Babylonian musical notation and the Hurrian melodic texts. 
 }
 }
 
-@Book {418,
+@Book{brown86:_music_quart,
        author = {Brown, Earle},
-       year = {1986},
+       year = 1986,
        title = {Musical Quarterly},
-       volume={72},
+       volume=72,
        month={Spring},
        pages={180(22)},
        note={The notation and performance of new music.},
 }
 
-@Book {426,
+@Book{eggleston94:_notes,
        author = {Eggleston, Suzanne},
-       year = {1994},
+       year = 1994,
        title = {Notes},
-       volume={51},
-       number={2},
+       volume=51,
+       number=2,
        month={Dec},
        pages={657(7)}, 
        journal={New periodicals},
 
 }
 
-@Book {441,
-
+@Book{fuller89:_journ_music,
        author = {Fuller, David},
-       year = {1989},
+       year = 1989,
        title = {The Journal of Musicology},
-       volume={7},
-       number={1},
+       volume=7,
+       number=1,
        month={Winter},
        pages={21(8)},
        note={
        Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).        
 }},
 
-@Book {454,
+@Book{jones90:_persp_new_music,
 
        author = {Jones, David Evan},
-       year = {1990},
+       year = 1990,
        title = {Perspectives of New Music},
        note={Speech extrapolated. (includes notation)}
 }
 
-@Book {464,
+@Book{lependorf89,
        author = {Lependorf, Jeffrey},
-       year = {1989},
+       year = 1989,
        journal={Perspectives of New Music},
-       volume={27},
- number={2},
+       volume=27,
+       title = {?},
+ number=2,
        month={Summer},
        pages={232(20)},
-       note={
-       Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
+       note={Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan) },
 
 }
 
-@Book {478,
+@Book{rastall93:_music_letter,
        author = {Rastall, Richard},
-       year = {1993},
+       year = 1993,
        title = {Music & Letters},
-       volume={74}, number={4},
+       volume=74, number=4,
        month={November},
        pages={639(2)},
 
        title={Writing without representation, and unreadable notation.},
 }
 
-@Book {501,
+@Book{hamel89,
        author = {Hamel, Keith A},
-       year = {1989},
+       year = 1989,
        journal = {Perspectives of New Music},
-       volume={27},
-       number={1},
+       volume=27,
+       number=1,
        month={Winter},
        pages={70(14)},
        title={A design for music editing and printing software based on notational syntax},