2 % belongs together with -cello.ly and -alto.ly
3 % (who is going to make a -violin.ly?)
6 Well, there are still some scripts in this "urtext".
7 But merging music and scripts doen't work too well yet (see alto_scripts).
13 sarabande_a = \melodic{
15 \voiceone \d[d,8.()e16] e4.-\trill([d16 )e] |
16 f4. \onevoice [e8(d)c] |
17 [bes g']\n[f e16(f][g a bes)d,] |
18 cis4.-\trill\d[b8(a)g] |
19 % copy bar 1, half bar 2
20 \voiceone \d[d'8.()e16] e4.-\trill([d16 )e] |
22 f'4. \onevoice [d8(d)e] |
23 \n[g bes16()a][c()bes a()g][d'8 f,] |
24 \voiceone e4.-\trill \onevoice \d[d8(c)bes] |
25 \voiceone \n[f' g16()a] a4. [g16()f] |
26 [g8 a16()bes]a4. [c16()d]|
28 \onevoice \d [e,8()f][c,, g'][f'()e] |
30 \voiceone a''4 \d a4.-\trill()bes8 |
31 [c bes16()a] \onevoice [fis8.-\trill()es16][d8()c] |
32 [bes g'][a, fis'][es'()d] |
34 \voiceone bes4.-\trill \onevoice [a8(g)f!] |
37 [cis, bes'][a g16()f][e!8 f16()d] |
38 [cis8 e16()a][a,8. g'16]\n[f8()e] |
40 \voiceone [d e16()f]f4. [e16()d] |
41 [e8 f16()g]g4. [a16()bes] |
42 \d[a8 cis16()d][d,8 e16(f32)g][f8-\trill \n e16()d] |
43 d4 [d,16 a'( b cis][d e f )g] |
45 [a(b c)b] c4. [b16()a] |
46 \d[b(cis d )cis] d4. \n[e16()f] |
47 \onevoice [d(cis)d f,] [a,8 e']\d[d'()cis] |
52 sarabande_b = \melodic{
57 % this avoids the clash bug
76 <f,8 a d'> r r g, a4 |
84 sarabande = \type Voice \melodic<