release: 1.3.27

[lilypond.git] / TODO

-*-outline-layout:(2 (-1 -1 0 :) 0);outline-stylish-prefixes:nil -*-


* GNU LilyPond TODO
Features you cannot find in the documentation as working, should be
mentioned here.  This is an assorted collection of stuff that will be
done, might be done, or is an idea that we want to think about.
Most of the items are marked in the code as well
Grep -i for TODO, FIXME and ugh/ugr/urg.  

.* TODO
. * use hash tabs iso. alist_ for elt property?
. * control paper-size/-file from commandline ?
  lilypond --paper=paper16 foo.ly
  lilypond --paper=paper20 foo.ly
  lilypond --paper=paper-as9 foo.ly
. * entangle ly/* paper-params papersize stuff
. * fix tremolos.
. * change ) c4  to c4-)
. * internationalize GUILE msgs.
. * unbroken marks.
. * chubb:
-- Take a piece of early music, and typeset it as closely as possible to
the original edition.  This means: moveable clefs, sometimes funny or no
time signatures, few or no bar lines, few or no ties, slurs or
phrasemarks, ornaments implied by the structure of the music, or
indicated by, e.g., one or more thick lines through the stem of a note
(Purcell and Farnaby both use this extensively, but with rather
different meanings).  For Dowland's music it may also mean being able
to rotate one or more staves (but I can do this in LaTeX).

-- Add to this music a set of critical marks that:
   * regularises clef, time and key signature.
   * add slurs, phrase marks, articulation, etc.
   * Halve or quarter the durations, so that minims become crotchets, say.
   * add ornaments (mordents, trills, turns etc)
   * add regular barlines (which sometimes will mean splitting a note
     and adding a tie, e.g., in some of Byrd's music)
   * Add footnotes to particular symbols, groups of notes, etc.
   * When translating from chant notation, add a square bracket over a
     group of notes to indicate a ligature in the original
etc.
   * Discretionary sharp or flat signs, for Musica Ficta

-- print out both editions from the same source.
. * write smobifying howto.
. * put property test files in refman.
. * alignment within @itemize
. * interstaff stems
. * junk dstream output.
. * Change website to be index to documentation.
. * \grace { c d } c1 in midi
. * \prop slurdir in grace notes
. * Make fingering and playing instructions Music_wrappers?
. * script columns
. * Must stop before this music ends:
verse=\lyrics {
. * input/test/grace.sly: wierd big spacing on grace notes
. * TODO^2:
.  * make  a TODO.texi, like http://www.gnu.org/software/guile/ideas.html
.  * make this file understandable for 3rd parties.
. * \accepts -> \acceptedby 
. * context in embedded SCM errors.
. * acc at tied note after linebreak.
. * fontSize for time sigs and beams.
. * fix font-naming and selecting
. * add context information to warnings
Paper:
waarschuwing: Kan niet beide uiteinden van bindingsboog vinden
MIDI:
pa.ly:33:23: waarschuwing: Schroot verzoek: `Span_req':
  g' a4 bes8 \grace f8(
                         )es16 d es8 r c |
. * chord tonic: placement of accidental  C#, Cb (from scm and C++)
. * note head on stem err msg in dutch.
. * why need to run -C mf twice?
. * here's no difference at all in output. When either is jacked up to 7.0,
everything works and matches up; when either is set just a bit above the
default 5.0 (5.4 is what I was hoping to use), stems miss note heads. So
it's some sort of a numerical (truncation/roundoff) problem.
John
. * fix #'margin-shape;  setting indent to 0 with \shape fails
. * Fixed size staff/system heights;
. * ly2dvi : don't repeat opus if same. 
. * hara kiri _8 clef. 
. * junk -M ? 
. * mudela-book doco
. * bracket pdf hack
. * Added StaffContents and RhythmicStaffContents context, they are
between Staff (which groups the elements), and generates the Staff
level elements (key, clef, meter, etc). This construction makes
\consistsend redundant

. * Mondrup:
- if I change the property minVerticalAlign in a multi staff score with
lyrics the change affects the lyrics too. I would like the change to
_only_ affect staves.
- after the leading measure in the above mentioned score I want a double
bar line fully drawn across the staves and after that keep to the
ChoirStaff bar line types in the rest of the scores
. * Write script that uses --find-old-relative to do auto relativization. 


.* Cleanups needed
. * \$ and $ identifier syntax in examples. 
. * Key_engraver, Local_key_item
. * Think of comprehensive solution for "if (grace_b == self_grace_b_)"
. * String[String.length] doesn't trap.
. * Rhythmic_column and interaction stem/rhythmic_column/note_head/dots.
. * clef engraver 
. * parser
. * Lookup::text -> needs  to be TeX independent.
. * junk Music_iterator::first_b_

.* ACCIDENTALS
. * half-sharps, half-flats
. * adaptive accidental spacing.
. * accidentals closer to note head


.* BEAMS
. * [c8. c16 c16 c16] in 6/8 timesig.
. * Rewrite Stem, Beam (hairy)
.  * beams over barlines
. * autoBeamMelisma: if I explicitly beam notes in a staff with auto
beaming disabled I would like to have these beams also to be
melismatic.
. * The stemLength property should affect also beamed stems.
. * staffside spanner (crescendo!) along with staffswitch.
. * * auto melismaBusy for beams.

. * \context Staff <
>   {\voiceone''4. r8}
>  \voicetwo c,4 r4}
> >
. * \time forces keysig?

.* STUFF
. * We need feta-din*.mf files for more sizes than 10.
. * align left edge of broken tuplet-spanner (have a test case?)
. * fix dynamics decently, ie. use kerning & ligatures.
. * key restorations & repeats
. * paperXX.ly \quartwidth, font setting not up to date. (Should read from AFM?)
. *In Caro Mio Ben, bar 8, there's a syllable that starts on a note, and
ends on a pair of grace notes.  Standard practice is to mark this with
a slur starting on the main note and ending on the grace note, so a
singer knows where to break the words.

In bar 27, there's a crescendo that's supposed to start at the start
of the grace notes and extend to the note after the grace notes.
. * 4. Lyrics and grace sections don't go too well together.
 The words are aligned with the main note, not the start of the
 grace note.  This is usually wrong, but is sometimes right.
. * rhythmic staff & accidentals.
. * use melismaBusy in Lyric context to typeset melismata correctly.  
. * ly2dvi/lilypond logfile.
. * hang Item on Spanner
. * do --safe for PS output?
. * msgfmt -o check?
. * collision of lyrics with span_bars. See star-spangled.
. * It is impossible to typeset two textual scripts that are stacked
  on top of each other and avoids note collisions and at the same
  time are typeset with different textStyle. I tried to move around
  the text_engraver and other engravers between Voice and Thread 
  but the granularity is not fine enough, the scripts have to 
  share the same engraver in order to be get correct vertical 
  position but than they cannot have different style.
  In my opinion, all scripts that share the same staff, should
  be stacked vertically, avoiding collisions with the notes
  in all voices.

. * Matanya's tips: 
.  * don't  shorten stems/staffs closer to each other.
.  * to space the staffs/staffgroups contained in the score.  
.  * heavier beams?
. * Abstraction for engravers:
.  * make "in-between" engraver (Tie)
.  * make wide_spanner_engraver (line_group_spanner, staff_symbol)
. * store req -> element, element -> element causes for warnings
. *  My wish list for lyrics. I dream of a time when I will have enough time to
become familiar enough with the source code to be able to implement some of
these myself, but I don't know when that will be, so I thought I'd "publish"
my suggestions in case someone else is in a position to give them some
priority. Otherwise, perhaps they could go on the todo list?

If any of these are already implemented, please let me what the syntax is to
use them!

1. Stanza numbering. Numbering at the beginning of a song with the number
set to the left of the first note. It would also be nice (but not as
important) to be able to have some form of automatic numbering at the
beginning of each new line. This would make it easier to follow songs with a
large number of stanzas.

3. Notes centred above/below lyrics rather than left-aligned.

4. It would be very nice to be able to build some kind of phrasing into the
lyrics of hymns, etc, so that the first words of a phrase are left aligned
with each other, the last words are right aligned, and the words in between
are centred.

5. In a song, with (say) four stanzas and a chorus, it would be nice to be
able to vertically align the chorus midway between the staves.

6. It would be nice to be able to put vertical brackets either side of a
repeated section with different words for each repeat.
. * Give # lines in linebreaking.  
. * arrows on slurs.
. * rewrite context defs using Scheme
. * junk TeX specifics from internal code.
. * \selectmusic to cut pieces from music. 
. * formatting of input stuff. 
.  * deps for ly2dvi
. * Align_element::padding  ?
. * use streambufs and iostream
to provide IO handling for TeX stream, mudela stream, data-file.
. * seriously buffer TeX output (do profile of writing .5 mb TeX file.)
. * uniformise recent feta contributions.
.  * bigger and fatter 4/4 C
. * relative mode for midi2ly
. * junking \skip req in lyrics
. * midi2ly empty staffs.
. * use Fourier transformation for rhythmic quantisation.
. * horizontal centering of dynamics 
. * $DEPENDENCIES_OUTPUT support
. * turn slope-damping on/off
. * sort out directory stuff.
.  * --prefix option?
.  * -I option per filetype?
.  * kpathsea?
. * declaring Performers
. * text-items clash with stems/beams
. * --include, -I option for ly2dvi (pass on to lily)
. * fix placement of beam-less abbrev
. * Musical_pitch (analogous to Duration and Rhythmic_req)
          think about, analogous to pitch: 
           * { a4 a16 } c <-- duration of c?
           * < a4 b8 > c <-- duration of c?
. * \tempo 4. = 90;
. * do rest-collisions for Multi_measure_rests as well.
. * split error/warning in error/warning/non_fatal_error
.  * discourage breaking of slurs
. * fix variable define/lookup parser global<->paper
. * fix title/instrument placements; see input/test/title.ly
. * <\voiceone c4. \voicetwo c4>
. *  I'd like to change the \repetitions command to Jan's suggested
  syntax: \repeat "repeatsymbol" 2 {...}, but I'm not sure that
  I understand the implementation of repeats well enough.
. * add mudela-book-doc source to webstie.
. * fix singleStaffBracket
. * move paper vars into engraver properties
. * add new glyphs to font.ly
. * more intelligent file searching
. * disable spaces in TeX stuff
. * handle ^C for tmp/file creation.
. * make LilyPond RPM fully relocatable
. * didot / big point.
. * clefs (AG): The "8" should appear closer to the actual clef,
touching it.
. * put errorlevel in Input class
. * junk nesting slurs


.* FONT
. * the bracket is ugly (wings are too parabolic, should be more circular)
. * fix accordion turning paths.
. * versioning for Feta
. * rewrite dynamic signs.  They're kind of spaghetti now. 
. * The `3' in the meter key is a one or two pixels too thin (at 600dpi)
        in the middle:
. * design macro for penstroke with rounded endings
. * timesig C: fat yet less curved.  Check out relations. 
. * design decent macro for bulbed endings
. * printer dependencies.
. * versioning  
. * lo-res fixes.
. * work out sizes of character fonts.
. * more symbols
.  * piano pedals: Ped/*
.  * coda signs: Segno, O+
.  * glissando, arpeggio
.  * lengthened trill
. * include important spacing dims in fetalog 
. * scalability: use blot_diameter everywhere, make font chubbier for
    small sizes.

.* 3RD PARTY BUGS
. * UMR: Uninitialized memory read
      This is occurring while in:
            qst            [qsort.c]
            qsort          [libc.so.1]
            Keyword_table::Keyword_table(Keyword_ent*) [keyword.cc:28]
            My_lily_lexer::My_lily_lexer() [my-lily-lexer.cc:78]
            My_lily_parser::parse_file(String,String) [my-lily-parser.cc:54]
            do_one_file(String,String) [scores.cc:124]
      Reading 4 bytes from 0xefffeca8 on the stack.
      Address 0xefffeca8 is 728 bytes below frame pointer in function 
. * patch: don't touch timestamp if all patches fail.
. * MetaPost: should not generate setgray for unfill
. * glibc 2.0:
          f = fopen ("/dev/null", "r")
          assert (feof (f))

.* PROJECTS
. * Scripts:
.  * stack scripts in chords:
          % fingering:        footing:
            < a-4 c-2 g-1 >   < c-\ltoe e-\lheel >
.  * script-spacing
.  * slur parts as a script
.  * stack parameterised scripts for fingering and footing:

. * convert-mudela:
.  * better parsing
.  * make smarter
.  * convert-mudela -e empty.ly

. * emacs mudela-mode
.  *  should handle block comments too.
.  *  handle lexer modes (\header, \melodic, \lyric) etc.
.  *  indentation
.  *  notenames?
.  *  fontlock: \melodic \melodic

. * use properties for:
.  * default tempo.

. * page handling:
.  * PS output
.  * optimal pagebreaking.

. * internationalisation for input.
.  * Unicode support? -> man 7 unicode
.  * (The explanation below is mostly intended for Han-Wen and Jan)
> Before, the font was changed with macros declared separately for 
> pure TeX and LaTeX, but now all the fonts are declared directly in
> the generated code using the low-level TeX commands. This circumvents
> the fontencoding mechanism of LaTeX and is a potential source of
> problems also for us users of the Latin-1 character set. 
> I think it still works since the inputencoding latin1 is 
> declared by ly2dvi, but it still means that e.g. an o with
> umlaut is typeset as a combination of the two symbols 'o' and
> 'umlaut' instead of as a single character, as would be the case
> if fontencoding OT1 had been used. This shouldn't give any 
> difference in layout, though. One of the main argument for using
> fontencoding OT1 is for the hyphenation mechanism to work, an 
> argument that's clearly irrelevant in our application. Yet we
> see the problem for August.

. * \header
.  * output header info to MIDI too.
.  * dump \header into easily parsable format.

. * chords
.  * guitar chords (fret diagrams)
.  * other chord name styles (american(?) style)
.  * basso continuo
.  * MIDI output?

. * Debug logs:
.  * derive lily_stream, Dstream, texstream from ostream?
.  * indentable stream as baseclass for TeX stream, lily stream, Dstream.
.  * use dstream feature in midi2ly
.  * integrate IO checking into stream class

. * input converters
.  * NIFF?
.  * musedata

. * add to MIDI output:
.  * sharp / flat on trills (in MIDI ??)
.  * ornaments (and trills?)
.  * slurs
.  * accents
.  * dynamics
.  * account for rhythmic position in measure
.  * etc.


. * logfile output?

. * PS 
.  * speed up PS code.
.  * PS lines to .eps files
.  * write custom prolog
.  * fix ps font switching

. * more spanners (smallish)
.  * Glissando
.  * trill

. * Keys:
.  * merge key{item} & localkey{item}?
.  * spacing

. * Support for TAB
.  * redo Notehead to allow digits as heads
.  * add a \tablature {} lexer mode for easy entering

. * should adjust stemlength for flag number.

. * breaking:
.  * specify number of lines

.* INPUTLANGUAGE
. * convention for slurs vs. phrasing marks.
. * Language:
.  * \translator -> ?
.  * fix \partial 
.  * \bla {} vs \bla ; 
.  * \once\property  KEY = VAL
.  * input property
. * Figure out semicolons.
. * <c f a>4 ?
. * configure pitch_byte
. * rest name configurable


.* SMALLISH PROJECTS

. * lyric in staff  (sharpsharp in staff, text below)

. * write Dynamic_line (to group dynamics horizontally)

. * handle EOF graciously in error messages.

. * midi esp.: use I32 iso int where 32 bits are needed (or assumed...)

. * lily \tempo

. *   % toe to bheel   four to five
            %   ^_u            4_5  
            %     -                           
            %  --|x--         --|x--
            %  --|---         --|---
            %  --|---         --|---
          (where "to" is a tiny bow)

. * Text_crescendo

.* IDEAS
. * Output data structures of Mudela in XML/SGML.
. * create libmudela, or liblily_frontend
. * move MIDI stuff (including Quantization) to a ANSI C libmidi library.

* OUTLINE SETUP
.* .EMACS
;;; from outline.el
(defvar outline-font-lock-keywords
  '(;; Highlight headings according to the level.
    ;; must change this to allout node layout
    ;;("^\\(\\*+\\)[ \t]*\\(.+\\)?[ \t]*$"
    ("^\\([.]*[ ]*[*]\\)[ \t]*\\(.*\\)$"
     (1 font-lock-string-face)
     (2 (let ((len (- (match-end 1) (match-beginning 1))))
          (or (cdr (assq len '((1 . font-lock-function-name-face)
                               (2 . font-lock-keyword-face)
                               (3 . font-lock-comment-face))))
              font-lock-variable-name-face))
        nil t))
    ;; Highlight citations of the form [1] and [Mar94].
    ("\\[\\([A-Z][A-Za-z]+\\)*[0-9]+\\]" . font-lock-type-face))
  "Additional expressions to highlight in Outline mode.")

(add-hook 'outline-mode-hook
          '(lambda ()
            (setq font-lock-maximum-decoration t)
            (setq font-lock-maximum-decoration t)
            (make-local-variable 'font-lock-defaults)
            (setq font-lock-defaults '(outline-font-lock-keywords t))
            (font-lock-mode global-font-lock-mode)
        ))
 
(require 'allout)
(outline-init 't)