Compile fixes.

[lilypond.git] / Documentation / user / keyboards.itely

@c -*- coding: utf-8; mode: texinfo; -*-
@ignore
    Translation of GIT committish: FILL-IN-HEAD-COMMITTISH

    When revising a translation, copy the HEAD committish of the
    version that you are working on.  See TRANSLATION for details.
@end ignore

@c \version "2.11.38"

@node Keyboard instruments
@section Keyboard instruments

@menu
* Common notation for keyboards::
* Piano::
* Accordion::
@end menu

@node Common notation for keyboards
@subsection Common notation for keyboards

@menu
* References for keyboards::
* The piano staff::
* Changing staff manually::
* Changing staff automatically::
* Staff-change lines::
* Cross-staff stems::
@end menu

@node References for keyboards
@subsubsection References for keyboards

@c TODO add refs
TBC

@node The piano staff
@subsubsection The piano staff

Keyboard instruments are usually notated with Piano staves.
These are two normal staves coupled with a brace.  The staves
are largely independent, but sometimes voices can cross between the
two staves.  The same notation is also used for harps and other key
instruments.  The @internalsref{PianoStaff} is especially built to
handle this cross-staffing behavior.  In this section we discuss the
@internalsref{PianoStaff} and some other pianistic peculiarities.


@knownissues

Dynamics are not centered, but workarounds do exist.  See the
@q{piano centered dynamics} template in @rlearning{Piano templates}.

@cindex cross staff stem
@cindex stem, cross staff
@cindex distance between staves in piano music

@node Changing staff manually
@subsubsection Changing staff manually

@cindex manual staff switches
@cindex staff switch, manual

Voices can be switched between staves manually, using the command
@example
\change Staff = @var{staffname} @var{music}
@end example

@noindent
The string @var{staffname} is the name of the staff.  It switches the
current voice from its current staff to the Staff called
@var{staffname}.  Typically @var{staffname} is @code{"up"} or
@code{"down"}.  The @code{Staff} referred to must already exist, so
usually the setup for a score will start with a setup of the staves,

@example
<<
  \new Staff = "up" @{
    \skip 1 * 10  % @emph{keep staff alive}
    @}
  \new Staff = "down" @{
    \skip 1 * 10  % @emph{idem}
    @}
>>
@end example


and the @code{Voice} is inserted afterwards

@example
\context Staff = down
  \new Voice @{ @dots{} \change Staff = up @dots{} @}
@end example


@node Changing staff automatically
@subsubsection Changing staff automatically
@cindex Automatic staff changes

Voices can be made to switch automatically between the top and the bottom
staff.  The syntax for this is

@quotation
@example
\autochange @dots{}@var{music}@dots{}
@end example
@end quotation

@noindent
This will create two staves inside the current PianoStaff, called
@code{up} and @code{down}.  The lower staff will be in bass clef by
default.

A @code{\relative} section that is outside of @code{\autochange} has
no effect on the pitches of @var{music}, so, if necessary, put
@code{\relative} inside @code{\autochange} like

@quotation
@example
\autochange \relative @dots{} @dots{}
@end example
@end quotation


The autochanger switches on basis of the pitch (middle C is the turning
point), and it looks ahead skipping over rests to switch in
advance.  Here is a practical example

@lilypond[quote,verbatim,ragged-right]
\new PianoStaff
  \autochange \relative c'
  {
    g4 a b c d r4 a g
  }
@end lilypond


@seealso

@c Notation Reference: @ref{Manual staff switches}.

Internals Reference: @internalsref{AutoChangeMusic}.



@knownissues

The staff switches may not end up in optimal places.  For high
quality output, staff switches should be specified manually.


@code{\autochange} cannot be inside @code{\times}.

@node Staff-change lines
@subsubsection Staff-change lines


@cindex follow voice
@cindex staff switching
@cindex cross staff

@funindex followVoice

Whenever a voice switches to another staff, a line connecting the notes
can be printed automatically.  This is switched on by setting
@code{followVoice} to true

@lilypond[quote,ragged-right,fragment,relative=1,verbatim]
\new PianoStaff <<
  \new Staff="one" {
    \set followVoice = ##t
    c1
    \change Staff=two
    b2 a
  }
  \new Staff="two" { \clef bass \skip 1*2 }
>>
@end lilypond

@seealso

Internals Reference: @internalsref{VoiceFollower}.

@predefined

@funindex \showStaffSwitch
@code{\showStaffSwitch},
@funindex \hideStaffSwitch
@code{\hideStaffSwitch}.

@node Cross-staff stems
@subsubsection Cross-staff stems

Chords that cross staves may be produced by increasing the length
of the stem in the lower staff, so it reaches the stem in the upper
staff, or vice versa.

@lilypond[ragged-right,verbatim,quote]
stemExtend = {
  \once \override Stem #'length = #10
  \once \override Stem #'cross-staff = ##t
}
noFlag = \once \override Stem #'flag-style = #'no-flag
\new PianoStaff <<
  \new Staff {
    \stemDown \stemExtend
    f'4
    \stemExtend \noFlag
    f'8
  }
  \new Staff {
    \clef bass
    a4 a8
  }
>>
@end lilypond

@node Piano
@subsection Piano

@menu
* Piano pedals::
@end menu

@node Piano pedals
@subsubsection Piano pedals
@cindex Pedals

Pianos have pedals that alter the way sound is produced.  Generally, a
piano has three pedals, sustain, una corda, and sostenuto.


Piano pedal instruction can be expressed by attaching
@code{\sustainDown}, @code{\sustainUp}, @code{\unaCorda},
@code{\treCorde}, @code{\sostenutoDown} and @code{\sostenutoUp} to a
note or chord

@lilypond[quote,ragged-right,fragment,verbatim]
c'4\sustainDown c'4\sustainUp
@end lilypond

What is printed can be modified by setting @code{pedal@var{X}Strings},
where @var{X} is one of the pedal types: @code{Sustain},
@code{Sostenuto} or @code{UnaCorda}.  Refer to
@internalsref{SustainPedal} in the program reference for more
information.

Pedals can also be indicated by a sequence of brackets, by setting the
@code{pedalSustainStyle} property to bracket objects

@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
\set Staff.pedalSustainStyle = #'bracket
c\sustainDown d e
b\sustainUp\sustainDown
b g \sustainUp a \sustainDown \bar "|."
@end lilypond

A third style of pedal notation is a mixture of text and brackets,
obtained by setting the @code{pedalSustainStyle} property to
@code{mixed}

@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
\set Staff.pedalSustainStyle = #'mixed
c\sustainDown d e
b\sustainUp\sustainDown
b g \sustainUp a \sustainDown \bar "|."
@end lilypond

The default @q{*Ped.} style for sustain and damper pedals corresponds to
style @code{#'text}.  The sostenuto pedal uses @code{mixed} style by
default.

@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
c\sostenutoDown d e c, f g a\sostenutoUp
@end lilypond

For fine-tuning the appearance of a pedal bracket, the properties
@code{edge-width}, @code{edge-height}, and @code{shorten-pair} of
@code{PianoPedalBracket} objects (see
@internalsref{PianoPedalBracket} in the Internals Reference) can be
modified.  For example, the bracket may be extended to the right edge
of the note head

@lilypond[quote,ragged-right,fragment,verbatim,relative=2]
\override Staff.PianoPedalBracket #'shorten-pair = #'(0 . -1.0)
c\sostenutoDown d e c, f g a\sostenutoUp
@end lilypond

@seealso

Notation Reference: @ref{Ties} (laissez vibrer).

@node Accordion
@subsection Accordion

@menu
* Discant symbols::
@end menu

@node Discant symbols
@subsubsection Discant symbols

@c TODO Add text from -user and lsr 194
TBC