2 % TITLE=The engraving bibliography
3 % AUTHOR=Han-Wen Nienhuys
8 author = {Harald Banter},
9 title = {Akkord Lexikon},
10 publisher = {Schott's S\"ohne},
12 isbn = {ISBN 3-7957-2095-8},
13 note = {Comprehensive overview of commonly used
14 chords. Suggests (and uses) a unification for all different kinds
16 address = {Mainz, Germany},
20 author = {Richard Rastall},
22 title = {The Notation of Western Music: an
24 publisher = {J. M. Dent \& Sons London},
26 note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
31 title = {Teach yourself the art of music engraving and processing},
32 publisher = {Hansen House},
34 note = {This is about engraving, i.e. professional typesetting. It contains
35 directions on good typesetting, but the sections on reproduction
36 technicalities, how to use pens and history are interesting.
37 Especially the section on Music Typewriters is amusing HWN},
38 address = {Miami, Florida},
44 note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
46 title = {Modern Rhythmic Notation},
47 author = {Gardner Read},
48 publisher = {Indiana University Press},
53 note = {(Out of print) This is as close to the ``standard'' reference
54 work for music notation issues as one is likely to get. MB},
55 title = {Music Notation: a Manual of Modern Practice},
56 author = {Gardner Read},
57 totalentry = {(2nd edition)},
58 publisher ={Taplinger Publishing},
64 title = {Standard Music Notation Practice},
65 author = {Maxwell Weaner and Walter Boelke},
66 totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
67 publisher = {Music Publisher's Association of the United States Inc},
73 note = {I. A very thorough overview of engraving practices of various craftsmen. It includes detailed specs of characters, dimensions etc. II. a thorough overview of a anonymous (by now antiquated) automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung), electronic data processing HWN},
75 title = {Musiknotation --- Von der Syntax des Notenstichs zum EDV-gesteuerten Notensatz},
76 author = {Helene Wanske},
77 publisher = {Schott-Verlag},
79 isbn = {ISBN 3-7957-2886-x},
83 note = {A comprehensive overview of music theory;
84 the (Dutch) authority on general music theory},
86 title = {Algemene muziekleer},
87 author = {Theo Willemze},
88 publisher = {Aula, Het Spectrum},
90 isbn = {ISBN 90-274-1817-9},
96 title = {Aus der Werkstatt eines Notenstechers},
97 author = {Karl Hader},
98 publisher = {Waldheim--Eberle Verlag},
101 note = {Hader was the chief-engraver of the Waldheim-Eberle music
102 publishers. This beautiful booklet was intended as an introduction
103 for laymen on the art of engraving. It contains a step by step,
104 in-depth explanation of how to cut and stamp music into zinc plates.
105 It also contains a few compactly formulated rules on musical
106 orthography. Out of print. }
109 @Book{gamble23:_music_engrav,
110 author = {William Gamble},
111 title = {Music Engraving and printing. Historical and Technical Treatise},
112 publisher = {Sir Isaac Pitman & Sons, ltd.},
114 note = {This pattriotic book was an attempt to promote and help
115 British music engravers. It is somewhat similar to Hader's
116 book\cite{hader48} in scope and style, but Gamble focuses more on
117 technical details (Which French punch cutters are worth buying from,
118 etc.), and does not treat typographical details, such as optical
119 illusions. It is available as reprint from Da Capo Press, New York
125 note = {Pamphlet explaining a few fine points in music font design HWN},
127 title = {Standard music notation specifications for computer programming.},
136 author = {Anthony Donato},
137 title ={Preparing Music Manuscript},
138 address ={Englewood Cliffs, NJ},
139 publisher={Prentice-Hall},
145 title = {Notation in New Music; a critical guide to interpretation and realisation},
146 author = {Erdhard Karkoshka},
147 translator={Ruth Koenig},
148 publisher={Praeger Publishers},
150 note ={(Out of print)},
156 title = {The Art of Music Copying},
157 author = {Clinton Roemer},
158 publisher={Roerick music co.},
159 address= {Sherman Oaks (CA)},
161 note ={Out of print. Heussenstamm writes: an instructional manual
162 which specializes in methods used in the commercial field. },
169 title = {Music Notation Primer},
170 author = {Glen Rosecrans},
171 publisher={Passantino},
173 note={Heussenstamm writes: Limited in scope, similar to \cite{Roemer84}}
178 title = {Uitgeven van muziek},
180 publisher= {Donemus Amsterdam},
185 author={Vinci, Albert C.},
186 title={Fundamentals of Traditional Music Notation},
187 publisher={Kent State University Press},
192 author={G. Schirmer, Inc.},
193 title={The G. Schirmer Manual of Style and Usage},
195 publisher={The G. Schirmer Publications Department},
202 title = {Music Notation in the Twentieth Century},
203 author = {Kurt Stone},
206 note ={Out of print. Heussenstamm writes: The most important book on notation in recent years. },
209 @Book {Heussenstamm87,
211 title = {The Norton Manual of Music Notation},
212 author = {George Heussenstamm},
215 note={Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN}
220 @Book{unknown69:_music_notat,
222 title = {Music Notation},
223 publisher = {Crescendo books},
225 note = {Heussenstamm writes: An extremely thorough exploration of musical notation [..]}
230 note = {A concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
232 title = {Essential Dictionary of Music Notation},
233 author = {Tom Gerou and Linda Lusk},
234 publisher = {Alfred Publishing},
235 address ={Van Nuys CA},
236 isbn ={ISBN 0-88284-768-6},
241 note = {An clearly written book for the casually interested reader. It shows some of the conventions and difficulties in printing music HWN},
243 title = {Die Praxis des Notengraphikers},
244 author = {Herbert Chlapik},
245 publisher = {Doblinger},
246 isbn ={ISBN 3-9000 035-96-2},
252 author = {Barksdale, A},
254 title = {The Printed Note: 500 Years of Music Printing and Engraving},
255 address={Toledo, Ohio},
257 note={`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
258 publisher={The Toledo Museum of Art},
263 author = {Wolf, Johannes},
265 title = {Handbuch der Notationskunde},
267 publisher={Breitkopf & Hartel},
268 note= {Very thorough treatment (in two volumes) of the history musical notation},
272 author = {Rosenthal, Carl A},
274 title = {A Practical Guide to Music Notation},
276 publisher={MCA Music},
277 note={Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation}
282 author = {Boehm, Laszlo},
284 title={Modern Music Notation},
286 publisher={G. Schirmer, Inc.},
287 note ={Heussenstamm writes: A handy compact reference book in basic notation. }
289 @Book{button20:_system_music_notat,
290 author = {Button, H. Elliot},
291 title = {System in Musical Notation},
292 publisher = {Novello and co.},
297 @Book{johnson46:_how,
298 author = {Johnson, Harold},
299 title = {How to write music manuscript},
300 publisher = {Carl Fischer, Inc.},