Guide, node Updating translation committishes.
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@ignore
Tutorial guidelines:
takže triola má 2/3 jako svůj zlomek:
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c8 r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c8 r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
@subheading Ozdoby
ulehčit, když se skupiny not často opakují.
@lilypond[verbatim,quote]
-tripletA = \times 2/3 { c,8 e g }
+tripletA = \tuplet 3/2 { c,8 e g }
barA = { \tripletA \tripletA \tripletA \tripletA }
\relative c'' {
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Pavel Fric
@node Základní pojmy
@lilypond[quote,verbatim,ragged-right]
{
-r16[ g \times 2/3 { r16 e'8] }
-g16( a \times 2/3 { b16 d) e' }
-g8[( a \times 2/3 { b8 d') e'~] } |
-\times 4/5 { e'32\( a b d' e' } a'4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g16( a \tuplet 3/2 { b16 d) e' }
+g8[( a \tuplet 3/2 { b8 d') e'~] } |
+\tuplet 5/4 { e'32\( a b d' e' } a'4.\)
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Ladění výstupu
@chapter Ladění výstupu
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\tweak direction #up
-\times 4/3 {
+\tuplet 3/4 {
\tweak color #red
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@c NOTE Tuplet brackets collide if notes are high on staff
@c See issue 509
@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\times 2/3 { c8[ c c] }
+\tuplet 3/2 { c8[ c c] }
\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\times 2/3 {
+\tuplet 3/2 {
c8[ c]
c8[ c]
\once \override TupletNumber.transparent = ##t
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Translators: Pavel Fric
\begin{lilypond}
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
@lilypond
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Till Paala
\new Voice = "I" \relative c''' {
\time 3/4
\voiceOne
- \times 6/7 { g8 g g g g g g }
+ \tuplet 7/6 { g8 g g g g g g }
\oneVoice
r4 <b,, fis' g bes> r4\fermata
}
\new Voice = "II" \relative c' {
\voiceTwo
c4
- \times 4/5 {
+ \tuplet 5/4 {
<c ees>8 f g
\change Staff = "LH" \oneVoice
\stemUp g,( c}
\set followVoice = ##t
c'''32([ b''16 a''16 gis''16 g''32)]
} \\ {
- s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d'']
+ s4 \tuplet 3/2 { d'16[ f' g'] } as'32[ b''32 e'' d'']
} \\ {
s4 \autoBeamOff d''8.. f''32
} \\ {
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@ignore
Tutorial guidelines:
also hat eine Triole 2/3 als Bruch:
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c8 r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c8 r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
@subheading Verzierungen
@c KEEP LY
@lilypond[verbatim,quote]
-trioleA = \times 2/3 { c,8 e g }
+trioleA = \tuplet 3/2 { c,8 e g }
TaktA = { \trioleA \trioleA \trioleA \trioleA }
\relative c'' {
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Till Paala, Reinhold Kainhofer
@node Grundbegriffe
@lilypond[quote,verbatim,ragged-right]
{
-r16[ g \times 2/3 { r16 e'8] }
-g16( a \times 2/3 { b16 d) e' }
-g8[( a \times 2/3 { b8 d') e'~] } |
-\times 4/5 { e'32\( a b d' e' } a'4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g16( a \tuplet 3/2 { b16 d) e' }
+g8[( a \tuplet 3/2 { b8 d') e'~] } |
+\tuplet 5/4 { e'32\( a b d' e' } a'4.\)
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Die Ausgabe verändern
@chapter Die Ausgabe verändern
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\tweak direction #up
-\times 4/3 {
+\tuplet 3/4 {
\tweak color #red
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@c NOTE Tuplet brackets collide if notes are high on staff
@c See issue 509
@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\times 2/3 { c8[ c c] }
+\tuplet 3/2 { c8[ c c] }
\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\times 2/3 {
+\tuplet 3/2 {
c8[ c]
c8[ c]
\once \override TupletNumber.transparent = ##t
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Till Paala
spiritus = \relative c' {
\time 1/4
\override Lyrics.LyricText.X-extent = #'(0 . 3)
- d4 \times 2/3 { f8 a g } g a a4 g f8 e
+ d4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
d4 f8 g g8 d f g a g f4 g8 a a4 s
- \times 2/3 { g8 f d } e f g a g4
+ \tuplet 3/2 { g8 f d } e f g a g4
}
spirLyr = \lyricmode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Till Paala
@end lilypond
-@item @code{\times 2/3 @{f g a@}}
+@item @code{\tuplet 3/2 @{f g a@}}
@tab Triolen
@tab
@lilypond[relative=1]
\set Staff.implicitTimeSignatureVisibility = #all-invisible
-\times 2/3 { f8 g a }
+\tuplet 3/2 { f8 g a }
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Till Paala
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
\deadNotesOn
- \times 2/3 { g8 b e }
+ \tuplet 3/2 { g8 b e }
\deadNotesOff
< a,\3 c\2 e\1 >1
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Translators: Till Paala
@lilypond[verbatim,quote,relative=2]
\repeat percent 4 { c8. <d f>16 }
-\repeat percent 2 { \times 2/3 { r8 c d } e4 }
+\repeat percent 2 { \tuplet 3/2 { r8 c d } e4 }
@end lilypond
@snippets
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Till Paala
einzelnen Note ist also 2/3 der notierten Länge.
@lilypond[quote,verbatim,relative=2]
-a2 \times 2/3 { b4 b b }
-c4 c \times 2/3 { b4 a g }
+a2 \tuplet 3/2 { b4 b b }
+c4 c \tuplet 3/2 { b4 a g }
@end lilypond
@cindex Triolenklammer, Platzierung
@lilypond[quote,verbatim,relative=2]
\autoBeamOff
-c4 \times 4/5 { f8 e f \times 2/3 { e[ f g] } } f4
+c4 \tuplet 5/4 { f8 e f \tuplet 3/2 { e[ f g] } } f4
@end lilypond
Wenn man die Eigenschaften von N-tolen verändern will, die zum
\scaleDurations 3/5 {
\repeat unfold 2 { c8[ c c] }
\repeat unfold 2 { c8[ c] } |
- c4. c4. \times 2/3 { c8[ c c] } c4
+ c4. c4. \tuplet 3/2 { c8[ c c] } c4
}
}
>>
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Till Paala
\remove "Forbid_line_break_engraver"
} \relative c'' {
<<
- { c2. \times 2/3 { c4 c c } c2. | }
+ { c2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
\score {
<<
\new Staff {
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
c8 c8 c8 c8
}
\new Staff {
c8 c8 c8 c8
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Till Paala
<<
\new Voice = "alternative" {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
% show associations clearly.
\override NoteColumn.force-hshift = #-3
f8 f g
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Translators: Reinhold Kainhofer
@c Translation checkers: Till Paala
\begin{lilypond}
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
@lilypond
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Grabado musical
@chapter Grabado musical
\new Voice = "I" \relative c''' {
\time 3/4
\voiceOne
- \times 6/7 { g8 g g g g g g }
+ \tuplet 7/6 { g8 g g g g g g }
\oneVoice
r4 <b,, fis' g bes> r4\fermata
}
\new Voice = "II" \relative c' {
\voiceTwo
c4
- \times 4/5 {
+ \tuplet 5/4 {
<c ees>8 f g
\change Staff = "LH" \oneVoice
\stemUp g,( c}
\set followVoice = ##t
c'''32([ b''16 a''16 gis''16 g''32)]
} \\ {
- s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d'']
+ s4 \tuplet 3/2 { d'16[ f' g'] } as'32[ b''32 e'' d'']
} \\ {
s4 \autoBeamOff d''8.. f''32
} \\ {
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@ignore
Tutorial guidelines: (different from policy.txt!)
expresa, por tanto un @notation{tresillo} lleva una fracción de 2/3:
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c8 r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c8 r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
@subheading Notas de adorno
@c KEEP LY
@lilypond[verbatim,quote,ragged-right]
-tresilloA = \times 2/3 { c,8 e g }
+tresilloA = \tuplet 3/2 { c,8 e g }
compasA = { \tresilloA \tresilloA \tresilloA \tresilloA }
\relative c'' {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Conceptos fundamentales
que sale del interior de un grupo especial (líneas 3 y 4).
@lilypond[quote,verbatim,ragged-right,relative=1]
-r16[ g \times 2/3 { r16 e'8] }
-g,16( a \times 2/3 { b16 d) e }
-g,8[( a \times 2/3 { b8 d) e~] } |
-\times 4/5 { e32\( a, b d e } a4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g,16( a \tuplet 3/2 { b16 d) e }
+g,8[( a \tuplet 3/2 { b8 d) e~] } |
+\tuplet 5/4 { e32\( a, b d e } a4.\)
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Trucar la salida
@chapter Trucar la salida
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\tweak direction #up
-\times 4/3 {
+\tuplet 3/4 {
\tweak color #red
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@cindex TupletNumber, ejemplo de sobreescritura
@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\times 2/3 { c8[ c c] }
+\tuplet 3/2 { c8[ c c] }
\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\times 2/3 {
+\tuplet 3/2 {
c8[ c]
c8[ c]
\once \override TupletNumber.transparent = ##t
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Notación antigua
spiritus = \relative c' {
\time 1/4
\override Lyrics.LyricText.X-extent = #'(0 . 3)
- d4 \times 2/3 { f8 a g } g a a4 g f8 e
+ d4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
d4 f8 g g8 d f g a g f4 g8 a a4 s
- \times 2/3 { g8 f d } e f g a g4
+ \tuplet 3/2 { g8 f d } e f g a g4
}
spirLyr = \lyricmode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c TODO: add tablature.
@end lilypond
-@item @code{\times 2/3 @{f g a@}}
+@item @code{\tuplet 3/2 @{f g a@}}
@tab tresillos
@tab
@lilypond[relative=1]
\set Staff.implicitTimeSignatureVisibility = #all-invisible
-\times 2/3 { f8 g a }
+\tuplet 3/2 { f8 g a }
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Instrumentos de cuerda con trastes
@section Instrumentos de cuerda con trastes
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
\deadNotesOn
- \times 2/3 { g8 b e }
+ \tuplet 3/2 { g8 b e }
\deadNotesOff
< a,\3 c\2 e\1 >1
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@node Repeticiones
@section Repeticiones
@lilypond[verbatim,quote,relative=2]
\repeat percent 4 { c8. <d f>16 }
-\repeat percent 2 { \times 2/3 { r8 c d } e4 }
+\repeat percent 2 { \tuplet 3/2 { r8 c d } e4 }
@end lilypond
@snippets
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Duraciones
@section Duraciones
valor escrito:
@lilypond[quote,verbatim,relative=2]
-a2 \times 2/3 { b4 b b }
-c4 c \times 2/3 { b4 a g }
+a2 \tuplet 3/2 { b4 b b }
+c4 c \tuplet 3/2 { b4 a g }
@end lilypond
@cindex grupos de valoración especial, colocación del corchete
@lilypond[quote,verbatim,relative=2]
\autoBeamOff
-c4 \times 4/5 { f8 e f \times 2/3 { e[ f g] } } f4
+c4 \tuplet 5/4 { f8 e f \tuplet 3/2 { e[ f g] } } f4
@end lilypond
La modificación de los grupos especiales anidados que comienzan en el
\scaleDurations 3/5 {
\repeat unfold 2 { c8[ c c] }
\repeat unfold 2 { c8[ c] } |
- c4. c \times 2/3 { c8[ c c] } c4
+ c4. c \tuplet 3/2 { c8[ c c] } c4
}
}
>>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@ignore
GDP TODO list
\remove "Forbid_line_break_engraver"
} \relative c'' {
<<
- { c2. \times 2/3 { c4 c c } c2. | }
+ { c2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
\score {
<<
\new Staff {
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
c8 c8 c8 c8
}
\new Staff {
c8 c8 c8 c8
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Música vocal
@section Música vocal
<<
\new Voice = "alternative" {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
% show associations clearly.
\override NoteColumn.force-hshift = #-3
f8 f g
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Note: keep this node named so that `info lilypond-book' brings you here.
@node lilypond-book
\begin{lilypond}
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
@lilypond
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Music engraving
@chapter Music engraving
\new Voice = "I" \relative c''' {
\time 3/4
\voiceOne
- \times 6/7 { g8 g g g g g g }
+ \tuplet 7/6 { g8 g g g g g g }
\oneVoice
r4 <b,, fis' g bes> r4\fermata
}
\new Voice = "II" \relative c' {
\voiceTwo
c4
- \times 4/5 {
+ \tuplet 5/4 {
<c ees>8 f g
\change Staff = "LH" \oneVoice
\stemUp g,( c}
\set followVoice = ##t
c'''32([ b''16 a''16 gis''16 g''32)]
} \\ {
- s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d'']
+ s4 \tuplet 3/2 { d'16[ f' g'] } as'32[ b''32 e'' d'']
} \\ {
s4 \autoBeamOff d''8.. f''32
} \\ {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Jean-Charles Malahieude, John Mandereau, Gauvain Pocentek
\new Voice = "I" \relative c''' {
\time 3/4
\voiceOne
- \times 6/7 {g8 g g g g g g}
+ \tuplet 7/6 {g8 g g g g g g}
\oneVoice
r4 <b,, fis' g bes> r4\fermata
}
\new Voice = "II" \relative c' {
\voiceTwo
c4
- \times 4/5 {
+ \tuplet 5/4 {
<c ees>8 f g
\change Staff = "LH" \oneVoice
\stemUp g,( c}
\set followVoice = ##t
c'''32([ b''16 a''16 gis''16 g''32)]
} \\ {
- s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d'']
+ s4 \tuplet 3/2 { d'16[ f' g'] } as'32[ b''32 e'' d'']
} \\ {
s4 \autoBeamOff d''8.. f''32
} \\ {
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Translators: Nicolas Grandclaude, Ludovic Sardain, Gauvain Pocentek
@c Translation checkers: Jean-Charles Malahieude, Valentin Villenave, John Mandereau
donc de 2/3 pour les triolets :
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c8 r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c8 r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
s'il se répète un grand nombre de fois dans la pièce.
@lilypond[verbatim,quote]
-tripletA = \times 2/3 { c,8 e g }
+tripletA = \tuplet 3/2 { c,8 e g }
barA = { \tripletA \tripletA \tripletA \tripletA }
\relative c'' {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: John Mandereau
d'une liaison de phrasé se poursuivant (lignes 3 et 4).
@lilypond[quote,verbatim,ragged-right,relative=1]
-r16[ g \times 2/3 { r16 e'8] }
-g,16( a \times 2/3 { b16 d) e }
-g,8[( a \times 2/3 { b8 d) e~] } |
-\times 4/5 { e32\( a, b d e } a4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g,16( a \tuplet 3/2 { b16 d) e }
+g,8[( a \tuplet 3/2 { b8 d) e~] } |
+\tuplet 5/4 { e32\( a, b d e } a4.\)
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Valentin Villenave, Nicolas Klutchnikoff, Damien Heurtebise
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\tweak direction #up
-\times 4/3 {
+\tuplet 3/4 {
\tweak color #red
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@cindex TupletNumber, exemple de dérogation
@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\times 2/3 { c8[ c c] }
+\tuplet 3/2 { c8[ c c] }
\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\times 2/3 {
+\tuplet 3/2 {
c8[ c]
c8[ c]
\once \override TupletNumber.transparent = ##t
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Jean-Charles Malahieude
spiritus = \relative c' {
\time 1/4
\override Lyrics.LyricText.X-extent = #'(0 . 3)
- d4 \times 2/3 { f8 a g } g a a4 g f8 e
+ d4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
d4 f8 g g8 d f g a g f4 g8 a a4 s
- \times 2/3 { g8 f d } e f g a g4
+ \tuplet 3/2 { g8 f d } e f g a g4
}
spirLyr = \lyricmode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Valentin Villenave
@c Translation checkers: Jean-Charles Malahieude
@end lilypond
-@item @code{\times 2/3 @{f g a@}}
+@item @code{\tuplet 3/2 @{f g a@}}
@tab triolets
@tab
@lilypond[relative=1]
\set Staff.implicitTimeSignatureVisibility = #all-invisible
-\times 2/3 { f8 g a }
+\tuplet 3/2 { f8 g a }
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Matthieu Jacquot
@c Translation checkers: Jean-Charles Malahieude
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
\deadNotesOn
- \times 2/3 { g8 b e }
+ \tuplet 3/2 { g8 b e }
\deadNotesOff
< a,\3 c\2 e\1 >1
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
@lilypond[verbatim,quote,relative=2]
\repeat percent 4 { c8. <d f>16 }
-\repeat percent 2 { \times 2/3 { r8 c d } e4 }
+\repeat percent 2 { \tuplet 3/2 { r8 c d } e4 }
@end lilypond
@snippets
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Frédéric Chiasson, Jean-Charles Malahieude
@c Translation checkers: Valentin Villenave, François Martin, Xavier Scheuer
notes durent donc deux tiers de leur valeur écrite.
@lilypond[quote,verbatim,relative=2]
-a2 \times 2/3 { b4 b b }
-c4 c \times 2/3 { b4 a g }
+a2 \tuplet 3/2 { b4 b b }
+c4 c \tuplet 3/2 { b4 a g }
@end lilypond
@cindex crochet de nolet, positionnement
@lilypond[quote,verbatim,relative=2]
\autoBeamOff
-c4 \times 4/5 { f8 e f \times 2/3 { e[ f g] } } f4 |
+c4 \tuplet 5/4 { f8 e f \tuplet 3/2 { e[ f g] } } f4 |
@end lilypond
Lorsque, dans une imbrication, les nolets débutent au même instant, il
\scaleDurations 3/5 {
\repeat unfold 2 { c8[ c c] }
\repeat unfold 2 { c8[ c] } |
- c4. c \times 2/3 { c8[ c c] } c4
+ c4. c \tuplet 3/2 { c8[ c c] } c4
}
}
>>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Frédéric Chiasson, Jean-Charles Malahieude
\remove "Forbid_line_break_engraver"
} \relative c'' {
<<
- { c2. \times 2/3 { c4 c c } c2. | }
+ { c2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
\score {
<<
\new Staff {
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
c8 c8 c8 c8
}
\new Staff {
c8 c8 c8 c8
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Jacques Gerbaud
<<
\new Voice = "alternative" {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
% show associations clearly.
\override NoteColumn.force-hshift = #-3
f8 f g
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Translators: Jean-Charles Malahieude
@c Translation checkers:
\begin{lilypond}
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
@lilypond
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@node Elemi kottaírás
@chapter Elemi kottaírás
2/3 kell, hogy legyen a tört értéke.
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
@subheading Előkék
@c KEEP LY
@lilypond[verbatim,quote]
-triolaA = \times 2/3 { c,8 e g }
+triolaA = \tuplet 3/2 { c,8 e g }
ütemA = { \triolaA \triolaA \triolaA \triolaA }
\relative c'' {
@c -*- coding: utf-8; mode: texinfo; -*-
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Alapfogalmak
@chapter Alapfogalmak
@translationof Fundamental concepts
@lilypond[quote,verbatim,fragment,ragged-right]
{
- r16[ g16 \times 2/3 {r16 e'8] }
- g16( a \times 2/3 {b d) e' }
- g8[( a \times 2/3 {b d') e'~]}
- \times 4/5 {e'32\( a b d' e'} a'4.\)
+ r16[ g16 \tuplet 3/2 {r16 e'8] }
+ g16( a \tuplet 3/2 {b d) e' }
+ g8[( a \tuplet 3/2 {b d') e'~]}
+ \tuplet 5/4 {e'32\( a b d' e'} a'4.\)
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Note: keep this node named so that `info lilypond-book' brings you here.
@node lilypond-book
\begin{lilypond}
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
@lilypond
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@ignore
Tutorial guidelines: (different from policy.txt!)
una @notation{terzina} ha 2/3 come frazione:
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c8 r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c8 r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
@subheading Abbellimenti
una sezione della musica viene ripetuta molte volte.
@lilypond[verbatim,quote]
-tripletA = \times 2/3 { c,8 e g }
+tripletA = \tuplet 3/2 { c,8 e g }
barA = { \tripletA \tripletA \tripletA \tripletA }
\relative c'' {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Concetti fondamentali
@chapter Concetti fondamentali
irregolare (linee 3 e 4).
@lilypond[quote,verbatim,ragged-right,relative=1]
-r16[ g \times 2/3 { r16 e'8] }
-g,16( a \times 2/3 { b16 d) e }
-g,8[( a \times 2/3 { b8 d) e~] } |
-\times 4/5 { e32\( a, b d e } a4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g,16( a \tuplet 3/2 { b16 d) e }
+g,8[( a \tuplet 3/2 { b8 d) e~] } |
+\tuplet 5/4 { e32\( a, b d e } a4.\)
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Modifica dell'output
@chapter Modifica dell'output
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\tweak direction #up
-\times 4/3 {
+\tuplet 3/4 {
\tweak color #red
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@c NOTE Tuplet brackets collide if notes are high on staff
@c See issue 509
@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\times 2/3 { c8[ c c] }
+\tuplet 3/2 { c8[ c c] }
\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\times 2/3 {
+\tuplet 3/2 {
c8[ c]
c8[ c]
\once \override TupletNumber.transparent = ##t
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Note: keep this node named so that `info lilypond-book' brings you here.
@node lilypond-book
\begin{lilypond}
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
@lilypond
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@ignore
Tutorial guidelines: (different from policy.txt!)
分数として 2/3 を持ちます。
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c8 r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c8 r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
楽曲のある部分が何度もリピートしている場合に入力の手間を省くことができます。
@lilypond[verbatim,quote]
-tripletA = \times 2/3 { c,8 e g }
+tripletA = \tuplet 3/2 { c,8 e g }
barA = { \tripletA \tripletA \tripletA \tripletA }
\relative c'' {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
さらにフレージング スラーが連符の外にまで伸びています (行 3 と 4)。
@lilypond[quote,verbatim,ragged-right,relative=1]
-r16[ g \times 2/3 { r16 e'8] }
-g,16( a \times 2/3 { b16 d) e }
-g,8[( a \times 2/3 { b8 d) e~] } |
-\times 4/5 { e32\( a, b d e } a4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g,16( a \tuplet 3/2 { b16 d) e }
+g,8[( a \tuplet 3/2 { b8 d) e~] } |
+\tuplet 5/4 { e32\( a, b d e } a4.\)
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\tweak direction #up
-\times 4/3 {
+\tuplet 3/4 {
\tweak color #red
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@c NOTE Tuplet brackets collide if notes are high on staff
@c See issue 509
@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\times 2/3 { c8[ c c] }
+\tuplet 3/2 { c8[ c c] }
\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\times 2/3 {
+\tuplet 3/2 {
c8[ c]
c8[ c]
\once \override TupletNumber.transparent = ##t
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
@end lilypond
-@item @code{\times 2/3 @{f g a@}}
+@item @code{\tuplet 3/2 @{f g a@}}
@tab 3 連符
@tab
@lilypond[relative=1,fragment]
\set Staff.implicitTimeSignatureVisibility = #all-invisible
-\times 2/3 { f8 g a }
+\tuplet 3/2 { f8 g a }
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
\deadNotesOn
- \times 2/3 { g8 b e }
+ \tuplet 3/2 { g8 b e }
\deadNotesOff
< a,\3 c\2 e\1 >1
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
@lilypond[verbatim,quote,relative=2]
\repeat percent 4 { c8. <d f>16 }
-\repeat percent 2 { \times 2/3 { r8 c d } e4 }
+\repeat percent 2 { \tuplet 3/2 { r8 c d } e4 }
@end lilypond
@snippets
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
そのため、3 連符で指定する分数は 2/3 です。
@lilypond[quote,verbatim,relative=2]
-a2 \times 2/3 { b4 b b }
-c4 c \times 2/3 { b4 a g }
+a2 \tuplet 3/2 { b4 b b }
+c4 c \tuplet 3/2 { b4 a g }
@end lilypond
@cindex tuplet bracket placement (連符囲みの配置)
@lilypond[quote,verbatim,relative=2]
\autoBeamOff
-c4 \times 4/5 { f8 e f \times 2/3 { e[ f g] } } f4
+c4 \tuplet 5/4 { f8 e f \tuplet 3/2 { e[ f g] } } f4
@end lilypond
ネストされた連符の演奏開始点が同時である場合に、それらの連符を変更するには
\scaleDurations 3/5 {
\repeat unfold 2 { c8[ c c] }
\repeat unfold 2 { c8[ c] } |
- c4. c \times 2/3 { c8[ c c] } c4
+ c4. c \tuplet 3/2 { c8[ c c] } c4
}
}
>>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
\remove "Forbid_line_break_engraver"
} \relative c'' {
<<
- { c2. \times 2/3 { c4 c c } c2. | }
+ { c2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
\score {
<<
\new Staff {
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
c8 c8 c8 c8
}
\new Staff {
c8 c8 c8 c8
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
<<
\new Voice = "alternative" {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
% show associations clearly.
\override NoteColumn.force-hshift = #-3
f8 f g
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Translators: Yoshiki Sawada
\begin{lilypond}
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
@lilypond
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@ignore
Tutorial guidelines: (different from policy.txt!)
@notation{triplet} has 2/3 as its fraction
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c8 r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c8 r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
@subheading Grace notes
section of music is repeated many times.
@lilypond[verbatim,quote]
-tripletA = \times 2/3 { c,8 e g }
+tripletA = \tuplet 3/2 { c,8 e g }
barA = { \tripletA \tripletA \tripletA \tripletA }
\relative c'' {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Fundamental concepts
@chapter Fundamental concepts
phrasing slur extending out of a tuplet (lines 3 and 4).
@lilypond[quote,verbatim,ragged-right,relative=1]
-r16[ g \times 2/3 { r16 e'8] }
-g,16( a \times 2/3 { b16 d) e }
-g,8[( a \times 2/3 { b8 d) e~] } |
-\times 4/5 { e32\( a, b d e } a4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g,16( a \tuplet 3/2 { b16 d) e }
+g,8[( a \tuplet 3/2 { b8 d) e~] } |
+\tuplet 5/4 { e32\( a, b d e } a4.\)
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Tweaking output
@chapter Tweaking output
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\tweak direction #up
-\times 4/3 {
+\tuplet 3/4 {
\tweak color #red
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@cindex TupletNumber, example of overriding
@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\times 2/3 { c8[ c c] }
+\tuplet 3/2 { c8[ c c] }
\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\times 2/3 {
+\tuplet 3/2 {
c8[ c]
c8[ c]
\once \override TupletNumber.transparent = ##t
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
-\version "2.17.6"
+\version "2.17.11"
\include "example-header.ily"
\paper {
f8 f4 e8 d c f f f | % 1
% the \scaleDurations command below makes 5 notes last the
% duration of a dotted quarter
- e8 c4 \scaleDurations 3/2 { \times 4/5{e16[ d e d e]} } e8 f4 | % 2
+ e8 c4 \scaleDurations 3/2 { \tuplet 5/4{e16[ d e d e]} } e8 f4 | % 2
g2. ~ g4. | % 3
- f8 d4 f4. \scaleDurations 3/2 { \times 4/6{ g16[ f e f e f]}} % 4
+ f8 d4 f4. \scaleDurations 3/2 { \tuplet 6/4{ g16[ f e f e f]}} % 4
g8 g4 g4. e4. | % 5
fis8 d4 e8\startGroup g4\stopGroup f8[ e d] | % 6
c2. r4. | % 7
-\version "2.17.6"
+\version "2.17.11"
% the example header file caused the head to be chopped off
%\include "example-header.ily"
} {
% measure 6
- \fraction \times 5/3 {
- \times 4/5 {
+ \fraction \tuplet 3/5 {
+ \tuplet 5/4 {
a'64 [ % 36
cs''64 % 37
f''64 % 38
cs''64 % 39
ef'''64 ] % 40
}
- \times 4/5 {
+ \tuplet 5/4 {
g''64 [ % 41
c''64 % 42
e''64 % 43
% measure 7
r8 % 47
- \times 4/5 {
+ \tuplet 5/4 {
d''32 [ % 48
af''32 % 49
e'32 % 50
} {
% measure 6
- \fraction \times 5/3 {
+ \fraction \tuplet 3/5 {
\square f''16 * 1/8 % 40
\square f''16 * 1/8 % 41
\square f''16 * 1/8 % 42
\square f''16 * 1/8 % 45
\square f''16 * 1/8 % 46
\square f''16 * 1/8 % 47
- \times 2/3 {
+ \tuplet 3/2 {
\square f''16 % 48
\square f''16 * 1/2 % 49
}
- \times 2/3 {
+ \tuplet 3/2 {
\square f''16 * 1/4 % 50
\square f''16 * 1/4 % 51
\square f''16 * 1/4 % 52
\square g''16 * 2/1 % 57
\square g''16 % 58
\square g''16 % 59
- \times 8/9 {
+ \tuplet 9/8 {
s16 % 60
f''16 * 1/4 % 61
f''16 * 1/4 % 62
}
% measure 8
- \times 4/5 {
- \times 4/7 {
+ \tuplet 5/4 {
+ \tuplet 7/4 {
s4 % 66
\triangle a''16 % 67
\triangle a''16 % 68
} {
% measure 6
- \fraction \times 5/3 {
+ \fraction \tuplet 3/5 {
\blackdiamond f'128 [ % 40
\blackdiamond f'128 % 41
\blackdiamond f'128 % 42
\blackdiamond f'128 % 45
\blackdiamond f'128 % 46
\blackdiamond f'128 ] % 47
- \times 2/3 {
+ \tuplet 3/2 {
\blackdiamond f'16 % 48
\blackdiamond f'32 % 49
}
- \times 2/3 {
+ \tuplet 3/2 {
\blackdiamond f'64 % 50
\blackdiamond f'64 % 51
\blackdiamond f'64 % 52
\harmonic a'8 \glissando % 57
\harmonic a'16 \glissando % 58
\blackdiamond a'16 % 59
- \times 8/9 {
+ \tuplet 9/8 {
s16 % 60
\harmonic g'64 \glissando % 61
\harmonic g'64 \glissando % 62
}
% measure 8
- \times 4/5 {
- \times 4/7 {
+ \tuplet 5/4 {
+ \tuplet 7/4 {
s4 % 66
\blackdiamond f'16 % 67
\blackdiamond f'16 % 68
} {
% measure 6
- \fraction \times 5/3 {
+ \fraction \tuplet 3/5 {
s128 % 40
s128 % 41
s128 % 42
s128 % 45
s128 % 46
s128 % 47
- \times 2/3 {
+ \tuplet 3/2 {
\semicircle a16 % 48
\semicircle a16 * 1/2 % 49
}
- \times 2/3 {
+ \tuplet 3/2 {
\semicircle a16 * 1/4 % 50
\semicircle a16 * 1/4 % 51
\semicircle a16 * 1/4 % 52
s8 % 57
s16 % 58
\triangle a16 % 59
- \times 8/9 {
+ \tuplet 9/8 {
s16 % 60
s64 % 61
s64 % 62
}
% measure 8
- \times 4/5 {
- \times 4/7 {
+ \tuplet 5/4 {
+ \tuplet 7/4 {
s4 % 66
\semicircle a16 % 67
\semicircle a16 % 68
} {
% measure 6
- \fraction \times 5/3 {
+ \fraction \tuplet 3/5 {
\beam #0 #5 g,128 \sffp \< [ % 40
\beam #5 #5 g,128 % 41
\beam #5 #5 g,128 % 42
\beam #5 #5 g,128 % 45
\beam #5 #5 g,128 % 46
\beam #5 #1 g,128 % 47
- \times 2/3 {
+ \tuplet 3/2 {
\beam #1 #2 g,16 % 48
\beam #3 #1 g,32 \fX % 49
}
- \times 2/3 {
+ \tuplet 3/2 {
\beam #1 #4 g,64 \sffp \< % 50
\beam #4 #4 g,64 % 51
\beam #4 #4 g,64 % 52
g,8 \sf \< [ % 57
g,16 % 58
\beam #2 #0 g,16 \ffX ] % 59
- \times 8/9 {
+ \tuplet 9/8 {
r16 % 60
\beam #4 #4 g,64 \sfp \< [ % 61
\beam #4 #4 g,64 % 62
}
% measure 8
- \times 4/5 {
- \times 4/7 {
+ \tuplet 5/4 {
+ \tuplet 7/4 {
r4 % 66
\beam #2 #2 g,16 \fX [ % 67
\beam #2 #2 g,16 \f % 68
-\version "2.17.6"
+\version "2.17.11"
\include "example-header.ily"
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
upperVoiceOne = \relative c'' {
\voiceOne
\override TupletBracket.transparent = ##t
- <aes f'>8\([ \times 4/5{g'32( aes g f g]) }
- <es aes>8[ \times 4/5{<d bes'>32( c' bes aes bes]) }
+ <aes f'>8\([ \tuplet 5/4{g'32( aes g f g]) }
+ <es aes>8[ \tuplet 5/4{<d bes'>32( c' bes aes bes]) }
<es, aes es'>8 <d fis b d>\) | % end m. 1
%--------------------------------------------------%
<c g' c>4\( \voiceTwo <bes es bes'\arpeggio>\)
%--------------------------------------------------%
\noBreak
\voiceOne
- <f aes d f>8\([ \times 4/5{<g g'>32( aes' g f g]) }
+ <f aes d f>8\([ \tuplet 5/4{<g g'>32( aes' g f g]) }
\set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1 8)
\set beatStructure = #'(2 2 2)
- <aes, aes'>16 <c f> \times 4/5{ bes'32( c bes aes bes]) }
+ <aes, aes'>16 <c f> \tuplet 5/4{ bes'32( c bes aes bes]) }
\set subdivideBeams = ##f
\ottava #1 <es es'>16 <f f'> <d d'> \appoggiatura f8 <es es'>16\)
}
@c Translation checker:
@c Translation checker committish:
-@c \version "2.16.0"
+@c \version "2.17.11"
@ignore
Tutorial guidelines: (different from policy.txt!)
@notation{triool} heeft als fractie 2/3
@lilypond[verbatim,quote,relative=2]
-\times 2/3 { f8 g a }
-\times 2/3 { c8 r c }
-\times 2/3 { f,8 g16[ a g a] }
-\times 2/3 { d4 a8 }
+\tuplet 3/2 { f8 g a }
+\tuplet 3/2 { c8 r c }
+\tuplet 3/2 { f,8 g16[ a g a] }
+\tuplet 3/2 { d4 a8 }
@end lilypond
@subheading Versieringen
@c KEEP LY
@lilypond[verbatim,quote]
-trioolA = \times 2/3 { c,8 e g }
+trioolA = \tuplet 3/2 { c,8 e g }
maatA = { \trioolA \trioolA \trioolA \trioolA }
\relative c'' {
@c Translation checker:
@c Translation checker committish:
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Fundamentele concepten
@translationof Fundamental concepts
phrasing slur extending out of a tuplet (lines 3 and 4).
@lilypond[quote,verbatim,ragged-right,relative=1]
-r16[ g \times 2/3 { r16 e'8] }
-g,16( a \times 2/3 { b16 d) e }
-g,8[( a \times 2/3 { b8 d) e~] } |
-\times 4/5 { e32\( a, b d e } a4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g,16( a \tuplet 3/2 { b16 d) e }
+g,8[( a \tuplet 3/2 { b8 d) e~] } |
+\tuplet 5/4 { e32\( a, b d e } a4.\)
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Tweaking output
@chapter Tweaking output
@lilypond[quote,ragged-right,verbatim,fragment,relative=2]
\tweak direction #up
-\times 4/3 {
+\tuplet 3/4 {
\tweak color #red
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
@cindex TupletNumber, example of overriding
@lilypond[quote,ragged-right,verbatim,fragment,relative=1]
-\times 2/3 { c8[ c c] }
+\tuplet 3/2 { c8[ c c] }
\once \override TupletNumber.text = #tuplet-number::calc-fraction-text
-\times 2/3 {
+\tuplet 3/2 {
c8[ c]
c8[ c]
\once \override TupletNumber.transparent = ##t
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Ancient notation
spiritus = \relative c' {
\time 1/4
\override Lyrics.LyricText.X-extent = #'(0 . 3)
- d4 \times 2/3 { f8 a g } g a a4 g f8 e
+ d4 \tuplet 3/2 { f8 a g } g a a4 g f8 e
d4 f8 g g8 d f g a g f4 g8 a a4 s
- \times 2/3 { g8 f d } e f g a g4
+ \tuplet 3/2 { g8 f d } e f g a g4
}
spirLyr = \lyricmode {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@c TODO: add tablature.
@end lilypond
-@item @code{\times 2/3 @{f g a@}}
+@item @code{\tuplet 3/2 @{f g a@}}
@tab triplets
@tab
@lilypond[relative=1]
\set Staff.implicitTimeSignatureVisibility = #all-invisible
-\times 2/3 { f8 g a }
+\tuplet 3/2 { f8 g a }
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Fretted string instruments
@section Fretted string instruments
< b\3 \deadNote d\2 b'\1 >
< c\3 \deadNote e\2 c'\1 >
\deadNotesOn
- \times 2/3 { g8 b e }
+ \tuplet 3/2 { g8 b e }
\deadNotesOff
< a,\3 c\2 e\1 >1
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@node Repeats
@section Repeats
@lilypond[verbatim,quote,relative=2]
\repeat percent 4 { c8. <d f>16 }
-\repeat percent 2 { \times 2/3 { r8 c d } e4 }
+\repeat percent 2 { \tuplet 3/2 { r8 c d } e4 }
@end lilypond
@snippets
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Rhythms
@section Rhythms
the notes are 2/3 of their written length.
@lilypond[quote,verbatim,relative=2]
-a2 \times 2/3 { b4 b b }
-c4 c \times 2/3 { b4 a g }
+a2 \tuplet 3/2 { b4 b b }
+c4 c \tuplet 3/2 { b4 a g }
@end lilypond
@cindex tuplet bracket placement
@lilypond[quote,verbatim,relative=2]
\autoBeamOff
-c4 \times 4/5 { f8 e f \times 2/3 { e[ f g] } } f4
+c4 \tuplet 5/4 { f8 e f \tuplet 3/2 { e[ f g] } } f4
@end lilypond
Modifying nested tuplets which begin at the same musical moment
\scaleDurations 3/5 {
\repeat unfold 2 { c8[ c c] }
\repeat unfold 2 { c8[ c] } |
- c4. c \times 2/3 { c8[ c c] } c4
+ c4. c \tuplet 3/2 { c8[ c c] } c4
}
}
>>
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@ignore
GDP TODO list
\remove "Forbid_line_break_engraver"
} \relative c'' {
<<
- { c2. \times 2/3 { c4 c c } c2. | }
+ { c2. \tuplet 3/2 { c4 c c } c2. | }
{ s1 | \break s1 | }
>>
}
\score {
<<
\new Staff {
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
c8 c8 c8 c8
}
\new Staff {
c8 c8 c8 c8
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8 c8 c8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
\new RhythmicStaff {
c'2
c'16 c'16 c'16 c'16
- \times 4/5 {
+ \tuplet 5/4 {
c'16 c'16 c'16 c'16 c'16
}
}
\new RhythmicStaff {
- \times 8/9 {
+ \tuplet 9/8 {
c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8 c'8
}
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.17.11"
@node Vocal music
@section Vocal music
<<
\new Voice = "alternative" {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
% show associations clearly.
\override NoteColumn.force-hshift = #-3
f8 f g
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.16.0"
+\version "2.17.11"
\header {
lsrtags = "expressive-marks, rhythms"
{
- r16[ g16 \times 2/3 { r16 e'8] }
- g16( a \times 2/3 { b d e') }
- g8[( a \times 2/3 { b d') e'] ~ }
+ r16[ g16 \tuplet 3/2 { r16 e'8] }
+ g16( a \tuplet 3/2 { b d e') }
+ g8[( a \tuplet 3/2 { b d') e'] ~ }
\time 2/4
- \times 4/5 { e'32\( a b d' e' } a'4.\)
+ \tuplet 5/4 { e'32\( a b d' e' } a'4.\)
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "rhythms"
\relative c'' {
- \times 2/3 { c8 c c }
- \times 2/3 { c8 c c }
+ \tuplet 3/2 { c8 c c }
+ \tuplet 3/2 { c8 c c }
\override TupletNumber.text = #tuplet-number::calc-fraction-text
- \times 2/3 { c8 c c }
+ \tuplet 3/2 { c8 c c }
\override TupletNumber.stencil = ##f
- \times 2/3 { c8 c c }
+ \tuplet 3/2 { c8 c c }
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
music = \relative c'' {
- \times 2/3 { c16[ d e } f8]
- \times 2/3 { c8 d e }
- \times 2/3 { c4 d e }
+ \tuplet 3/2 { c16[ d e } f8]
+ \tuplet 3/2 { c8 d e }
+ \tuplet 3/2 { c4 d e }
}
\new Voice {
%
% This file is in the public domain.
%% Note: this file works from version 2.16.0
-\version "2.16.0"
+\version "2.17.11"
\header {
lsrtags = "pitches, real-music, really-cool, scheme-language"
rhythm =
#(define-music-function (parser location p) (ly:pitch?)
"Make the rhythm in Mars (the Planets) at the given pitch"
- #{ \times 2/3 { $p 8 $p $p } $p 4 $p $p 8 $p $p 4 #})
+ #{ \tuplet 3/2 { $p 8 $p $p } $p 4 $p $p 8 $p $p 4 #})
\new Staff {
\time 5/4
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.16.0"
+\version "2.17.11"
\header {
lsrtags = "rhythms, syntax-and-expressions"
\relative c' {
\time 2/4
- \set tupletSpannerDuration = #(ly:make-moment 1 4)
- \times 2/3 { c8 c c c c c }
+ \tupletSpan 4
+ \tuplet 3/2 { c8 c c c c c }
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "fretted-strings, specific-notation, stylesheet, version-specific"
r4
\tupletOff
- \times 4/5 {
+ \tuplet 5/4 {
<a e' a cis e>16^\xUp
\headsOff
<a e' a cis e>^\aUp
r4
\tupletsOff
- \times 2/3 {
+ \tuplet 3/2 {
<a e' a cis e>8^\pDown
\headsOff
<a e' a cis e>^\xUp
\headsOn
}
- \times 2/3 {
+ \tuplet 3/2 {
<a e' a cis e>8^\pDown
\headsOff
<a e' a cis e>^\xUp
\headsOn
}
- \times 2/3 {
+ \tuplet 3/2 {
<a e' a cis e>8^\pDown
\headsOff
<a e' a cis e>^\xUp
<a e' a cis e>^\iUp
\headsOn
}
- \times 2/3 {
+ \tuplet 3/2 {
<a e' a cis e>8^\pDown
\headsOff
<a e' a cis e>^\xUp
\tupletsOff
\override Beam.positions = #'(2 . 2)
- \times 2/3 {
+ \tuplet 3/2 {
a8^\markup{ \small p }
<e' a>^\strokeUpGolpe
<e a>^\strokeDown
}
- \times 2/3 {
+ \tuplet 3/2 {
a,8^\markup{ \small p }
<e' a>^\strokeUpGolpe
<e a>^\strokeDown
}
- \times 2/3 {
+ \tuplet 3/2 {
a,8^\markup{ \small p }
<e' a>^\strokeUpGolpe
<e a>^\strokeDown
}
- \times 2/3 {
+ \tuplet 3/2 {
a,8^\markup{ \small p }
<e' a>^\strokeUpGolpe
<e a>^\strokeDown
% on melodies from Bellini's "Norma" %
%*****************************************************************%
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "headword"
R1 % m. 5
e'4^\benmarcato e8. d16-4
- d4-4 \times 2/3 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
+ d4-4 \tuplet 3/2 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
\FO #'-0.3 #'0.3
- <a-3>4 \times 2/3 { c4 b8 } a4 e'8. e16 | % m. 7
+ <a-3>4 \tuplet 3/2 { c4 b8 } a4 e'8. e16 | % m. 7
\FO #'-0.3 #'0.3
- <g-4>4 \times 2/3 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
- \times 2/3 { \sfou <d-4>4 c8 } | % end of m. 8
+ <g-4>4 \tuplet 3/2 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
+ \tuplet 3/2 { \sfou <d-4>4 c8 } | % end of m. 8
- b4 \times 2/3 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
+ b4 \tuplet 3/2 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
- e4 e8. d16-4 d4 \times 2/3 { c4 b8 } | % m. 10
+ e4 e8. d16-4 d4 \tuplet 3/2 { c4 b8 } | % m. 10
- \times 2/3 { a4 a8 b4 c8 } % beg of m. 11
+ \tuplet 3/2 { a4 a8 b4 c8 } % beg of m. 11
\sfou \FO #'-0.3 #'0.3
- <d-4>4^\< \times 2/3 { e4 <d f>8\! } | % end of m. 11
+ <d-4>4^\< \tuplet 3/2 { e4 <d f>8\! } | % end of m. 11
}
bass = \relative c {
%% new section starts here in A minor
\set Score.beamExceptions = #'()
\once \override TextScript.staff-padding = #1.7
- \times 2/3 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
+ \tuplet 3/2 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
- \times 2/3 { a,8\pdolce e' a c a e } % beg m. 6
- \times 2/3 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
+ \tuplet 3/2 { a,8\pdolce e' a c a e } % beg m. 6
+ \tuplet 3/2 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
- \times 2/3 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
+ \tuplet 3/2 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
- \times 2/3 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
+ \tuplet 3/2 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
- \times 2/3 { <g,-3>8 d' g d' g, d % beg m. 9
+ \tuplet 3/2 { <g,-3>8 d' g d' g, d % beg m. 9
\sfod \FO #'0.0 #'-2.0 <gis,-4> \sfou <e'-2> <gis-1> b gis e } | % end m. 9
- \times 2/3 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
+ \tuplet 3/2 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
- \times 2/3 { a,8 e' a b a e f, f' a d a f } | % m. 11
+ \tuplet 3/2 { a,8 e' a b a e f, f' a d a f } | % m. 11
}
\score {
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.16.0"
+\version "2.17.11"
\header {
lsrtags = "real-music, staff-notation"
\relative c'' {
\time 4/8
- \times 2/3 { c8 d e } \times 2/3 { c d e }
- \times 2/3 { c8 d e } \times 2/3 { c d e }
+ \tuplet 3/2 { c8 d e } \tuplet 3/2 { c d e }
+ \tuplet 3/2 { c8 d e } \tuplet 3/2 { c d e }
g8 a g a
g8 a g a
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.16.0"
+\version "2.17.11"
\header {
lsrtags = "really-simple, rhythms"
% ...to cover all items up to the next note
\set tupletFullLengthNote = ##t
\time 2/4
- \times 2/3 { c4 c c }
+ \tuplet 3/2 { c4 c c }
% ...or to cover just whitespace
\set tupletFullLengthNote = ##f
\time 4/4
- \times 4/5 { c4 c1 }
+ \tuplet 5/4 { c4 c1 }
\time 3/4
c2.
}
-\version "2.16.0"
+\version "2.17.11"
\header {
lsrtags = "pitches, real-music, really-cool, scheme-language"
rhythm =
#(define-music-function (parser location p) (ly:pitch?)
"Make the rhythm in Mars (the Planets) at the given pitch"
- #{ \times 2/3 { $p 8 $p $p } $p 4 $p $p 8 $p $p 4 #})
+ #{ \tuplet 3/2 { $p 8 $p $p } $p 4 $p $p 8 $p $p 4 #})
\new Staff {
\time 5/4
% on melodies from Bellini's "Norma" %
%*****************************************************************%
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "headword"
R1 % m. 5
e'4^\benmarcato e8. d16-4
- d4-4 \times 2/3 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
+ d4-4 \tuplet 3/2 { \sfou \FO #'-0.3 #'0.6 <c-2>4 b8 } | % end of m. 6
\FO #'-0.3 #'0.3
- <a-3>4 \times 2/3 { c4 b8 } a4 e'8. e16 | % m. 7
+ <a-3>4 \tuplet 3/2 { c4 b8 } a4 e'8. e16 | % m. 7
\FO #'-0.3 #'0.3
- <g-4>4 \times 2/3 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
- \times 2/3 { \sfou <d-4>4 c8 } | % end of m. 8
+ <g-4>4 \tuplet 3/2 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
+ \tuplet 3/2 { \sfou <d-4>4 c8 } | % end of m. 8
- b4 \times 2/3 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
+ b4 \tuplet 3/2 { d4-4 c8 } \sfou \FO #'-1.7 #'-1.5 <b-0>4 e | % end of m. 9
- e4 e8. d16-4 d4 \times 2/3 { c4 b8 } | % m. 10
+ e4 e8. d16-4 d4 \tuplet 3/2 { c4 b8 } | % m. 10
- \times 2/3 { a4 a8 b4 c8 } % beg of m. 11
+ \tuplet 3/2 { a4 a8 b4 c8 } % beg of m. 11
\sfou \FO #'-0.3 #'0.3
- <d-4>4^\< \times 2/3 { e4 <d f>8\! } | % end of m. 11
+ <d-4>4^\< \tuplet 3/2 { e4 <d f>8\! } | % end of m. 11
}
bass = \relative c {
%% new section starts here in A minor
\set Score.beamExceptions = #'()
\once \override TextScript.staff-padding = #1.7
- \times 2/3 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
+ \tuplet 3/2 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
- \times 2/3 { a,8\pdolce e' a c a e } % beg m. 6
- \times 2/3 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
+ \tuplet 3/2 { a,8\pdolce e' a c a e } % beg m. 6
+ \tuplet 3/2 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
- \times 2/3 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
+ \tuplet 3/2 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
- \times 2/3 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
+ \tuplet 3/2 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
- \times 2/3 { <g,-3>8 d' g d' g, d % beg m. 9
+ \tuplet 3/2 { <g,-3>8 d' g d' g, d % beg m. 9
\sfod \FO #'0.0 #'-2.0 <gis,-4> \sfou <e'-2> <gis-1> b gis e } | % end m. 9
- \times 2/3 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
+ \tuplet 3/2 { a,8 e' a c a e e, e' gis c gis e } | % m. 10
- \times 2/3 { a,8 e' a b a e f, f' a d a f } | % m. 11
+ \tuplet 3/2 { a,8 e' a b a e f, f' a d a f } | % m. 11
}
\score {
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "rhythms"
\relative c'' {
\once \override TupletNumber.text =
#(tuplet-number::non-default-tuplet-denominator-text 7)
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
\once \override TupletNumber.text =
#(tuplet-number::non-default-tuplet-fraction-text 12 7)
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
\once \override TupletNumber.text =
#(tuplet-number::append-note-wrapper
(tuplet-number::non-default-tuplet-fraction-text 12 7) "8")
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
\once \override TupletNumber.text =
#(tuplet-number::append-note-wrapper
tuplet-number::calc-denominator-text "4")
- \times 2/3 { c8 c8 c8 c8 c8 c8 }
+ \tuplet 3/2 { c8 c8 c8 c8 c8 c8 }
\once \override TupletNumber.text =
#(tuplet-number::append-note-wrapper
tuplet-number::calc-fraction-text "4")
- \times 2/3 { c8 c8 c8 c8 c8 c8 }
+ \tuplet 3/2 { c8 c8 c8 c8 c8 c8 }
\once \override TupletNumber.text =
#(tuplet-number::fraction-with-notes "4." "8")
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
\once \override TupletNumber.text =
#(tuplet-number::non-default-fraction-with-notes 12 "8" 4 "4")
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "rhythms, version-specific"
}
\relative c'' {
a8
- \repeat unfold 5 { \times 2/3 { c[ b a] } }
+ \repeat unfold 5 { \tuplet 3/2 { c[ b a] } }
% Insert a manual line break within a tuplet
- \times 2/3 { c[ b \bar "" \break a] }
- \repeat unfold 5 { \times 2/3 { c[ b a] } }
+ \tuplet 3/2 { c[ b \bar "" \break a] }
+ \repeat unfold 5 { \tuplet 3/2 { c[ b a] } }
c8
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "rhythms"
\new Staff {
\set tupletFullLength = ##t
\time 1/8
- \times 2/3 { c'16 c'16 c'16 }
- \times 2/3 { c'16 c'16 c'16 }
- \times 2/3 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
\override Score.RehearsalMark.break-visibility = ##(#t #t #t)
\override Score.RehearsalMark.direction = #DOWN
\override Score.RehearsalMark.self-alignment-X = #RIGHT
\override TupletBracket.full-length-to-extent = ##f
\time 1/8
- \times 2/3 { c'16 c'16 c'16 }
- \times 2/3 { c'16 c'16 c'16 }
- \times 2/3 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
\override Score.RehearsalMark.break-visibility = ##(#t #t #t)
\override Score.RehearsalMark.direction = #DOWN
\override Score.RehearsalMark.self-alignment-X = #RIGHT
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "contemporary-notation, percussion, real-music, really-cool, rhythms"
\bar "|"
\time 2/4
\tupletUp
- \times 2/3 { ees''4 r4 d''4 ~ }
+ \tuplet 3/2 { ees''4 r4 d''4 ~ }
\bar "|"
\time 3/8
\tupletUp
- \times 3/4 { d''4 r4 }
+ \tuplet 4/3 { d''4 r4 }
\bar "|"
\time 2/4
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "spacing, tweaks-and-overrides"
c2 \grace { c16[ c16] } c2
}
\new Staff {
- c2 \times 2/3 { c8 \clef bass cis,, c } c4
+ c2 \tuplet 3/2 { c8 \clef bass cis,, c } c4
c1
}
>>
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "headword"
c'''32([ b''16 a''16 gis''16 g''32)]
}
\\
- { s4 \times 2/3 { d'16[ f' g'] } as'32[ b''32 e'' d''] }
+ { s4 \tuplet 3/2 { d'16[ f' g'] } as'32[ b''32 e'' d''] }
\\
{ s4 \autoBeamOff d''8.. f''32 }
\\
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "headword"
\time 4/4
\stemUp
\tupletDown
- \times 2/3 { d4 ^\markup \colmark { \quatre \db \accel } d d }
- \times 2/3 { d4 ^\markup \colmark { " " \db " " \sulp } d d }
+ \tuplet 3/2 { d4 ^\markup \colmark { \quatre \db \accel } d d }
+ \tuplet 3/2 { d4 ^\markup \colmark { " " \db " " \sulp } d d }
%% Measure 5
\time 5/4
- \tupletbp \times 2/3 { d8 \mf \< ^\markup \colmark { \quatre \db \norm } d _\open d }
- \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db \sulp } d _\open d }
- \tupletbp \times 2/3 { d16 ^\markup \colmark { " " \db \norm } d _\open d d d _\open d }
+ \tupletbp \tuplet 3/2 { d8 \mf \< ^\markup \colmark { \quatre \db \norm } d _\open d }
+ \tupletbp \tuplet 3/2 { d8 ^\markup \colmark { " " \db \sulp } d _\open d }
+ \tupletbp \tuplet 3/2 { d16 ^\markup \colmark { " " \db \norm } d _\open d d d _\open d }
d2 \ff ^\markup \colmark { " " \pvib } \>
%% Measure 7
\time 7/4
- \tupletbp \times 2/3 { d16 ^\markup \colmark { \quatre } d _\open d d d _\open d }
- \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db } d _\open d }
- \tupletbp \times 2/3 { d8 ^\markup \colmark { " " \db " " \sulp } d _\open d }
- \times 2/3 { d4 ^\markup \colmark { \quatre \db \ritar \norm } d d }
- \times 2/3 { d4 ^\markup \colmark { " " \db " " \sulp } d d \ppp ~ }
+ \tupletbp \tuplet 3/2 { d16 ^\markup \colmark { \quatre } d _\open d d d _\open d }
+ \tupletbp \tuplet 3/2 { d8 ^\markup \colmark { " " \db } d _\open d }
+ \tupletbp \tuplet 3/2 { d8 ^\markup \colmark { " " \db " " \sulp } d _\open d }
+ \tuplet 3/2 { d4 ^\markup \colmark { \quatre \db \ritar \norm } d d }
+ \tuplet 3/2 { d4 ^\markup \colmark { " " \db " " \sulp } d d \ppp ~ }
%% Measure 8
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.11"
\header {
lsrtags = "spacing, tweaks-and-overrides, vocal-music"
\override StaffSymbol.staff-space = #(magstep -2)
\remove "Time_signature_engraver"
} {
- \times 4/6 {
+ \tuplet 6/4 {
\override TextScript.padding = #3
c8[^"ossia above" d e d e f]
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.16.0"
+@c \version "2.17.11"
@c Note: keep this node named so that `info lilypond-book' brings you here.
@node lilypond-book
\begin{lilypond}
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
\end{lilypond}
@lilypond
\relative c' {
- c2 e2 \times 2/3 { f8 a b } a2 e4
+ c2 e2 \tuplet 3/2 { f8 a b } a2 e4
}
@end lilypond
anywhere in the vertical alignment. "
}
-\version "2.17.6"
+\version "2.17.11"
\paper {
ragged-right = ##t
}
\new Staff {
\set Staff.alignAboveContext = #"3"
- \times 4/6 {
+ \tuplet 6/4 {
\override TextScript.padding = #3
c4^"this" d_"staff" e^"above" d_"last" e^"staff" f
}
texidoc = "Automatic beaming is also done on tuplets."
}
-\version "2.16.0"
+\version "2.17.11"
\layout { ragged-right= ##t }
\relative c''{
c8 c c c
- \times 4/6 { c c c c c c}
+ \tuplet 6/4 { c c c c c c}
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "Tuplet-spanner should not put (visible) brackets on
\layout { ragged-right= ##t }
\relative c' {
- \set tupletSpannerDuration = #(ly:make-moment 1 4)
+ \tupletSpan 4
\override TupletBracket.bracket-visibility = #'if-no-beam
- \times 2/3 {
+ \tuplet 3/2 {
f8[ f f ] f8[ f f ] f f f f f f
}
}
-\version "2.16.0"
+\version "2.17.11"
\header {
\relative c' {
\time 2/4
c16 c
- \times 2/3 { c8 c16 }
- \times 2/3 { c8 c16 }
+ \tuplet 3/2 { c8 c16 }
+ \tuplet 3/2 { c8 c16 }
c16 c
}
texidoc = "Exercise all output functions"
}
-\version "2.17.6"
+\version "2.17.11"
\paper { ragged-right = ##t }
\new Staff
{
\ottava #1
- \times 2/3 { c8[\< f]( f''\!) }
+ \tuplet 3/2 { c8[\< f]( f''\!) }
\ottava #0
<f,, \5>4
-\version "2.17.6"
+\version "2.17.11"
\header{
texidoc="
Beams should behave reasonably well, even under extreme circumstances.
%%%%%%%
\stemNeutral
- \times 2/3{ d16[ fis' d,]} \times 2/3{ cis[ g'' cis,,]}
+ \tuplet 3/2{ d16[ fis' d,]} \tuplet 3/2{ cis[ g'' cis,,]}
a'16 cis a, g''' % Used to give a nice beam directed upwards.
\stemNeutral
}
-\version "2.17.6"
+\version "2.17.11"
\layout {
ragged-right = ##t
}
\relative c' {
- \times 2/3 {r8[ c' g']}
+ \tuplet 3/2 {r8[ c' g']}
\override Stem.stemlet-length = #0.5
- \times 2/3 {r8[ c, g']}
+ \tuplet 3/2 {r8[ c, g']}
}
-\version "2.16.0"
+\version "2.17.11"
\header {
}
\relative c' {
- \set tupletSpannerDuration = #(ly:make-moment 1 4)
+ \tupletSpan 4
\set baseMoment = #(ly:make-moment 1 8)
\set subdivideBeams = ##t
- \times 4/6 { \repeat unfold 24 { c16 } }
+ \tuplet 6/4 { \repeat unfold 24 { c16 } }
}
-\version "2.16.0"
+\version "2.17.11"
\header {
}
{
- \times 2/3 {b16 b b} b8 b8 \times 2/3 {b16 b b}
- \times 1/3 {b16 b b} b8. b \times 1/3 {b16 b b}
+ \tuplet 3/2 {b16 b b} b8 b8 \tuplet 3/2 {b16 b b}
+ \tuplet 3/1 {b16 b b} b8. b \tuplet 3/1 {b16 b b}
}
-\version "2.16.0"
+\version "2.17.11"
\header{
texidoc="
\context Staff \relative c'' {
- c8[ \times 2/3 { c16 d e] }
+ c8[ \tuplet 3/2 { c16 d e] }
s4*3
c8.[ c16]
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "
}
\relative c'' {
- \times 2/3 {
+ \tuplet 3/2 {
c8. c16 c8
}
- \times 2/3 {
+ \tuplet 3/2 {
c8 c16 c8.
}
- \times 4/5 {
+ \tuplet 5/4 {
c8[ c8. c16 c8 c8]
}
- \times 4/5 {
+ \tuplet 5/4 {
c8[ c8 c16 c8. c8]
}
- \times 4/5 {
+ \tuplet 5/4 {
c8 c16 c8. c8 c8
}
- \times 4/5 {
+ \tuplet 5/4 {
c8 c8 c8. c16 c8
}
c8.[ c16 c8 c8]
c8[ c16 c8. c8]
c8[ c8. c16 c8]
c8.[ c16 c8. c16]
- \times 4/5 { c8 [ c16 c8 c16 c8 c8 ] }
- \times 4/5 { a8 a32 a8 a16. a8 a8 }
+ \tuplet 5/4 { c8 [ c16 c8 c16 c8 c8 ] }
+ \tuplet 5/4 { a8 a32 a8 a16. a8 a8 }
}
-\version "2.16.0"
+\version "2.17.11"
\header {
\relative c' {
<c e g>4 r <c e g>2 ~ |
- \times 2/3 { <c e g>4 q q } \times 2/3 { q q q } |
+ \tuplet 3/2 { <c e g>4 q q } \tuplet 3/2 { q q q } |
}
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "
}
\context Staff \relative c'' {
- \set tupletSpannerDuration = #(ly:make-moment 1 1)
- \times 2/3 { g1 g g }
+ \tupletSpan 1
+ \tuplet 3/2 { g1 g g }
}
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "
g'1.. g2
\time 6/4
\set completionUnit = #(ly:make-moment 1 4)
- \set tupletSpannerDuration = #(ly:make-moment 1 4)
- \times 2/3 { e4 c8 f g a4 b8 c4 b8 a4 g8 a e f4 }
+ \tupletSpan 4
+ \tuplet 3/2 { e4 c8 f g a4 b8 c4 b8 a4 g8 a e f4 }
}
-\version "2.17.6"
+\version "2.17.11"
#(use-modules (srfi srfi-13)
(ice-9 format))
\test ##[ { \change Staff = "up" { c d } } #] % ContextChange
%% Tuplets
-\test ##[ \times 2/3 { c8 d e } #] % TimeScaledMusic
-\test ##[ \times 4/6 { c16 d e f g a } #]
-\test ##[ \times 2/3 { c d e \times 2/5 { f e d2 d4 } c } #]
+\test ##[ \tuplet 3/2 { c8 d e } #] % TimeScaledMusic
+\test ##[ \tuplet 6/4 { c16 d e f g a } #]
+\test ##[ \tuplet 3/2 { c d e \tuplet 5/2 { f e d2 d4 } c } #]
%}
%% \relative and \tranpose
\test #"NOT A BUG" ##[ \relative c' { c b } #] % RelativeOctaveMusic
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "Dot Columns are engraved in the Staff by default,
music = \relative c'' { \time 3/4 << {
<d f g>4. c c b g f a <a b> a <a' b>
-} \\ \times 1/2 {
+} \\ \tuplet 2/1 {
<f, g b>2. a-- <a b> <g a>-. a2. a-- a a b <a b> \bar "|."
} >> }
-\version "2.16.0"
+\version "2.17.11"
\header{
\grace b8 c4\fermata
\grace { c32[ cis32] } gis4
\grace { cis32[ dis32] } e4
- \grace { c32[ d] }\times 2/3 { c8[ c c] }
+ \grace { c32[ d] }\tuplet 3/2 { c8[ c c] }
\grace { b32[ ( c32] } c4)
\grace <c d>16 c8[ c8]
% \grace c16 c8[ c8]
}
-\version "2.17.6"
+\version "2.17.11"
<<
\relative \new Voice = "lahlah" {
<<
\new Voice = "alternative" {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
%% show associations clearly.
\override NoteColumn.force-hshift = #-3
r8 f g
-\version "2.16.0"
+\version "2.17.11"
\header{
m = \relative c'' {
\autoBeamOff
- g8( a) r8 \times 2/3 { g'8( f e) } r8 \grace { d16[ c b] } e4
+ g8( a) r8 \tuplet 3/2 { g'8( f e) } r8 \grace { d16[ c b] } e4
\textLengthOff
d8.^"melisma" \melisma c16
\melismaEnd
texidoc = "Use \\score block as markup command."
}
-\version "2.16.0"
+\version "2.17.11"
tuning = \markup {
\score {
\relative c'' {
\time 4/8
- \times 2/3 { c8 d e } \times 2/3 {c d e}
- \times 2/3 { c8 d e } \times 2/3 {c d e}
+ \tuplet 3/2 { c8 d e } \tuplet 3/2 {c d e}
+ \tuplet 3/2 { c8 d e } \tuplet 3/2 {c d e}
g8 a8 g8 a
g8 a8 g8 a
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "A @code{MetronomeMark}, @code{RehearsalMark} and @code{BarNumber}
\override Beam.breakable = ##t
\override Glissando.breakable = ##t
- \ottava #1 \times 1/1 { e'8\<\startTextSpan\startTrillSpan\glissando
+ \ottava #1 \tuplet 1/1 { e'8\<\startTextSpan\startTrillSpan\glissando
[ \override NoteColumn.glissando-skip = ##t\repeat unfold 22 e'8
\revert NoteColumn.glissando-skip e'8\!\stopTextSpan\stopTrillSpan ] } |
}
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "
a1 a2 a2. a4 a4. a8 a8. a16 a16. a32 a32. a64
- \times 2/3 { b4 b4 b4 }
- \times 3/5 { b4 b4 b4 b4 b4 }
+ \tuplet 3/2 { b4 b4 b4 }
+ \tuplet 5/3 { b4 b4 b4 b4 b4 }
- \times 2/3 { c8 c8 c8 }
- \times 3/5 { c8 c8 c8 c8 c8 }
+ \tuplet 3/2 { c8 c8 c8 }
+ \tuplet 5/3 { c8 c8 c8 c8 c8 }
}
\layout { }
-\version "2.16.0"
+\version "2.17.11"
\include "mozart-hrn3-defs.ily"
allegro = \relative c' {
c4) r r2
R1 |
\mark "H"
- \times 2/3 { c8[ b a ] }
- \times 2/3 { g[ a b] }
- \times 2/3 { c[ d e] }
- \times 2/3 { f[ e d] } |
- \times 2/3 { c[ b a ] }
- \times 2/3 { g[ a b] }
- \times 2/3 { c[ d e] }
- \times 2/3 { f[ e d] }|
- c4 \times 2/3 { r8 g'[( e)]} c4
- \times 2/3 { r8 e[ ( c)]} |
- g4 \times 2/3 { r8 c8[( g)] }
- \times 2/3 { e[ ( g) e-. ] }
- \times 2/3 { c[ ( e) c-.] }|
+ \tuplet 3/2 { c8[ b a ] }
+ \tuplet 3/2 { g[ a b] }
+ \tuplet 3/2 { c[ d e] }
+ \tuplet 3/2 { f[ e d] } |
+ \tuplet 3/2 { c[ b a ] }
+ \tuplet 3/2 { g[ a b] }
+ \tuplet 3/2 { c[ d e] }
+ \tuplet 3/2 { f[ e d] }|
+ c4 \tuplet 3/2 { r8 g'[( e)]} c4
+ \tuplet 3/2 { r8 e[ ( c)]} |
+ g4 \tuplet 3/2 { r8 c8[( g)] }
+ \tuplet 3/2 { e[ ( g) e-. ] }
+ \tuplet 3/2 { c[ ( e) c-.] }|
g4 r8 g'\f a[ b c d]|
\afterGrace d1_(\trill { c16[ d] }
c4) r r2
}
-\version "2.16.0"
+\version "2.17.11"
\new Staff <<
\partcombine
\relative c'' {
r2
- \times 2/3 { g8[ g g] }
- \times 2/3 { g[ g g] } g1
+ \tuplet 3/2 { g8[ g g] }
+ \tuplet 3/2 { g[ g g] } g1
}
\relative c'' { R1 g1 }
>>
\paper { ragged-right = ##T }
-\version "2.16.0"
+\version "2.17.11"
\score {
<<
\new Staff {
\partcombine
\relative c'' {
- \times 2/3 { d4 d d ~ } d2
+ \tuplet 3/2 { d4 d d ~ } d2
}
\relative c'' {
- \times 2/3 { b4 a g ~ } g2
+ \tuplet 3/2 { b4 a g ~ } g2
}
}
>>
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "Phrasing slurs do not collide with tuplet numbers."
\relative c'' {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
c8\( b c
}
a2.\)
texidoc ="Tuplet bracket ends properly when quoting."
}
-\version "2.16.0"
+\version "2.17.11"
\paper { ragged-right = ##t }
\addQuote x {
- \times 2/3 { a'8 a' a' } a'4 a'2 |
+ \tuplet 3/2 { a'8 a' a' } a'4 a'2 |
}
\new Staff <<
-\version "2.17.6"
+\version "2.17.11"
\header {
}
foo = \relative c' {
- \times 2/3 { c4 c c } \times 2/3 { c4 c c }
+ \tuplet 3/2 { c4 c c } \tuplet 3/2 { c4 c c }
}
\addQuote "foo" { \foo }
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "Beat repeats for patterns containing mixed durations use
c8. <d f>16
}
\repeat percent 2 {
- \times 2/3 {
+ \tuplet 3/2 {
r8 d e
}
c4
}
-\version "2.16.0"
+\version "2.17.11"
\paper {
ragged-right = ##T
}
\new Staff \relative c' {
\set Score.skipTypesetting = ##t
- \times 2/3 { c8 c c } \times 2/3 { c c c }
- \times 2/3 { c c c } \times 2/3 { c c c}
+ \tuplet 3/2 { c8 c c } \tuplet 3/2 { c c c }
+ \tuplet 3/2 { c c c } \tuplet 3/2 { c c c}
\set Score.skipTypesetting = ##f
d1 \break
c
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "A slur's shift region is automatically made
}
\relative c' {
- c'2( \times 2/3 { g4 e c) }
+ c'2( \tuplet 3/2 { g4 e c) }
}
}
-\version "2.17.6"
+\version "2.17.11"
\paper {
ragged-right = ##t
\override TupletBracket.bracket-visibility = ##f
\override Slur.details.region-size = #6
- \times 2/3
+ \tuplet 3/2
{
c( g' c,)
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc="Festival song synthesis output supports
reordered lyrics.
<<
\context Voice = alternative {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
\override NoteColumn.force-hshift = #-3
f8 f g
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc="Festival song synthesis output supports
reordered lyrics.
}
\context Voice = alternative {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
\override NoteColumn.force-hshift = #-3
f8 f g
}
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "Loose columns (here, the treble clef) are spaced
\new PianoStaff <<
\new Staff \relative c' {
- \times 2/3 { g'4 a2 }
+ \tuplet 3/2 { g'4 a2 }
}
\new Staff \relative c' {
\clef bass fis,,8 cis'
-\version "2.17.6"
+\version "2.17.11"
\header{
\relative c' {
\context StaffGroup <<
\new Staff \context Voice {
- \times 2/10 { c8[ c c c c c c c c c] }
- \times 2/10 { c[ c c c c c c c c c] }
+ \tuplet 10/2 { c8[ c c c c c c c c c] }
+ \tuplet 10/2 { c[ c c c c c c c c c] }
}
\new Staff \context Voice {
- \times 2/11 { c8[ c c c c c c c c c c] }
- \times 2/11 { c[ c c c c c c c c c c] }
+ \tuplet 11/2 { c8[ c c c c c c c c c c] }
+ \tuplet 11/2 { c[ c c c c c c c c c c] }
}
>>
}
}
-\version "2.16.0"
+\version "2.17.11"
\paper { ragged-right = ##t }
<<
\set Score.proportionalNotationDuration = #(ly:make-moment 1 16)
\new Staff { c8[ c c c c c] c4 c2 r2 }
- \new Staff { c2 \times 2/3 { c8 c c } c4 c1 }
+ \new Staff { c2 \tuplet 3/2 { c8 c c } c4 c1 }
>>
}
-\version "2.17.6"
+\version "2.17.11"
\paper {
ragged-right = ##t
\grace { c16[ c16] }
c2 }
\new Staff {
- c2 \times 2/3 { c8 \clef bass cis,, c }
+ c2 \tuplet 3/2 { c8 \clef bass cis,, c }
c4
c1
}
}
-\version "2.17.6"
+\version "2.17.11"
\relative c''
<<
c16[ c c c c c c c c c16]
}
\new Staff {
- \times 6/7 { c16 c c cis c c c }
+ \tuplet 7/6 { c16 c c cis c c c }
c8[ c32 c32 c16]
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "The @code{break-overshoot} property sets the amount that
\override TupletBracket.break-overshoot = #'(1.0 . 2.0)
\override TupletBracket.bracket-visibility = ##t
\override Beam.breakable = ##t
- c2.. \times 2/3 { c8.[ \break c8.] }
+ c2.. \tuplet 3/2 { c8.[ \break c8.] }
}
}
-\version "2.17.6"
+\version "2.17.11"
\layout {
ragged-right = ##t
melody = \relative c''' {
\override DynamicText.extra-offset = #'(0 . 3)
- s1-\f c8[(\< r a g]) e[ r d( <f a>])\! \times 2/3 { d4 d d }
+ s1-\f c8[(\< r a g]) e[ r d( <f a>])\! \tuplet 3/2 { d4 d d }
}
<<
-\version "2.17.6"
+\version "2.17.11"
\header{ texidoc = "As default, tablature staves show only the fret numbers, because
in most situations, they are combined with normal staves.
\ottava #1
r4 d'4 r8 e |
\ottava #0
- \times 3/4 { b,4 c \glissando d\5 \glissando c } |
+ \tuplet 4/3 { b,4 c \glissando d\5 \glissando c } |
c4. d-_( |
e\varcoda-> )
\override TextSpanner.bound-details.left.text = "rit." f\startTextSpan |
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "In combination with a beam, the bracket of the tuplet
\layout { ragged-right= ##t }
\context Voice\relative c'' {
- \times 2/3 { r c8[ c8] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c16[ c16] c8[ c8] }
+ \tuplet 3/2 { r c8[ c8] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c16[ c16] c8[ c8] }
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "@code{TupletBracket} grobs avoid @code{Fingering} grobs.
\relative d'' {
\override TupletBracket.direction = #UP
- \times 2/3 { d4 a8-4 }
+ \tuplet 3/2 { d4 a8-4 }
}
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "Tuplet brackets avoid scripts by default.
}
\relative c'' {
- \times 2/3 { a8^\espressivo r a^\espressivo }
+ \tuplet 3/2 { a8^\espressivo r a^\espressivo }
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "@code{TupletBracket} grobs avoid @code{StringNumber} grobs.
\relative d'' {
\override TupletBracket.direction = #UP
- \t
imes 2/3 { d4 <a\4>8 }
+ \t
uplet 3/2 { d4 <a\4>8 }
}
-\version "2.17.6"
+\version "2.17.11"
\paper {
ragged-right = ##t
}
voice = {
- \times 2/3 { b8 \change Staff=I c' d' }
- \times 2/3 { d' c' \change Staff=II b }
- \times 2/3 { \change Staff=III c,
+ \tuplet 3/2 { b8 \change Staff=I c' d' }
+ \tuplet 3/2 { d' c' \change Staff=II b }
+ \tuplet 3/2 { \change Staff=III c,
\change Staff=II b
\change Staff=I c' }
- \times 2/3 { c'[ \change Staff=II b] c }
+ \tuplet 3/2 { c'[ \change Staff=II b] c }
}
\score {
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "The direction of tuplet brackets is the direction
}
\relative c'' {
- \times 2/3 { r r r }
- \times 2/3 { r c r }
- \times 2/3 { r a r }
- \times 2/3 { c' f,, r }
- \times 2/3 { f, c'' r }
- \times 2/3 { a a c }
- \times 2/3 { c c a }
- \times 2/3 { a a a }
- \times 2/3 { c c c }
+ \tuplet 3/2 { r r r }
+ \tuplet 3/2 { r c r }
+ \tuplet 3/2 { r a r }
+ \tuplet 3/2 { c' f,, r }
+ \tuplet 3/2 { f, c'' r }
+ \tuplet 3/2 { a a c }
+ \tuplet 3/2 { c c a }
+ \tuplet 3/2 { a a a }
+ \tuplet 3/2 { c c c }
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "Tuplet brackets' outside staff priority can be
\relative c'' {
\override TupletBracket.avoid-scripts = ##f
% Plain old tuplet
- \times 2/3 { a8 r a }
+ \tuplet 3/2 { a8 r a }
% With nothing set, collisions abound both horizontally and
% vertically
- \times 2/3 { a8^\espressivo r a^\espressivo }
+ \tuplet 3/2 { a8^\espressivo r a^\espressivo }
% Setting the staff priority prevents collisions
\override TupletBracket.outside-staff-priority = #1
- \times 2/3 { a8^\espressivo r a^\espressivo }
+ \tuplet 3/2 { a8^\espressivo r a^\espressivo }
% Note that, with the outside-staff-priority set, this bracket
% should be at the same vertical level as the first one
- \times 2/3 { a8 r a }
+ \tuplet 3/2 { a8 r a }
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "Tuplet brackets do not push objects with outside-staff-priority
\relative c' {
\override TupletBracket.direction = #UP
- \times 1/1 { a^"foo" a' a' a' }
+ \tuplet 1/1 { a^"foo" a' a' a' }
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "The default behavior of tuplet-bracket visibility is to print a bracket
}
music = \relative c'' {
- \times 2/3 { c16[ d e } f8]
- \times 2/3 { c8 d e }
- \times 2/3 { c4 d e }
+ \tuplet 3/2 { c16[ d e } f8]
+ \tuplet 3/2 { c8 d e }
+ \tuplet 3/2 { c4 d e }
}
\new Voice {
}
-\version "2.17.6"
+\version "2.17.11"
\paper {
ragged-right = ##t
(markup #:fontsize 6
#:arrow-head X LEFT #f)
(markup #:arrow-head X RIGHT #f))
- \times 11/19 {
+ \tuplet 19/11 {
c4 c4 c4 c4
\bar "-" \break
c4 c4 c4 c4
attaching column for a full-length tuplet bracket can be ignored."
}
-\version "2.17.6"
+\version "2.17.11"
\new Staff {
\set tupletFullLength = ##t
\time 1/8
- \times 2/3 { c'16 c'16 c'16 }
- \times 2/3 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
\override TupletBracket.full-length-to-extent = ##f
- \times 2/3 { c'16 c'16 c'16 }
+ \tuplet 3/2 { c'16 c'16 c'16 }
\override Score.RehearsalMark.break-visibility = ##(#t #t #t)
\override Score.RehearsalMark.direction = #down
\mark "xxxxxxxxxxxxxxxxxxxxxxx"
}
-\version "2.16.0"
+\version "2.17.11"
\new RhythmicStaff {
\set tupletFullLength = ##t
\time 4/4
- \times 4/5 {
+ \tuplet 5/4 {
c'4 c'1
}
\set tupletFullLengthNote = ##t
\time 2/4
- \times 2/3 {
+ \tuplet 3/2 {
c4 c c
}
\time 3/4
start of the next non-tuplet note. "
}
-\version "2.17.6"
+\version "2.17.11"
\paper { ragged-right = ##t
indent = 0.0 }
{
\set tupletFullLength = ##t
c4
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c \bar "-" \break c] }
- << \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c \bar "-" \break c] }
+ << \tuplet 3/2 { c8[ c c] }
{ s4*5/6 \bar "-" \break } >>
c4
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
\bar "|." \key c\minor
}
}
-\version "2.17.6"
+\version "2.17.11"
\layout {
indent = 0.0\mm
\relative c'' {
\override TupletNumber.text = #tuplet-number::calc-fraction-text
- \times 17/12 { c8 c4 c8 c8}
+ \tuplet 12/17 { c8 c4 c8 c8}
}
}
-\version "2.16.0"
+\version "2.17.11"
\paper{
ragged-right=##t
}
{
- \times 4/7 {
- \times 4/5 { c'8 d' e' f' g' } a' b' c''
+ \tuplet 7/4 {
+ \tuplet 5/4 { c'8 d' e' f' g' } a' b' c''
}
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "Broken nested tuplets avoid each other correctly.
r2
- \times 4/3 {
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/4 {
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
- \times 4/3 {
- \times 2/3 { a8[ a a] }
- \times 2/3 { a8[ a a] }
- \times 2/3 { a8[ a a] }
+ \tuplet 3/4 {
+ \tuplet 3/2 { a8[ a a] }
+ \tuplet 3/2 { a8[ a a] }
+ \tuplet 3/2 { a8[ a a] }
}
\override TupletNumber.text = #tuplet-number::calc-fraction-text
- \times 4/6 {
- \times 2/3 {
+ \tuplet 6/4 {
+ \tuplet 3/2 {
a4 a a
}
- \times 3/5 {
+ \tuplet 5/3 {
a4 a a a a
}
a4
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc=" Tuplets may be nested."
}
\relative c'' {
- \times 4/3 {
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
- \times 2/3 { c8[ c c] }
+ \tuplet 3/4 {
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
}
- \times 4/3 {
- \times 2/3 { a8[ a a] }
- \times 2/3 { a8[ a a] }
- \times 2/3 { a8[ a a] }
+ \tuplet 3/4 {
+ \tuplet 3/2 { a8[ a a] }
+ \tuplet 3/2 { a8[ a a] }
+ \tuplet 3/2 { a8[ a a] }
}
\override TupletNumber.text = #tuplet-number::calc-fraction-text
- \times 4/6 {
- \times 2/3 {
+ \tuplet 6/4 {
+ \tuplet 3/2 {
a4 a a
}
- \times 3/5 {
+ \tuplet 5/3 {
a4 a a a a
}
}
s1*1/6
\stemUp
- \times 4/6 {
- \times 2/3 {
+ \tuplet 6/4 {
+ \tuplet 3/2 {
a1*1/6 a f'
}
- \times 3/5 {
+ \tuplet 5/3 {
c f g a b
}
}
}
-\version "2.17.6"
+\version "2.17.11"
\layout{
\context{
}
partition = {
- \times 2/3 { f8 g a }
+ \tuplet 3/2 { f8 g a }
}
-\version "2.17.6"
+\version "2.17.11"
\header {
\relative c'' {
\override TupletBracket.outside-staff-priority = #1
\override TupletNumber.font-size = #5
- \times 2/3 { a4\trill a\trill^"foo" a\trill }
+ \tuplet 3/2 { a4\trill a\trill^"foo" a\trill }
}
\ No newline at end of file
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "Tuplet numbers' outside staff priority can be
\relative c'' {
\override TupletBracket.avoid-scripts = ##f
- \times 2/3 { a8\trill a\trill a\trill }
+ \tuplet 3/2 { a8\trill a\trill a\trill }
\override TupletNumber.outside-staff-priority = #1
- \times 2/3 { a8\trill a\trill a\trill }
+ \tuplet 3/2 { a8\trill a\trill a\trill }
\override Script.outside-staff-priority = #2
- \times 2/3 { a8\trill a\trill a\trill }
+ \tuplet 3/2 { a8\trill a\trill a\trill }
}
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "Tuplet number position is correct when slurs and scripts
{
R1 |
\break
- \times 2/3 { e8(-> e e) }
+ \tuplet 3/2 { e8(-> e e) }
}
-\version "2.17.6"
+\version "2.17.11"
\header {
texidoc = "Tuplet bracket formatting supports numerous options,
\context Voice \relative c'' {
- \times 2/3 { c'8 c,, c }
- \times 2/3 { c'8 c'' c,, }
+ \tuplet 3/2 { c'8 c,, c }
+ \tuplet 3/2 { c'8 c'' c,, }
- \times 2/3 { c8[^"NB" c c] }
+ \tuplet 3/2 { c8[^"NB" c c] }
- \times 2/3 { c8^"B" c[ c] }
- \times 2/4 { r8_"B" c,[ c'] r8 }
+ \tuplet 3/2 { c8^"B" c[ c] }
+ \tuplet 4/2 { r8_"B" c,[ c'] r8 }
\override TupletBracket.bracket-visibility = #'if-no-beam
- \times 2/3 { c8[ c c] }
+ \tuplet 3/2 { c8[ c c] }
\tupletUp
\override TupletNumber.stencil = ##f
- \times 2/3 { c8^""^""^"up, no digit" c[ c] }
+ \tuplet 3/2 { c8^""^""^"up, no digit" c[ c] }
\revert TupletNumber.stencil
\override TupletBracket.bracket-visibility = ##t
\override TupletBracket.edge-height = #'(0 . 0)
\override TupletBracket.shorten-pair = #'(2.0 . 2.0)
- \times 4/6 { c_"shorter, no edges" f b b f c}
+ \tuplet 6/4 { c_"shorter, no edges" f b b f c}
\revert TupletBracket.edge-height
\revert TupletBracket.shorten-pair
\override TupletBracket.bracket-flare = #'(0.5 . 0.5)
- \times 2/3 { b^""^""^"angled edges" b b }
+ \tuplet 3/2 { b^""^""^"angled edges" b b }
\tupletNeutral
- \times 2/3 { b b b }
+ \tuplet 3/2 { b b b }
}
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "Tuplets may contain rests. "
\context Voice \relative c'' {
\time 2/4
- \times 2/3 { r c,,, c''' }
- \times 2/3 { r c c }
- \times 2/3 { r c r }
- \times 2/3 { r r r }
- \times 2/3 { r c e }
- \times 2/3 { c r e }
- \times 2/3 { r c g }
- \times 2/3 { c r g }
+ \tuplet 3/2 { r c,,, c''' }
+ \tuplet 3/2 { r c c }
+ \tuplet 3/2 { r c r }
+ \tuplet 3/2 { r r r }
+ \tuplet 3/2 { r c e }
+ \tuplet 3/2 { c r e }
+ \tuplet 3/2 { r c g }
+ \tuplet 3/2 { c r g }
}
texidoc = "Show tuplet numbers also on single-note tuplets (otherwise the timing would look messed up!), but don't show a bracket. Make sure that tuplets without any notes don't show any number, either."
}
-\version "2.16.0"
+\version "2.17.11"
\paper { ragged-right = ##t
indent = 0.0 }
\new Staff <<
\new Voice \relative c'' {
- \times 4/6 { c2.:8 } \times 2/3 { g4.:8 } \times 2/3 { a,4.:8 } \times 4/6 {} \bar"|."
+ \tuplet 6/4 { c2.:8 } \tuplet 3/2 { g4.:8 } \tuplet 3/2 { a,4.:8 } \tuplet 6/4 {} \bar"|."
}
>>
ragged-right = ##t
}
-\version "2.16.0"
+\version "2.17.11"
\new Voice {
\relative c'' {
- \times 2/3 { c4 d e}
- \times 2/3 { c4 d e}
+ \tuplet 3/2 { c4 d e}
+ \tuplet 3/2 { c4 d e}
}
\relative c' {
- \times 4/5 { a'4 as g fis f }
- \times 4/5 { fis4 e es d des }
- \times 4/5 { fis,4 e es d des }
- \times 4/5 { bes'''4 bes,, b c cis }
- \times 4/5 { a''4 b b c cis }
+ \tuplet 5/4 { a'4 as g fis f }
+ \tuplet 5/4 { fis4 e es d des }
+ \tuplet 5/4 { fis,4 e es d des }
+ \tuplet 5/4 { bes'''4 bes,, b c cis }
+ \tuplet 5/4 { a''4 b b c cis }
}
}
-\version "2.16.0"
+\version "2.17.11"
\header {
texidoc = "Horizontal tuplet brackets are shifted vertically
\layout { ragged-right= ##t }
\context Voice\relative c'' {
- \times 2/3 { b'4 b b }
- \times 2/3 { f4 f f }
- \times 2/3 { g4 g g }
- \times 2/3 { a4 a a }
+ \tuplet 3/2 { b'4 b b }
+ \tuplet 3/2 { f4 f f }
+ \tuplet 3/2 { g4 g g }
+ \tuplet 3/2 { a4 a a }
}
-\version "2.16.0"
+\version "2.17.11"
\header {
\set baseMoment = #(ly:make-moment 1 8)
\set beatStructure = #'(2 2 2 2)
\repeat unfold 8 {
- \times 2/3 { c16 e d }
+ \tuplet 3/2 { c16 e d }
}
}
-\version "2.17.6"
+\version "2.17.11"
\header{
texidoc="Non-standard tuplet texts: Printing other tuplet fractions than the ones actually assigned."
}
\context Voice \relative c'' {
\once \override TupletNumber.text = #(tuplet-number::non-default-tuplet-denominator-text 7)
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
\once \override TupletNumber.text = #(tuplet-number::non-default-tuplet-fraction-text 12 7)
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
\once \override TupletNumber.text = #(tuplet-number::append-note-wrapper (tuplet-number::non-default-tuplet-fraction-text 12 7) "8")
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
}
-\version "2.17.6"
+\version "2.17.11"
\header{
texidoc="Non-standard tuplet texts: Printing a tuplet fraction with note durations assigned to both the denominator and the numerator."
}
\context Voice \relative c'' {
\once \override TupletNumber.text = #(tuplet-number::fraction-with-notes "4." "8")
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
\once \override TupletNumber.text = #(tuplet-number::non-default-fraction-with-notes 12 "8" 4 "4")
- \times 2/3 { c4. c4. c4. c4. }
+ \tuplet 3/2 { c4. c4. c4. c4. }
}
-\version "2.17.6"
+\version "2.17.11"
\header{
texidoc="Non-standard tuplet texts: Appending a note value to the normal text and to the fraction text."
}
\context Voice \relative c'' {
\once \override TupletNumber.text = #(tuplet-number::append-note-wrapper tuplet-number::calc-denominator-text "4")
- \times 2/3 { c8 c8 c8 c8 c8 c8 }
+ \tuplet 3/2 { c8 c8 c8 c8 c8 c8 }
\once \override TupletNumber.text = #(tuplet-number::append-note-wrapper tuplet-number::calc-fraction-text "4")
- \times 2/3 { c8 c8 c8 c8 c8 c8 }
+ \tuplet 3/2 { c8 c8 c8 c8 c8 c8 }
}
-\version "2.17.6"
+\version "2.17.11"
\header{
texidoc="
\context Voice \relative c'' {
- \times 2/3 { a8 b c }
- \times 2/3 { r8 b[ f] }
+ \tuplet 3/2 { a8 b c }
+ \tuplet 3/2 { r8 b[ f] }
\override TupletBracket.bracket-flare = #'(0.5 . 0.5)
- \times 2/3 { r8 b r8 }
+ \tuplet 3/2 { r8 b r8 }
c4 |
- \times 3/4 { c4 c4 c4 c4 } c4 |
+ \tuplet 4/3 { c4 c4 c4 c4 } c4 |
\time 6/8
- \times 6/9 { c8 c c c c c c c c }
+ \tuplet 9/6 { c8 c c c c c c c c }
}
projects / lilypond.git / commitdiff