@appendixsubsec Transcripció dfe música mensural
@translationof Transcription of mensural music
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
+{incipit.ly}
@node Plantilla per a transcripció de cant gregorià
@appendixsubsec Plantilla per a transcripció de cant gregorià
@appendixsubsec Combo de jazz
@translationof Jazz combo
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
{jazz-combo-template.ly}
@appendixsubsec Přepis menzurální hudby
@lilypondfile[verbatim,quote,ragged-right,texidoc]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+{incipit.ly}
@appendixsubsec Předlohy pro přepis gregorianik
@translationof Ancient notation templates
@appendixsubsec Transkription mensuraler Musik
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
+{incipit.ly}
@appendixsubsec Vorlage zur Transkription von Gregorianik
@appendixsubsec Jazz-Combo
@translationof Jazz combo
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
{jazz-combo-template.ly}
@appendixsubsec Transcripción de música mensural
@translationof Transcription of mensural music
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
+{incipit.ly}
@node Plantilla para transcripción de canto gregoriano
@appendixsubsec Plantilla para transcripción de canto gregoriano
@appendixsubsec Combo de jazz
@translationof Jazz combo
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
{jazz-combo-template.ly}
@appendixsubsec Transcription de musique mensurale
@translationof Transcription of mensural music
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
+{incipit.ly}
@node Transcription du grégorien
@appendixsubsec Symboles de jazz
@translationof Jazz combo
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
{jazz-combo-template.ly}
@appendixsubsec Trascrizione di musica mensurale
@translationof Transcription of mensural music
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
+{incipit.ly}
@node Trascrizione di musica Gregoriana
@appendixsubsec Trascrizione di musica Gregoriana
@appendixsubsec Combo jazz
@translationof Jazz combo
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
{jazz-combo-template.ly}
@appendixsubsec Transcription of mensural music
@lilypondfile[verbatim,quote,ragged-right,texidoc]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+{incipit.ly}
@node Gregorian transcription template
@appendixsubsec Gregorian transcription template
@appendixsubsec ジャズ バンド
@translationof Jazz combo
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
@lilypondfile[verbatim,quote,ragged-right,texidoc]
{jazz-combo-template.ly}
@node Transcription of mensural music
@appendixsubsec Transcription of mensural music
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
+{incipit.ly}
@node Gregorian transcription template
@appendixsubsec Gregorian transcription template
@node Jazz combo
@appendixsubsec Jazz combo
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
{jazz-combo-template.ly}
@node Transcription of mensural music
@appendixsubsec Transcription of mensural music
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
-{ancient-notation-template----modern-transcription-of-mensural-music.ly}
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
+{incipit.ly}
@node Gregorian transcription template
@appendixsubsec Gregorian transcription template
@node Jazz combo
@appendixsubsec Jazz combo
-@c Line-width below is because of Issue 766. If that's fixed, it can be removed.
-@lilypondfile[verbatim,quote,ragged-right,texidoc,line-width=140]
+@lilypondfile[verbatim,quote,ragged-right,texidoc]
{jazz-combo-template.ly}
+++ /dev/null
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.di.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.18.0"
-
-\header {
- lsrtags = "ancient-notation, real-music, really-cool, template"
-
- texidoc = "
-When transcribing mensural music, an incipit at the beginning of the
-piece is useful to indicate the original key and tempo. While today
-musicians are used to bar lines in order to faster recognize rhythmic
-patterns, bar lines were not yet invented during the period of mensural
-music; in fact, the meter often changed after every few notes. As a
-compromise, bar lines are often printed between the staves rather than
-on the staves.
-
-"
- doctitle = "Ancient notation template -- modern transcription of mensural music"
-} % begin verbatim
-
-global = {
- \set Score.skipBars = ##t
-
- % incipit
- \once \hide Score.SystemStartBracket
- % Set tight spacing
- \override Score.SpacingSpanner.spacing-increment = #1.0
- \key f \major
- \time 2/2
- \once \override Staff.TimeSignature.style = #'neomensural
- \override Voice.NoteHead.style = #'neomensural
- \override Voice.Rest.style = #'neomensural
- \set Staff.printKeyCancellation = ##f
- \cadenzaOn % turn off bar lines
- \skip 1*10
- \once \override Staff.BarLine.transparent = ##f
- \bar "||"
- \skip 1*1 % need this extra \skip such that clef change comes
- % after bar line
- \bar ""
-
- % main
- \cadenzaOff % turn bar lines on again
- \once \override Staff.Clef.full-size-change = ##t
- \set Staff.forceClef = ##t
- \key g \major
- \time 4/4
- \override Voice.NoteHead.style = #'default
- \override Voice.Rest.style = #'default
-
- % Setting printKeyCancellation back to #t must not
- % occur in the first bar after the incipit. Dto. for forceClef.
- % Therefore, we need an extra \skip.
- \skip 1*1
- \set Staff.printKeyCancellation = ##t
- \set Staff.forceClef = ##f
-
- \skip 1*7 % the actual music
-
- % let finis bar go through all staves
- \override Staff.BarLine.transparent = ##f
-
- % finis bar
- \bar "|."
-}
-
-discantusNotes = {
- \transpose c' c'' {
- \set Staff.instrumentName = #"Discantus "
-
- % incipit
- \clef "neomensural-c1"
- c'1. s2 % two bars
- \skip 1*8 % eight bars
- \skip 1*1 % one bar
-
- % main
- \clef "treble"
- d'2. d'4 |
- b e' d'2 |
- c'4 e'4.( d'8 c' b |
- a4) b a2 |
- b4.( c'8 d'4) c'4 |
- \once \hide NoteHead c'1 |
- b\breve |
- }
-}
-
-discantusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- |
- la -- te De -- |
- o, om --
- nis ter -- |
- ra, __ om- |
- "..." |
- -us. |
-}
-
-altusNotes = {
- \transpose c' c'' {
- \set Staff.instrumentName = #"Altus "
-
- % incipit
- \clef "neomensural-c3"
- r1 % one bar
- f1. s2 % two bars
- \skip 1*7 % seven bars
- \skip 1*1 % one bar
-
- % main
- \clef "treble"
- r2 g2. e4 fis g | % two bars
- a2 g4 e |
- fis g4.( fis16 e fis4) |
- g1 |
- \once \hide NoteHead g1 |
- g\breve |
- }
-}
-
-altusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- la -- te | % two bars
- De -- o, om -- |
- nis ter -- ra, |
- "..." |
- -us. |
-}
-
-tenorNotes = {
- \transpose c' c' {
- \set Staff.instrumentName = #"Tenor "
-
- % incipit
- \clef "neomensural-c4"
- r\longa % four bars
- r\breve % two bars
- r1 % one bar
- c'1. s2 % two bars
- \skip 1*1 % one bar
- \skip 1*1 % one bar
-
- % main
- \clef "treble_8"
- R1 |
- R1 |
- R1 |
- r2 d'2. d'4 b e' | % two bars
- \once \hide NoteHead e'1 |
- d'\breve |
- }
-}
-
-tenorLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi -- la -- te | % two bars
- "..." |
- -us. |
-}
-
-bassusNotes = {
- \transpose c' c' {
- \set Staff.instrumentName = #"Bassus "
-
- % incipit
- \clef "bass"
- r\maxima % eight bars
- f1. s2 % two bars
- \skip 1*1 % one bar
-
- % main
- \clef "bass"
- R1 |
- R1 |
- R1 |
- R1 |
- g2. e4 |
- \once \hide NoteHead e1 |
- g\breve |
- }
-}
-
-bassusLyrics = \lyricmode {
- % incipit
- IV-
-
- % main
- Ju -- bi- |
- "..." |
- -us. |
-}
-
-\score {
- \new StaffGroup = choirStaff <<
- \new Voice =
- "discantusNotes" << \global \discantusNotes >>
- \new Lyrics =
- "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
- \new Voice =
- "altusNotes" << \global \altusNotes >>
- \new Lyrics =
- "altusLyrics" \lyricsto altusNotes { \altusLyrics }
- \new Voice =
- "tenorNotes" << \global \tenorNotes >>
- \new Lyrics =
- "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
- \new Voice =
- "bassusNotes" << \global \bassusNotes >>
- \new Lyrics =
- "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
- >>
- \layout {
- \context {
- \Score
-
- % no bars in staves
- \hide BarLine
-
- % incipit should not start with a start delimiter
- \remove "System_start_delimiter_engraver"
- }
- \context {
- \Voice
-
- % no slurs
- \hide Slur
-
- % The command below can be commented out in
- % short scores, but especially for large scores you
- % will typically yield better line breaking and improve
- % overall spacing if you do not comment the command out.
-
- \remove "Forbid_line_break_engraver"
- }
- }
-}
adding-a-figured-bass-above-or-below-the-notes.ly
ancient-fonts.ly
ancient-notation-template----modern-transcription-of-gregorian-music.ly
-ancient-notation-template----modern-transcription-of-mensural-music.ly
ancient-time-signatures.ly
chant-or-psalms-notation.ly
custodes.ly
incipit.ly
mensurstriche-layout-bar-lines-between-the-staves.ly
rest-styles.ly
-transcription-of-ancient-music-with-incipit.ly
vertical-line-as-a-baroque-articulation-mark.ly
texidoc = "
Beat grouping within a measure is controlled by the context property
@code{beatStructure}. Values of @code{beatStructure} are established
-for many time signatures in @file{scm/time-signature-settings.scm}.
+for many time signatures in @@file@{scm/time-signature-settings.scm@}.
Values of @code{beatStructure} can be changed or set with @code{\\set}.
Alternatively, @code{\\time} can be used to both set the time signature
and establish the beat structure. For this, you specify the internal
ease reading rhythmically complex modern music. In the example, the 9/8
measure is grouped in two different patterns using the two different
methods, while the 5/8 measure is grouped according to the default
-setting in @file{scm/time-signature-settings.scm}:
+setting in @@file@{scm/time-signature-settings.scm@}:
"
doctitle = "Conducting signs measure grouping signs"
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.di.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.18.0"
+% DO NOT EDIT this file manually; it is automatically
+% generated from Documentation/snippets/new
+% Make any changes in Documentation/snippets/new/
+% and then run scripts/auxiliar/makelsr.py
+%
+% This file is in the public domain.
+%% Note: this file works from version 2.19.16
+\version "2.19.16"
\header {
- lsrtags = "ancient-notation, really-cool, staff-notation"
+ lsrtags = "ancient-notation, staff-notation"
texidoc = "
-Incipits can be added using the instrument name grob, but keeping
-separate the instrument name definition and the incipit definition.
-
+When transcribing mensural music, an incipit at the beginning of the piece is
+useful to indicate the original key and tempo. Musicians today are used
+to bar lines, but these were not known during the period of mensural music. As
+a compromise, bar lines are often printed between the staves, a layout style
+called mensurstriche layout.
"
+
doctitle = "Incipit"
} % begin verbatim
-incipit =
-#(define-music-function (parser location incipit-music) (ly:music?)
- #{
- \once \override Staff.InstrumentName.self-alignment-X = #RIGHT
- \once \override Staff.InstrumentName.self-alignment-Y = ##f
- \once \override Staff.InstrumentName.padding = #0.3
- \once \override Staff.InstrumentName.stencil =
- #(lambda (grob)
- (let* ((instrument-name (ly:grob-property grob 'long-text)))
- (set! (ly:grob-property grob 'long-text)
- #{ \markup
- \score
- {
- { \context MensuralStaff \with {
- instrumentName = #instrument-name
- } $incipit-music
- }
- \layout { $(ly:grob-layout grob)
- line-width = \indent
- indent =
- % primitive-eval is probably easiest for
- % escaping lexical closure and evaluating
- % everything respective to (current-module).
- #(primitive-eval
- '(or (false-if-exception (- indent incipit-width))
- (* 0.5 indent)))
- ragged-right = ##f
- ragged-last = ##f
- system-count = #1 }
- }
- #})
- (system-start-text::print grob)))
- #})
-%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% A short excerpt from the Jubilate Deo by Orlande de Lassus
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
global = {
\set Score.skipBars = ##t
\bar "|."
}
-discantusIncipit = <<
- \new MensuralVoice = "discantusIncipit" <<
- \repeat unfold 9 { s1 \noBreak }
- {
- \clef "neomensural-c1"
- \key f \major
- \time 2/2
- c''1.
- }
- >>
- \new Lyrics \lyricsto discantusIncipit { IV- }
->>
+discantusIncipit = {
+ \clef "neomensural-c1"
+ \key f \major
+ \time 2/2
+ c''1.
+}
discantusNotes = {
\transpose c' c'' {
}
discantusLyrics = \lyricmode {
- Ju -- bi -- |
- la -- te De -- |
- o, om --
- nis ter -- |
- ra, __ om- |
- "..." |
- -us. |
+ Ju -- bi -- la -- te De -- o,
+ om -- nis ter -- ra, __ om-
+ "..."
+ -us.
}
-altusIncipit = <<
- \new MensuralVoice = "altusIncipit" <<
- \repeat unfold 9 { s1 \noBreak }
- {
- \clef "neomensural-c3"
- \key f \major
- \time 2/2
- r1 f'1.
- }
- >>
- \new Lyrics \lyricsto altusIncipit { IV- }
->>
+altusIncipit = {
+ \clef "neomensural-c3"
+ \key f \major
+ \time 2/2
+ r1 f'1.
+}
altusNotes = {
\transpose c' c'' {
\clef "treble"
- % two measures
r2 g2. e4 fis g |
a2 g4 e |
fis g4.( fis16 e fis4) |
}
altusLyrics = \lyricmode {
- % two measures
- Ju -- bi -- la -- te |
- De -- o, om -- |
- nis ter -- ra, |
- "..." |
- -us. |
+ Ju -- bi -- la -- te
+ De -- o, om -- nis ter -- ra,
+ "..."
+ -us.
}
-tenorIncipit = <<
- \new MensuralVoice = "tenorIncipit" <<
- \repeat unfold 9 { s1 \noBreak }
- {
- \clef "neomensural-c4"
- \key f \major
- \time 2/2
- r\longa
- r\breve
- r1 c'1.
- }
- >>
- \new Lyrics \lyricsto tenorIncipit { IV- }
->>
+tenorIncipit = {
+ \clef "neomensural-c4"
+ \key f \major
+ \time 2/2
+ r\longa
+ r\breve
+ r1 c'1.
+}
tenorNotes = {
\transpose c' c' {
}
tenorLyrics = \lyricmode {
- % two measures
- Ju -- bi -- la -- te |
- "..." |
+ Ju -- bi -- la -- te
+ "..."
-us.
}
-bassusIncipit = <<
- \new MensuralVoice = "bassusIncipit" <<
- \repeat unfold 9 { s1 \noBreak }
- {
- \clef "bass"
- \key f \major
- \time 2/2
- %% incipit
- r\maxima
- f1.
- }
- >>
- \new Lyrics \lyricsto bassusIncipit { IV- }
->>
+bassusIncipit = {
+ \clef "mensural-f"
+ \key f \major
+ \time 2/2
+ r\maxima
+ f1.
+}
bassusNotes = {
\transpose c' c' {
}
bassusLyrics = \lyricmode {
- Ju -- bi- |
- "..." |
+ Ju -- bi-
+ "..."
-us.
}
<<
\new StaffGroup = choirStaff <<
\new Voice = "discantusNotes" <<
- \global
\set Staff.instrumentName = #"Discantus"
\incipit \discantusIncipit
+ \global
\discantusNotes
>>
- \new Lyrics = "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
+ \new Lyrics \lyricsto discantusNotes { \discantusLyrics }
\new Voice = "altusNotes" <<
- \global
\set Staff.instrumentName = #"Altus"
+ \global
\incipit \altusIncipit
\altusNotes
>>
- \new Lyrics = "altusLyrics" \lyricsto altusNotes { \altusLyrics }
+ \new Lyrics \lyricsto altusNotes { \altusLyrics }
\new Voice = "tenorNotes" <<
- \global
\set Staff.instrumentName = #"Tenor"
+ \global
\incipit \tenorIncipit
\tenorNotes
>>
- \new Lyrics = "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
+ \new Lyrics \lyricsto tenorNotes { \tenorLyrics }
\new Voice = "bassusNotes" <<
- \global
\set Staff.instrumentName = #"Bassus"
+ \global
\incipit \bassusIncipit
\bassusNotes
>>
- \new Lyrics = "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
+ \new Lyrics \lyricsto bassusNotes { \bassusLyrics }
>>
>>
\layout {
--- /dev/null
+\version "2.19.16"
+
+\header {
+ lsrtags = "ancient-notation, staff-notation"
+
+ texidoc = "
+When transcribing mensural music, an incipit at the beginning of the piece is
+useful to indicate the original key and tempo. Musicians today are used
+to bar lines, but these were not known during the period of mensural music. As
+a compromise, bar lines are often printed between the staves, a layout style
+called mensurstriche layout.
+"
+
+ doctitle = "Incipit"
+}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% A short excerpt from the Jubilate Deo by Orlande de Lassus
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+global = {
+ \set Score.skipBars = ##t
+ \key g \major
+ \time 4/4
+
+ % the actual music
+ \skip 1*8
+
+ % let finis bar go through all staves
+ \override Staff.BarLine.transparent = ##f
+
+ % finis bar
+ \bar "|."
+}
+
+discantusIncipit = {
+ \clef "neomensural-c1"
+ \key f \major
+ \time 2/2
+ c''1.
+}
+
+discantusNotes = {
+ \transpose c' c'' {
+ \clef "treble"
+ d'2. d'4 |
+ b e' d'2 |
+ c'4 e'4.( d'8 c' b |
+ a4) b a2 |
+ b4.( c'8 d'4) c'4 |
+ \once \hide NoteHead
+ c'1 |
+ b\breve |
+ }
+}
+
+discantusLyrics = \lyricmode {
+ Ju -- bi -- la -- te De -- o,
+ om -- nis ter -- ra, __ om-
+ "..."
+ -us.
+}
+
+altusIncipit = {
+ \clef "neomensural-c3"
+ \key f \major
+ \time 2/2
+ r1 f'1.
+}
+
+altusNotes = {
+ \transpose c' c'' {
+ \clef "treble"
+ r2 g2. e4 fis g |
+ a2 g4 e |
+ fis g4.( fis16 e fis4) |
+ g1 |
+ \once \hide NoteHead
+ g1 |
+ g\breve |
+ }
+}
+
+altusLyrics = \lyricmode {
+ Ju -- bi -- la -- te
+ De -- o, om -- nis ter -- ra,
+ "..."
+ -us.
+}
+
+tenorIncipit = {
+ \clef "neomensural-c4"
+ \key f \major
+ \time 2/2
+ r\longa
+ r\breve
+ r1 c'1.
+}
+
+tenorNotes = {
+ \transpose c' c' {
+ \clef "treble_8"
+ R1 |
+ R1 |
+ R1 |
+ % two measures
+ r2 d'2. d'4 b e' |
+ \once \hide NoteHead
+ e'1 |
+ d'\breve |
+ }
+}
+
+tenorLyrics = \lyricmode {
+ Ju -- bi -- la -- te
+ "..."
+ -us.
+}
+
+bassusIncipit = {
+ \clef "mensural-f"
+ \key f \major
+ \time 2/2
+ r\maxima
+ f1.
+}
+
+bassusNotes = {
+ \transpose c' c' {
+ \clef "bass"
+ R1 |
+ R1 |
+ R1 |
+ R1 |
+ g2. e4 |
+ \once \hide NoteHead
+ e1 |
+ g\breve |
+ }
+}
+
+bassusLyrics = \lyricmode {
+ Ju -- bi-
+ "..."
+ -us.
+}
+
+\score {
+ <<
+ \new StaffGroup = choirStaff <<
+ \new Voice = "discantusNotes" <<
+ \set Staff.instrumentName = #"Discantus"
+ \incipit \discantusIncipit
+ \global
+ \discantusNotes
+ >>
+ \new Lyrics \lyricsto discantusNotes { \discantusLyrics }
+ \new Voice = "altusNotes" <<
+ \set Staff.instrumentName = #"Altus"
+ \global
+ \incipit \altusIncipit
+ \altusNotes
+ >>
+ \new Lyrics \lyricsto altusNotes { \altusLyrics }
+ \new Voice = "tenorNotes" <<
+ \set Staff.instrumentName = #"Tenor"
+ \global
+ \incipit \tenorIncipit
+ \tenorNotes
+ >>
+ \new Lyrics \lyricsto tenorNotes { \tenorLyrics }
+ \new Voice = "bassusNotes" <<
+ \set Staff.instrumentName = #"Bassus"
+ \global
+ \incipit \bassusIncipit
+ \bassusNotes
+ >>
+ \new Lyrics \lyricsto bassusNotes { \bassusLyrics }
+ >>
+ >>
+ \layout {
+ \context {
+ \Score
+ %% no bar lines in staves or lyrics
+ \hide BarLine
+ }
+ %% the next two instructions keep the lyrics between the bar lines
+ \context {
+ \Lyrics
+ \consists "Bar_engraver"
+ \consists "Separating_line_group_engraver"
+ }
+ \context {
+ \Voice
+ %% no slurs
+ \hide Slur
+ %% Comment in the below "\remove" command to allow line
+ %% breaking also at those bar lines where a note overlaps
+ %% into the next measure. The command is commented out in this
+ %% short example score, but especially for large scores, you
+ %% will typically yield better line breaking and thus improve
+ %% overall spacing if you comment in the following command.
+ %%\remove "Forbid_line_break_engraver"
+ }
+ indent = 6\cm
+ incipit-width = 4\cm
+ }
+}
-ancient-notation-template----modern-transcription-of-mensural-music.ly
changing-midi-output-to-one-channel-per-voice.ly
creating-a-sequence-of-notes-on-various-pitches.ly
creating-slurs-across-voices.ly
adding-the-current-date-to-a-score.ly
-ancient-notation-template----modern-transcription-of-mensural-music.ly
blanking-staff-lines-using-the--whiteout-command.ly
center-text-below-hairpin-dynamics.ly
changing-properties-for-individual-grobs.ly
embedding-native-postscript-in-a--markup-block.ly
generating-random-notes.ly
generating-whole-scores-also-book-parts-in-scheme-without-using-the-parser.ly
-incipit.ly
making-some-staff-lines-thicker-than-the-others.ly
non-traditional-key-signatures.ly
printing-music-with-different-time-signatures.ly
score-for-diatonic-accordion.ly
time-signature-in-parentheses---method-3.ly
time-signature-in-parentheses.ly
-transcription-of-ancient-music-with-incipit.ly
using-an-extra-voice-for-breaks.ly
woodwind-diagrams-listing.ly
ancient-notation-template----modern-transcription-of-gregorian-music.ly
-ancient-notation-template----modern-transcription-of-mensural-music.ly
anglican-psalm-template.ly
hymn-template.ly
jazz-combo-template.ly
+++ /dev/null
-%% DO NOT EDIT this file manually; it is automatically
-%% generated from LSR http://lsr.di.unimi.it
-%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
-%% and then run scripts/auxiliar/makelsr.py
-%%
-%% This file is in the public domain.
-\version "2.18.0"
-
-\header {
- lsrtags = "ancient-notation, specific-notation, tweaks-and-overrides, workaround"
-
- texidoc = "
-As a workaround to get real incipits which are independent from the
-main score these are included as a markup into the field normally used
-for the instrument name. As for now lyrics can only be added as a
-direct markup. It doesn't unfortunately conform with the spacing of the
-main lyrics.
-
-"
- doctitle = "Transcription of Ancient music with incipit"
-} % begin verbatim
-
-incipit =
-#(define-music-function (parser location incipit-music) (ly:music?)
- #{
- \once \override Staff.InstrumentName.self-alignment-X = #RIGHT
- \once \override Staff.InstrumentName.self-alignment-Y = ##f
- \once \override Staff.InstrumentName.padding = #0.3
- \once \override Staff.InstrumentName.stencil =
- #(lambda (grob)
- (let* ((instrument-name (ly:grob-property grob 'long-text)))
- (set! (ly:grob-property grob 'long-text)
- #{ \markup
- \score
- {
- { \context MensuralStaff \with {
- instrumentName = #instrument-name
- } $incipit-music
- }
- \layout { $(ly:grob-layout grob)
- line-width = \indent
- indent =
- % primitive-eval is probably easiest for
- % escaping lexical closure and evaluating
- % everything respective to (current-module).
- #(primitive-eval
- '(or (false-if-exception (- indent incipit-width))
- (* 0.5 indent)))
- ragged-right = ##f
- ragged-last = ##f
- system-count = #1 }
- }
- #})
- (system-start-text::print grob)))
- #})
-
-%%%%%%%%%%%%%%%%%%%%%%%%%
-
-global = {
- \set Score.skipBars = ##t
- \key g \major
- \time 4/4
-
- % the actual music
- \skip 1*8
-
- % let finis bar go through all staves
- \override Staff.BarLine.transparent = ##f
-
- % finis bar
- \bar "|."
-}
-
-discantusIncipit = <<
- \new MensuralVoice = "discantusIncipit" <<
- \repeat unfold 9 { s1 \noBreak }
- {
- \clef "neomensural-c1"
- \key f \major
- \time 2/2
- c''1.
- }
- >>
- \new Lyrics \lyricsto discantusIncipit { IV- }
->>
-
-discantusNotes = {
- \transpose c' c'' {
- \clef "treble"
- d'2. d'4 |
- b e' d'2 |
- c'4 e'4.( d'8 c' b |
- a4) b a2 |
- b4.( c'8 d'4) c'4 |
- \once \hide NoteHead
- c'1 |
- b\breve |
- }
-}
-
-discantusLyrics = \lyricmode {
- Ju -- bi -- |
- la -- te De -- |
- o, om --
- nis ter -- |
- ra, __ om- |
- "..." |
- -us. |
-}
-
-altusIncipit = <<
- \new MensuralVoice = "altusIncipit" <<
- \repeat unfold 9 { s1 \noBreak }
- {
- \clef "neomensural-c3"
- \key f \major
- \time 2/2
- r1 f'1.
- }
- >>
- \new Lyrics \lyricsto altusIncipit { IV- }
->>
-
-altusNotes = {
- \transpose c' c'' {
- \clef "treble"
- % two measures
- r2 g2. e4 fis g |
- a2 g4 e |
- fis g4.( fis16 e fis4) |
- g1 |
- \once \hide NoteHead
- g1 |
- g\breve |
- }
-}
-
-altusLyrics = \lyricmode {
- % two measures
- Ju -- bi -- la -- te |
- De -- o, om -- |
- nis ter -- ra, |
- "..." |
- -us. |
-}
-
-tenorIncipit = <<
- \new MensuralVoice = "tenorIncipit" <<
- \repeat unfold 9 { s1 \noBreak }
- {
- \clef "neomensural-c4"
- \key f \major
- \time 2/2
- r\longa
- r\breve
- r1 c'1.
- }
- >>
- \new Lyrics \lyricsto tenorIncipit { IV- }
->>
-
-tenorNotes = {
- \transpose c' c' {
- \clef "treble_8"
- R1 |
- R1 |
- R1 |
- % two measures
- r2 d'2. d'4 b e' |
- \once \hide NoteHead
- e'1 |
- d'\breve |
- }
-}
-
-tenorLyrics = \lyricmode {
- % two measures
- Ju -- bi -- la -- te |
- "..." |
- -us.
-}
-
-bassusIncipit = <<
- \new MensuralVoice = "bassusIncipit" <<
- \repeat unfold 9 { s1 \noBreak }
- {
- \clef "bass"
- \key f \major
- \time 2/2
- %% incipit
- r\maxima
- f1.
- }
- >>
- \new Lyrics \lyricsto bassusIncipit { IV- }
->>
-
-bassusNotes = {
- \transpose c' c' {
- \clef "bass"
- R1 |
- R1 |
- R1 |
- R1 |
- g2. e4 |
- \once \hide NoteHead
- e1 |
- g\breve |
- }
-}
-
-bassusLyrics = \lyricmode {
- Ju -- bi- |
- "..." |
- -us.
-}
-
-\score {
- <<
- \new StaffGroup = choirStaff <<
- \new Voice = "discantusNotes" <<
- \global
- \set Staff.instrumentName = #"Discantus "
- \incipit \discantusIncipit
- \discantusNotes
- >>
- \new Lyrics = "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
- \new Voice = "altusNotes" <<
- \global
- \set Staff.instrumentName = #"Altus "
- \incipit \altusIncipit
- \altusNotes
- >>
- \new Lyrics = "altusLyrics" \lyricsto altusNotes { \altusLyrics }
- \new Voice = "tenorNotes" <<
- \global
- \set Staff.instrumentName = #"Tenor "
- \incipit \tenorIncipit
- \tenorNotes
- >>
- \new Lyrics = "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
- \new Voice = "bassusNotes" <<
- \global
- \set Staff.instrumentName = #"Bassus "
- \incipit \bassusIncipit
- \bassusNotes
- >>
- \new Lyrics = "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
- >>
- >>
- \layout {
- \context {
- \Score
- %% no bar lines in staves or lyrics
- \hide BarLine
- }
- %% the next two instructions keep the lyrics between the bar lines
- \context {
- \Lyrics
- \consists "Bar_engraver"
- \consists "Separating_line_group_engraver"
- }
- \context {
- \Voice
- %% no slurs
- \hide Slur
- %% Comment in the below "\remove" command to allow line
- %% breaking also at those bar lines where a note overlaps
- %% into the next measure. The command is commented out in this
- %% short example score, but especially for large scores, you
- %% will typically yield better line breaking and thus improve
- %% overall spacing if you comment in the following command.
- %%\remove "Forbid_line_break_engraver"
- }
- indent = 6\cm
- incipit-width = 4\cm
- }
-}
time-signature-in-parentheses---method-3.ly
time-signature-in-parentheses.ly
time-signature-printing-only-the-numerator-as-a-number-instead-of-the-fraction.ly
-transcription-of-ancient-music-with-incipit.ly
tuplet-bracket-and-change-staff.ly
tweaking-clef-properties.ly
tweaking-grace-layout-within-music.ly
measure-counter.ly
positioning-segno-and-coda-with-line-break.ly
printing-text-from-right-to-left.ly
-transcription-of-ancient-music-with-incipit.ly
transposing-pitches-with-minimum-accidentals-smart-transpose.ly
using-an-extra-voice-for-breaks.ly
vertically-aligned-dynamics-and-textscripts.ly
projects / lilypond.git / commitdiff