Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@ignore
Tutorial guidelines:
příraz, prodleva) a @code{\acciaccatura} (příraz, krátká appogiatura).
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@ignore
Tutorial guidelines:
und Vorschläge mit @code{\acciaccatura}.
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Till Paala
@lilypond[quote,verbatim,relative=2]
c4 d8[
-\grace { e32[ d c d] }
+\grace { e32 d c d }
e8] e[ e
\grace { f16 }
e8 e]
@lilypond[quote,relative=2,verbatim]
c4 \grace b16 a4(
-\grace { b16[ c16] } a2)
+\grace { b16 c16 } a2)
@end lilypond
Es gibt drei Arten von Verzierungen:
@lilypond[quote,relative=2,verbatim]
\acciaccatura d8 c4
\appoggiatura e8 d4
-\acciaccatura { g16[ f] } e2
+\acciaccatura { g16 f } e2
\slashedGrace a,8 g4
\slashedGrace b16 a4(
\slashedGrace b8 a2)
System zwei 16-Noten für jede 8-Note des zweiten Systems:
@lilypond[quote,relative=2,verbatim]
-<< \new Staff { e2 \grace { c16[ d e f] } e2 }
- \new Staff { c2 \grace { g8[ b] } c2 } >>
+<< \new Staff { e2 \grace { c16 d e f } e2 }
+ \new Staff { c2 \grace { g8 b } c2 } >>
@end lilypond
@funindex \afterGrace
@lilypond[quote,verbatim,relative=2]
\new Voice {
<< { d1^\trill_( }
- { s2 s4. \grace { c16[ d] } } >>
+ { s2 s4. \grace { c16 d } } >>
c1)
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Till Paala
@ref{Gleichzeitige Ausdrücke}.
@lilypond[verbatim,quote,relative=2]
-\grace { g8[( a b] }
+\grace { g8( a b }
<> ) \p \< -. -\markup \italic "sempre staccato"
\repeat unfold 4 { c4 e } c1\f
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.11"
+@c \version "2.17.28"
@c Translators: Till Paala
@lilypond[quote,ragged-right,relative=2,fragment,verbatim]
\override Score.SpacingSpanner.strict-note-spacing = ##t
-\new Staff { c8[ c \clef alto c \grace { c16[ c] } c8 c c] c32[ c32] }
+\new Staff { c8[ c \clef alto c \grace { c16 c } c8 c c] c32[ c32] }
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.19"
+@c \version "2.17.28"
@c Translators: Till Paala
<<
\new Voice = melody \relative c' {
f4 \appoggiatura a32 b4
- \grace { f16[ a16] } b2
+ \grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
\acciaccatura a8 b4
@lilypond[verbatim,ragged-right,quote]
<<
\new Voice = melody \relative c' {
- \grace { c16[( d e f] }
+ \grace { c16( d e f }
g1) f
}
\new Lyrics \with { includeGraceNotes = ##t }
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@ignore
Tutorial guidelines: (different from policy.txt!)
@code{\acciaccatura}
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@node Duraciones
@section Duraciones
@lilypond[quote,verbatim,relative=2]
c4 d8[
-\grace { e32[ d c d] }
+\grace { e32 d c d }
e8] e[ e
\grace { f16 }
e8 e]
@lilypond[quote,relative=2,verbatim]
c4 \grace b16 a4(
-\grace { b16[ c16] } a2)
+\grace { b16 c16 } a2)
@end lilypond
Hay otros tres tipos posibles de notas de adorno; la
@lilypond[quote,relative=2,verbatim]
\acciaccatura d8 c4
\appoggiatura e8 d4
-\acciaccatura { g16[ f] } e2
+\acciaccatura { g16 f } e2
\slashedGrace a,8 g4
\slashedGrace b16 a4(
\slashedGrace b8 a2)
@lilypond[quote,relative=2,verbatim]
<<
- \new Staff { e2 \grace { c16[ d e f] } e2 }
- \new Staff { c2 \grace { g8[ b] } c2 }
+ \new Staff { e2 \grace { c16 d e f } e2 }
+ \new Staff { c2 \grace { g8 b } c2 }
>>
@end lilypond
\new Voice {
<<
{ d1^\trill_( }
- { s2 s4. \grace { c16[ d] } }
+ { s2 s4. \grace { c16 d } }
>>
c1)
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translation status: post-GDP
@ref{Expresiones simultáneas}):
@lilypond[verbatim,quote,relative=2]
-\grace { g8[( a b] }
+\grace { g8( a b }
<> ) \p \< -. -\markup \italic "sempre staccato"
\repeat unfold 4 { c4 e } c1\f
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.17.28"
@ignore
GDP TODO list
@lilypond[quote,ragged-right,relative=2,verbatim]
\override Score.SpacingSpanner.strict-note-spacing = ##t
-\new Staff { c8[ c \clef alto c \grace { c16[ c] } c8 c c] c32[ c] }
+\new Staff { c8[ c \clef alto c \grace { c16 c } c8 c c] c32[ c] }
@end lilypond
@seealso
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.19"
+@c \version "2.17.28"
@node Música vocal
@section Música vocal
<<
\new Voice = melody \relative c' {
f4 \appoggiatura a32 b4
- \grace { f16[ a16] } b2
+ \grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
\acciaccatura a8 b4
@lilypond[verbatim,ragged-right,quote]
<<
\new Voice = melody \relative c' {
- \grace { c16[( d e f] }
+ \grace { c16( d e f }
g1) f
}
\new Lyrics \with { includeGraceNotes = ##t }
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Nicolas Grandclaude, Ludovic Sardain, Gauvain Pocentek
@c Translation checkers: Jean-Charles Malahieude, Valentin Villenave, John Mandereau
expression musicale :
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Frédéric Chiasson, Jean-Charles Malahieude
@c Translation checkers: Valentin Villenave, François Martin, Xavier Scheuer
@lilypond[quote,verbatim,relative=2]
c4 d8[
-\grace { e32[ d c d] }
+\grace { e32 d c d }
e8] e[ e
\grace { f16 }
e8 e]
@lilypond[quote,relative=2,verbatim]
c4 \grace b16 a4(
-\grace { b16[ c16] } a2)
+\grace { b16 c16 } a2)
@end lilypond
Les plus courantes sont les acciaccatures, qui doivent se jouer très
@lilypond[quote,relative=2,verbatim]
\acciaccatura d8 c4
\appoggiatura e8 d4
-\acciaccatura { g16[ f] } e2
+\acciaccatura { g16 f } e2
\slashedGrace a,8 g4
\slashedGrace b16 a4(
\slashedGrace b8 a2)
@lilypond[quote,relative=2,verbatim]
<<
- \new Staff { e2 \grace { c16[ d e f] } e2 }
- \new Staff { c2 \grace { g8[ b] } c2 }
+ \new Staff { e2 \grace { c16 d e f } e2 }
+ \new Staff { c2 \grace { g8 b } c2 }
>>
@end lilypond
\new Voice {
<<
{ d1^\trill_( }
- { s2 s4. \grace { c16[ d] } }
+ { s2 s4. \grace { c16 d } }
>>
c1)
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Frédéric Chiasson, Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
@ref{Expressions simultanées}.
@lilypond[verbatim,quote,relative=2]
-\grace { g8[( a b] }
+\grace { g8( a b }
<> ) \p \< -. -\markup \italic "sempre staccato"
\repeat unfold 4 { c4 e } c1\f
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.17.28"
@c Translators: Frédéric Chiasson, Jean-Charles Malahieude
@lilypond[quote,ragged-right,relative=2,verbatim]
\override Score.SpacingSpanner.strict-note-spacing = ##t
-\new Staff { c8[ c \clef alto c \grace { c16[ c] } c8 c c] c32[ c] }
+\new Staff { c8[ c \clef alto c \grace { c16 c } c8 c c] c32[ c] }
@end lilypond
@seealso
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.19"
+@c \version "2.17.28"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Jacques Gerbaud
<<
\new Voice = melody \relative c' {
f4 \appoggiatura a32 b4
- \grace { f16[ a16] } b2
+ \grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
\acciaccatura a8 b4
@lilypond[verbatim,ragged-right,quote]
<<
\new Voice = melody \relative c' {
- \grace { c16[( d e f] }
+ \grace { c16( d e f }
g1) f
}
\new Lyrics \with { includeGraceNotes = ##t }
@end ignore
-@c \version "2.17.11"
+@c \version "2.17.28"
@node Elemi kottaírás
@chapter Elemi kottaírás
áll:
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2
+c2 \grace { a32 b } c2
c2 \appoggiatura b16 c2
c2 \acciaccatura b16 c2
@end lilypond
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@ignore
Tutorial guidelines: (different from policy.txt!)
musicale le parole chiave @code{\appoggiatura} o @code{\acciaccatura}:
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
@lilypond[quote,verbatim,relative=2]
c4 d8[
-\grace { e32[ d c d] }
+\grace { e32 d c d }
e8] e[ e
\grace { f16 }
e8 e]
@lilypond[quote,relative=2,verbatim]
c4 \grace b16 a4(
-\grace { b16[ c16] } a2)
+\grace { b16 c16 } a2)
@end lilypond
Esistono altri tre tipi di abbellimenti possibili; l'@emph{acciaccatura} -- un
@lilypond[quote,relative=2,verbatim]
\acciaccatura d8 c4
\appoggiatura e8 d4
-\acciaccatura { g16[ f] } e2
+\acciaccatura { g16 f } e2
\slashedGrace a,8 g4
\slashedGrace b16 a4(
\slashedGrace b8 a2)
@lilypond[quote,relative=2,verbatim]
<<
- \new Staff { e2 \grace { c16[ d e f] } e2 }
- \new Staff { c2 \grace { g8[ b] } c2 }
+ \new Staff { e2 \grace { c16 d e f } e2 }
+ \new Staff { c2 \grace { g8 b } c2 }
>>
@end lilypond
\new Voice {
<<
{ d1^\trill_( }
- { s2 s4. \grace { c16[ d] } }
+ { s2 s4. \grace { c16 d } }
>>
c1)
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
@ref{Simultaneous expressions}):
@lilypond[verbatim,quote,relative=2]
-\grace { g8[( a b] }
+\grace { g8( a b }
<> ) \p \< -. -\markup \italic "sempre staccato"
\repeat unfold 4 { c4 e } c1\f
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@ignore
Tutorial guidelines: (different from policy.txt!)
よっても作成されます:
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@lilypond[quote,verbatim,relative=2]
c4 d8[
-\grace { e32[ d c d] }
+\grace { e32 d c d }
e8] e[ e
\grace { f16 }
e8 e]
@lilypond[quote,relative=2,verbatim]
c4 \grace b16 a4(
-\grace { b16[ c16] } a2)
+\grace { b16 c16 } a2)
@end lilypond
装飾音符には他にも 3 つのタイプがあります。@c
@lilypond[quote,relative=2,verbatim]
\acciaccatura d8 c4
\appoggiatura e8 d4
-\acciaccatura { g16[ f] } e2
+\acciaccatura { g16 f } e2
\slashedGrace a,8 g4
\slashedGrace b16 a4(
\slashedGrace b8 a2)
@lilypond[quote,relative=2,verbatim]
<<
- \new Staff { e2 \grace { c16[ d e f] } e2 }
- \new Staff { c2 \grace { g8[ b] } c2 }
+ \new Staff { e2 \grace { c16 d e f } e2 }
+ \new Staff { c2 \grace { g8 b } c2 }
>>
@end lilypond
\new Voice {
<<
{ d1^\trill_( }
- { s2 s4. \grace { c16[ d] } }
+ { s2 s4. \grace { c16 d } }
>>
c1)
}
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@c Translators: Yoshiki Sawada
については @ref{Simultaneous expressions} を参照してください):
@lilypond[verbatim,quote,relative=2]
-\grace { g8[( a b] }
+\grace { g8( a b }
<> ) \p \< -. -\markup \italic "sempre staccato"
\repeat unfold 4 { c4 e } c1\f
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.17.28"
@c Translators: Yoshiki Sawada
@lilypond[quote,ragged-right,relative=2,verbatim]
\override Score.SpacingSpanner.strict-note-spacing = ##t
-\new Staff { c8[ c \clef alto c \grace { c16[ c] } c8 c c] c32[ c32] }
+\new Staff { c8[ c \clef alto c \grace { c16 c } c8 c c] c32[ c32] }
@end lilypond
@seealso
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.19"
+@c \version "2.17.28"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
<<
\new Voice = melody \relative c' {
f4 \appoggiatura a32 b4
- \grace { f16[ a16] } b2
+ \grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
\acciaccatura a8 b4
@lilypond[verbatim,ragged-right,quote]
<<
\new Voice = melody \relative c' {
- \grace { c16[( d e f] }
+ \grace { c16( d e f }
g1) f
}
\new Lyrics \with { includeGraceNotes = ##t }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@ignore
Tutorial guidelines: (different from policy.txt!)
with the keyword @code{\appoggiatura} or @code{\acciaccatura}:
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
@c Translation checker:
@c Translation checker committish:
-@c \version "2.17.25"
+@c \version "2.17.28"
@ignore
Tutorial guidelines: (different from policy.txt!)
voor een muziekuitdrukking te zetten
@lilypond[verbatim,quote,relative=2]
-c2 \grace { a32[ b] } c2 |
+c2 \grace { a32 b } c2 |
c2 \appoggiatura b16 c2 |
c2 \acciaccatura b16 c2 |
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@node Rhythms
@section Rhythms
@lilypond[quote,verbatim,relative=2]
c4 d8[
-\grace { e32[ d c d] }
+\grace { e32 d c d }
e8] e[ e
\grace { f16 }
e8 e]
@lilypond[quote,relative=2,verbatim]
c4 \grace b16 a4(
-\grace { b16[ c16] } a2)
+\grace { b16 c16 } a2)
@end lilypond
There are three other types of grace notes possible; the
@lilypond[quote,relative=2,verbatim]
\acciaccatura d8 c4
\appoggiatura e8 d4
-\acciaccatura { g16[ f] } e2
+\acciaccatura { g16 f } e2
\slashedGrace a,8 g4
\slashedGrace b16 a4(
\slashedGrace b8 a2)
@lilypond[quote,relative=2,verbatim]
<<
- \new Staff { e2 \grace { c16[ d e f] } e2 }
- \new Staff { c2 \grace { g8[ b] } c2 }
+ \new Staff { e2 \grace { c16 d e f } e2 }
+ \new Staff { c2 \grace { g8 b } c2 }
>>
@end lilypond
\new Voice {
<<
{ d1^\trill_( }
- { s2 s4. \grace { c16[ d] } }
+ { s2 s4. \grace { c16 d } }
>>
c1)
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.25"
+@c \version "2.17.28"
@node Simultaneous notes
elements, see @ref{Simultaneous expressions}):
@lilypond[verbatim,quote,relative=2]
-\grace { g8[( a b] }
+\grace { g8( a b }
<> ) \p \< -. -\markup \italic "sempre staccato"
\repeat unfold 4 { c4 e } c1\f
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.17.28"
@ignore
GDP TODO list
@lilypond[quote,ragged-right,relative=2,verbatim]
\override Score.SpacingSpanner.strict-note-spacing = ##t
-\new Staff { c8[ c \clef alto c \grace { c16[ c] } c8 c c] c32[ c] }
+\new Staff { c8[ c \clef alto c \grace { c16 c } c8 c c] c32[ c] }
@end lilypond
@seealso
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.19"
+@c \version "2.17.28"
@node Vocal music
@section Vocal music
<<
\new Voice = melody \relative c' {
f4 \appoggiatura a32 b4
- \grace { f16[ a16] } b2
+ \grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
\acciaccatura a8 b4
@lilypond[verbatim,ragged-right,quote]
<<
\new Voice = melody \relative c' {
- \grace { c16[( d e f] }
+ \grace { c16( d e f }
g1) f
}
\new Lyrics \with { includeGraceNotes = ##t }
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.15.32"
+\version "2.16.0"
\header {
lsrtags = "contexts-and-engravers, midi, real-music"
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.15.17"
+\version "2.16.0"
\header {
lsrtags = "text"
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.17.28"
\header {
lsrtags = "rhythms"
\override Score.SpacingSpanner.strict-grace-spacing = ##t
\new Staff \new Voice {
\afterGrace c4 { c16[ c8 c16] }
- c8[ \grace { b16[ d] } c8]
+ c8[ \grace { b16 d } c8]
c4 r
}
\new Staff {
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.11"
+\version "2.17.28"
\header {
lsrtags = "spacing, tweaks-and-overrides"
\set Score.proportionalNotationDuration = #(ly:make-moment 1/16)
\new Staff {
c8[ c \clef alto c c \grace { d16 } c8 c] c4
- c2 \grace { c16[ c16] } c2
+ c2 \grace { c16 c16 } c2
}
\new Staff {
c2 \tuplet 3/2 { c8 \clef bass cis,, c } c4
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.15.17"
+\version "2.16.0"
\header {
lsrtags = "paper-and-layout"
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.11"
+\version "2.17.28"
\header {
lsrtags = "headword"
c''32
df''32
ef''32
- \acciaccatura { df''[ ef'' ] }
+ \acciaccatura { df'' ef'' }
f''8
ef''16
df''16
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.15.18"
+\version "2.17.28"
\header {
lsrtags = "rhythms, tweaks-and-overrides"
$(add-grace-property 'Voice 'NoteHead 'style 'cross)
\new Voice {
\acciaccatura { f16 } g4
- \grace { d16[ e] } f4
- \appoggiatura { f,32[ g a] } e2
+ \grace { d16 e } f4
+ \appoggiatura { f,32 g a } e2
}
}
}
texidoc = "Beamlets in grace notes remain readable."
}
-\version "2.16.0"
+\version "2.17.28"
\layout {
ragged-right = ##t
}
\relative c'
\context Staff {
- f1 \grace { a'8[ f16] } g1
+ f1 \grace { a'8 f16 } g1
}
-\version "2.16.0"
+\version "2.17.28"
\header { texidoc = "
The beaming algorithm handles collisions between beams and
" }
\relative c' {
- e'8[ f e \grace { f,16[ a] } e'8]
+ e'8[ f e \grace { f,16 a } e'8]
}
\relative c'{
-\version "2.16.0"
+\version "2.17.28"
\header {
texidoc = "Bar line should come before the grace note."
}
\relative c' \context Staff {
- f1 \grace { a'16[ f] } g1 }
+ f1 \grace { a'16 f } g1 }
\layout { ragged-right= ##t }
-\version "2.16.0"
+\version "2.17.28"
\relative c'' {
c4 d8[
- \grace { e32[ d c d] } e8]
+ \grace { e32 d c d } e8]
e[ e
\grace { f16 } e8 e]
}
-\version "2.16.0"
+\version "2.17.28"
#(ly:set-option 'warning-as-error #f)
}
\context Voice \relative c' {
- c4 \grace { d16[ d16] }
+ c4 \grace { d16 d16 }
}
-\version "2.16.0"
+\version "2.17.28"
\header {
texidoc = "Pieces may begin with grace notes."
}
\layout { ragged-right = ##t}
\relative c' \context Staff {
- \grace { a'16[ f] } g1
+ \grace { a'16 f } g1
\bar "||" % test if | and || are synced.
- \grace { a16[ bes] } c1
+ \grace { a16 bes } c1
\bar "||" % test if | and || are synced.
}
normal notes, if possible. They should never be longer, even if that
would lead to beam quanting problems."
}
-\version "2.17.6"
+\version "2.17.28"
\layout {
ragged-right = ##t
<< { d8.\noBeam d16 } \\ >> \grace { d16 } c8.[ b16]
<< { c16[ b] } \\ >>
- \grace { c16[ b] } d4
+ \grace { c16 b } d4
% \override Beam.inspect-quants =#'(2.8 . 2.5)
-% \grace { c16[ b] } d4
+% \grace { c16 b } d4
}
-\version "2.16.0"
+\version "2.17.28"
\header {
\relative c''{\key a \minor \time 2/4
\repeat "volta" 2 {
- \grace { a16[ b] } c4 c4 |
- \grace { d16[ b] } c4 c4 |
+ \grace { a16 b } c4 c4 |
+ \grace { d16 b } c4 c4 |
}
}
-\version "2.17.11"
+\version "2.17.28"
\header{
\new Voice \relative c'' {
\grace b8 c4\fermata
- \grace { c32[ cis32] } gis4
- \grace { cis32[ dis32] } e4
- \grace { c32[ d] }\tuplet 3/2 { c8[ c c] }
- \grace { b32[ ( c32] } c4)
+ \grace { c32 cis32 } gis4
+ \grace { cis32 dis32 } e4
+ \grace { c32 d }\tuplet 3/2 { c8[ c c] }
+ \grace { b32 ( c32 } c4)
\grace <c d>16 c8[ c8]
% \grace c16 c8[ c8]
%% broken?
-\version "2.17.11"
+\version "2.17.28"
\header{
m = \relative c'' {
\autoBeamOff
- g8( a) r8 \tuplet 3/2 { g'8( f e) } r8 \grace { d16[ c b] } e4
+ g8( a) r8 \tuplet 3/2 { g'8( f e) } r8 \grace { d16 c b } e4
\textLengthOff
d8.^"melisma" \melisma c16
\melismaEnd
-\version "2.16.0"
+\version "2.17.28"
\header {
texidoc="
}
\relative c' {
- c2 \grace { c16([ d e f] } g2)
+ c2 \grace { c16( d e f } g2)
f1
}
\addlyrics {
-\version "2.16.0"
+\version "2.17.28"
\header {
texidoc="
\relative c' {
f4 \appoggiatura a32 b4
- \grace { f16[ a16] } b2
+ \grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
\acciaccatura a8 b4
-\version "2.16.0"
+\version "2.17.28"
\header{
texidoc="
\time 4/4
<< d1_(\trill
{ s2 \grace {
- c16[ d]
+ c16 d
} }
>>
\break
}
-\version "2.17.6"
+\version "2.17.28"
\layout {
ragged-right = ##t
% #(define debug-slur-scoring #t)
| b='2( a4) s4
| b='4.( c8) s2
| << c=''1_(
- { s2 \grace { b16[ c] } } >>
+ { s2 \grace { b16 c } } >>
\break
b4)
e=''4.( c8) s4
run are spaced accordingly. "
}
-\version "2.17.6"
+\version "2.17.28"
\paper { ragged-right = ##t }
c
\grace { c16 }
d
- \grace { c16[ d e f] }
+ \grace { c16 d e f }
c
- \grace { c8[ c16 d c8] }
+ \grace { c8 c16 d c8 }
c
\override Score.GraceSpacing.spacing-increment = #2.0
-\version "2.17.3"
+\version "2.17.28"
\header {
texidoc = "The spacing engine avoids collisions between non-adjacent columns."
}
\grace { <d-1-2-3>8[ f a] }
<fis''-1-2-3-4-5>4 r4
\set fingeringOrientations = #'(right)
- <g'-1-2-3-4-5>4 \grace { d''8[ e'' d'']}
+ <g'-1-2-3-4-5>4 \grace { d''8 e'' d''}
g'4
}
>>
}
-\version "2.17.11"
+\version "2.17.28"
\paper {
ragged-right = ##t
\set Score.proportionalNotationDuration = #(ly:make-moment 1/16)
\new Staff {
c8[ c \clef alto c c \grace { d16 } c8 c] c4 c2
- \grace { c16[ c16] }
+ \grace { c16 c16 }
c2 }
\new Staff {
c2 \tuplet 3/2 { c8 \clef bass cis,, c }
texidoc = "Trill spanner can end on a grace note"
}
-\version "2.17.15"
+\version "2.17.28"
\layout {
ragged-right = ##T
}
\relative c' \new Voice {
<< { c1 \startTrillSpan }
- { s2. \grace { d16[\stopTrillSpan e] } } >>
+ { s2. \grace { d16\stopTrillSpan e } } >>
c4 }